kaveh akbar

What makes a life meaningful? Can a meaningful death transform an otherwise meaningless life into a meaningful one?

These are just a few of the many ideas touched on in this week's episode, an interview with poet and author Kaveh Akbar. He joins us this week to discuss his new book, Martyr!, released in January 2024 and already a New York Times bestseller. This story follows a "newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, who embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum."

Listen in on this thought-provoking conversation, which explores so many interesting topics, including the difference between collective trauma and individual grief, how discovering his calling as a poet was, in his younger years, what he stayed alive for, and how a morning of writing can be as powerful as a hit of narcotics.

We also continue our exploration of the limitations of languages that was kicked off on last week's episode (which was inspired by a line Katy read in this very book!).

You can find Kaveh on his website or on Instagram. Martyr! is available on Amazon or where ever you buy books.

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NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET

BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon.

TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

 

A line from a new book by poet Kaveh Akbar sparks the idea for this episode: in a nutshell, does language have the capacity to truly express what we are trying to convey, or is there always something that can't be put into mere words?

Is it true, as Akbar claims, that a photograph can describe what it was, but words can only describe what it was like?

Also, when you speak two languages fluently, or live in two languages, do you naturally have a larger lexicon from which to draw when trying to express yourself? Or does it limit you? What about clichés? Why do we use them, and how do they translate?

Listen to the end to hear some fun foreign words that mean very very specific things that have no equivalent in English. We also talk about our own personal writing tics, descriptive habits we can't stop using in our own writing.

-------------------------------------

ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started.

BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more.

TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue.

START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up.

SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps.

WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us.

JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured!

NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET

BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon.

TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Verzeihung, darf ich dir ein Gedicht schreiben? Dir einen Tempel bauen? Darf ich dich beißen? Mich in dir auflösen? Gilt das Wort? Was spricht im Gedicht, im Gebet, wenn die Formulierungen ausgehen, müssen die Knie schmerzen, was bedeutet es, dem Fleisch zu huldigen, einer ungeheuren Warensammlung, einer Idee? Welche Wünsche werden nur flüsternd ausgesprochen, welchen Büchern wird abgeschworen, und wie geht es den Angebeteten? Haben sie dir geantwortet? Hast du sie mal gefragt? In der sechsten Folge Stoff aus Luft sprechen wir über die Verbindung zwischen Schreiben und Beten, hören von Windhunden, Trümmern, der Anbetung im Fantum und einem Gott, der nicht ist. Mit: Mit Sirka Elspass, Senthuran Varatharajah, Kaveh Akbar, Ralph Tharayil, Nadine Finsterbush und Viv Sofer. Sound und Komposition: Fabian Saul Mixing und Mastering: Lane Hots

Show Notes (More Show Notes available at ourfaithinwriting.com (https://www.ourfaithinwriting.com/writing-and-faith/our-faith-in-writing-podcast)) Our Faith in Writing explores the intersection of writing and faith through conversations about the writing process, the reading life, contemplative practices, and more. Host Charlotte Donlon is a writer and a spiritual director for writers, and she believes writing and reading help us belong to ourselves, others, God, and the world. Subscribe to Our Faith in Writing wherever you listen to podcasts, and don’t forget to rate and review the show letting us know how these conversations are helping you feel less alone in your writing life and your reading life. Kaveh Akbar and Ashley M. Jones joined Charlotte for a conversation about Kaveh’s newest book of poems, Pilgrim Bell which is available now wherever books are sold. Kaveh and Ashley discussed a few of Kaveh’s poems from Pilgrim Bell, explored how poems help us feel connected to our loved ones who have died, shared what it’s like to write about their parents, and more. The three also talked about how writing and reading help us belong to ourselves, others, the world, and the divine. More about Pilgrim Bell With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy. More about Kaveh Akbar Kaveh Akbar’s poems appear in The New Yorker, The New York Times, Paris Review, Best American Poetry, and elsewhere. His second full-length volume of poetry, Pilgrim Bell, will be published by Graywolf in August 2021. His debut, Calling a Wolf a Wolf, is out now with Alice James in the US and Penguin in the UK. He is also the author of the chapbook, Portrait of the Alcoholic, published in 2016 by Sibling Rivalry Press. In 2022, Penguin Classics will publish a new anthology edited by Kaveh: The Penguin Book of Spiritual Verse: 100 Poets on the Divine In 2020 Kaveh was named Poetry Editor of The Nation. The recipient of honors including multiple Pushcart Prizes, a Civitella Ranieri Foundation Fellowship, and the Levis Reading Prize, Kaveh was born in Tehran, Iran, and teaches at Purdue University and in the low-residency MFA programs at Randolph College and Warren Wilson. In 2014, Kaveh founded Divedapper, a home for dialogues with the most vital voices in American poetry. With Sarah Kay and Claire Schwartz, he wrote a weekly column for the Paris Review called "Poetry RX." More about Ashley M. Jones Ashley M. Jones received an MFA in Poetry from Florida International University (FIU), where she was a John S. and James L. Knight Foundation Fellow. She served as Official Poet for the City of Sunrise, Florida’s Little Free Libraries Initiative from 2013-2015, and her work was recognized in the 2014 Poets and Writers Maureen Egen Writer’s Exchange Contest and the 2015 Academy of American Poets Contest at FIU. She was also a finalist in the 2015 Hub City Press New Southern Voices Contest, the Crab Orchard Series in Poetry First Book Award Contest, and the National Poetry Series. Her poems and essays appear or are forthcoming in many journals and anthologies, including CNN, the Academy of American Poets, POETRY, Tupelo Quarterly, Prelude, Steel Toe Review, Fjords Review, and elsewhere. She received a 2015 Rona Jaffe Foundation Writer’s Award and a 2015 B-Metro Magazine Fusion Award. She was an editor of PANK Magazine. Her debut poetry collection, Magic City Gospel, was published by Hub City Press in January 2017, and it won the silver medal in poetry in the 2017 Independent Publishers Book Awards. Her second book, dark // thing, won the 2018 Lena-Miles Wever Todd Prize for Poetry from Pleiades Press. Her third collection, REPARATIONS NOW! is forthcoming in Fall 2021 from Hub City Press. Ashley has won several prizes including the 2018 Lucille Clifton Poetry Prize from Backbone Press and a Poetry Fellowship from the Alabama State Council on the Arts.She currently lives in Birmingham, Alabama, where she is founding director of the Magic City Poetry Festival, board member of the Alabama Writers Cooperative and the Alabama Writers Forum, co-director of PEN Birmingham, and a faculty member in the Creative Writing Department of the Alabama School of Fine Arts. Jones is also a member of the Core Faculty at the Converse College Low Residency MFA Program. She recently served as a guest editor for Poetry Magazine. Charlotte Donlon is a writer, a spiritual director for writers, and the founder and host of the Our Faith in Writing podcast and website (https://www.ourfaithinwriting.com/). Charlotte’s writing and work are rooted in noticing how art helps us belong to ourselves, others, God, and the world. Her writing has appeared in The Washington Post, The Curator, The Christian Century, Christianity Today, Catapult, The Millions, Mockingbird, and elsewhere. Her first book is The Great Belonging: How Loneliness Leads Us to Each Other (https://charlottedonlon.com/the-great-belonging-book). You can subscribe to her newsletter (https://charlottedonlon.substack.com/) and connect with her onTwitter (https://twitter.com/charlottedonlon) and Instagram (https://www.instagram.com/charlottedonlon/).

Show Notes (More Show Notes available at ourfaithinwriting.com (https://www.ourfaithinwriting.com/writing-and-faith/our-faith-in-writing-podcast)) Our Faith in Writing explores the intersection of writing and faith through conversations about the writing process, the reading life, contemplative practices, and more. Host Charlotte Donlon is a writer and a spiritual director for writers, and she believes writing and reading help us belong to ourselves, others, God, and the world. Subscribe to Our Faith in Writing wherever you listen to podcasts, and don’t forget to rate and review the show letting us know how these conversations are helping you feel less alone in your writing life and your reading life. Kaveh Akbar and Ashley M. Jones join Charlotte for a conversation about Kaveh’s newest book of poems, Pilgrim Bell which is available now wherever books are sold. Kaveh and Ashley discussed a few of Kaveh’s poems from Pilgrim Bell, explored how poems help us feel connected to our loved ones who have died, shared what it’s like to write about their parents, and more. The three also talked about how writing and reading help us belong to ourselves, others, the world, and the divine. More about Pilgrim Bell With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy. More about Kaveh Akbar Kaveh Akbar’s poems appear in The New Yorker, The New York Times, Paris Review, Best American Poetry, and elsewhere. His second full-length volume of poetry, Pilgrim Bell, will be published by Graywolf in August 2021. His debut, Calling a Wolf a Wolf, is out now with Alice James in the US and Penguin in the UK. He is also the author of the chapbook, Portrait of the Alcoholic, published in 2016 by Sibling Rivalry Press. In 2022, Penguin Classics will publish a new anthology edited by Kaveh: The Penguin Book of Spiritual Verse: 100 Poets on the Divine In 2020 Kaveh was named Poetry Editor of The Nation. The recipient of honors including multiple Pushcart Prizes, a Civitella Ranieri Foundation Fellowship, and the Levis Reading Prize, Kaveh was born in Tehran, Iran, and teaches at Purdue University and in the low-residency MFA programs at Randolph College and Warren Wilson. In 2014, Kaveh founded Divedapper, a home for dialogues with the most vital voices in American poetry. With Sarah Kay and Claire Schwartz, he wrote a weekly column for the Paris Review called "Poetry RX." More about Ashley M. Jones Ashley M. Jones received an MFA in Poetry from Florida International University (FIU), where she was a John S. and James L. Knight Foundation Fellow. She served as Official Poet for the City of Sunrise, Florida’s Little Free Libraries Initiative from 2013-2015, and her work was recognized in the 2014 Poets and Writers Maureen Egen Writer’s Exchange Contest and the 2015 Academy of American Poets Contest at FIU. She was also a finalist in the 2015 Hub City Press New Southern Voices Contest, the Crab Orchard Series in Poetry First Book Award Contest, and the National Poetry Series. Her poems and essays appear or are forthcoming in many journals and anthologies, including CNN, the Academy of American Poets, POETRY, Tupelo Quarterly, Prelude, Steel Toe Review, Fjords Review, and elsewhere. She received a 2015 Rona Jaffe Foundation Writer’s Award and a 2015 B-Metro Magazine Fusion Award. She was an editor of PANK Magazine. Her debut poetry collection, Magic City Gospel, was published by Hub City Press in January 2017, and it won the silver medal in poetry in the 2017 Independent Publishers Book Awards. Her second book, dark // thing, won the 2018 Lena-Miles Wever Todd Prize for Poetry from Pleiades Press. Her third collection, REPARATIONS NOW! is forthcoming in Fall 2021 from Hub City Press. Ashley has won several prizes including the 2018 Lucille Clifton Poetry Prize from Backbone Press and a Poetry Fellowship from the Alabama State Council on the Arts.She currently lives in Birmingham, Alabama, where she is founding director of the Magic City Poetry Festival, board member of the Alabama Writers Cooperative and the Alabama Writers Forum, co-director of PEN Birmingham, and a faculty member in the Creative Writing Department of the Alabama School of Fine Arts. Jones is also a member of the Core Faculty at the Converse College Low Residency MFA Program. She recently served as a guest editor for Poetry Magazine. Charlotte Donlon is a writer, a spiritual director for writers, and the founder and host of the Our Faith in Writing podcast and website (https://www.ourfaithinwriting.com/). Charlotte’s writing and work are rooted in noticing how art helps us belong to ourselves, others, God, and the world. Her writing has appeared in The Washington Post, The Curator, The Christian Century, Christianity Today, Catapult, The Millions, Mockingbird, and elsewhere. Her first book is The Great Belonging: How Loneliness Leads Us to Each Other (https://charlottedonlon.com/the-great-belonging-book). You can subscribe to her newsletter (https://charlottedonlon.substack.com/) and connect with her onTwitter (https://twitter.com/charlottedonlon) and Instagram (https://www.instagram.com/charlottedonlon/).