keats

John Keats was a romantic poet of the early nineteenth century. He was, perhaps, even more "romantic" than the other three giants of the era: Wordsworth, Coleridge, and Shelley. This poem really embodies the exuberance and feeling that is present in all of his best work. It speaks of his wonder after reading the first complete English translation of Homer, by George Chapman. Chapman's version, from around the time of Shakespeare, had long been replaced by the more polished versions of Dryden and Pope; but Chapman's "vigorous and earthy paraphrase"* often does a better job of capturing the feeling of the original Greek. Much have I travelled in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-browed Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He stared at the Pacific -and all his men Looked at each other with a wild surmise - Silent, upon a peak in Darien. realms of gold - books, with edge of their pages painted gold. Apollo - the god of poetry, wisdom, and song. demesne - domain, property, estate. ken - sight; here it could even mean lens. Cortez - It was, of course, Balboa that discovered the Pacific. Keats was immediately informed of this error, but chose to leave it in. Why he did this is open to speculation: he may have just liked the sound of it better. surmise - An idea formed in the mind (and, often, expressed) that something may be true, but without certainty and on very slight evidence, or with no evidence; a conjecture. (OED) Darien - rugged area on the isthmus of Panama where Balboa first spotted the Pacific. *Quote from Wikipedia (http://en.wikipedia.org/wiki/On_First_Looking_into_Chapman's_Homer), referenced to the Enfield Council literary history (http://www.enfield.gov.uk/448/Literary%20Enfield.htm), but the original page has vanished. But it's a nice quote. Thanks for listening! Visit the podcast at http://poetryalive.podomatic.com We'd love to hear from you, e-mail comments and suggestions to poetryalivepodcast@gmail.com. If you've got a poem you'd like to hear, or even better, to read, let us know!

J Keats read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- fromThe Eve of St. Agnes by John Keats (1795 – 1821) XXXIII Awakening up, he took her hollow lute,— Tumultuous,—and, in chords that tenderest be, He play’d an ancient ditty, long since mute, In Provence call’d, “La belle dame sans mercy:” Close to her ear touching the melody;— Wherewith disturb’d, she utter’d a soft moan: He ceased—she panted quick—and suddenly Her blue affrayed eyes wide open shone: Upon his knees he sank, pale as smooth-sculptured stone. XXXIV Her eyes were open, but she still beheld, Now wide awake, the vision of her sleep: There was a painful change, that nigh expell’d The blisses of her dream so pure and deep At which fair Madeline began to weep, And moan forth witless words with many a sigh; While still her gaze on Porphyro would keep; Who knelt, with joined hands and piteous eye, Fearing to move or speak, she look’d so dreamingly. XXXV “Ah, Porphyro!” said she, “but even now “Thy voice was at sweet tremble in mine ear, “Made tuneable with every sweetest vow; “And those sad eyes were spiritual and clear: “How chang’d thou art! how pallid, chill, and drear! “Give me that voice again, my Porphyro, “Those looks immortal, those complainings dear! “Oh leave me not in this eternal woe, “For if thou diest, my Love, I know not where to go.” XXXVI Beyond a mortal man impassion’d far At these voluptuous accents, he arose, Ethereal, flush’d, and like a throbbing star Seen mid the sapphire heaven’s deep repose; Into her dream he melted, as the rose Blendeth its odour with the violet,— Solution sweet: meantime the frost-wind blows Like Love’s alarum pattering the sharp sleet Against the window-panes; St. Agnes’ moon hath set. First aired: 20 February 2009 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

J Keats read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- Ode to a Nightingale by John Keats. (1795–1821) My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness, That thou, light-wingèd Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a draught of vintage! that hath been Cool'd a long age in the deep-delvèd earth, Tasting of Flora and the country-green, Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South! Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stainèd mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmèd darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast-fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a musèd rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—do I wake or sleep? First aired: 7 February 2009 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

J Keats read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- On the Grasshopper and the Cricket by John Keats (1795–1821) The poetry of earth is never dead: When all the birds are faint with the hot sun, And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead; That is the Grasshopper’s—he takes the lead In summer luxury,—he has never done With his delights; for when tired out with fun He rests at ease beneath some pleasant weed. The poetry of earth is ceasing never: On a lone winter evening, when the frost Has wrought a silence, from the stove there shrills The Cricket’s song, in warmth increasing ever, And seems to one in drowsiness half lost, The Grasshopper’s among some grassy hills. December 30, 1816. First aired: 4 February 2009 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

J Keats read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- To One Who has been Long in City Pent by John Keats (1795 – 1821) To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven,—to breathe a prayer Full in the smile of the blue firmament. Who is more happy, when, with hearts content, Fatigued he sinks into some pleasant lair Of wavy grass, and reads a debonair And gentle tale of love and languishment? Returning home at evening, with an ear Catching the notes of Philomel,—an eye Watching the sailing cloudlet’s bright career, He mourns that day so soon has glided by: E’en like the passage of an angel’s tear That falls through the clear ether silently. First aired: 22 November 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

J Keats read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- To Sleep by John Keats (1795 – 1821) O soft embalmer of the still midnight! Shutting with careful fingers and benign Our gloom-pleased eyes, embower'd from the light, Enshaded in forgetfulness divine; O soothest Sleep! if so it please thee, close, In midst of this thine hymn, my willing eyes, Or wait the amen, ere thy poppy throws Around my bed its lulling charities; Then save me, or the passèd day will shine Upon my pillow, breeding many woes; Save me from curious conscience, that still lords Its strength for darkness, burrowing like a mole; Turn the key deftly in the oilèd wards, And seal the hushèd casket of my soul. First aired: 25 October 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

J Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Oh thou whose face hath felt the Winter's wind by John Keats (1795 – 1821) Oh thou whose face hath felt the Winter's wind, Whose eye has seen the snow-clouds hung in mist, And the black elm tops, 'mong the freezing stars, To thee the spring will be a harvest-time. O thou, whose only book has been the light, Of supreme darkness which thou feddest on Night after night when Phoebus was away, To thee the Spring shall be a triple morn. O fret not after knowledge - I have none, And yet my song comes native with the warmth. O fret not after knowledge - I have none, And yet the Evening listens. He who saddens At thought of idleness cannot be idle, And he's awake who thinks himself asleep. First aired: 15 December 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

J Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Human Seasons by John Keats (1795 – 1821) Four Seasons fill the measure of the year; There are four seasons in the mind of man:— He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook: He has his Winter too of pale misfeature, Or else he would forego his mortal nature. First aired: 15 October 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

J Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- On first looking into Chapman’s Homer by John Keats (1795 – 1821) Much have I travell’d in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow’d Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star’d at the Pacific—and all his men Look’d at each other with a wild surmise— Silent, upon a peak in Darien. First aired: 02 October, 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

J Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------------- When I Have Fears That I May Cease To Be by John Keats (1795 - 1821) When I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high pil'ed books, in charact'ry, Hold like rich garners the full-ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And feel that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;—then on the shore Of the wide world I stand alone, and think, Till Love and Fame to nothingness do sink. First aired: 28 July 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode on a Grecian Urn by John Keats Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.' You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

First aired June 28, 2007 Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode on a Grecian Urn by John Keats Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.' You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. ------------------------------------------------- Sonnet on the Sea by John Keats (1795 – 1821) It keeps eternal whisperings around Desolate shores, and with its mighty swell Gluts twice ten thousand caverns, till the spell Of Hecate leaves them their old shadowy sound. Often 'tis in such gentle temper found, That scarcely will the very smallest shell Be moved for days from whence it sometime fell, When last the winds of heaven were unbound. Oh ye! who have your eye-balls vexed and tired, Feast them upon the wideness of the Sea; Oh ye! whose ears are dinned with uproar rude, Or fed too much with cloying melody, Sit ye near some old cavern's mouth, and brood Until ye start, as if the sea-nymphs choired! Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/ http://englishhistory.net/keats/chronology.html

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- To One Who has been Long in City Pent by John Keats (1795 – 1821) To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven,—to breathe a prayer Full in the smile of the blue firmament. Who is more happy, when, with hearts content, Fatigued he sinks into some pleasant lair Of wavy grass, and reads a debonair And gentle tale of love and languishment? Returning home at evening, with an ear Catching the notes of Philomel,—an eye Watching the sailing cloudlet’s bright career, He mourns that day so soon has glided by: E’en like the passage of an angel’s tear That falls through the clear ether silently. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- To Sleep by John Keats O soft embalmer of the still midnight! Shutting with careful fingers and benign Our gloom-pleased eyes, embower'd from the light, Enshaded in forgetfulness divine; O soothest Sleep! if so it please thee, close, In midst of this thine hymn, my willing eyes, Or wait the amen, ere thy poppy throws Around my bed its lulling charities; Then save me, or the passèd day will shine Upon my pillow, breeding many woes; Save me from curious conscience, that still lords Its strength for darkness, burrowing like a mole; Turn the key deftly in the oilèd wards, And seal the hushèd casket of my soul. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

John Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Human Seasons by John Keats (1795 – 1821) Four Seasons fill the measure of the year; There are four seasons in the mind of man:— He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook: He has his Winter too of pale misfeature, Or else he would forego his mortal nature. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- On first looking into Chapman’s Homer by John Keats (1795 – 1821) Much have I travell’d in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow’d Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star’d at the Pacific—and all his men Look’d at each other with a wild surmise— Silent, upon a peak in Darien. You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- When I Have Fears That I May Cease To Be by John Keats WHEN I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high pil`d books, in charact'ry, Hold like rich garners the full-ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And feel that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;—then on the shore Of the wide world I stand alone, and think, Till Love and Fame to nothingness do sink. You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode on a Grecian Urn by John Keats Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.' You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode to Autumn by John Keats Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eaves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease; For Summer has o'erbrimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twinèd flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,— While barrèd clouds bloom the soft-dying day And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river-sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft; And gathering swallows twitter in the skies. You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/