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    larkin

    Explore " larkin" with insightful episodes like "BCC EP:101 Lake District leopards", "Studio Spotlight - Larkin Dance Studio", "Ep. 202 - Rancho Suscol: Its Religious, Revolutionary, and Homestead History (Part 2)", "Sport" and "Ларкин, ЦСКА, Барселона и другие итоги середины сезона | Euroleague-2020" from podcasts like ""Big Cat Conversations", "Making The Impact - A Dance Competition Podcast", "The Camelcast", "The Talking Newspaper" and "SportHub Media"" and more!

    Episodes (18)

    BCC EP:101 Lake District leopards

    BCC EP:101 Lake District leopards

    We catch up with Cumbrian investigator Sharon Larkin at the end of the Westmorland Show where Rick and Sharon were meeting witnesses and visitors to the big cat stand.

    Sharon explains how she follows up reports on her Facebook page, Big Cats in Cumbria. She describes several of her own encounters with large black cats and she justifies why she believes these are leopards, including the one she photographed near Gretna in 2014 as it spooked cows and consumed a rabbit.  

    South West investigator Paul Ramsden visited the show and also chipped in, comparing Cumbria’s big cat landscape with his home base in Gloucestershire. He and Sharon recount their highlights from people’s reports at the big cat stand at the show. 

    We are also joined by Ian, Sharon’s husband. He describes his own big cat sighting and he and Sharon reflect on the family’s experience living with the subject and owning two cats bred from servals… 

    More show notes, photos and messages are on this link…  bigcatconversations.com/refs-links/ 

    Words of the week:   savannah cats

    30 September 2023

    Studio Spotlight - Larkin Dance Studio

    Studio Spotlight - Larkin Dance Studio

    Guests: Michele Wagner, Molly Symanietz & Mackenzie Symanietz
    Hosts: Courtney Ortiz & Lesley Mealor

    What do you get when you combine a 70 year legacy, a family full of dancers, and a desire to help every child be the best they can be? You get Larkin Dance Studio out of St. Paul, Minnesota! The Larkin Legacy continues to develop phenomenal talent, with the studio being awarded Elite Top Dance Studio at Showbiz for the past 3 years, and receiving the distinction of Studio of the Year at The Dance Awards in 2016. Current owners Michele, Molly and Mackenzie sit down with us today on Making the Impact to share more about Larkin Dance Studio!



    Check out some of their dancers in action! 

    Visit their website to learn more: www.larkindancestudio.com


    If you love Making The Impact and want to support our podcast, buy us a coffee now on Ko-Fi! Your donation will go directly towards helping us create quality content for future episodes. We appreciate your support! ❤️


    This episode is sponsored by:

    Download the ArrangeUs app now to manage your formations and transitions for all of your choreography needs!
    Click here to try it now for FREE in the App Store!


    Check out our IDA Affiliate Competition and Sponsor - Diva Dance Competition! Head to their website to view their upcoming 2020 tour dates at www.divacomps.com 


    Follow your Hosts & Guests!

    • Courtney Ortiz - @courtney.ortiz
    • Lesley Mealor  - @miss.lesley.dance
    • Mackenzie Symanietz - @kenziesymanietz
    • Larkin Dance Studio - @larkindancestudio


    Join our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community 


    Leave us a review on Apple Podcasts! We would love to hear from you! 

    Join our Newsletter for weekly episode releases straight to your inbox! 

    For a list of affiliated dance competitions, visit our website at www.impactdanceadjudicators.com


    Join your hosts Courtney Ortiz & Lesley Mealor at the Capezio Flagship Store in the heart of New York City for a LIVE podcast recording of Making the Impact!  PLUS - a bonus master class with Courtney, lunch at Capezio, swag bag freebies, dance wear discounts & more!

    Saturday, March 30th, 2024 -
    RSVP and register for class now! 


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    Ep. 202 - Rancho Suscol: Its Religious, Revolutionary, and Homestead History (Part 2)

    Ep. 202 - Rancho Suscol: Its Religious, Revolutionary, and Homestead History (Part 2)

    Season 2 of the Camelcast resumes with the final episode examining the history of Rancho Suscol. The area of this 84,000 acre land grant, given in 1843, spans present-day Napa and Solano counties, and includes the cities of Vallejo and Benicia. Join us as new host Museum Administration Manager Maureen Williams and Museum Research Historian Dr. Jim Lessenger finish the discussion of Rancho Suscol: Its Religious, Revolutionary, and Homestead History.

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    Ларкин, ЦСКА, Барселона и другие итоги середины сезона | Euroleague-2020

    Ларкин, ЦСКА, Барселона и другие итоги середины сезона | Euroleague-2020

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    Сезон Евролиги пришел к своему экватору, стало быть, самое время обсудить последние и самые главные события, происходящие в главном баскетбольном турнире Европы.  

    Дмитрий Герчиков и Александр Прошута собираются вместе, чтобы весьма эмоционально отреагировать на матчи двойной недели и поделиться своими впечатлениями от сезона в целом

    — Как ЦСКА с Реалом умудрились набрать 115 очков на двоих и что из этого следует?

    Яннис Сферопулос — лучший тренер сезона в Евролиге?

    — Стоит ли паниковать болельщикам Барселоны?

    Тренерские перестановки в клубах: поможет ли им это?  

    Фенербахче и его очередная трансформация;

    Разговор о будущем MVP сезона, а также выбор идеального города для проведения Финала четырех — все это и многое другое в нашем новом подкасте. 

    Telegram-канал SportHub

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    Обязательно - подпишитесь и поставьте лайк нам на iTunes

    Также нас очень легко найти и слушать в Google Podcasts

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    Sporthub в соцмережах:

    Aubade by Philip Larkin

    Aubade by Philip Larkin

    Production and Sound Design by Kevin Seaman

    Aubade

    by Philip Larkin

    I work all day, and get half-drunk at night.    

    Waking at four to soundless dark, I stare.    

    In time the curtain-edges will grow light.    

    Till then I see what’s really always there:    

    Unresting death, a whole day nearer now,    

    Making all thought impossible but how    

    And where and when I shall myself die.    

    Arid interrogation: yet the dread

    Of dying, and being dead,

    Flashes afresh to hold and horrify.

     

    The mind blanks at the glare. Not in remorse    

    —The good not done, the love not given, time    

    Torn off unused—nor wretchedly because    

    An only life can take so long to climb

    Clear of its wrong beginnings, and may never;    

    But at the total emptiness for ever,

    The sure extinction that we travel to

    And shall be lost in always. Not to be here,    

    Not to be anywhere,

    And soon; nothing more terrible, nothing more true.

     

    This is a special way of being afraid

    No trick dispels. Religion used to try,

    That vast moth-eaten musical brocade

    Created to pretend we never die,

    And specious stuff that says No rational being

    Can fear a thing it will not feel, not seeing

    That this is what we fear—no sight, no sound,    

    No touch or taste or smell, nothing to think with,    

    Nothing to love or link with,

    The anaesthetic from which none come round.

     

    And so it stays just on the edge of vision,    

    A small unfocused blur, a standing chill    

    That slows each impulse down to indecision.    

    Most things may never happen: this one will,    

    And realisation of it rages out

    In furnace-fear when we are caught without    

    People or drink. Courage is no good:

    It means not scaring others. Being brave    

    Lets no one off the grave.

    Death is no different whined at than withstood.

     

    Slowly light strengthens, and the room takes shape.    

    It stands plain as a wardrobe, what we know,    

    Have always known, know that we can’t escape,    

    Yet can’t accept. One side will have to go.

    Meanwhile telephones crouch, getting ready to ring    

    In locked-up offices, and all the uncaring

    Intricate rented world begins to rouse.

    The sky is white as clay, with no sun.

    Work has to be done.

    Postmen like doctors go from house to house.

     

    Production and Sound Design by Kevin Seaman

    Rick Marschall Career Interview, Strip Historian Part 2: 1978 Marvel Comics to Hogans Alley

    Rick Marschall Career Interview, Strip Historian Part 2: 1978 Marvel Comics to Hogans Alley

    Artsy Alex Grand, Jazzy Jim Thompson, and Bill Fantastic Field continue the Rick Marschall Interview starting when he first starts in Marvel Comics Magazines in 1978 and meets Jim Shooter for the first time, discussing his working with various comic book superstars of the time like Chris Claremont, Rudy Nebres, John Buscema, Dough Moench, Marv Wolfman and Len Wein, Tony DeZuniga, Don McGregor, Bob Larkin, Earl Norem, Frank Frazetta, Gil Kane, Marie Severin, John Severin, Stan Lee, Archie Goodwin, Howard the Duck and more. The circumstance of his Marvel departure in 1980 as he creates Epic Magazine, and his portion of the Jim Shooter purge of eliminating 70s Marvel talent from the bullpen is discussed, as well as his later assignments at Disney Comics, Nemo Magazine with Fantagraphics, Nemo Strip Reprints, Plotting the Thundercats cartoon, starting Hogan's Alley with Tom Heintjes, working with Milton Caniff, Dr. Seuss, and writing his many entries or books on comic history. There are so many sticks of butter you'll need for this one, it will make your head spin! Again, it's the cat's meow. Edited & Produced by Alex Grand. No Sense Remix - Standard License. Marvel Magazines ©Marvel Comics. Support us at https://www.patreon.com/comicbookhistorians

    Podcast and Audio ©℗ 2019 Comic Book Historians

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    Emma Larkin

    Emma Larkin
    American journalist Emma Larkin has been travelling to Burma and secretly reporting on the country for over 15 years. In her new book, 'Everything is Broken', Larkin, who writes under a pseudonym, focuses on Burma's history of the last few years, following a devastating tropical cyclone that hit in 2008. Astonishingly, the country's regime not only blocked all international aid from entering the area but provided little relief themselves. 'Everything is Broken' not only exposes the extent of the damage, but provides a singular portrait of the generals responsible for compounding the tragedy.