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    lehigh valley

    Explore " lehigh valley" with insightful episodes like "What You Need to Know This Flu Season: A "Twindemic," Flu Shot Myths and More", "Strong Is Sexy: Why Strength Training Looks Good on You", "In “Vein” or Pain: How to Get Rid of Spider and Varicose Veins", "Be Summer Smart: Safety Tips for You and Your Kids" and "Portrait Photography & Presidential Prowess - A Conversation with Rachel Peri" from podcasts like ""The Healthiest You", "The Healthiest You", "The Healthiest You", "The Healthiest You" and "Lehigh Valley Arts Podcast"" and more!

    Episodes (82)

    Be Summer Smart: Safety Tips for You and Your Kids

    Be Summer Smart: Safety Tips for You and Your Kids

    Krystal Trinkle, CRNP, with LVPG Pediatrics–Pennsburg joins Mike and Steph from B104 to talk about summertime safety for kids. Get all the “deets” on bug spray, sunscreen and screen time so you and your kids can have best (and safest) summer yet

    Visit LVHN.org/children to learn more. You can also check out our Because They’re Kids: Virtual Info Sessions for Parents for more tips and advice. 

    Portrait Photography & Presidential Prowess - A Conversation with Rachel Peri

    Portrait Photography & Presidential Prowess - A Conversation with Rachel Peri

    This week, we talk with Rachel Peri.  Rachel Peri is a lifestyle and portrait photographer as well as jewelry maker who operates out of the Lehigh Valley. In addition to being an artist, she is the current acting president of ACE, also known as the Arts Community of Easton. ACE was founded in 1999 and incorporated in April 2000 by artists, business owners, art institution representatives, and art lovers, seeking an organization for arts education programs, exhibitions, workshops, information dispersal, and networking. Given its proximity to large cities, Easton has been a magnet for artists who are looking for a place to work and live. Since the 1980’s, many artists have joined with long time artists in making Easton their home. ACE’s mission is to encourage and promote all the arts; foster an appreciation of the arts; and enrich the quality of life by offering arts involvement, education, and community programming to the Easton area.

    For our opportunity of the week, we wanted to share some information about how you can get involved with ACE - The Artists Community of Easton!

    Monthly meetings are held by ACE as an opportunity for members to learn about the organization, upcoming events, and the work being done by the committees. There’s also an open forum for all members to share their thoughts and announce their own exhibitions that are done outside of ACE. Frequently, guest speakers are invited to discuss various topics of interest to the arts community.

    Artists of all mediums are welcome, as is anyone who would like to support the arts.  ACE Monthly Meetings are open to the public.  You do not need to be an ACE member to attend. ACE is a membership-driven organization, and there are numerous ways to contribute to and benefit from participation. As an ACE member, you will receive multiple opportunities to exhibit artwork, receive discounts, and more. Become an active ACE member and help lift and encourage our community through the power of the arts. ACE offers individual, family, and student memberships that offer benefits such as participation in meetings and events, marketing and networking resources, special exhibition opportunities and announcements, and more!

    You can find Rachel on Instagram as @rochperi and @rachelperiphoto.

    You can find ACE on Instagram as @ace.artscommunityofeaston or visit their website at www.eastonart.org.

    Better Medicine: Adolescent Bariatric Surgery

    Better Medicine: Adolescent Bariatric Surgery
    Richard Boorse, MD, with LVPG General, Bariatric and Trauma Surgery joins Beth Careyva, DO, Vice Chair, Clinical Programs, Family Medicine to discuss the new adolescent bariatric surgery being offered in partnership between Lehigh Valley Reilly Children’s Hospital and Lehigh Valley Institute for Surgical Excellence. Some of the topics include, when it's time for teens 16 and older to consider surgical intervention, how the adolescent program differs from the adult program and why this program is beneficial to teens and their families.

    Go For A Walk by Abbey Rosko

    Go For A Walk by Abbey Rosko
    Go for a walk. 2021. Oil on canvas. 12 x 24 in. 2021. A male figure, located off center to the right, is in mid-stride. He walks towards the left side of the canvas. His face is in profile but not given much detail. It is cropped at his thighs. He looks at a shop window. An unseen light source illuminates the building’s facade (to the right of the figure). The wall is light grey with black letters and numbers. The storefront window, to the left of the figure, is painted with neutral blue, grey and gold tones. There are loosely rendered objects in the window, and a fluorescent ceiling light can be seen beyond the window pane. The bottom has abstractly painted dabs and squiggles of dull umber and burgundy.

    Living Room by Abbey Rosko

    Living Room by Abbey Rosko
    Living room. 2020. Oil on canvas. 12 x 24 in. This painting is of a dim living room facing a window. Towards the bottom, left corner of the piece, in front of the window, we can see the silhouette of a man. To the right-hand side, there is a dusty blue colored couch, and a ruby red lamp. The arm of the sofa contains a mandarin colored floral design. Background is the window, curtains and wall of the living room. The perspective of this piece is low, like we are sitting in the room.

    Open the Door, and Let Me In by Abbey Rosko

    Open the Door, and Let Me In by Abbey Rosko
    Open the Door, and Let Me In. 2021. Oil on canvas. 12 x 24 in. A hand is the focal point of this painting. It is located at the top of the painting one third from the left. The hand is pressing against a black rectangle. The thumb points to the left, and the digits are straight up and close together. We see a three quarter view of a figure’s head. He stands facing towards the door. His black garb blends seamlessly into the black of the door. The right side is occupied by a light grey wall. The light source is from above. Another black door is on the far right edge. Haphazardly written words float in the space below the hand and head.

    Do I Repeat Myself? by Abbey Rosko

    Do I Repeat Myself? by Abbey Rosko
    Do I repeat myself? 2020. Oil on paper. 8 x 15 in. In a dim room, a figure slouches in a mid-century modern art chair. We are looking at the chair from the side and it faces towards the right of the painting. The figure is a masculine silhouette with subtle inferences for skin, hair, collar and black suit. He appears to look back at the viewer but the eyes are indiscernible. He rests his right elbow on the arm of the chair, and holds his relaxed fist up. It is level with his head. The viewer’s perspective is low. To the right of the male figure is a side table with drawers, and a dull red colored lamp with grey figurines loosely rendered. Behind these elements is a window with the sheer curtains drawn shut. To the far right is the arm of a dark blue sofa.

    Do I Repeat Myself? (2) by Abbey Rosko

    Do I Repeat Myself? (2) by Abbey Rosko
    Do I repeat myself? (2) 2020. Oil on paper. 8 x 15 in. This piece is a second study of “Do I repeat myself?” The focus is on a figure slouching in a mid-century modern arm chair on the left-hand side. We see the chair from the side. The design of warm gray flowers and dark green leaves is prominent on the chair’s upholstery. The figure is mainly a silhouette with subtle inferences for skin, hair, collar and blacksuit. The male character rests his elbow on the arm of the chair. He holds a relaxed fist up. It is level with his head. The background is abstract. A source of light pours in from the left. To the right are dark teals and grays. A raw sienna colored structure takes up the space in the background to the right of the figure.

    Cards by Abbey Rosko

    Cards by Abbey Rosko
    Cards. 2021. Oil on paper. 8 x 15 in. The perspective of this piece points across, and slightly down upon a dark brown table top. We see the figure of a man wearing a black suit sitting at the table, but only from the neck down. His hand is holding several red and white playing cards. Below this hand, on the table, are playing cards lying face-up. Two white serving plates are visible on the viewer’s right-hand side of the composition. Yellow cheese, bologna, and a silver butter knife rest on one plate. The far plate contains a light brown piece of cracker, a jar of mustard, and non-descript off-white objects. The background is dominated by a person wearing a stark black suit. The necktie is visible but the view crops at the neck. Behind all of these, there is chestnut colored wainscotting.

    Red Kitchen by Abbey Rosko

    Red Kitchen by Abbey Rosko
    Red kitchen. 2020. Oil on paper. The view is of a portrait of a slouched, male figure sitting at a table. A corner of the white table occupies the left foreground. On this table are vaguely painted objects and a shiny steel toaster. Most of the figure sits behind this table. He is His lightly dipping in a glass of water. The left side of the background is made up of a cool crimson hue. Then a black vertical stripe separates a block of cool grey behind the man’s head. The bottom right section of the composition exposes the bottom most layer of the surface. Small drops of paint and thin lightly drawn brush marks occupy the bottom right corner.
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