lietome

Today’s special guest wears many hats. Actor, writer, producer, and former jazz band member Monica Raymund believes there is no right way to become an artist. Graduating from the Juilliard School class of 2008, Monica felt that her 4 years spent as a student allowed her the space to fully explore her instrument and break through her own inner blocks.

After gaining representation through Juillard’s showcase, Monica shares that the determining factor in choosing her agent was the fact that her talent agent’s life didn’t revolve around the entertainment industry. With a lack of representation of Latina women on screen, Monica initially did not see television as an opportunity for her. Now, through the process of having grown comfortably into herself, Monica discusses how she now comfortably says “no” to projects that don't align with her values.

Having spent 8 eight seasons as fan-favorite character, Gabriela Dawson, on NBC’s “Chicago Fire,” Monica shares the ways in which she was able to stay creatively fulfilled as an artist when not shooting the series. With a list of credits including “Chicago PD,” “Hightown,” “The Good Wife,” “Blue Bloods,” “Brahmin Bulls,” “Arbitrage” and many more, Monica is going full-steam ahead when it comes to work both in front of and behind the camera. Today, Monica opens up about her first major network test experience, how NBC’s Female Forward program helped launch her directing career, and how what’s going on off-screen in an actor’s self tape is what makes a compelling audition.

These are the unforgettable stories that landed Monica Raymund right here.

Guest links:

• IMDB: Monica Raymund
• INSTAGRAM: @monicaraymund86

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Show Links:

• CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse
• COACHING: Get personalized coaching from Alyshia on your next audition or role
• INSTAGRAM: @alyshiaochse
• INSTAGRAM: @thatoneaudition
• WEBSITE: AlyshiaOchse.com
• ITUNES: Subscribe to That One Audition on iTunes
• SPOTIFY: Subscribe to That One Audition on Spotify
• STITCHER: Subscribe to That One Audition on Stitcher

Credits:

• WRITER: Lizzy Dalla Betta
• SOUND DESIGN: Zachary Jameson
• WEBSITE & GRAPHICS: Chase Jennings
• ASSISTANT: Elle Powell
• SOCIAL OUTREACH: Bebe Katsenes

1. You can be honest and not be rude. You can be honest and protect your privacy. It’s not all or nothing.


2. We learn about both the positive and negative consequences of lying.


3. How honest are people really? Dr. Levine shares his research.
 

4. We break down demeanor. Can you tell someone is lying by their body language alone?

5. We talk about deception and relationships. Is it easier or harder to detect lies in our close relationships?

Show notes: https://www.malikadudley.com/show-notes2/lyinganddeceptionhaveyoubeenduped

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Como dice la psicóloga forense, Sophie van der Zee, no existe un equivalente humano para la nariz de Pinocchio. Las técnicas de "detección de mentiras" sólo miden los cambios psicofísicos que ocurren, pero no nos permiten saber si alguien está mintiendo.

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