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    mcn

    Explore " mcn" with insightful episodes like "Bru Time #134 - Mossy's BACK! Chris Moss (part 2)", "Bru Time #134 - Mossy's BACK! Chris Moss (part 1)", "E084. 我在100万人的注视下生活 | 聊聊vlog博主这个职业 ft. 可妈可吗", "MCN spesial: Tips og triks for begynnere" and "Bru Time #129 - Chris 'Mossy' Moss (part 2)" from podcasts like ""TeapotOne - Bru Time", "TeapotOne - Bru Time", "TIANYU2FM— 对谈未知领域", "Tryllepodden" and "TeapotOne - Bru Time"" and more!

    Episodes (17)

    Bru Time #134 - Mossy's BACK! Chris Moss (part 2)

    Bru Time #134 - Mossy's BACK! Chris Moss (part 2)

    Part 2 of the chat with Chris Moss, or 'Mossy' as he's more affectionately known, is a British motorcycle journalist with over 40yrs of experience within the motorbike world.

    A former TT racer (or crasher as he likes to say), he's ridden every type of bike on every type of terrain - including Valentino Rossi's famous RCV Honda!

    Mossy has a story for every situation and this podcast episode was no different - we've even had to cut it into 2 parts as it went on so long!

    UltimateAddOns
    Premium manufacturer of phone and action camera mounting solutions - Use TEAPOTONE10 for 10% off

    Influencer Store
    The Influencer Store helps you build your brand and apparel - mention TEAPOTONE

    Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

    Please RATE/REVIEW this podcast
    If you've enjoyed this episode folks, please leave a review on your relevant podcast platform - it REALLY does help to promote the show and push it further up the rankings 👍

    SUPPORT the Podcast!
    Folks if you enjoy the Bru Time podcast and/or the TeapotOne content, then you can help support it by joining the Clan at https://www.patreon.com/TeapotOne

    Want to have YOUR question featured?
    You can submit your questions each week for the next guest either by posting them up on the episode post over on Patreon HERE, or by following on INSTAGRAM or FACEBOOK - I post up each week who the next guest is going to be, and you just post your question in the comments of that post.

    Thanks for listening folks and remember... Look after those you love, keep getting on out there whenever you can, and LIVE your life!







    Bru Time #134 - Mossy's BACK! Chris Moss (part 1)

    Bru Time #134 - Mossy's BACK! Chris Moss (part 1)

    Chris Moss, or 'Mossy' as he's more affectionately known, is a British motorcycle journalist with over 40yrs of experience within the motorbike world.

    A former TT racer (or crasher as he likes to say), he's ridden every type of bike on every type of terrain - including Valentino Rossi's famous RCV Honda!

    Mossy has a story for every situation and this podcast episode was no different - we've even had to cut it into 2 parts as it went on so long!

    UltimateAddOns
    Premium manufacturer of phone and action camera mounting solutions - Use TEAPOTONE10 for 10% off

    Influencer Store
    The Influencer Store helps you build your brand and apparel - mention TEAPOTONE

    Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

    Please RATE/REVIEW this podcast
    If you've enjoyed this episode folks, please leave a review on your relevant podcast platform - it REALLY does help to promote the show and push it further up the rankings 👍

    SUPPORT the Podcast!
    Folks if you enjoy the Bru Time podcast and/or the TeapotOne content, then you can help support it by joining the Clan at https://www.patreon.com/TeapotOne

    Want to have YOUR question featured?
    You can submit your questions each week for the next guest either by posting them up on the episode post over on Patreon HERE, or by following on INSTAGRAM or FACEBOOK - I post up each week who the next guest is going to be, and you just post your question in the comments of that post.

    Thanks for listening folks and remember... Look after those you love, keep getting on out there whenever you can, and LIVE your life!







    E084. 我在100万人的注视下生活 | 聊聊vlog博主这个职业 ft. 可妈可吗

    E084. 我在100万人的注视下生活 | 聊聊vlog博主这个职业 ft. 可妈可吗
    当与100万人分享自己的生活成为了一种工作,是一种怎样的体验?当vlog up主、学者、母亲等身份重叠在一起,生活又会变成什么样子? 本期节目,我们有幸邀请到了知名vlog博主—— 可妈可吗 做客,来一起聊聊一位百万粉丝博主的眼中的交错着的工作与生活。 可妈可吗 Bilibili认证知名Vlog UP主,B站粉丝超百万,小红薯粉丝14万 清华大学马克思主义学院博士生、两个孩子的母亲 B站/小红薯:可妈可吗 可妈视频的主角,就是她们一家四口,可妈、可爸、还有她的两个孩子:可可和多多。 随着工作变得越来越繁忙,以及受到越来越多的关注,她又是如何看待把自己生活的点点滴滴——从孩子的生活细节,到甚至自己在吵架后撕掉结婚证,然后再去补办等偏向隐私的故事——公之于众的博主身份的? 在本期节目里,我们与可妈聊了聊将自己的生活细节变成互联网内容的体验:生活可以有脚本吗?家庭关系会不会被评论和流量影响? 可妈还讲述与分析了她作为博主的职业经历:与MCN的关系、内容创作的倦怠期、b站和其他平台的舆论环境与用户画像。 在节目的后半段,我们和可妈聊了聊她同时承担妈妈、博主和学者三重身份的日常生活,与养娃前后的变化等话题。 那就请你抱杯咖啡,一起我们看看这位与一百万粉丝分享生活的人眼中的世界吧! 结语 天宇:正如我们在节目中所聊到的,我觉得vlog比起其他真人节目更加模糊了创作者和创作内容。 它把一个人的生活变成了可供他人消费的产品,让原本相对私密、个人,或许平淡无奇的生活必须成为具有某种可消费价值的、可被理解和传播的内容,而这种扮演、剪辑和传播自己的工作本身又成为了生活。 这或许让人倍感压力,但可能也不是创作者独有的感受。 虽然可妈在节目中说,她似乎在成为妈妈之后失去了一些对生活细节的察觉,变得更加顿感了,但我想她仍然热爱着和家人在一起的生活。 如果你对本期节目我们聊到的内容有什么自己的看法或是补充,欢迎你在评论区和留言,和我们一起交流。说不定你的评论也会启发到其他的人。 视频播客 本期节目特别推荐你去看看一周后会上线的视频版本,在B站 / Youtube 搜索TIANYU2FM都可以找到我们! 本期视频版中,可妈的宝宝在对话中突然闯进房间,可妈与宝宝的互动非常可爱,也是本期节目内容非常重要的一部分。 本期节目制作 John(制片人) 在洋(节目剪辑) Alan(节目运营) TIANYU2FM的理念:每期对谈有价值的声音 我们是天宇和天域,是挚友,也是一起求知的伙伴。这是一档为了开拓眼界,走出自我局限而设立的播客,我们通过与人的对谈来与未知的领域及知识互动。 主持人简介 天宇 | 大白(声调偏低):从事中日流行文化与媒介研究(文章见于澎湃新闻私家历史、网易新闻历史频道等) 天域 | 杰激(声调偏高):服装电商公司创始人、UnDeR20合伙人 TIANYU2FM听友群 欢迎你加入TIANYU2FM听友群,和我们一起直接聊天。 请在WX搜索同名ID:TIANYU2FM,并且备注:来聊天。记得不是公众号,而是添加好友。 欢迎关注我们的微博、twitter以及收藏我们的网站以看到更多日常信息以及节目更新提醒! Weibo: @tianyu2fm Twitter: @tianyu2fm Bilibili:tianyu2fm 网址: https://tianyu2.fireside.fm/

    Bru Time #129 - Chris 'Mossy' Moss (part 2)

    Bru Time #129 - Chris 'Mossy' Moss (part 2)

    Chris Moss, or 'Mossy' as he's more affectionately known, is a British motorcycle journalist with over 40yrs of experience within the motorbike world.

    A former TT racer (or crasher as he likes to say), he's ridden every type of bike on every type of terrain - including Valentino Rossi's famous RCV Honda!

    Mossy has a story for every situation and this podcast episode was no different - we've even had to cut it into 2 parts as it went on so long!

    UltimateAddOns
    Premium manufacturer of phone and action camera mounting solutions - Use TEAPOTONE10 for 10% off

    Influencer Store
    The Influencer Store helps you build your brand and apparel - mention TEAPOTONE

    Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

    Please RATE/REVIEW this podcast
    If you've enjoyed this episode folks, please leave a review on your relevant podcast platform - it REALLY does help to promote the show and push it further up the rankings 👍

    SUPPORT the Podcast!
    Folks if you enjoy the Bru Time podcast and/or the TeapotOne content, then you can help support it by joining the Clan at https://www.patreon.com/TeapotOne

    Want to have YOUR question featured?
    You can submit your questions each week for the next guest either by posting them up on the episode post over on Patreon HERE, or by following on INSTAGRAM or FACEBOOK - I post up each week who the next guest is going to be, and you just post your question in the comments of that post.

    Thanks for listening folks and remember... Look after those you love, keep getting on out there whenever you can, and LIVE your life!







    E067. “11层的皇堡吃完4分饱” | 对谈60万粉大胃王探店博主 ft. 橙飞一下

    E067. “11层的皇堡吃完4分饱” | 对谈60万粉大胃王探店博主 ft. 橙飞一下
    卷王赛道里的“佛系”知名内容创作者。 在当下的互联网上,美食领域这个内容赛道的竞争极为激烈,内容创作者也可以说百花齐放。从探店博主、烹饪教学、大胃王、再到各路名厨,无不争抢着这块巨大的流量蛋糕。 随着2021年《反食品浪费法》的颁布,美食领域也发生了不小的变化。美食领域的视频创作者们是如何工作的?在把美食当做工作之后他们是否还依然喜欢美食? 本期节目,我们有幸请到了在Bilibili坐拥60多万粉丝的知名大胃王、探店UP主——橙飞一下 对谈。 橙飞一下 bilibili美食领域优质UP主。从2018年开始尝试做视频,在接下来的几年中探索出属于自己的风格与内容受众,并从一名小学老师转行成为了全职视频创作者。 观众们心中,橙飞有两个最明显的特征: 一是能吃。他的免单挑战系列视频深受大家喜爱。例如他成功挑战30秒吃完超大豌杂面并获得终身免单的单条视频也获得了500多万的播放。 第二,是橙飞的谦逊与直率。他对人永远彬彬有礼,长期热心公益事业,甚至在视频里以ppt和excel表格的形式和观众公开分享自己过去一年的具体收入。 在本期节目里,我们从对大胃王的一些好奇聊起,谈到了国家出台的反食品浪费法、UP主的广告合作、MCN、联名,以及流量增大给UP主带来的问题等。希望你也能从中有所收获! 下周四更新预告 备注:本期节目音频内的“下期预告”为彩蛋预告。本期节目的彩蛋已经从主页下架,如果您想了解更多或收听彩蛋,请见“关于彩蛋节目(.5期)下架的公告”。 TIANYU2FM听友群 欢迎你加入TIANYU2FM听友群,和我们一起直接聊天。 请在WX搜索同名ID:TIANYU2FM,并且备注:来聊天。记得不是公众号,而是添加好友。 欢迎关注我们的微博、twitter以及收藏我们的网站以看到更多日常信息以及节目更新提醒! Weibo: @tianyu2fm Twitter: @tianyu2fm Bilibili:tianyu2fm 网址: https://tianyu2.fireside.fm/ TIANYU2FM提供的价值:每期对谈一个陌生行业 我们是天宇和天域,是挚友,也是一起求知的伙伴。这是一档为了开拓眼界,走出自己局限而设立的播客,通过与人的对谈来试图与未知的领域和知识产生互动。 本期节目制作: 在洋(节目剪辑) Alan(节目运营) 主持人简介: 天宇 | 大白(声调偏低):从事中日流行文化与媒介研究(文章见于澎湃新闻私家历史、网易新闻历史频道等) 天域 | 杰激(声调偏高):服装电商公司创始人

    Liz Perle Guest Hosts, TikTok Rises and Facebook Falls with Teens, Creator DAO Invests and Jake Paul Wants to Make Things BETR

    Liz Perle Guest Hosts, TikTok Rises and Facebook Falls with Teens, Creator DAO Invests and Jake Paul Wants to Make Things BETR

    In this episode:  

    • Liz Perle, Creator Economy Expert and Consultant, steps in for Lauren’s last week of vacation. We learn a lot! Like why Liz thinks the word “creator” is meaningless, generational differences in social media, and why she says, teenagers aren’t addicted to technology, but to each other. (This is all such good stuff!).
    • Josh and Liz discuss the latest Pew Research on teens and social media. Liz wants more detailed information and isn’t surprised, Josh is intrigued! 
    • Creator Dao is a thing and Josh and Liz break it down. 
    • Jake Paul starts a sports media company, but will it really be BETR? Our hosts have opinions. 
    • Uploads and Downloads – Dylan LeMay is into Ice Cream and BeReal is really popular!  

    We have a YouTube Page!  Please subscribe and follow us -  Click here

    Catch a new episode every Friday on your favorite podcasting site. Please leave a comment and visit our website www.creatorupload.com – subscribe and send us a message. We love to hear from you!  And of course, check out Jellysmack and Spr.ng.

    Creator Upload Socials:

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    Facebook’s Zuckerberg Makes an Announcement, We’re at Vidcon, and the Interview with Beth Le Manach from Entertaining with Beth!

    Facebook’s Zuckerberg Makes an Announcement, We’re at Vidcon, and the Interview with Beth Le Manach from Entertaining with Beth!

    In this week’s episode: 

    • Facebook’s Mark Zuckerberg makes announcements ahead of Vidcon 2022
    • We’re finally back at Vidcon IN PERSON!  And we’re Emceeing the Main Stage! 
    • Fantastic interview with Content Creator Beth Le Manach, from Entertaining with Beth – gives a great behind-the-scenes look on what it takes to create content and build a business! 
    • Uploads/Downloads – Ad Rates are trending... in what direction? 

    Vidcon Jellysmack site link:https://blog.jellysmack.com/

    Catch a new episode every Friday on your favorite podcasting site. Please leave a comment and visit our website www.creatorupload.com – subscribe and send us a message. We love to hear from you!  

    Visit Spri.ng’s Mint-On-Demand yes, one of our AWESOME sponsors! 

    Jellysmack is promoting its amazing Creator Program so please be sure to check it out. 

    Creator Upload Socials:

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    James Creech — Paladin CEO on Selling to Brandwatch, Influencer SAAS, and Recasting Success

    James Creech — Paladin CEO on Selling to Brandwatch, Influencer SAAS, and Recasting Success

    This interview features James Creech, SVP Influencer Strategy at Brandwatch and founder of Paladin. We discuss how former GE CEO Jack Welch inspired James to be a number one category leader, using his down payment on a house to start Paladin, his make or break pivot when the creator economy evolved in 2018, working till 3AM over Christmas to sell his company, why James and I are kindred spirits, and the power of recasting your success.

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:


    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.


    James Creech:

    Thomas and Ole and I all put considerable capital into the project. To put that in perspective, at the time, Thomas was getting married. His fiancé, she was amazing to say, "We believe in this dream, and we want to put that money that we would have saved for a big, nice wedding with our family and friends towards investing in this startup." I had been saving to buy a house, so I took essentially a down payment on what I would do to buy a house and said, "I'm all in on the business." Every penny to my name and probably even some I didn't have like went into Paladin. Then, Ole had recently gone out and bought a Tesla. He ended up driving back to the dealership and returning the Tesla, so he could take all of that money and put it into Paladin. So, every single one of us was all in from day one.


    Chris Erwin:

    This week's episode features James Creech, SVP influencer strategy at Brandwatch and founder of Paladin. So, James was born in Houston, Texas and grew up in Bakersfield, California with parents who worked in oil and gas. Early on, James was a creative. In high school, he made sketch comedy videos with his friends and thought film and TV was his future. So, he went to USC Film School and ended up running the college TV station, but soon realized that he really enjoyed and was good at the business side of entertainment. His career started at a video advertising startup, where he helped scale the team to over 40 employees, but then moved on to Bent Pixels, which started as an early YouTube MCN.


    Chris Erwin:

    While there, James took a big bet on launching a technology SaaS product for the early creator economy, which he ended up spinning out and leading as CEO, until its recent sale to Brandwatch just a few months ago. Today, James leads influencer strategy at Brandwatch and stays busy on the side, advising over 10 different companies and publishing content on his podcast and blog. Some highlights of our chat include how former GE CEO Jack Welch inspired James to be a number one category leader, when he used his down payment on a house to start Paladin, his make or break pivot when the creator economy evolved in 2018, working till 3:00 AM over Christmas to sell his company, why James and I are kindred spirits, and the power of recasting your success. All right, let's get to it. James, thanks for being on The Come Up podcast.


    James Creech:

    Hey, Chris. Thank you, excited to be here.


    Chris Erwin:

    This has been a bit of a long time coming. I think I was on your podcast a year or two ago, and I said, "James, I'm going to have to get you on mine someday." And, we're finally making it happen. When we were doing the prep, I just got even more excited, because I realized just how cool and exciting your story is. So, excited to share that with the listeners, and as always, let's rewind a bit. So, we're going to go back. Tell us about where you grew up, what your household and what your parents were like.


    James Creech:

    So, I was born in Houston, Texas, but grew up mostly in Bakersfield, California. So, I always tell people, "You could probably guess what my parents did for a living, right?" We worked in oil and gas. So, I spent most of my life, yeah, in Bakersfield, from ages four to 18, essentially. My childhood was great. I have a younger brother and sister. We're a close family. We had the chance to do a lot of traveling when we were younger, which was fun. I remember soccer practice and tennis and Cub Scouts, mock trial. We were involved in a lot of activities, and our parents were very much a part of those activities and the stuff that we enjoyed as kids.


    Chris Erwin:

    Quick interjection, how far did you get in Cub Scouts?


    James Creech:

    To the end of Cub Scouts. Never made it to boy Scouts.


    Chris Erwin:

    Did you achieve the Webelos badge?


    James Creech:

    Yeah, I was a Webelos. I think that's about as far as I made it.


    Chris Erwin:

    Nice. I did one up you a bit. I got to Eagle Scout with my twin brother.


    James Creech:

    Congrats. Wow, that's a huge achievement.


    Chris Erwin:

    It's a lot of work. Back to you, so grew up in Bakersfield, had some younger siblings. Early on, what were your passions? What were you into? Was there any glimpse into the career that you have today?


    James Creech:

    I think when I was a kid, I used to tell people what I wanted to be when I grew up, I said I wanted to be the governor of California. I don't know where that came from. I don't know that I have any sort of interest or passion in politics. I think as I got older, I would say I lacked the moral flexibility to pursue a career in that field, but was interested in politics and government early on. Somehow, that morphed into maybe being interested in law and going to law school at a certain point. I was pre-law at USC, so that was certainly a passion. I ended up doing the mock trial, as I mentioned, and then interned at a law firm and realized, hey, a lot of love for the legal profession, a lot of great friends who are lawyers, et cetera, but that probably wasn't the path for me.


    James Creech:

    In high school, the thing that really captured my intention was making videos with my friends, essentially comedy shorts. It's interesting, the timing, right? I was inspired by SNL and all these other amazing sketch comedy programs. Had I been a generation later, let alone maybe even five years later, the videos I made probably would've ended up on YouTube and now TikTok. But, because of the timing, I just made videos with my friends, and we made DVDs and shared them with our friends and family. But, it wasn't any sort of big distribution.


    Chris Erwin:

    It's never too late, James. It's never too late.


    James Creech:

    Yeah. There's an archive of a lot of old, embarrassing footage somewhere.


    Chris Erwin:

    Yeah, IP libraries are in high demand, high valuation. So, there could be something there.


    James Creech:

    So, that's what I was doing and figured, okay, well, I'm interested in media and entertainment. I applied and was accepted into the USC Film School and thought, okay, I'm going to go into film production, right? Fast forward a little bit, and I realized in college, well, I'm way more interested in the business side than I am in say the creative or the technical side. The stuff I liked doing in high school with my friends was making videos, which was really more about the experience of being together, less about the filmmaking process. But, yeah, that was kind of the early days.


    Chris Erwin:

    Yeah. So, I have to ask, what was your role in doing these sketch comedy or sketch segments? Were you a director? Were you a writer? Were you an actor? Was it all the above? And, I also want to hear, if you just have an example of one of the things that you guys did, I'd love to hear about it.


    James Creech:

    Oh, boy. So, I was an instigator. A ringleader is maybe the right word. We did all sorts of stuff. We were filming on these really small handheld cameras. I would certainly come up with sketch ideas and get my friends involved. We would shoot them. I would edit them. We would share them. There's plenty of stories that I can tell you, many of which are maybe too embarrassing for the podcast. So, we'll save that for a beer sometime, but one that definitely stands out is we kind of faked this kidnapping of our friend. He had a new girlfriend. He was really invested in that relationship, not spending as much time with our buddies. So, I said, "Okay, let's go to his house one afternoon, dressed all in black like ninjas," and his parents knew. We gave everyone a heads up, but we went in and kidnapped him for the day, which was a lot of fun. So, that's probably one that stands out.


    Chris Erwin:

    It's funny, hearing you tell these stories. So, I just started listening to This Is Important Podcast from the crew of Workaholics. They started just by making different sketch videos. They were filming wrestling matches in their backyard. Just hearing about some of their stories and how they started, and then they talk about, yeah, and then we sold the show to Viacom. How did this happen in Comedy Central?


    James Creech:

    Yeah, I wish that was the journey, was certainly inspired by Derrick Comedy and some of the other early, early YouTube sketch groups. We didn't get that far, right? It was fun to run around in our backyard and make videos, and that's where it ended for us.


    Chris Erwin:

    Yeah, cool. All right, so you get into USC Film School in 2012. I believe that you end up with a marketing and poli sci focus. But, tell us about you showed up at school. What was your initial focus? And, then it seems like it pivoted as you started to understand that you realized the appeal of the business side of entertainment, versus the creative side.


    James Creech:

    Yeah, so I went to USC, 2008. So, it was right around the housing crisis, financial crisis, which I don't know, as an 18 year old, you're fairly oblivious to. But, I was passionate about filmmaking. I was excited to be in the film program, also in the poli sci school. So, I was kind of running this dual track of, okay, well, I'm earning my political science degree, but I'm also taking these film courses and think that's what I want to do after I graduate. I got involved at the college TV station, called Trojan Vision, which is the largest TV station in the country. We broadcast to over a million homes, and I just kind of fell into it and fell in love with it. So, I was a producer on a show my freshman year, worked hard, got promoted to senior producer, second semester.


    James Creech:

    I was like, "Hey, I really like this TV thing. I like being involved at the station, meeting other students," applied for a staff position the next year and became an executive producer of a show. Okay, my first experience running a show, working in live television, it's exciting. It's the adrenaline rush of making something go on the air Monday through Friday. Through that experience, said, "Okay, I like the organization of the show, coming up with new ideas." We were experimenting with new technologies like HD broadcasts and live remotes and stuff at the time. So, I was like, "Okay, I'm excited about this," and people kept saying, "Maybe you should take some business classes." And, I thought to myself as a sophomore, well, hey, no. I'm doing the film path. I've got political science. I don't know what the business thing's about.


    James Creech:

    But, luckily USC has a very flexible structure and approach to curriculum. So, you could kind of dabble and take a couple classes. So, I said, "What's the worst that could happen? I'll take a business class or two," found out right away, hey, this is where I should be, and ended up transferring into the business school as a junior. So, I'm taking these intro 101 classes surrounded by freshmen. So, I had a very different mindset, let's say, going to the business school. I'm really excited to be here. There are certain things I want to learn. I'm finding ways to apply this over at the television station. I had been promoted to the general manager, so I was running the whole station at this point, which is a real budget.


    Chris Erwin:

    That's a lot of responsibility at a young age. What you said, it's one of the largest college broadcast stations in the US, and you're going ... Is there live programming Monday to Friday? That's a big deal.


    James Creech:

    Money through Friday, yeah, hours and hours of content. I was working essentially a full time load, basically 40 hours a week while going to school. But, I loved it. I loved every minute of it, creating television, working with students, and making something out of nothing, and putting it on the air every night, sometimes better, sometimes worse. But, I loved it.


    Chris Erwin:

    Okay, so you start taking these business classes, and right away, you're like, "This is a good fit." Then, what are you starting to think about what you want to do when you graduate?


    James Creech:

    Between my junior and senior year of college, I got an internship at Blizzard Entertainment. I grew up as a gamer. I wasn't necessarily a desktop gamer. I was more of a console gamer, but loved the opportunity to get exposure to another form of entertainment and work in a bigger company and try to decide what was right for me. So, as I was going through that process, had a great summer internship experience, came back, and had the opportunity to say, "Do I continue as the general manager of the TV station one more year as a senior?" But, kind of realized, maybe it was time to pass on the baton. So, it was hard to say goodbye, but I ended up getting another internship opportunity at this ad tech startup, this company in LA that was helping brands and media agencies promote video content on YouTube.


    James Creech:

    This was pre TruView, very early days, helping to make videos go viral. I was just, I guess, really interested in social media, but also, a USC alum was the COO. She was hiring. It was close to campus. It paid. I'm interested in this career path, but also it checks a lot of the boxes as a student that I want to make sure it's a good fit. So, I fell into that internship opportunity and just got hooked right away on the adrenaline rush of working in early stage companies. So, meanwhile, I had been recruiting, trying to figure out what do I want to do after I graduate. I had out law school or becoming a lawyer from my internship opportunity. I realized, okay, I'm more interested in the business side, so I'm gravitating towards that.


    James Creech:

    I like this startup company I'm working at, but I had always thought of myself as going into corporate America. So, I did recruitment on campus. I was offered a job to do business consulting and move to New York, which was kind of my dream. I was very excited as an almost 22 year old getting ready to graduate, moved to the Big Apple, and have this, what seemed like a really exciting, glamorous job at the time with travel and everything else. But, long story short, fell into working at Channel Factory, this ad tech startup, loved the team and the mission and the opportunity. They convinced me to stick around, so ended up declining the offer to do consulting and stay on the startup trajectory.


    Chris Erwin:

    I think what I'm starting to see here is you're on a unique path where you have both the creative know how and understanding, as well as the business savvy. That's very rare in Hollywood, right? I think of people like Bob Iger at Disney that has both of those sides of the brains, but it's a pretty rare profile, which probably explains a lot of the success that you've had in a very young career to date. Okay, so you go to Channel Factory, and what do you focus on there? Because, it seems like you start at the company when it's pretty early on, and they're on a really high growth trajectory. And, you facilitated some incredible wins there. Tell us about that.


    James Creech:

    Yeah, it was ground floor, right? It was in the founder's living room, essentially. We were building a business out of thin air, which was enticing to me and kind of felt similar to live TV production. Okay, there's this excitement. There's this adrenaline rush. You can have a big impact. So, I was basically the fifth employee, came in as an operator, doing a little bit of everything, strategic projects, built out ad operations group, hiring, training, commercial ops. I ended up working quite a bit coaching and supporting and at some points managing some of the sales team.


    Chris Erwin:

    This is all in like your young mid-20s, right? Because, you just listed off a lot of different things.


    James Creech:

    Yeah. We were all young, for the most part at that time. We were early 20s. It was a young company. It was an exciting opportunity in an early stage of the business. We ended up, of course, bringing in some more senior experienced folks, but there was this meritocracy to an extent, this excitement for youth and passion. So, we were all kind of figuring it out as we went along, and I was this person who didn't know anything going into it, but was just excited about where the company was going and the type of impact that I could have. So, we grew that business to whatever, 40 plus people, and close to or exceeding eight figure revenues. We opened offices in New York and Chicago. It was this wild ride for two and a half years, so learned a lot of lessons, both good and bad.


    Chris Erwin:

    Can you elaborate on some of those lessons?


    James Creech:

    I learned a lot about how to treat people, right? I didn't always agree with the founder and the leadership at Channel Factory. I had some great people that I learned from and supported me. Then, there were certainly some differences of opinion at times. I would say the other thing is it taught me a lot about the type of leader that I wanted to be and the type of business that I wanted to build one day. It's instructive to learn what not to do sometimes, as it is to learn what to do. But, I got great contacts and relationships. A lot of the people at Channel Factory have also gone on to do some amazing things, many of whom have become very talented entrepreneurs. So, it was this kind of amazing talent pool and this breeding ground for incredible individuals who were passionate about digital video and making an impact on the space, and that's been exciting to be a part of. There were certainly some things that we did really well, and being a young company, made a lot of mistakes, myself included. And, you learn from that and keep going.


    Chris Erwin:

    I love what you said. I always repeat this in interviews. It's very important to learn what not to do or what you don't like. In the beginning of my career where I was an investment banker, I worked with some incredible people and developed some incredible skills. But, there was also a lot of experiences and things that I was exposed to that I really did not enjoy, I thought were not good influences to the rest of my career. I consider that very valuable. When I talk to young people that are emerging from the undergrad and entering the workforce, it's this thought of, I have to nail my first few jobs, and that sets up everything for me. The answer, no, I don't recommend that.


    Chris Erwin:

    Try new things and experiment, and if it doesn't go well, that's totally okay. And, you're going to learn from that. That was some of the most valuable experiences for me. So, I like what you just said there, James. I think that's spot on. So, after a few years there, you then end up at Bent Pixels, where you also realized some great wins for the company. So, tell us about some of the work that you were doing there and how this set you up for your first big entrepreneurial venture, which is Paladin.


    James Creech:

    So, I entered Bent Pixels as an operator. That's what I had done at Channel Factory. The company at the time was a multichannel network in the heyday of MCNs, right? So, there was this time of excitement around Maker Studios and Fullscreen and Awesomeness TV, and Machinima, this early wave of digital disruptors helping YouTube talent grow their audience, monetize their content, figure out the early stages of influencer marketing, and what now we've grown to know as the creator economy. But, this was ground zero, right? You remember. You were there, too. So, this was the very, very early stages of what these future digital businesses were going to look like.


    Chris Erwin:

    And, tell us exactly, what did Bent Pixels do specifically? Were they a software platform for the early creator economy?


    James Creech:

    They did three things, right? They were a traditional YouTube multichannel network, so they provided services to YouTube channel owners and creators to help them monetize their content. They offered digital rights management services, so they would help IP rights holders monetize and enforce anti-piracy against their content on YouTube. So, they were using the content ID tools and additional manual services to help manage those content libraries. Then, they did audience development, so they were doing channel management and audience growth for brands that wanted help with their YouTube presence, so not unlike Fullscreen, Maker, many others at the time, right? So, when we came in, Bent Pixels was probably a top 30 global MCN. It was probably in the top five for rights management. I don't know, hard to say where it fell in the audience development or channel management services business, just because so many people were trying to get into that space.


    James Creech:

    We were doing all of this and facilitating it through technology, right? So, when I came into the business, I mentioned I started as an operator. And, I looked around, and I said, "This business doesn't need operators, right? We have a very capable COO, a general manager." I was looking for ways to do process improvement, cut costs, or optimize systems. There just wasn't much of that to do. The company was profitable and growing, and it had been fairly well managed, right? Well, what the business needs is growth. That's completely new to me.


    James Creech:

    I don't really know the space I was coming from, I say is the demand side. I was working with brands and media agencies, and all of a sudden, I kind of end up on the supply side, right? Now, I'm working with talent and content creators. This business doesn't really need all of the skills that I necessarily have historically had. So, we've got to figure this out, right? So, I just reached out to as many people as I could in my network and then through LinkedIn and said, "Hey, I'm curious to learn more about this space. Are you up for getting together for coffee or having a conversation?"


    Chris Erwin:

    This is very interesting. What was your primary networking tool? Were you using LinkedIn back in the day for this?


    James Creech:

    I was super early to LinkedIn, and I would just reach out to people. I would say, "Hey, I think what you're doing is really interesting. I think this space is early on. There's probably a lot we could learn from each other. Are you open to meeting for coffee or jumping on a call?" And, you'd be surprised, so many people said yes, especially all over the world, right? I was meeting people in Europe, Latin America, Asia-Pacific. It was this amazing opportunity to meet these other entrepreneurs who were like, "Yeah, everyone's early. We're all trying to figure this out. What are the things that are working for you? What are the challenges?" So, it was a lot of just connecting and sharing and learning from one another. But, obviously LinkedIn has changed a lot, A, over the years, B, post-Microsoft acquisition. But, in those early days, I was a young, snotty nosed kid, very earnestly trying to meet people and be helpful to the extent that I could. And, people were very kind to share their time and experience with me.


    Chris Erwin:

    I love that. You and I were actually just talking about this, I think, on LinkedIn. I just started a 30 day LinkedIn challenge. I think LinkedIn is one of the most powerful social networking platforms for professionals, hands down. I've been pretty active on it for the past few years, but our team is definitely ramping up our investment in it in terms of the type of content that we're creating. We've been doing a lot of experimenting, as well as the cadence of content as well.


    James Creech:

    Which is amazing. I can't wait to follow your content journey. I did something very similar in 2021, where I wrote every weekday, and it was such a stretch goal. I learned a ton from it, which we can talk about at some point, but I love LinkedIn, very supportive of the platform's evolution into becoming more of a content destination, and like you said, showcasing professional stories and helping people connect. It's getting back to some of those early roots of what it helped me pursue in my career.


    Chris Erwin:

    I love that. Well, maybe we'll have to do a mini series of a podcast about LinkedIn best practices. So, you start reaching out to all these different contacts across the world, focused on how do we share mutual learnings, and how do we grow? So, what did you learn? Then, what did you take from your learnings and apply to Bent Pixels?


    James Creech:

    So, what I kept hearing was everyone was facing similar challenges, especially as we tried to figure out how to scale. You have to remember at the time, people were focused on initially hundreds of creators. Then, it became thousands of creators. At the highest levels of Maker, Awesomeness, we were managing tens of thousands of creators. Bent Pixels had tens of thousands of YouTube channel partners that they were supporting. This was before YouTube had the infrastructure tools, resources, support to help those creators themselves. So, MCNs were the first line of defense. The demand, the excitement for the space was so dynamic that it was this gold rush mentality, this exciting time of help and enable as many channel creators as possible.


    James Creech:

    So, we had been building some software internally at Bent Pixels at the time out of necessity to figure out, okay, how do we find the right creators? How do we manage those relationships, pay them accurately and on time? Eventually, that would become, how do we manage branded content projects with them? Everyone else was doing the same thing. They were trying to build tools in house. They were trying to fit a square peg into a round hole. How do we take Salesforce and DocuSign and all these other tools off the shelf, stitch them together into this Franken-suite, and hope for the best? And, it was expensive, and it wasn't working. So, I kept hearing this, and I thought to myself, well, hey, if everyone's facing the same problems, and we're building what to me feels like a pretty good software solution for this, that should be the business, right? I was a big acolyte of Jack Welch back in the days. I would read a lot of his books, this legendary CEO and leader of GE.


    James Creech:

    One of the things that stuck out to me is, if you're not one or two in a category, you should cut it, right? So, it just occurred to me at every leadership meeting, I was like, "We have an opportunity. There's this untapped market potential to build software for this new breed of creative companies, and no one's doing it right. So, we should be first to market. We could be a leader there. It's great that we have this profitable growing business, but we're never going to win, right? We're not going to be one or two in the category. We're going to be ... Maybe we move from 30 to 20 or five to three, right?" So, I was advocating for that. Now, the way it was perceived on the other side is, well, wait a minute. We've built this business, at that point I think over five or six years. It is growing. It is profitable.


    James Creech:

    All these other companies have raised massive VC investment. They have a lot more resources. We're happy with our business, and we want to keep developing it, but we're not going to bet the house on James's crazy idea, right? They were advocating, hey, let's get into paid media. It's what a lot of other people are doing at the time. There's a big opportunity. I had that background from Channel Factory. So, they kept saying, "No, forget about that. Focus on paid media." I don't know. I was persistent, probably very annoying, young naivete, saying, "I really believe in this idea. Just give me a shot." They shut me down a few times and just said, "No, let's focus on the paid media thing."


    James Creech:

    Until, finally one day in some leadership meeting, with the support of our CTO Ole at the time, they said, "You know what?" I think maybe just to shut me up, "Okay, fine, right? You can have two months, 60 days. Give it a shot. Let's see what happens, right? And, if it doesn't work," which they fully expected it wouldn't, "After the field experiment, we'll go back to focusing on paid media." And, I said, "Sounds like a fair deal to me, right? I'll take that bet." So, in those next two months, I signed Maker Studios, Defy Media, Me Too, Networks, and 2btube, which would later go on to become the largest Spanish language creator community in the world. So, all of a sudden, they said, "Wait a minute. This is really interesting. We didn't think you would sign a customer, let alone four of the top players in the space. This is absolutely what we're focusing on, and you should do this full time."


    Chris Erwin:

    Did you have to evolve the technology product to service these clients as well as reposition your services to actually close these prospects? So, you had to do both, because you didn't have a technology background before this. You hadn't built tech products. You weren't a project manager, but you had to become this for this new role, correct?


    James Creech:

    Yeah. I am passionate about technology, had never been in product, had been adjacent to it, but said, "Yeah, we've got to figure this out." We built a software application that's meant for internal use. We have to figure out access rights, provisioning, white labeling, to make this an externally consumable tool. We need to figure out how to price it. We have to figure out how to sell this to our essentially competitors, right? We were working with these companies that were also in many respects offering the same services or going after the same talent. So, in some conversations, that was a bit awkward, right?


    James Creech:

    It said, "Well, how do we know that you're not going to take this data or use this technology to better your business and not ours, right?" So, that was a tricky thing to dance around and navigate. Huge props due to our technical team, Ole our CTO, [inaudible 00:25:56], a lot of our early engineering design product resources who were making this thing happen behind the scenes. I was out there kind of selling the dream, but they were the ones executing on this. A lot of it was just need finding, listening to the market. What do you need? Does the current tool in some form serve that? How do we adapt it to fit what you need? And, what else should we be building in the future so that we can help you get there?


    Chris Erwin:

    Hey, listeners, this is Chris Erwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work, and it also really supports what we do here. All right, that's it, everybody. Let's get back to the interview. It's interesting, because just listening to this story, one version would be ... And, James builds this incredible business at Bent Pixels, and he does that for the next 10 years of his career. But, the reality is that actually, you're there for a couple years, and then you found Paladin. So, after this initial two months of success, what actually caused you to say, "Hey, I want to break out and create a different suite of technology tools for the creator economy?"


    James Creech:

    So, I think in success, we got even more excited and probably a bit persistent on my idea that, okay, this is really working. We're now signing more and more customers. We're going to put more resources into this. Now, we are the market leader. We're first to market. We're building a name for ourselves in this category. People are rethinking the perception of Bent Pixels as a software company, as a technology vendor, whereas to creators, there's still this brand identity around being an MCN, being a services business, being a media company. But, I'm kind of casting Bent Pixels in this new light and trying to position or change the branding to be this enterprise software tool. Meanwhile, that business segment is growing. Engineers are expensive, so we're adding a lot of headcount to service the need and the customers.


    James Creech:

    It got to a certain point where I'm still advocating, hey, let's sell off or shut down the other business units, because look around. A number of other acquisitions had happened. Awesomeness was acquired by Dreamworks. Maker Studios sold to Disney. There was all this M&A activity happening. So, I'm like, "Okay, it's probably a good time to think about what does an exit look like for the media business?" Then, we can focus. We can really double down on this technology play. So, I was advocating for that. The rest of the leadership team said, "It's very clear that you're passionate about this. We don't necessarily all share the same vision or belief in that strategy, but obviously, the way you run a media company and a tech startup, a high growth tech company, require different fundamentals, principles, capital. So, maybe these businesses should live on their own, right?"


    James Creech:

    So, that's when the idea was floated that we should spin it out, right? So, it was at the time myself, Ole, our CTO, and I had convinced my good friend and partner in crime, Thomas Kramer, who worked with me back in the Channel Factory days. So, he and I kept in touch. We would catch up and talk about a lot of these challenges. I said, "Would you come over here and lead product for us?" He got excited about that vision and that opportunity, so it was really the three of us advocating for this opportunity. Initially, I was kind of resistant, to be honest. I said, "No, like, I think this is where the business is going. We should focus on this." Ultimately, saw the light that, yes, okay, we should separate these companies.


    James Creech:

    For a long time, I wanted the software business to continue to be called Bent Pixels, and that maybe the media company should rebrand as something, Millennial Studios. There were some other ideas that were floated, but after whatever, six months of back and forth and working it out cooperatively as a team, we decided, okay, Thomas and Ole and James will basically buy the software IP and spin out and form a new company, and then will rebrand it, come up with a new name. Bent Pixels will continue as a customer of Paladin, but there will not be any formal relationship between the two businesses. I wanted to be very clear that Paladin is its own company and eliminate that conflict of interest idea. I think Bent Pixels was very happy to say, "Okay, we can offload these expenses from developers and sales people and everything else off our books, focus on our knitting, and get back to the growth of the media business." We worked that all out to happen April of 2016. So, that was when we took the leap and said, "Okay, we're going to set out on our own."


    Chris Erwin:

    Did you raise outside capital to give you and your two other founders the ability to purchase the software, purchase the IP, and kickstart what you called Paladin in April, 2016?


    James Creech:

    We didn't. We thought about it, but the way we originally structured the deal was Thomas and Ole and I all put considerable capital into the project. Then, some of our partners from Bent Pixels also came in as angel investors. They said, "We like you guys. We believe in what you are doing. We want to support you." So, they were kind enough to give us a little bit of seed capital to help us get through the early days of burn and very kindly help us figure out how to set up our books and transfer the employee leases and all these things that as first time entrepreneurs, you have to figure out. So, they were very helpful and kind and patient with us. But, Thomas and Ole and I were pretty much all in.


    James Creech:

    So, to put that in perspective, at the time Thomas was getting married, and he had promised his fiance this amazing wedding. She was amazing to say, "We believe in this dream, and as part of starting our life together, we want to put that money that we would have saved for a big nice wedding with our family and friends towards investing in this startup, right?" So, that was Thomas's contribution. I had been saving to buy a house, so I took essentially a down payment on what I would do to buy a house and said, "I'm all in on the business."


    James Creech:

    Every penny to my name and probably even some I didn't have like went into Paladin. Then, Ole has the best story of all, was living in Norway. He's Norwegian and had recently gone out and bought a Tesla, right? Because, he loved the sustainability mission. He loved electric cars, this beautiful new vehicle, right when they had first come out, 2016. He ended up driving back to the dealership and returning the Tesla, so he could take all of that money and put it into Paladin. So, every single one of us was all in from day one.


    Chris Erwin:

    Dude, this is wild, because typically, VC backed founders, if the founders have a new business idea, they will mitigate the risk by saying, "Okay, I'm going to contribute a significant amount of my time, right?" It could be a few years in building out this venture, but they're not putting in their own capital. They're going to get capital from third parties, venture funds. Then, that capital is going to be at risk. You are essentially doubly invested with your time and your own savings. But, I think what that means is that you probably had so much belief in what you are building that you wouldn't have done it otherwise.


    Chris Erwin:

    I think that belief is clearly very powerful, and for all of you guys to have had that, where you have Thomas contributing his wedding funds, and you have Ole contributing his Tesla funds, and you're even getting from former Bent Pixel employees, angel investment. I think that shows there's really something there. It's almost like with those dynamics, it would've been easy to raise venture capital, because they would've looked at the founders and said, "Oh, my God, their gumption that this is going to happen is so powerful, we want to be in." But, probably better for you guys, because I know you will tell the story of how you sold the company. You guys owned the majority of the equity. I had never knew that story, James. I never knew those dynamics around your business. That's incredible.


    James Creech:

    Thinking back to the time, imagining how I felt, I remember being 25. Your goals and your priorities at 25 and whatever, early 30s, are very different. But, something inside me just said, "We have to do this, right? We have the right team. It's the right time. It's the right opportunity." You look at the data. Most successful entrepreneurs are in their 30s, 40s, 50s, right? They've had-


    Chris Erwin:

    The average entrepreneur is older than 40.


    James Creech:

    Right, and they've had time to build a network. They've had experiences, failures along the way. I had not thought of myself as an entrepreneur up until this point, but something just tugged at me where I was like, "I can't imagine doing anything else." Although I had historically been very risk averse, I was just like, "We can't miss this, right? We have to do it, and we have to do it now. And, if it means going all in, if that's what it takes, then yeah, let's do it. There's no better time to do it than when we're young." So, having that conviction, which I think again is a lot of ... We didn't know any better, right? We were just hoping for the best.


    Chris Erwin:

    Which, actually I think is a good thing, to be delusional. You have to be delusional as an entrepreneur. The odds are stacked against you.


    James Creech:

    Big time.


    Chris Erwin:

    And, you are delusional, but it worked in your favor.


    James Creech:

    Yeah, exactly.


    Chris Erwin:

    So, you start the company. All right, you all contribute your capital. Paladin is now a thing. So, what are the first steps? Do you rent an office together? Is it, okay, we've got five new hires that we've got to make? What did that first year look like for you?


    James Creech:

    Yeah, terrifying, right? You've just jumped off the cliff, and you have to figure out how to build the airplane. Everyone was excited. I don't know if other people were nervous, but we had engineers. We had sales people. We had product folks who were working with us.


    Chris Erwin:

    What was the total team size from the beginning?


    James Creech:

    It was small. I want to say it was eight to 10, right? We had three founders and then the engineering team and then some of the business folks in LA. We had an office. So, we continued to rent the office. Basically, everything that was in Los Angeles became Paladin, and Bent Pixels had historically been based out of Las Vegas, so they just kept their operations. But, yeah, we had the office lease. We had all these salaries and payroll we had to be responsible for. So, all of a sudden, it's a lot of responsibility overnight to take eight plus people's livelihoods into account. We were losing money every month, right? We're looking at the burn. We knew we had to sell like crazy to just get out of the hole. Our reserves were not very high. We're talking about, we started this business with a few hundred thousand dollars, not any sort of big investment and no VC capital. So, it was all our money and very quickly needed to figure out, okay, how do we make this thing work?


    Chris Erwin:

    What were some of the early proof points where it was, okay, this thing is going to exist for more than just six months? What were some of those early wins? And, did you ever think about raising venture capital?


    James Creech:

    So, we sold like crazy in order to get to the break even point, and that was 100% of my time and energy in those early days. I think one of the biggest turning points was closing Awesomeness TV. So, I was working with a lot of your former friends and colleagues, Matt Levin, Parker Jones, Kelly Day, also worked a lot with Jen Robinson, the CTO. This was the first six figure deal that we closed as Paladin. I'm trying to remember if that's true. Maker Studios, I think also ended up being a six figure deal, but I think the original commitment was smaller. So, when I closed the Awesomeness deal, it was the biggest customer we'd ever signed. It was like, wow, we're a real business all of a sudden, that this huge venture backed company is going to make a bet on this small startup and offload a lot of its cost. Awesomeness was spending significant sums of money and engineering headcount on these processes at the time.


    Chris Erwin:

    Awesomeness spent a lot of money back in the day.


    James Creech:

    And, look, they were managing probably the largest network in the world at a certain point, 90,000 creators. We said, "We want to come in and make that easier for you." I think in many respects, we could. Jen Robinson and others saw the opportunity and believed in us and worked really closely with us to make that happen. But, that was absolutely a turning point of, okay, we're signing, as customers, some of the biggest players in the world. They're making this bet on us, and these are real contracts with real budget behind them. That was certainly a turning point.


    Chris Erwin:

    This is great to hear, considering the current macro-economy that we're going into, right? So, we are recording this podcast in the middle of May. We have faced, over the last quarter, the 1.4% decline in GDP in the US. I think there's a lot of signals of the global macro-economy slowing. Out of China, there's supply chain issues, rising interest rates, inflation. You name it. I say all of this, because companies are going to need to start thinking about ... I think access to venture capital is going to become a lot more challenging.


    Chris Erwin:

    So, what's the best form of capital? It's revenue, and it's having a business that works. So, you guys, that was your approach in 2016, which is, if we're going to finance this business, we're going to create a product that meets the market need, and we're going to sell it successfully. Then, so you closed some big deals like Awesomeness. So, that early validation must have been very rallying the team, and we got something here, right? So, it seems like that success continues for a bit. But, then there's a point in your business where you were telling me a pivot had to happen, right? So, kind of tell that journey from that founding. You have some initial success like the deal you just mentioned, and then what is happening until you realize something's got to change here?


    James Creech:

    So, first of all, I love putting it in context, because at the time, people would ask us, "Oh, are you venture backed, right?" As if that were a sign of stability, right? We would do info-sec evaluations through Disney, through Viacom for Awesomeness. People wanted to make sure we weren't going to go out of business tomorrow. I remember thinking to myself, yeah, I would tell people kind of jokingly, "Yeah, we raise money from our customers, and we call it revenue. We have this different model. We're bootstrapped. It's very unusual," and people got a kick out of that. But, to me, it was, okay, we got over the hump. Now, we're break even, profitable. We're reinvesting everything back into the business. So, we closed the deal. We hire another engineer. We hire a new salesperson. But, you had asked, did you ever entertain the idea of raising capital?


    James Creech:

    We did. Probably the most serious thought we had around it was we looked at potentially acquiring Epoxy. I don't know if you remember those guys back in the day. They had raised a significant sum. They were great entrepreneurs with a good idea that was probably just a few years ahead of their time, backed by some of the biggest VCs here in LA. I think they raised something like $8 million and just were having a tough time figuring out the business model. This was before people thought, well, can we get creators to pay for anything? And, I really liked Juan and Jason, and they introduced us to Mark Suster at Upfront. We spent a lot of time together, saying, "Does it make sense for Paladin to get an additional capital infusion and then acquire the Epoxy asset and turn it into an enterprise product?"


    James Creech:

    We figured we have relationships. We know how to sell this. For a variety of reasons, we decided not to proceed, and it's a shame. They ended up selling the business to someone else, but that was the most serious discussion we had around it. The business certainly changed significantly over the years, right? So, in those early days, we were primarily focused on helping multichannel networks and other digital businesses, so talent management companies and agencies, figure out how to manage digital talent. First, it was YouTube. Very quickly, it became a multi-platform world. So, it was Vine for a little bit, Instagram, Facebook, Twitter, et cetera. Then, you have things like Twitch come on the scene, and obviously later in our history, TikTok. So, the business was becoming much more multi-platform. The YouTube MCN business evolved significantly, right?


    James Creech:

    There were phases or stages to that business, but it became very clear that the 1.0 model of mass aggregation and monetizing off of the passive AdSense revenue was a bit of a dinosaur, and the new business model was focused on branded content and paid media and other incremental ways to build a business around the creative portfolios that these talent were were producing. So, we knew our business needed to change to keep up. The biggest signal was influencer marketing, right? If you looked at, well, how are creators making money, sure, they make millions of dollars a year in YouTube AdSense revenue, but there's this enormous opportunity from brands in branded content.


    James Creech:

    Then, of course later on, we'd see e-commerce, but at the time, we said, "Okay, we need to build tools to help our customers and ideal future customers support this activity. So, let's build better influencer identification and discovery tools. Let's build a much more robust CRM for not just agencies, but for brands. Let's think about creating sales materials, because people are spending so much time generating pitch decks, right?" I remember running influencer campaigns, and it was, okay, go ask the influencer for screenshots and put that into a PowerPoint presentation. Email it over to the client, and then they're going to ask for revisions.


    James Creech:

    You go back and forth, right? Why don't we just tap into the social APIs, pull all that data on demand, and create this robust real time reporting around the campaign, so that, A, you deliver better results, and B, you can actually monitor and optimize campaign performance in real time. So, that was really the direction that we started to go, was saying, "Okay, as much as we still want to support these customers and this opportunity, we're slightly modifying our strategy, and we're adjusting course to go pursue this influencer marketing opportunity, because it's brands and agencies figuring out how to work with creative talent in the digital economy."


    Chris Erwin:

    Got it. That was a big pivot that happened around what time, James?


    James Creech:

    Around 2018, 2019.


    Chris Erwin:

    And, so did that cause some real friction at your company? Did you have to rethink, hey, do we have the right team? Do we have the right sales strategy? Do we have the right relationships? Do we have to rethink how we're doing coverage? Do we need to build new products and services? And, do we have the right director of engineering to do that? So, what were some of those big key decisions that you had to work through as you pivoted the business?


    James Creech:

    Well, certainly, changing the identity and the branding of the business a bit, also the product offering, right? So, again, going back to need finding, what do the customers want? How do we build that out? It's easy to build something for one customer, but how do we build something for hundreds or thousands of customers? And, what is the right team composition that will help us to get there, right? It's classic innovator's dilemma of, well, we're still very dependent on these existing customers and their business needs. And, we want to continue to support that. But, at the same time, we need to be investing in this new direction. And, there were some hard conversations and hard decisions that came about from that, right? Some people on the team were very excited, made the transition easily. Other people said, "Maybe this is my stop on the train, and I'm going to get off and pursue other opportunities."


    James Creech:

    Other people were excited about the direction and couldn't make it work, or performance started to slip as we shifted strategy. So, you have to make some tough calls, but the team worked really hard through that time period to help us change course. It's not the most dramatic pivot in the world, but it certainly felt like a big shift at the time. It didn't happen overnight. We've got this North Star. We're going to move towards it over the course of 12, 24 months. And, I remember we got our entire team together in Poland. We've historically had a big operations center for engineering in Kraków. We brought the whole team in to Poland and said, "This is our vision. This is what we're going to build together." I think that was really energizing, to harness the energy of everyone and say, "We have this shared mission and objective. Here's why we believe it's going to drive business value, better opportunity." And, it wasn't easy, but certainly was the right choice to start to move in that direction.


    Chris Erwin:

    I like that a lot. We had a team reflection last week, and we're realizing that just having run an advisory business for five years that has gone through a rebranding and a transformation in the last couple years, as we're entering this new macro-economy and just also thinking about who are the clients we work with when we provide certain services? What feels great and is right in our wheelhouse, versus what feels like we're stretched or doing something different? And, there was a big kumbaya moment where we came together. To better service our clients in the industry, we need to really rethink things. It was some tough conversations, but when you just face it head on, and then you empower your team and be like, "You guys are all here for a reason. What are your ideas for how to fix this? And, how do we all rally behind that?"


    Chris Erwin:

    And, it was a very powerful moment. I'm saying that, because it feels like when you had this conversation with your engineering team in Poland, you have to face this stuff head on. There's certain people, like you said, this is their stop on the train, and they're going to get off. But, for those that it's the right fit, keep going forward. That's best for everybody. I particularly feel very reinvigorated after this conversation, and I see this incredible potential for success going forward. I have a much smaller business than what you have. Did you feel coming out of that, you're invigorated, you're excited? And, did you have that same feeling when you first founded Paladin of, we got this, we're going to crush this? There's no doubt in the world. Were you feeling that?


    James Creech:

    I wish I could say yes, but I don't think so. Founding a business and running a business is an emotional journey. I'm so privileged to have two amazing co-founders, because sometimes you have a bad day, or you lose sight of what you're building towards. They can help lift you up, and vice versa. But, there were some tough times around 2018, 2019, where we were making this change, because the environment, the business conditions around us had changed. We realized we needed to do something to continue to grow and to survive. Again, I started the business with youthful idealism and ambition. Sometimes, we set really high goals for ourselves, and we don't always live up to them. I'm still very proud of what we built and how we had done it, but it's easy to move the goal post on yourself.


    James Creech:

    So, looking at that time in our journey, I remember we were committed to figuring it out and moving forward. But, I have to tell you honestly, there were some very tough times in those years of ... Are we doing the right thing? Are we making the right choice? And, are we going to get through it? Because, it was really challenging. Once it started to work, absolutely, it felt amazing, right? Things really started to click in 2020, and I had more passion and enthusiasm for the business than I had back in 2016. It re-lit this fire in us of, okay, we got through the hard work, the two years of making this change. We see where it's going. We're rebuilding in this new direction, and it's fun. We're hitting our stride. Everything's growing really quickly. We're bringing on new customers, new team members. We're winning, and that's the exciting part. But, in the slog of making that transition, it wasn't always fun. That's for sure.


    Chris Erwin:

    I hear that, but I think you're right. There's just something as an entrepreneur and a founder and a CEO. You have to trust your gut. Are we having fun? Does this feel right? You can have all the KPI dashboards in the world and follow all the numbers, but there's just some intuition that's really important. As I reflect in my career, there's moments where I can specifically say I felt differently about a business decision, and I didn't listen to my gut, and it was a major miss. So, as a business owner, now I'm listening to my gut more. I want to be a database decision maker, but I think instincts are very, very valuable when you have to pivot and move quickly and also really energize your team. I hear that.


    James Creech:

    You need both.


    Chris Erwin:

    You end up selling the company to Brandwatch, which I think was just announced over the past month. So, I'm curious to hear the story to exit right after this success, the 2019 pivot to now. How did you end up selling to Brandwatch?


    James Creech:

    We were evaluating, what is the next step for us in 2021? As I mentioned, the business started to really hit its stride in 2020. We were looking around at the overall market landscape, and look, influencer marketing is a crowded, competitive space. It's great. It keeps us sharp, but we realized if we want to continue to grow and compete in this space, then we need to either raise money and start to double down on sales and marketing or execute on a broader roll up strategy. Or, we can find someone who shares our vision and our passion for this category, but has more resources and can help accelerate our growth, right? So, the calculus for us at the time was ... You look at our well known, well funded competitors. Do we go out and raise money? It's certainly a path. That's an option.


    James Creech:

    Paladin had customers in over 35 countries, across five or six continents. So, we were competing against different people in Germany, than we were in Singapore, than we were in Dubai. So, it was different by market, but we recognized that, okay, we need to raise capital to help accelerate, or we need to find an exit. So, thinking about the fundraising process, as I mentioned, we're bootstrapped. A lot of us had good, favorable positions on the cap table. If we raise money, you dilute the ownership, and you kick out the goal post, I don't know, two plus years, let's say. And, the other thing I was cognizant of is, well, it seems to be this interesting moment in time where things are happening at such a rate, people want to get into this space. It's probably the right time for us to find a partner. We had had a lot of inbound interest, so we said, "Let's test the waters and see what the reception is. If we don't find anyone we like, we can always fall back on our current plan of just keep growing, or we can look at the fundraising alternative."


    Chris Erwin:

    So, you were getting inbounds from companies that were interested in kicking the tires around you potentially in an acquisition?


    James Creech:

    Yeah. We have throughout the history of the business, but it became especially acute interest in, let's say Q1, Q2 of 2021. So, I reached out to my banker friend, Jason Rapp at Whisper and said, "It seems like there's some interest here. We should probably run a process. How should we handle these conversations?" So, he came on to help us with that, very quickly had some phenomenal conversations with great people that I think saw what we were building and wanted to help add fuel to the fire. But, I was fortunate to meet Giles Palmer, the original founder of Brandwatch, who now works at Cision, the parent company. We just hit it off. He said, "Can you spend some time with our product team?" We met the product and engineering team. It was like magic from the first call.


    James Creech:

    They loved the product. They saw what we were doing. It fit very neatly into their thesis and what Brandwatch has been building in and around consumer intelligence and being a leader in social listening. They have been merging with Falcon.io, which is an amazing social media management tool. Influencer marketing was very clearly just the third leg of the stool. So, we got excited about that. They said, "Hey, can we talk tomorrow? Can we talk Monday after that?" And, very quickly, it escalated where they made an offer, and it was the right offer and the right time. We said, "Yeah, let's go into diligence." So, we ran diligence over the holidays. So, I was at Christmas with my family, Christmas 2021, hanging out with family during the day, and then working until about 3:00 AM every night, because A, I had a lot of work to do.


    James Creech:

    And, B, I had these colleagues in Europe who were also burning the midnight oil on their holidays. So, going through all of DD, and then we kind of finished that in early to mid-February. At the same time, we were running a parallel path on the purchase agreement documents with legal, reached an agreement on that in end of February. Then, we had to do a 30 day hold for DOJ approvals, announced in March, and then finally closed the acquisition at end of March. So, long process, but a lot of learnings and an exhilarating outcome. So, it's been amazing to see it all the way through.


    Chris Erwin:

    Wow.


    James Creech:

    It is such a process, right? It's probably the hardest thing I've ever done. People tell at the end, "Oh, congratulations. We're so excited for you." And, that's amazing, right? You experience all the emotions of joy, excitement, elation, but at the same time, strangely, at least I also experienced this feeling of loss, which I think is natural. It's kind of closing of one chapter and beginning of another, where you're saying goodbye to this thing that you've built and you've poured so much of your energy and time and money and everything else into. It's like a kid maybe growing up and going to college.


    James Creech:

    It's exciting. It's the next evolution, but it's also saying goodbye to the thing that I knew in its past form. Then, honestly, there's this just overwhelming sense of relief, because a lot of it feels like deliverables and juggling so many plates and keeping everyone happy. Every different constituency has something else they want from this outcome. So, if you're able to get to a point where everyone's satisfied, or as much as you can, you just get it done. It's this amazing feeling of, whew, right? We did it, and that relief is also very comforting and satisfying, I suppose.


    Chris Erwin:

    One last quick question before we get into rapid fire is, what's next for James? You're going to stay on at Brandwatch for a while. Are you going to go start your next company? What are you thinking?


    James Creech:

    So, I have come on to Brandwatch as the SVP of influencer strategy. So, I get to work with the global leadership team to help think through how do we inject influencer and creator economy strategy into the entire business, which is so exciting, right? I've spent too much time and energy on this to walk away for now, so I'm very excited to be in this new phase of the business, doubling down on what we've built, adding more resources, combining that with the amazing product suite that Brandwatch has. So, I'm still all in, excited about what we're doing. As you mentioned earlier, I'm still involved in a lot of advisory engagements, and it's fun for me to get to give back and support other early stage entrepreneurs. So, still a big passion for me and something I make time for, but in terms of my day to day focus, yeah, it's 100% all in on Brandwatch.


    Chris Erwin:

    Before rapid fire, James, I just want to give you some kudos. I have known you for a while in the industry. I think our LinkedIn posts have crossed paths for at least over five to seven years. I think our relationship, we've gotten to know one another better, I think over the past couple. I was on your podcast. Now, you're on mine. I think there could be a fun future ahead where we collaborate on different things. That's a separate convo, but I just want to say, as I've gotten to know you, learning about just how thoughtful that you've been in building your business, how thoughtful, how you are in building for the creator economy, I think one of the things that got me excited when I entered the whole YouTube MCN space back in 2012 was this positive sum mindset.


    Chris Erwin:

    We can all grow together. There's incredible opportunity. I think that you embody that feeling incredibly well. You just put out a lot of positive, good juju into the world. You're very supportive of so many people. I think it has a really big impact, and I think it's a great inspiration for so many others. So, massive kudos, and I hear you on this notion of loss, loss and relief. You had this baby. You took a huge bet on it. It's worked out incredibly well for you and your team and your co-founders, but James, you're a young guy with a very bright future ahead. You have many, many more exciting wins that lie ahead in your future. Just have faith and the trust that we are lucky that you have the time to go and do that work.


    James Creech:

    Well, thank you. Thank you for all of that. It's very kind. I'm flattered, and I've felt for a long time that you and I are maybe kindred spirits in a sense, right? Oh, I've got to spend more time with this Chris guy, because you're very obviously very intelligent, well connected, thoughtful in the content that you share, the communities that you curate through your events and dinner series, and things like that. Also, I just think we have a lot of personal interests, like your real estate investing and everything else. So, any chance, any excuse I have to get more Chris Erwin in my life, I will take it. So, just putting that out there, because very much excited about that. And, one other note, maybe just to kind of close things out is, as I mentioned, started the business in my mid-20s. I'm now in my early 30s.


    James Creech:

    As you go through this process, I think the most impactful thing that I've learned is recasting what defines success. For a lot of people, it's, oh, you sold the business. It's this very rewarding financial and career milestone. But, I don't think that's what it's all about. As much as I'm trying to be present and enjoy this moment and celebrate the win with our team who helped us build this business over the years, the way I think about success now didn't happen on March 31st, right?


    James Creech:

    Success is measured a year or two, five years from now, if it works. Can we integrate this product successfully into the overall Brandwatch suite and offering? Can we continue to create great career opportunities for our team? Do we continue to provide an excellent product and support level for our customers? Are we meaningfully advancing the creator economy and supporting this industry and its future evolution? So, maybe that's me moving the goal post on myself again, but I'm trying to tell myself, well, what matters is not just check the box. You sold the business. What matters is that it works and that the thesis we all had going into this is successful. At least, we're going to all put our energy into making it as successful as it can be.


    Chris Erwin:

    I love that, James, beautifully said. So, now rapid fire, all right?


    James Creech:

    Bring it on.


    Chris Erwin:

    The rules are, we have six questions. They must be answered in short form, so could be one sentence, or it could just be one to two words. Do you understand the rules, James?


    James Creech:

    I am notoriously loquacious, but I accept your challenge, yes.


    Chris Erwin:

    All right, first one, proudest life moment?


    James Creech:

    Personal, getting engaged to my fiance. Professional, selling Paladin.


    Chris Erwin:

    What do you want to do less of in the remainder of 2022?


    James Creech:

    I'd like to spend less time in some of the operational aspects of the business, A, because I don't think I'm necessarily best suited to do that, so handing that off, and worrying. I think I can repurpose my energies.


    Chris Erwin:

    What do you want to do more of the rest of the year?


    James Creech:

    Oh, boy, rock climbing, pickleball, time with friends and family, vacation, and pursuing alternative investments.


    Chris Erwin:

    I like that. What one to two things drive your success?


    James Creech:

    Servant leadership, which kind of goes back to my childhood, huge examples from both my parents. Tenacity and going out of my way to be helpful to other people in my network, so paying it forward, I guess.


    Chris Erwin:

    Advice for creator economy execs going into the remainder of this year?


    James Creech:

    Watch the macroeconomic conditions, because things are changing quickly. Experiment and don't be afraid to change direction.


    Chris Erwin:

    Got it. Any future startup ambitions?


    James Creech:

    100%, yeah. Not right at this moment. I'm definitely involved in a lot of early stage companies and supporting other entrepreneurs. So, startups will always be near and dear to my heart, but also excited to drive innovation and entrepreneurship within brand watch.


    Chris Erwin:

    All right, last one, James. This one's pretty easy. How can people get in contact with you?


    James Creech:

    LinkedIn is the best way. Find me on LinkedIn, James Creech. You can follow my content there. I haven't been posting as regularly as I should have, but a lot of people are motivating me to get back in. So, certainly that and always happy to chat. So, feel free to reach out.


    Chris Erwin:

    James, this was a total delight. Thanks for being on the podcast.


    James Creech:

    Thank you, Chris.


    Chris Erwin:

    Wow, that was such a fun interview. James is just simply a very delightful human. All right, a few quick things before we wrap here. Our RockWater team is likely going to be at VidCon on Friday, June 24th, so hope to see some of you there. In addition, as a reminder that earlier this year we published our 2022 investment theses where we make predictions and talk about trends across a variety of our coverage areas, including Web3, the creator economy, podcasting and audio, sports media, and so much more. So, if you have interest in checking out that deck, shoot us an email at Hello@WeAreRockWater.com. In addition, on Thursday, November 3rd, we're hosting another executive event in New York City. It'll be for founders, investors, and operators within media and commerce and with a particular focus on sports. If you'd like to attend, just shoot us a note, and we can get you an invite. Lastly, we love to hear from our listeners. So, if you have any feedback on the show, if you have any ideas for guests, shoot us a note at TCUPod@WeAreRockWater.com. All right, that's it, everybody. Thanks for listening.


    Chris Erwin:

    The Come Up is written and hosted by me, Chris Erwin, and is a production of RockWater Industries. Please rate and review this show on Apple Podcasts and remember to subscribe wherever you listen to our show. If you really dig us, feel free to forward The Come Up to a friend. You can sign up for our company newsletter at WeAreRockWater.com/Newsletter. And, you could follow us on Twitter @TCUPod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zizali. And, special thanks to Alex Zirin and Eric Kenigsberg from the RockWater team.

     

    Michael Cohen — CEO at Team Whistle on Wall Street to Digital, Scaling $0-100M, Leadership, and Exits

    Michael Cohen — CEO at Team Whistle on Wall Street to Digital, Scaling $0-100M, Leadership, and Exits

    This interview features Michael Cohen, CEO at Team Whistle. We discuss being denied by a Goldman Sachs recruiter, when wearing a suit can be bad for business, being on the launch team of Whistle Sports, why the movie The Martian inspires his leadership, executing an M&A roll-up strategy and going from $0-100M in revenue, exiting to ELEVEN Group, and learning how to “play it where it lies”.

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.

     

    Michael Cohen:

    The presenter started off his presentation, and he said, "None of you in this room are going to get a job at Goldman Sachs right out of school." Sort of the most deflating thing ever. I've been preparing for this for an ungodly amount of time. And I was so angry for so long, but what I took away from that has stayed with me for my entire career, because what he then went on to say was, "I didn't start a Goldman Sachs. I started at X company. I then went to Y, then over to company A, and ultimately got to where I am today as a managing director at Goldman Sachs." And his point was that not all career paths are linear. You have to have different experiences along the way that ultimately allow you to become a better managing director at Goldman Sachs, or wherever you were going.

     

    Chris Erwin:

    This week's episode features Michael Cohen, CEO of Team Whistle and chief transformation officer of ELEVEN Group. Michael was born in Long Island and grew up with parents who worked in tourism and technology. He decided to migrate to Atlanta for college, kicked off his career in a financial training program at Wells Fargo, but he soon returned to his home turf in New York City to be an investment banker, where Michael learned how to tell stories with numbers. Of note, this is where we first met and actually worked together for a few years.

     

    Chris Erwin:

    Michael's career then progressed into private equity and strategy consulting, but he left to take an early bet in digital media and helped launch Whistle Sports in 2014. Today, Michael is the CEO and has spent the past year integrating the business into its new owner, ELEVEN Group. Some highlights of our chat include being denied by a Goldman Sachs recruiter, when wearing a suit can be bad for business, why the movie "The Martian" inspires his leadership, executing an M&A roll up strategy and going from zero to a hundred million in revenue, and learning how to play it where it lies. Now I've known Michael for over 15 years, and he's one of my favorites to share industry notes with and riff about all things creator economy. Telling his story has been a long time coming, so let's get to it.

     

    Chris Erwin:

    All right, Michael, thanks for being on the podcast.

     

    Michael Cohen:

    Chris, thanks for having me. Been a long, long time that we've known each other, so I'm excited to chat with you.

     

    Chris Erwin:

    Yeah. This has been a long time coming. I think I've been asking you to be on the podcast for almost over a couple years now. There was some assumed perhaps missed emails or lack of responses or who knows what, but finally able to make it happen today.

     

    Michael Cohen:

    I take the fifth, but I'm glad I'm glad to be here today.

     

    Chris Erwin:

    All right, Michael. I've known you for a long time. I think dating back to 2006. This is ... I know. It's pretty crazy to say that. It's almost over 15 years starting in Wall Street finance into the world of digital media. A lot to talk about today, but let's start where you grew up, if there's any glimpses into your early career. Let's rewind a bit and tell us about where you grew up and what your household was like.

     

    Michael Cohen:

    I grew up in Long Island in New York, a nice, quiet suburban town called Jericho. I have an older brother and my two parents as well. The town was a very small town. Everybody knew each other, which was great, but also a little bit of a bubble. And so I think having grown up in that environment, it was something that I liked a lot, but also knew it was something I needed to get out of and experience the world a bit different. And I think part of my childhood allowed me to do that. My mom worked in travel, which allowed us to go to all different places. Some I appreciated at the time. Some, I certainly did not as a kid. Whish I could go back and appreciate some of those more, but again, this is well before we had digital cameras, let alone Instagram.

     

    Michael Cohen:

    You couldn't experience a culture the way you potentially can today through Instagram or other apps. I got to have a feel for other cultures around the world through that lens. And then my dad worked in and around technology for his entire career, which was pretty awesome. He traveled to Japan a lot. And I would always ... We went to the consumer electronic show, when CES was actually consumer electronics, or at least more prominently consumer electronics. I would inevitably have some new gadget. I remember a small, little TV that had a massive antenna that I got channel two on, which was great, super exciting as a kid. And then I definitely had the first MP3 player, which I think it was called the Diamond Rio.

     

    Chris Erwin:

    It could hold five songs?

     

    Michael Cohen:

    Yeah. It literally had I think five songs. You could upgrade the memory and you might get eight songs. It was literally the coolest thing ever, but you'd use it to go for a run because you had a Walkman. That was the only other thing. And if you do more than a 20 minute run, that's kind of it. But I think being around my mom and dad who were both working, gave me a strong appreciation for hard work and work ethic. I think both of the industries that they were in gave me perspectives that I probably wouldn't necessarily have had. I'd say my older brother, in terms of work ethic, not to say he didn't have great work ethic, but he is wildly smart. And he didn't actually have to work all that hard to do really well, which, on the other hand, I believe I'm somewhat smart, but also had to do a lot of hard work to keep up. That's just something that's always driven me.

     

    Chris Erwin:

    Michael, I think you have many moments of great intelligence, so don't cut yourself short there. All right. With your mother in travel, your father in tech, did you have a sense of what you wanted to do as a kid? Did a lot of people in your community work in New York City? Did they work in finance? What were you thinking about your careers you were preparing for college?

     

    Michael Cohen:

    Yeah, we had a lot of different folks in the neighborhood. Some worked in finance, some accountants, a variety of folks that worked in different industries. I think for me, business was something that was always an area where I wanted to focus. I knew I wanted to be a business man at that time, follow predominantly in my dad's footsteps and be able to work with a great company and travel, be a part of important meetings, a big team. All that stuff was important to me. Exactly where and what that meant was certainly TBD. Again, we didn't have internet, and all that stuff wasn't as prevalent as it is today to sort of understand all the options and choices.

     

    Chris Erwin:

    And actually, a quick tangent to that ... As a kid, what were your hobbies? What were your passions? What did you do outside the classroom?

     

    Michael Cohen:

    Played a lot of sports. I grew up in a neighborhood that after school, all of us would get our bikes. We'd go to a park. We go back to the school. We'd play pick up basketball, roller hockey, baseball, you name it. We were out until dinnertime. And that was just awesome, being able to always be playing sports. And then at home, I would say because I was able to get exposure to a lot of the technology, I probably had the latest and greatest computers, these massive machines, and got to tinker around with that. So played on the computers. I probably had the first CD burner that existed, and turned that into a little entrepreneurial business in high school, selling CDs.

     

    Chris Erwin:

    Burned popular CDs that you would buy at the time and sell them to your friends?

     

    Michael Cohen:

    There was a very popular dance mix. I don't remember what it was, but it was one of those things that ... I don't know if it was Tower Records or one of those [inaudible 00:08:06] things that you get 22 songs or something on. And it's a mix. I had this CD burner. My friend and I, we started selling these CDs for a few bucks to our friends. It was a nice little side hustle back in high school.

     

    Chris Erwin:

    Okay, so there's a little bit of an entrepreneurial bend in you. I see that. You decide to go to college, and you go to Emory university in the south. What were you thinking when you went to Emory? What was the plan there?

     

    Michael Cohen:

    It was interesting. My brother had gone to Emory. I went down to visit him, Emory in Atlanta, Georgia, early 2000s. The "dirty south" was really having a moment in terms of growth, in terms of pop culture, a really awesome vibrant place. I think for me, having grown up in more of a smaller neighborhood where I knew a lot of the people, I think feeling like a bigger fish in a smaller pond was something that was more exciting. And I think looking at Emory, looking at the curriculum, the school wasn't super small, but at the same time, it would give me warmer weather and the ability to feel part of the movement in pop culture happening at the time.

     

    Chris Erwin:

    And so from there, you end up going into finance, right when you graduate, which I think is around 2005. And I think you end up at Wells Fargo. What was your thinking there for your first role out of school?

     

    Michael Cohen:

    I'll back you up a little bit. At Emory, I majored certainly in business, but with a concentration in finance and marketing. And again, I had always had the desire to be a leader, wanting to be the head of a company someday. Didn't know exactly what that meant at the time, but that was always something that was important to me. I remember going to a ... The school had put on a road show of meeting different investment banks. I got to go to Goldman Sachs, the cream of the crop. I remember this so clearly. I had my suit on, I had studied, I had the vault guides. I knew every question that could be answered. I was ready, and the presenter started off his presentation. And he said, "None of you in this room are going to get a job at Goldman Sachs right out of school."

     

    Chris Erwin:

    Why are you there?

     

    Michael Cohen:

    I'm like, "Well, this is sort of the most deflating thing ever. And I've been preparing for this for an ungodly amount of time." I was so angry for so long, but what I took away from that has stayed with me for my entire career, and it's something I pass on. Because what he then went on to say was, "I didn't start at Goldman Sachs. I started at X company. I then went to Y. I went then over to company A, and then I went to company B and ultimately got to where I am today as a managing director at Goldman Sachs." And his point was that not all career paths are linear. You have to have different experiences along the way that ultimately allow you to become a better managing director at Goldman Sachs, or wherever you were going.

     

    Michael Cohen:

    Fast forward, that stuck with me. I didn't get a job at Goldman Sachs and actually, for the first time in my life, I decided to take a different road. I stayed in Atlanta after I graduated when a lot of my peers were moving back to Manhattan and New York. Again, Atlanta during this time was really booming, and I was excited about the city. I worked for Wells Fargo in their corporate banking group, where we were lending money to large Fortune 500 companies.

     

    Michael Cohen:

    It was a really interesting experience because it was so foundational in terms of learning and the training program that Wells Fargo had. It was just an incredible training program, got exposure to a lot of different people, a lot of different industries that we were covering. And it really gave me a very solid foundation. Ultimately, it was something that I would say, started to lay a very strong finance acumen for me down in Atlanta. I stayed down in Atlanta for a year after graduation and worked at Wells Fargo. It was a two year training program and my focus was all right, it's not investment banking, but maybe I can complete this training program in one year versus two years. So I completed all the training requirements.

     

    Chris Erwin:

    This is actually where we have a lot of overlap. Right after undergrad, I also started my career as a corporate banker. I went to the Bank of New York. It's now known as BNY Mellon. Similar to you, we were lending to Fortune 500 companies across a variety of industries. So paper manufacturing, TMT, energy and utilities, and much more. I remember spending a lot of time pouring over financial statements and getting into all the details. I learned a ton. Follow up question for you, Michael, is what did you like most about the training program?

     

    Michael Cohen:

    What was great about the training program is that, and I remember this so clearly, they taught you how to hold your plate and a glass at a cocktail dinner. They taught you how to answer the phone. And you think about these soft skills that you take for granted today. Most people don't even use a phone anymore, let alone know how to actually pick up the phone. Go to a cocktail party, how you're supposed to hold the glass on the plate with one hand so you have the other hand free to shake someone's hand. Little fun things that you learned outside of just the core finance and accounting.

     

    Michael Cohen:

    But what was interesting, and why I ultimately decided to move back to New York, was it was a little too slow for me in Atlanta at the time. Still very much a nine to five attitude in that city in terms of where I was, and the opportunity to advance as fast as I would've wanted. This is when I got the opportunity to move to New York, and I landed a job at Waller Capital, which is where you and I had worked together.

     

    Chris Erwin:

    I remember that first meeting where I think you had just joined within the past handful of months. This is I think in 2006, and very similar experience to you, incredible training program at Bank of New York, learned a lot from the leadership there, but wanted something that was more faster paced. Wanted to jam in the hours while I was young in my twenties. I remember coming to an interview at night in the office, and this was a small office, at 30 Rockefeller Plaza, or one rock, and meeting at the upstairs meeting room. It was in the dark. I walk in and I think we do a 45 minute or hour interview. And I was like, "Wow, look at this guy. He's got a similar background to me, but he's super sharp. He's very confident. And you got me very, very excited about the role." The interview I had was okay.

     

    Chris Erwin:

    But I guess it was good enough to give me the job, because I remember getting an offer letter shortly thereafter and then joined the company a few weeks after that. I'm curious, one of the things we talked about before was building three legs of the stool. Each of those legs being finance, operations, and strategy and leadership. What do you think that you got out of your experience at Waller Capital? And then you moved to The Cypress Group thereafter, what was the financial acumen that you were really building at that point?

     

    Michael Cohen:

    I think it was a few different things. It was a core foundational skillset in corporate finance and accounting, which is really understanding how the numbers work, how an income statement, a balance sheet, a cash flow, not only how that works, which I think I learned in Wells Fargo, but in investment banking and at Waller capital was more of how it's applied. Because what we did was we were advising companies ... As you know, you worked there, but we were advising companies on raising capital to support their businesses and more often selling the companies. Helping them with the most important moment of their lives to sell them to somebody else. How do you write a story based on these numbers and present them to the marketplace? I think that was ...What I learned there was really the combination of how to use numbers to tell stories. And certainly learned a massive attention to detail.

     

    Michael Cohen:

    You talk about Jeff Brandon, who we both worked with. I remember what he said to me. He goes, "In our business, 99% right is a hundred percent wrong." And that's really stuck with me. The detail side of that, because what he was trying to say was one wrong number calls out your credibility to a client, to a potential buyer. And it's cast judgment, cast doubt on the rest of the financial model. So we really, the threshold for being correct was there was really zero tolerance. It taught you how to double check, how to triple check your work, how to work with others, like yourself, to ask questions, to make sure that you were approaching things the right way.

     

    Michael Cohen:

    I would say the storytelling with numbers, the attention to detail, and then again, work ethic. Because we worked long hours together to ultimately be able to deliver for our clients. And you had to find a solution. I'll give you an example of that, which was, we had a pitch, it was a very large pitch. We had done the pitch deck. We were all ready. Again, Waller Capital was media and telecom. I don't think we hit that early, but we spent a lot of time focused on cable companies. These cable companies, if you zoom out of a map of the United States, it's like a puzzle. There's pictures of this map that we would often use in our pitch decks to show how some different assets, where a strategic fit of different areas. Well, that needed to be part of a physical pitch deck.

     

    Michael Cohen:

    And unfortunately the files were so large that they couldn't print out. Again, this is '06, so didn't have these great printers that you can buy off the shelves today. And I had said to the managing director, "Look, sorry, there's just nothing I can do. It won't print. It keeps jamming. It won't print." And the response was like, "That's just not acceptable. I need this for a pitch tomorrow morning. It's got to be at my house in Greenwich by 4:00 AM, because I've got a 6:00 AM flight." So, okay. And I've got my new shoes on, my new suit, my investment banker gear. Meanwhile, I'm living on a couch at this point, and I go down to the financial printers on Wall Street, and begging them to take this file. The financial printers were the people that actually printed out all the 10Ks, all the SEC documents that had to be physically printed back in the day.

     

    Michael Cohen:

    I begged them to find a way to get this file open. Ultimately after going to three different ones, I found someone that was able to print it. They printed it. I bartered with them, so instead of charging with me, we said, "Hey, the next virtual data room that we use will go with you." And I took a black car all the way to Greenwich. I dropped it off. My feet were all blistered up. Ultimately got home, got a couple hours of sleep, and back in the office by nine o'clock. While going through that, I was obviously fairly frustrated and tired and exhausted, but it taught me that every problem has a solution. You just have to work it hard enough. I think those three plus years at Waller Capital really instilled a core foundation in how I work, and not only what I know, but how I work and what I really am able to do.

     

    Chris Erwin:

    Very well said. After investment banking for a few years, you then head to private equity. You head to the Cypress Group and Torque Capital. Tell us about experience and what the training was there that was setting you up for the rest of your career.

     

    Michael Cohen:

    Wat was really interesting coming out of Waller Capital after three years was, I don't know how many different sell side mandates we were on, but probably, 30, 40 over my time there. Sell side is when, as you know, when you're selling a company to the marketplace, so you're representing a seller and you're going out and you're positioning them to a marketplace of buyers to ultimately sell it. Now, what was really fascinating for me, and what I wanted to do, was go on the opposite side. Okay. You sell the company, now what happens? A buyer buys it, what do they do now? How do they operate it? And Cypress Group was a two and a half billion dollar private equity firm. I would say they were focused on diversified industrials and manufacturing.

     

    Michael Cohen:

    And for me, what I wanted to get next in my career was a broader exposure to the economy. No better way to do that than getting more involved in industrials and manufacturing. The other side of it is I wanted to be involved in the actual operations of the company. Cypress was sort of nearing the end of its fun life, but really was focusing on portfolio operations. It would give me an opportunity to really roll up my sleeves, work with various executives in each of these companies that they had owned, and literally be on the front lines of operations. And I think that was an incredible experience, particularly because the fall of Lehman Brothers happened during that. When you have exposure to everything from automotive companies to kitchen cabinets during a recessionary period, how do you operate those businesses?

     

    Michael Cohen:

    It's one thing when you can't stop selling kitchen cabinets. It's another thing when home builds are cut in half, and you've got a massive manufacturing line needs to be retooled or relooked at. And so how do you fix that? I was able to go to many interesting places similar to our days in Waller Capital, driving around the country and various markets, and get on the manufacturing floor. What I remember very clearly are two things. One, the first company I went to that we owned, I was wearing a suit, tie, nice shoes, clearly bringing a New York aura to this company that was in Tennessee, I believe. And it was like, who is this guy? What is he doing here? How can he possibly help me?

     

    Michael Cohen:

    I quickly learned culturally, you can't get things done by decree. What I quickly did was, the next day I changed. I was no longer wearing a suit. I was a little bit more suitable, but I started just asking questions and listening. What I took away was, what are the biggest pain points that the CEO has, that some of the senior managers have. And ultimately I came away from that trip knowing that if I could solve some of those pain points for them ... And some of them were fairly easy. Some of them were, "Hey, I need just better communication between the board and us," or, "Hey, there's this issue that keeps popping up." These were fairly simple, but it just required connecting of dots to do. And I did that, and what was magical out of that was the respect and credibility that I was able to get.

     

    Michael Cohen:

    From that point on, I was able to acclimate and get involved in these companies in a way where I started to be able to understand truly what would move the needle for them as operators, versus me wearing a New York private equity hat. And that was probably the most fun I had ever had. It really reinforced my desire to really be an operator. I had now investment banking, private equity experience. After two years ... Private equity was a two year program. You signed two years, and then you're typically off to business school or you do something else. Ultimately, I had asked the head of the private equity firm for his advice on what I should do next. I said, "Hey, should I go to business school?"

     

    Michael Cohen:

    I had taken GMAT. I had done well. He was a big golfer. He said, "Play it where it lies." He goes, "You're sitting in the fairway. Why would you go to business school? You've already got the education. Everything you would've gotten, you've seen. You've been operating. You've been operating through these tough environments." And this was about the time where we saw an opportunity in the market to create what I would call a lower middle market distressed fund that would focus on these smaller companies that were forgotten during the post Lehman era, that were still extremely valuable, had a lot of asset value, again from manufacturing, whether that was equipment or what they were doing, but just were victims of the challenging environment. Going in, helping to restructure those, bringing those back to life, was awesome. It was the best. After two years, I joined a couple of folks there.

     

    Michael Cohen:

    We created this vehicle called Torque Capital Group. It still exists today. We made a couple of investments. I was really part of the very beginning of a fund, the very beginning of the investment that we made, putting together a hundred day plan, living in places like New Hampshire and outer Georgia, really working with the operators on what is this next iteration of the company. That was just such an incredible experience. What I took from that was ultimately, I was more excited about the top line growth side of things, the innovation that was happening in Silicon Alley. That then led me to the next stage of the career.

     

    Chris Erwin:

    Few interesting notes there. One, in terms of really listening, and being aware, and understanding the cultural nuances when you're working with different companies or leadership ... I feel you on that because I remember you and I used to do this. We used to do the cable tours when we were in banking, and I would show up to the middle of nowhere, Missouri or middle of nowhere, Wyoming to a cable head end, where we were representing the seller. The private equity company, their buyer, and their leadership and diligence team would come out. They'd all just be in general outdoor work gear. And I'm showing up in a suit, slacks, nice leather shoes. I was totally the odd man out. I thought that dressing nice like that would get me respect in the room, or respect in a situation because I was typically 20 years younger than everyone else that was there.

     

    Chris Erwin:

    That was not the case, and I learned pretty quickly that I got to adjust the wardrobe. And I got to listen more to the people that are around me if I'm going to have an impact in this situation. I think that's very right. And your boss, I think at the Cypress Group said, "Play it where it lies." Probably around that time, it's 2011 for you, I decided to go to business school because I think I realized I was making a change where I wanted to change geographies. I wanted to change roles. I wanted to change industries, and I felt that I didn't have the right skillset and I didn't have the right plan. I needed to reset and take two years to get the operating experience that I needed.

     

    Chris Erwin:

    It's funny, we took two different paths, but ended up in pretty similar industries thereafter, and pretty similar roles that have diverged over the past few years. It's just funny to kind of reflect on that. All right, so then after Torque Capital, we're going to get shortly to your rise in digital media at Team Whistle, but I think there was a quick stint of strategy work that you were doing. Tell us quickly about that, and then we'll get to your current role now.

     

    Michael Cohen:

    So now, I've got the finance acumen under me, I've got the operational acumen under me, and I see very clearly what I need next, which is more of the strategy work that was missing. What I was looking for at the time was, do I jump into a startup and take some sort of role that's ... I think at the time everyone coming from private equity or MBAs was looking for a business development role, or a strategy role within these companies. I got some really great advice from an angel investor who introduced me to the CEO of Fahrenheit 212, which their whole mantra, how do we take an existing asset, existing distribution channels, existing marketplace position, and how do we leverage that to create a new product, a new technology, bring that to market and ultimately build a startup within a Fortune 500 company?

     

    Michael Cohen:

    I was advised by this angel investor who said to me, "Go talk to Fahrenheit. I think this is a great bridge that will ultimately get you into more of that operating role, that startup role, but this is a great place to go. You'll have the ability to work with large Fortune 500 companies that you've been working with, but you'll also be able to help them work on new products, new innovation, very exciting activities." And so got the job where I was an engagement manager. My role there was to lead different engagements. I got the opportunity to work with everyone from Citigroup, to Samsung, and a number of others in between, but big companies and big challenges that we were trying to tackle for them. One of the best pieces of advice I got from the founder, a guy by the name of Jeff Valletta, stuck with me. He said, "Free yourself from the fear of failure."

     

    Michael Cohen:

    What he was saying was a couple things. One is, in innovation, you're going to fail sometimes, but if you play your hands scared, you're never going to innovate. The team that we built at Fahrenheit was there to support you. So it was one, the team around you is here to support you, so don't worry about you failing. And two, don't worry about the product failing because you're going to learn from it. And it was about iteration. It was a great environment to frankly, retrain my brain because in banking and private equity, when you hit a wall, you think about how do I financial engineer around this? How do I cut it? In innovation when you hit a wall, that's opportunity.

     

    Michael Cohen:

    It took me a number of months to sort of retrain my brain on that notion that this is opportunity, and so how do we innovate around it? How do we innovate through it? What does this mean in terms of opportunity? That to me was an incredible experience. I was at Fahrenheit for about a year, and then I left and ultimately started my own consulting company. And why did I leave? Well, something interesting happens when you work with Fortune 500 companies and you deliver them, at least in my experience there was you deliver them this great strategy. You deliver them this great idea. They sign off on it. Two things happen: one, the person who's the key stakeholder gets promoted and it's no longer their problem. Or two, they decide to take it internally. They're like, this is great. We're going to run with it from here. The idea of me getting to build a startup within a Fortune 500 company was not really a super viable path. You're able to bring the strategy to life, but often, they're going to run with it on there.

     

    Michael Cohen:

    So obviously lots of internal stakeholders, lots of different things you need to do. And being inside the company was how they were able to be successful with it or take it. But at that point, I was very confident in the skillset that I had built. And so I started my own consulting company called, Who Is M. Cohen Ventures.

     

    Chris Erwin:

    Can I just ask why, Who Is M. Cohen?

     

    Michael Cohen:

    A friend of mine was more advanced in the social media space at the time than I was. In terms of branding and everything, I was like, "I need a Twitter handle. What Twitter handle should I do?" I couldn't redo my AOL handle from high school. So he's like, "What about who is M. Cohen? There's so many Michael Cohens out there. What about who is M. Cohen?" And so I took that as my Twitter handle, and then I just started branding a lot of other things with it. I liked it.

     

    Chris Erwin:

    Hey listeners, this is Chris Erwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating, wherever you listen to our show. It helps other people discover our work, and it also really supports what we do here. All right, that's it. Everybody let's get back to the interview.

     

    Chris Erwin:

    After Fahrenheit and after Who Is M. Cohen Ventures, you joined what is now known as Team Whistle back in 2013. I'm curious to hear, from your point of view, how you ended up making this transition. Because I do remember when I was graduating from Kellogg, I was working for a company called Pritzker that actually invested in Big Frame and Awesomeness. I joined Big Frame back in, I think July 2012. I remember increasingly getting calls from you being like, "Hey Chris, I see you're working at Big Frame. You're in the YouTube MCN world, what's going on there? What are you doing? How are you building?" And I remember the frequency of those calls really ratcheting up. I think there was an eventual call I got from you, which was, "Hey, I joined Whistle." And I thought that was awesome. I loved having one of my financial brethren making the move into digital media where there's going to be some more quantitative focused minds and strategy minds entering the mix, which we needed. But how did that come to be from your side?

     

    Michael Cohen:

    I was doing the consulting thing as Who Is M. Cohen Ventures. One of my clients was the Whistle, and I was doing consulting for probably six months. I had a number of clients, probably had five different clients. And I wasn't sure whether I was going to just keep building a consulting company or do something else. It would actually, frankly, gave me the opportunity to date a lot of really interesting companies. I worked with small seed stage companies, some more funded companies, and some actually Fortune 500 companies as a consultant. But, I would say what got me to join Whistle was two things that happened. One, I would come home and I would talk to my wife and she said to me, "What's interesting, you talk about all your clients. When you talk about Whistle, you say, we. When you talk about your other clients, you say they." It was a really interesting, subtle observation that she had made.

     

    Michael Cohen:

    And then too, Chris, as you know, back in time, this was a wild west. Not many people knew what YouTubers were. It was probably the only platform that had creators. I don't think the term influencer was coined yet. And then Disney comes in and buys maker studios for a billion dollars. I sit there and say, well, one, there's a great team, a small team, but really interesting people that are here. And then two, there's just got some validation in this industry that perhaps there is some validation coming from Disney.

     

    Michael Cohen:

    At that point, John West, who was the founder of Whistle, said, "Hey, we got to raise some money, so I can't have my finance person as a consultant. So you going to join? You can create a consulting company anytime in your life. There's not going to be many opportunities you get to join a company at an early stage like Whistle." And he's a great salesman and a great mentor and friend, so I jumped on board. At the time it was called The Whistle and that began the nine plus year journey that I'm still on right now.

     

    Chris Erwin:

    Got it. When you first joined, what was the mandate? Was it, "Hey, Michael, we need to raise money. Let's get the model and the deck together"? And then the money's raised, what was your mandate immediately thereafter?

     

    Michael Cohen:

    They had raised some seed capital. Really I joined in 2013 and I would say our public launch was January 1st, 2014. And the premise of what we were trying to do was if you were to reimagine ESPN today, how would you do it? That was the question that we were asking ourselves at the time. It would be very different than what was happening back then. Traditional media, in our view, underserved today's generation. It was mostly a one way broadcast directly to you from the old guys with gray hair, talking about the glory days, talking about this scandal, that scandal. And, when I came on, the mandate was to help figure out what's the initial strategy that we want to take this on. Our view was, looking at how ESPN came to be and studying it, was ESPN came to be on the back of cable and satellite providers. They bought sports rights and, again, they sold them and then sold it to Telcos and had licensing fees and all that type of stuff.

     

    Michael Cohen:

    Our view was that the next company was going to be built on the back of social media company. Instead of cable and satellite, you're going to have the Facebooks, the YouTubes, et cetera. But our view was that instead of sports rights, it was going to be social influencer rights. And so the first step of what we did was we created a sports MCN, like a Big Frame before us, or a Maker, or Style Hall. All these others that were either generalists, or they were very vertical focused, Style Hall being more fashion and beauty. Tastemade, being more around food.

     

    Michael Cohen:

    There was still room for sports. The first thing that we did and that I was part of, was really trying to come up with that strategy. Once we landed on the MCN strategy, which, our view at the time we came after a number of other companies, was instead of this actually being the destination we're trying to go to, it was more of the vehicle.

     

    Michael Cohen:

    And what I mean by that is, we would create this MCN, we'd have a lot of creators under our belt. It would give us access to tons of data, which would then give us the ability to learn more about the audience and then figure out how best to serve that audience. So I would say the initial part of me coming on was helping with the capital raise, putting the deck together, putting together a financial model. But in order to put together a deck in a financial model, you of course need the business strategy. Looking back nine years, it's very easy to tell a linear story on what we did, but between us that's BS. We all know building a company is not a linear story. So that was the first piece of coming on.

     

    Chris Erwin:

    When you launch in January of 2014, did the launch go as expected? What surprised you?

     

    Michael Cohen:

    We were so focused at the time of being a very good for you sports media company that we launched Dude Perfect, as I'm sure many people know, one of the largest creators in the world. I think they were only 2 million subscribers on YouTube at the time. Now they're multiples of that. They were one of our launch partners and a number of others were. We had PR around it. It was great. And then we're watching YouTube videos and we see you can block certain categories that you don't want to run ads. Our whole premise was certainly no alcohol, only really positive advertisements that could go on it. We didn't want soft drinks. We didn't want certain junk food. I think we got served a Pepsi ad or something, and it caused a whole panic of are we having sugary drinks?

     

    Michael Cohen:

    Are we allowed to have sugary drinks? Are we not allowed to have sugary drinks? And I think that was a funny moment. But at the time the rally cry was build our subscribers, the subscriber network, on subscribers being on YouTube. We had different targets that we ran after to bring creators on, to hit a certain subscriber threshold, which, was more of a proxy for the size of our audience and how we would be able to monetize it. But I remember that early on, it was getting a little over spooked on a very non-controversial ad that ran in pre-roll on YouTube.

     

    Chris Erwin:

    Yeah. And I have to ask, what was it like for you to start working with creators for the first time? For me coming out of finance, so venture capital, business school, Wall Street. I was very accustomed to working with private equity leadership, sophisticated investors, C-suite executives from the companies that we were representing. Transitioning into this intersection of digital media technology and entertainment, working with creators and personalities, working with the representatives that manage them. That was an entirely new world for me, both working with those talent and the reps in house, and then also out of our building as well. Did you have a lot of creator exposure early on at Whistle?

     

    Michael Cohen:

    I would say I wasn't leading the creator efforts. We had an awesome person named Julie Kikla who came from YouTube that helped us launch that. Dev Sethi then came on, who I know has been on your podcast here, but definitely got exposure to the different creators. I would say that my diversified experience in the past very much helped me for how to navigate, how to partner with these creators, who very often were not sophisticated businesses. And certainly at the time they weren't. First and foremost, they're in incredibly talented, innovative creators that they're most suited to creating incredibly engaging content. The monetization side of it was where we came in to help them.

     

    Michael Cohen:

    And so trying to apply a commercial acumen to a creative acumen often was easy to meet with challenges. But I think my prior experiences ... Where the story in private equity where had to really acclimate to the people around me, working in the strategy roles, and having empathy for what it's like to be in a larger company, what it's like to be in a smaller company, understanding both a commercial desire, but also a creative of desire, and how that all works together. I would say it gave me the tools to have a lot more empathy for it. Certainly didn't prepare me for the world of mom-agers and dad-agers, and how intensely passionate those folks are about their sons, their daughters, but I was prepared. But I've learned a lot in terms of how to partner.

     

    Chris Erwin:

    So phase one, with the initial launch of Whistle, call it the MCN stage, and some learnings there. And then I think there was a decision where working with the team, you guys then enter phase two, where you're investing in intellectual property, audience growth, capabilities. This is I think where you transition from Whistle Sports to Whistle. Tell us how that came to be.

     

    Michael Cohen:

    We went from The Whistle to Whistle Sports. We started off as The Whistle. When we launched, we were Whistle Sports. It was important to make the point that, we were Whistle Sports. We weren't well known at the time, so making sure that the name stood for what we were was important. As we evolved, and as we studied the data, we learned that sport was being defined very differently for this generation. We were focused more on a YouTuber generation, I would say, mid to late teens, the mid to late twenties. We learned a lot from them and really no greater learning than they are really defined by the intersection of multiple passion points. Sports fans today are very much, yes, I may be a ravenous sports fan, but I also care about the pop culture aspect. I care about the music aspect. I care about the culinary aspect of it.

     

    Michael Cohen:

    Very often today we're taking it for granted, because on Instagram you can see an athlete out partying on yacht, and what they're doing behind the scenes. You see them walking their dogs. You have such a more intimate exposure. I think at the time, again, it was really only YouTube was the platform that had the most data that you could get followed by. Facebook's started to get in it. But we learned from the data that there was a white space that we could create content in that was more what I would call sport attainment. As we were talking to a number of our advertising partners, they said, "Look, your name's Whistle Sports, but you're not sports. Sports is, what I would say, classically defined as what an ESPN is doing, what a Bleacher was doing, a Turner was doing at the time, you guys are more entertainment. The content you're creating is more entertainment. And if you focus on sports and entertainment, that's a much bigger pot that you can focus on. So have you thought about dropping the name sports when you're going from your go to market standpoint?"

     

    Michael Cohen:

    We started to test it, and all of a sudden we are getting lots more RFPs, lots more inbound interests, lots more PR opportunities, because we were really defining a new category. And early on, I would say in that category definition, people that would say to us, "You're trying to be everything to everyone. You're really sitting in this middle bucket." What we try to convey and what is true today is that no, no, no, that's a category of our own. So trying to define us in yesterday's boxes is not the right way to approach it because we're creating a new box for ourselves. And so that began really where we were consciously investing in our own content, building a diversified network of platforms. We wanted to be diversified across not just YouTube, not just Facebook, as many platforms as possible, not wanting to have the risk of being tied to any one platform in particular.

     

    Chris Erwin:

    How was your role changing at the company as you were rising up and as your business was evolving?

     

    Michael Cohen:

    As we start to invest in our own product, I got the opportunity to expand my role and oversee that. Now, I wasn't running production, but I was overseeing the production side of things. My role was really focused on, at this point, not only how we operate internally, but the product that we're creating. I think one of the approaches that I took to it was, very often in media companies, there's a separation again of this creative and commercial, and there's a tension, there's a massive tension. And there's often like a wall in true editorials, environments or newsrooms, there is a wall. In our world, my focus really was about trying to align commercial and creative again. And that was something that has really been important throughout my career is trying to get people to see and understand certain things from different perspectives.

     

    Michael Cohen:

    I would say one of my strong abilities is to help connect dots that people aren't readily seeing. And so why commercializing a piece of content is important to our ability to do new and interesting creative endeavors. It was really about trying to align the product and revenue needs together so that we're able to create really cool, compelling content, but we're not creating content for content's sake on a gut or a hunch. We're doing it because it is somewhat grounded in, "Hey, this is a commercially viable type of thing that we can be taking to market." I spent a lot of time on the product side, and our product being content for the most part.

     

    Chris Erwin:

    After this point, I think you enter what you describe as phase three, which I think began in 2018. This is a bit of the inorganic plan, or this is where you're starting to exercise some of the skills and abilities that you learn from finance, banking, private equity, and you conduct an M&A roll up strategy, enhancing your capabilities by buying other companies. I think there's three specific acquisitions that you led. And I think as you described, you're starting to marry live sports and entertainment in a more meaningful way. Tell us about that point of the company.

     

    Michael Cohen:

    This is really, again, focused on IP, audience, and capabilities. I think at this point, as we're building the company, our focus is okay, we have a creator network, which is awesome, and we can help those creators continue to be successful, both in terms of helping to monetize, but also in terms of bringing them into the IP that we're creating. So that creator network, the creators that are a part of our company still to this day are still core to everything that we do. Now we're creating our own IP and we're monetizing it mostly via both indirect programmatic revenue and then direct sales. As we keep expanding into IP and keep expanding into this entertainment area, we saw that there were opportunities in 2018. Really, if you remember, I think this was sort of the nuclear winter of digital media.

     

    Michael Cohen:

    We had little things, which they were on top of the world and then a Facebook algorithm shifted. And they went out almost overnight. We had Mashable, which was as a darling at the time, which was frankly fire sold. And this then began I think Cambridge Analytica around the time, lots of scandals around social media, video, compression in CPMs. And so we saw an opportunity that there were a lot of companies that had raised a lot of capital. They had a choice to make. They didn't necessarily get to the scale that they wanted to be. And so the choices were, we shut down the company, we raise more capital from other investors, or we partner with someone else that can potentially get us to the promise land. And so we saw that opportunity that most people would probably want to choose the last piece.

     

    Michael Cohen:

    Many investors were tired by 2018. The tolerance to put more capital into these companies was few and far between. The desire, and frankly, the PR nightmare of shutting down was not something that people wanted to do. And so we started to be very smart in terms of, okay, if we were going to build this vertical, or build this capability ourselves, what would it take us to do? How much capital would it take? Or, who's out there that we can go and take a look at? The first company that we had gotten introduced to was a company called New Form. New Form was based in the LA ecosystem. Whistle was still primarily focused in New York and we knew if we were going to be taken seriously in the Hollywood ecosystem, we really needed to have a studio.

     

    Michael Cohen:

    And so this is again, the time where lots of streaming platforms are coming out, new types of mediums are being created. And so we bought New Form. They brought in a strong slate of IP that they had already created. They already had a number of distribution partners. Some that we had, some that they had. They had scripted, we had unscripted. It really made us a very strong studio. The who's who around the table gave us a pretty strong signal to the market in a market that frankly was very challenged. We brought in the skillset to integrate these companies, and then be able to do more of them. We then got an opportunity to look at a company called Vertical Networks. Vertical Networks Brother, which was the largest Snap discover channel at the time, but the problem was they couldn't get off of Snap.

     

    Michael Cohen:

    They didn't have ... Both from a capital standpoint, and just from a capability standpoint, they just weren't able to scale off platform to other platforms as fast. Well, we already had the other platforms within our distribution, but we also didn't have as much on Snap. So was a nice little partnership where we were able to come in and take a look at Brother, work with a lot of the existing people on that team, rethink what Brother was, reformat some of the shows. That really gave us more of the IP and audience. So now we've got both. We've got IP from both New Form, we've got IP from Vertical Networks. We've got a much bigger audience coming from Vertical Networks and the Brother. And then, what we realized was, okay, now we've got more IP, more audience. We need more capabilities to take this out into the marketplace.

     

    Michael Cohen:

    So we acquired an agency called Tiny Horse that was based in Charlotte. The premise of that was really adding more capabilities that we could bring out to our brand partners, that we could help different distributors and other partners with subscriber acquisition, because so many different streaming platforms coming out. How can Whistle not only use their audience, whether those are paid marketing, or inventory buying, other types of strategy work, and identity work that we could do to help these different companies navigate what I would call the digital transformation. We brought that skillset in. We built a very strong company that had this nice puzzle coming together of IP audience and capabilities, serving a younger demographic with a great suite of partners.

     

    Chris Erwin:

    A couple quick beats before we get into the rapid fire to close this out. So now you have this incredible platform. You started to put the puzzle pieces together for a really exciting new build, a new growth strategy for the company. And then at this point, I think you guys sold to ELEVEN Sports in 2021. What's the quick story there for how that came to be? Was the M&A all with the intention of, "Let's put the pieces together because we're going to run a sales process for the company," or was the acquisition unplanned?

     

    Michael Cohen:

    John West, our CEO has a great saying. He said, "Companies are never sold or bought." So we never thought about putting ourselves up for sale. We had raised a lot of money over the years, and really we had now, to your point, put together a lot of these puzzle pieces and it was really about fueling growth. We went out into the market in 2020 to raise some additional capital to, I would say one, continue to weather the COVID storm that had impacted a lot of media companies. But two, be ready with a war chest to capitalize on opportunities, capitalize on what we already were building. And then other opportunities coming out of that. Ultimately got a number of different term sheets from mostly debt providers because we did not want to focus on diluting the company, and then ELEVEN Sports had put in an offer to buy the company.

     

    Michael Cohen:

    ELEVEN was someone that we had known well. Their main investor was Acer Media backed by a guy named Andrea Radrizzani. He sees the world in a different way than most, and frankly, very aligned to the way we see the world. ELEVEN was focused more outside of the United States. They're more of a sports, live rights, more of their focus and they operate in a number of markets outside in Europe and Asia. They saw what we had already been seeing. Sports was being defined very differently. And so what we saw was together, we could unlock the power of live sport and on demand entertainment, and win a lot more hours of the consumer.

     

    Michael Cohen:

    If we could better serve the consumer, ultimately we would be able to monetize in more ways. When you start to put these pieces together, you really are creating a global sports media and entertainment company that plays across live and non-live, and both with an entrepreneurial spirit that can continue to be more scrappy than others out there. Our board, John, myself, we all recommended that this was the right opportunity that together we could get to a much more meaningful outcome for all stakeholders. We could better serve our partners, better serve our audience. And ultimately of course our shareholders.

     

    Chris Erwin:

    It's an incredible story, Michael. I have to ask, looking back on all this, you've helped the company raise over a hundred million dollars in capital. You've helped take the company from zero to a hundred million dollars in revenue. Going back to the beginning of this interview, the through line of building the three-legged stool. I need finance, I need op, strategy and leadership. Do you think that this is the ultimate culmination of all of your hard work? Do you look back at this and be like, "I did it. I'm content"? And then second, I want to hear about what are the two or three key learnings about how you are now a better executive from this experience and what you will take with you going forward? But let's start with the first one.

     

    Michael Cohen:

    First of all, it's definitely not I. The most important thing that I learned is it's always we, never I. I tried to take blame for the failures and would want the team to take, and have asked the team to always take credit for the wins. I don't think you can be a leader in today's environment by being an I person. In terms of looking back at the last nine years, the thing that stands out for me is adaptability is the reason that we are still alive and kicking today. John, our founder, he has a saying, and I think it's been attributed to Darwin, but we'll do that. "It's not the strongest or the biggest of species that survive. It's the ones that are most adaptable to change that survive." That's really been our operating mantra. Between that and a nice quote that I love from the Martian, the movie and the book, it says, at some point everything's going to go south on you and you're going to say, this is it.

     

    Michael Cohen:

    This is how I end. You can either accept that or you can get to work and that's it. You just begin. You start to solve problems. You solve one problem after the next. And then if you solve enough problems, ultimately you get to come home. He was on Mars. And that's just been a mantra of ours. Again, goes back to that very first experience in investment banking, was solve the problem. There's nothing that can't be solved by an incredibly talented team that we've built at team Whistle. I'm lucky to have the privilege to work with all these great folks. And it's been fairly humbling experience.

     

    Chris Erwin:

    Do you feel on this almost 20 year journey, partially satiated? This is what I set out to do? Of course, with a whole team around you to make it happen. Because this kind of impacts how you're thinking about what's next.

     

    Michael Cohen:

    Yeah. I do feel somewhat satiated. I think I felt it probably for a little bit after the acquisition. For me throughout the journey, I started as EVP of finance and operations, I then took on the COO title. I then took on the president title, and then ultimately took on the CEO role. I think each one of those was a milestone that I had. Okay. Have I arrived? Okay, have I? And that's ... Being able to appreciate that in the moment is something that I probably wish I spent more time appreciating in the moment of having arrived at that and celebrating that.

     

    Michael Cohen:

    I just thrive on searching for things that haven't been done, doing them, working with a great team, getting to be challenged every day, and working again in a media and telecom space. This intersection of media tech and commerce, it's so dynamic. And so there's always a challenge every day. For me, the satiation come from the challenge, the constant challenge. Maybe that's right, maybe that's wrong, but I'm enjoying what I'm doing now, and continuing to build. And that's what's fun for me, is the opportunity to continue to be challenged and built

     

    Chris Erwin:

    Final question before rapid fire. In terms of what's next, with the acquisition, you have been leading the integration and transformation of the company. Your chief transformation officer of ELEVEN Sports. Are you coming to the end of that process? Is there a lot more work to do there? And what are you thinking next for you?

     

    Michael Cohen:

    It's been an incredible opportunity. Mark Watson, the CEO of the ELEVEN group, and Andrea's also involved. The whole team have been great. Getting the opportunity after selling your company to help lead an overall transformation effort, not only integrating your company, but working with their company as well has been a really incredible experience. Getting to reimagine, rethink the strategy and how we evolve it. I think we're only getting started. I don't think transformation necessarily starts and stops. There's certainly some infrastructure building, some tactical things that we had to get done. Now we're able to actually just keep executing on that plan of winning more hours of the consumer, whether that's through different types of content, different types of products we're putting out, different types of distribution. That's the fun of it. I would say the journey continues, and as long as I'm being challenged and having fun, and get the opportunity to work with great people, that's something that keeps me going.

     

    Chris Erwin:

    Well said. In closing, I just want to give you some kudos. I've known you longer than most people in my professional career over 15 years. And I think you are a big part of what sold me, "I'm coming into investment banking," and also getting my foot in the door. Just like you, all the skills that you learned there was what I learned. And that is what allowed me to get into business school, and then to join the whole digital media revolution and Big Frame and Awesomeness, and actually hire our old bank to represent Big Frame in the sale.

     

    Chris Erwin:

    You are a big part of that, Michael. I give you a ton of kudos for that. I think our relationship's been a fun give and take where you got inspired by some of the things that I did, and that was a catalyst to your entry into Whistle, but then you just took it to a whole other level and it's been really awesome to see. I've learned a lot from your rise up. I think you even brought in our advisory firm to help you when you were looking through some different VOD strategies a few years back. So very thankful for that. And it's just been a delight to know you professionally and personally. I think there's much more fun to come for both of us going forward. Like we said in the beginning, we're going to have to do some outdoor activities or some sports or something like that next time we hang out.

     

    Michael Cohen:

    I'm all ready for it. And I appreciate the kind words, Chris. All I would say is right back at you. It's been a great friendship, a great partnership, and we're still in the early innings, to use the sports analogy.

     

    Chris Erwin:

    Let's get into the closing rapid fire questions. Six questions, the rules are as follows. You can answer in one sentence or in just a handful of words, keep it short and sweet. Michael, do you understand the rules?

     

    Michael Cohen:

    I believe.

     

    Chris Erwin:

    All right, let's kick it off. Proudest life moment?

     

    Michael Cohen:

    Becoming a father.

     

    Chris Erwin:

    What do you want to do less of in 2022?

     

    Michael Cohen:

    Zoom.

     

    Chris Erwin:

    What do you want to do more of?

     

    Michael Cohen:

    In person discussions. That fuels my energy.

     

    Chris Erwin:

    What one to two things drive your success? Short answer.

     

    Michael Cohen:

    I would say just a relentless desire to learn and to be challenged, and to work with great people.

     

    Chris Erwin:

    Advice for media execs going into 2022?

     

    Michael Cohen:

    Know your audience, know your partners, serve them well. Don't future chase.

     

    Chris Erwin:

    Any future startup ambitions? Might we see Who Is M. Cohen Ventures coming back into the mix?

     

    Michael Cohen:

    I would say I've always had the entrepreneurial itch, and there's a lot of good ideas out there and great people to partner with. For right now, I'm focused on leading team Whistle, continuing to lead the transformation office at ELEVEN, bringing a great outcome to all stakeholders. But let's revisit this in a couple years, because I think there's something there.

     

    Chris Erwin:

    Maybe you can come lead the sports media division at Rockwater. It's an opportunity.

     

    Michael Cohen:

    Maybe.

     

    Chris Erwin:

    All right, Michael, this is the last one. Pretty easy. How can people get in contact with you?

     

    Michael Cohen:

    Always up to chat. You can email me. You can hit me on Twitter. Text message me. LinkedIn as well. I'm always up to collaborate, meet smart, great people, help make introductions, connect people.

     

    Chris Erwin:

    All right. Awesome. Michael, this was a ton of fun. Thanks for being on the show.

     

    Michael Cohen:

    Thank you, Chris. Appreciate you having me.

     

    Chris Erwin:

    All right. That was a really fun interview. As I said at the beginning, I think I've been trying to interview Michael for the past couple years, so thrilled that we could finally make it happen. All right, but a few quick points before we wrap up. We just had an awesome executive event at Gjelina in LA a few weeks ago. We brought together various livestream commerce executives for a panel. Included Popshop Live, Stage TEN, and MARKET. That was a lot of fun and the Gjelina rooftop never disappoints. It was great to see a lot of you there. We do have another executive event coming up in New York in early November. More on that to come, but there'll probably be an event in advance of that as well, maybe around VidCon, so stay tuned. As always, if you want to attend our events or learn more or interested in being a sponsor, ping us at hello@wearerockwater.com. And then we always love to hear from our listeners. If you have any feedback or any ideas for guests, shoot us a note at tcupod@wearerockwater.com. All right, that's it, everybody. Thanks for listening.

     

    Chris Erwin:

    The Come Up is written and hosted by me, Chris Erwin, and is a production of RockWater Industries. Please rate and review this show on Apple podcast and remember to subscribe wherever you listen to our show. And if you really dig us, feel free to forward The Come Up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter, and you could follow us on Twitter @TCUpod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zazzali, and special thanks to Alex Zirin and Eric Kenigsberg from the Rockwater team.

     

    Brendan Gahan — CSO at Mekanism on YouTube in 2005, Selling Epic Signal, and Your First 100 Drafts

    Brendan Gahan — CSO at Mekanism on YouTube in 2005, Selling Epic Signal, and Your First 100 Drafts

    This interview features Brendan Gahan, Partner and Chief Social Officer at Mekanism. We discuss working with OG YouTubers like Smosh back in 2005, founding Epic Signal and selling it to his former employer, hanging out in El Salvador’s Bitcoin Beach, why it takes him 100 drafts to publish content, the future of the creator economy, and learning how to enjoy what you create.

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up. A podcast that interviews entrepreneurs and leaders.

     

    Brendan Gahan:

    I felt like my strengths could be better utilized going off on my own. It was really as simple as, well, I want to do this work the way that I know how to do it and the way I want to do it. And if that takes me going off on my own, then that's what I'm going to do. So I did. In hindsight, it sounds much smarter than it was. It was not smart from like an on paper standpoint, but I just felt like it was the right thing for me to do because I've been doing it longer than most people, I have relationships, I have a sense of what strategically works. I want to do it the way that I want to do it.

     

    Chris Erwin:

    This week's episode features Brendan Gahan, partner and chief social officer at Mekanism. So Brendan was born in Ventura, California, and grew up surfing many local breaks. But although his parents were educators, he entered college without a career focus. But just a few weeks away from graduation, a last minute call from his uncle sparked his entry to media and advertising, and he never looked back. His career started at a creative agency working on some of the first YouTube campaigns with hit creators like Anthony Padilla and Ian Hecox's Smosh. With a growing reputation as a social and digital expert, Brendan eventually started his own agency, Epic Signal, which he ended up selling to Mekanism.

     

    Chris Erwin:

    Today, Brendan is their chief social officer. On the side he also publishes a wide array of content, making it one of the industry's most well regarded thought leaders. Some highlights of our chat include what it was like to sell his company to his former employer, why he's hanging out in El Salvador's Bitcoin Beach, how it took him 100 videos to post his first TikTok, the future of the creator economy, and learning how to enjoy what you create. All right, let's get to it.

     

    Chris Erwin:

    Brendan, thanks for being on The Come Up Podcast.

     

    Brendan Gahan:

    Thanks for having me, pumped to be here.

     

    Chris Erwin:

    We were just having a little chat about, you got a surf in this morning, if that's right.

     

    Brendan Gahan:

    I did. I'm working in El Salvador this week in a little town called Zonte, people may have heard of it referred to as Bitcoin Beach. And there's a nice little right hand point here, so made sure to get out there.

     

    Chris Erwin:

    Are you regular foot or goofy foot?

     

    Brendan Gahan:

    I'm regular, yeah.

     

    Chris Erwin:

    Okay, so you like the right-handers. I'm goofy, I like to go left.

     

    Brendan Gahan:

    Yeah, right hand point in particular, it's like my favorite kind of wave. I grew up in Ventura. So grew up surfing C Street, at the point in Ventura. And then every once in a while I would make the trek up to Rincon and stuff.

     

    Chris Erwin:

    I'm curious, where exactly did you grow up? Were you in the LA County or were you up north?

     

    Brendan Gahan:

    No, I was in Ventura. So there's Ventura County, which encompasses quite a bit of Southern California, but I grew up in the city of Ventura, maybe three quarters of a mile away from the beach, it's like a 15-minute walk or so, and yeah, it was great.

     

    Chris Erwin:

    Great. And do you still have family that's in Ventura?

     

    Brendan Gahan:

    Parents are still there. I've got some aunts, uncles, cousins in the area. And then my younger sister lives, she's still in Ventura County, but about 30 minutes away from where we grew up.

     

    Chris Erwin:

    I often talk about Southern California real estate. And you look at one of the few pockets in SoCal that's near the beach that has been underdeveloped is definitely Ventura. I think that's true for the last 30 years. I think that's finally starting to change, particularly during COVID and remote work. Have you seen that there?

     

    Brendan Gahan:

    Oh my gosh, it's crazy. I was just there this past weekend. And there's all these developments going up, like apartment complexes and condos, and yeah, it's sort of interesting. When you look at Ventura on a map, there's sort of like this no man's land between LA and Santa Barbara. And for years, Ventura was just sort of like overlooked. It was like people would pass through Ventura to go to either Santa Barbara or LA, but then more and more Ojai started to become a place, and Ventura has become a bit of a destination and there's now some startups out there. Before the biggest company there was Patagonia. Ventura, growing up was sort of like this blue collar cowboy meets surfer vibe for the most part. And yeah, that's definitely evolving.

     

    Chris Erwin:

    I think cowboy meets surfer vibe sounds about as good as it can get, you know?

     

    Brendan Gahan:

    Yeah, yeah.

     

    Chris Erwin:

    I forget who, but when I was at Big Frame almost 10 years ago now, I remember there were some industry friends that had set up shop in Ventura and were commuting to LA, and it was only about like an hour, hour and 15 away, not that crazy if you timed it right. So curious, looking at you being at the nexus of digital media and advertising and all the things, were there any media influences when you were there, when you were younger? Did that come from your parents or anything like that? Or was your upbringing focused on completely different things?

     

    Brendan Gahan:

    Yeah, definitely not. LA seemed like the furthest thing in the world to me growing up. And it seemed like a city, it may as well have been New York in my mind. Even though it was only like an hour and a half, we would go to LA on a field trip every couple years, or maybe my parents would take us there and we'd visit a museum or something like that. But it was not like a destination that was really on my radar. And from a professional standpoint where my head was at, I sort of had the cliche jobs in mind, it was like, oh, okay, maybe I'll be a teacher or a lawyer. A lot of people I knew growing up, and a number of relatives were like firemen, so my mind was sort of gravitating towards, I thought I'd either be a doctor, a lawyer or a psychologist. So I didn't have much of like a media or a tech influence until later.

     

    Chris Erwin:

    What did your parents do?

     

    Brendan Gahan:

    They were both in education. So my mom was a teacher's assistant in resource classes. And then my dad initially was like a teacher and then became a principal at a number of the special education schools in Ventura County. And then when he retired, he was the director of special education in Ventura. So education ran deep in the family, I guess.

     

    Chris Erwin:

    Yes. No, clearly understood. But I think you mentioned that you had an uncle that was in the media space, right?

     

    Brendan Gahan:

    That's right. Yeah, yeah. So I had an uncle who worked in advertising and he was at Wieden+Kennedy like in the heyday when it was like Bonos, Air Jordan, all that, when it was as big as it could get, and they lived a ways away. But whenever I saw him, I would just like pepper him with a million questions because to me, somebody working in advertising, in particular on like Nike and in that era, it wasn't just ads. It was like shifting culture, like Spike Lee and all that stuff. So I thought it was the coolest thing in the world. And I'd always ask him a million questions about it. But in my mind I never thought that I would end up working in that space. It seemed like this extra terrestrial sort of thing.

     

    Brendan Gahan:

    But he was always really cool. And he was like a creative director doing a lot of the Air Jordan spots and that sort of thing. So he always had funny stories he would share. And I just thought it was the coolest thing. I remember being in like elementary school, he'd visit or we'd go visit him, and I'd just pepper him with questions. So it was always sort of like seated in the back of my mind, but at the same time it felt unattainable, but I was really fortunate.

     

    Brendan Gahan:

    I don't know if we want to skip ahead too much, but basically he ended up offering me my first internship, totally came out of the blue. I got a phone call one day, I was like two days away from graduating from college. And I was about to go home for summer and work, and yeah, just out of the blue, he's like, "Hey, I got this guy on my team," he had started his own agency at this point, he's like, "And we need some young kid who understands digital," because this is 2005. And so I came up there and I interviewed with this guy he wanted me to intern for-

     

    Chris Erwin:

    But you did not go to college for this, if I understand correctly, you went to, is it UC Santa Cruz and you were psychology and history?

     

    Brendan Gahan:

    Yep. Yep.

     

    Chris Erwin:

    And again, you thought with that you were going to follow in your parents' footsteps, become an educator, or become a lawyer.

     

    Brendan Gahan:

    Something like that, yeah, I thought I was zeroing in on like teacher, lawyer or psychologist. I wasn't really sure what I was going to do. And psychology I always thought was fascinating. So I studied that, and then I realized two, three years in, I was like, oh, I've taken a ton of history courses and if I just take a few more, I can get a double major in apparently history, because of all the writing and stuff if I remember correctly, it was like not a bad thing to have if you were looking to get into law school. So it just kind of like was a circuitous path to get where I ended up.

     

    Chris Erwin:

    It didn't feel like you were overly passionate about anything at that point. I think you were open minded and you had some, call it nuclear, familial inspirations or influences. But when you got this call from your uncle, you're like, hey, this has been the cool uncle that was part of these massive sociocultural movements, Michael Jordan and Nike, I totally hear you. So when you got that call, were you really pumped up or was it, oh no, this sounds like something interesting and there's some direction and let's just go see what happens.

     

    Brendan Gahan:

    I was really pumped. I was also really torn because I was going to go home and work as a teacher's assistant for the summer and do summer school, which I know my parents were sort of excited about on so many different levels, because I'd be home. They would see me. They loved the idea of me getting into education, at least I'm pretty sure that's what they were excited about. And so I was like very torn, but also super excited.

     

    Brendan Gahan:

    And I went out and drove up to San Francisco for the interview. And I still remember walking into the ad agency office for the first time just being like, holy shit, this is so fucking cool. This is an office, people work out of here. It was like this creative space. And I remember thinking, especially as a college kid, wow, there's like a beer fridge and your pool table, and all these things. And obviously I knew work was happening, but it seemed like a great environment to get work done. I don't think I ever overdid it on any of the fun things, but it was like this relief to sort of have that there, and it felt really exciting to me.

     

    Chris Erwin:

    So then you get the job and you move up north.

     

    Brendan Gahan:

    Yep.

     

    Chris Erwin:

    What were you focused on in the beginning there? And then, I think from our notes that you did some early work with Smosh, is that right?

     

    Brendan Gahan:

    Yeah, exactly. So I did an internship and then I eventually got hired, and I was technically like a junior account executive. This was 2005, 2006, 2007, I think, and it was in the early, early days of social media and I was the youngest guy in the office. So people would ask me random questions, like, "What's the deal with MySpace, what happens on that?" Or, like Facebook, nobody else could get on Facebook because you still had to have your college email address. So I sort of found myself being this resource, and at the same time me being flabbergasted by the way advertising was being done.

     

    Brendan Gahan:

    I remember the first time I found out how much a billboard cost, and looking at that and being like, this is almost more than, I mean, I can't remember the number right now, but I remember thinking, this is about as much I make in a full year with my salary and being like, I don't think anyone does anything because of the billboard, or certainly not like a normal billboard ad, and seeing this huge disconnect between what drove people to do things and what people were genuinely excited about and where dollars were being allocated.

     

    Brendan Gahan:

    So I think I slowly started just embracing that and being like, to me, it was common sense to a certain extent, like, look, I can go on YouTube and I can see how many people watch this video. Why aren't we doing this? This shows millions of people. Once again, like walking down the street, I don't know of anybody who does anything because of a billboard. And so that sort of evolved, and I started just pitching ideas proactively. And I remember I even tried to pitch clients and stuff, and stuff I in hindsight probably didn't have-

     

    Chris Erwin:

    Existing clients of the agency, or were you doing some new business development?

     

    Brendan Gahan:

    All of the above. I remember reading about it in the ad trades, like, oh, so and so company fired their agency and I'd be like, well, why don't they work with us? And literally come up with ideas and mail them things, and like try and get a response. And I don't know, just like this sort of, we're a creative industry, let's be really creative.

     

    Chris Erwin:

    Was that the expectation from your role or was that you just having some gumption of being a self-starter?

     

    Brendan Gahan:

    Not to pat myself on the back, but I think it was definitely me sort of having a little bit of gumption. I think I also just didn't know. It was a relatively small loose agency. And so I thought, well, it wasn't like this is exactly how you're supposed to do this job, and this, this and this, I think creativity was really encouraged and so long as work was getting done, anything I wanted to do sort of beyond that was like, all right, yeah, sure, that sounds cool.

     

    Chris Erwin:

    So did that spirit, is that what drove you... Did you work directly with Smosh? What is that story there?

     

    Brendan Gahan:

    Yeah. So late 2006, this client the agency had had before I was even there, they came to the agency and they were like, "Hey, we want to do an ad campaign. We don't have a big budget." And it was a portable MP3 player. And the partners at the agency were talking about it right behind me. And they were about to turn it down. And it was one of those situations where in hindsight, yes, it was not much money, and they should have turned it down by all means. But I just butted in. I was like, "Hey, what if we pitched them this idea of getting these kids on YouTube to promote it. And we just rather than try and squeeze like a campaign into this budget, let's just do one video."

     

    Brendan Gahan:

    And so they were like, "Oh, that sounds kind of cool. Yeah, let's pitch it to the company, to the brand." And they bought it. I think I literally turned around after the partners said it was okay to pitch it to the client and I emailed Ian and Anthony, found their email on MySpace and they emailed me back that afternoon. And I think the next week they came by the office because they were just up in Sacramento area, so it wasn't too far.

     

    Chris Erwin:

    They were one of the biggest YouTube channels at the time, right? Just for context, this is 2005, 2006. Facebook had just started in '04. YouTube had just started in '04. Google bought them I think a couple years later. So Ian and Anthony were probably one of the biggest personalities on the platform at that time.

     

    Brendan Gahan:

    Yeah. I think they might have been number two. I know they eventually were number one for a couple of years, but I don't think they were quite number one yet. It was sort of like early days and there was a lot of jostling for position and stuff.

     

    Chris Erwin:

    So you got their emails from their MySpace page, you hit them up. That definitely wouldn't happen today, not as easy to go direct to the top creators. And then they came by your office, what happened?

     

    Brendan Gahan:

    Yeah, they came by, by that point we had gotten the thumbs up from the client to like, "Oh yeah, sure, we're down, if you can make it work." They came by the office, we literally got in a room and it was sort of funny. I remember nobody knew what you would charge for something like this, you know? So we were literally just kicking around like, what would you want to charge for this? I don't know, how much do you want to pay for this? Just going back and forth. And then finally, one of the partners was like, "Well, I don't know, would you guys do it for like 15 grand or something?" And they were like, "Probably, why don't we go back to..." I think Anthony's dad was an accountant or something like that.

     

    Brendan Gahan:

    And they were going to run it by him. I might have those details wrong, but they were like, it was basically like a, pretty sure that'll work. Let's go talk to our parents. And then they came back and they were like, sure, and so we did it, they made this video called Feet for Hands. I remember when it went live it crashed the client's website, which I thought was so fucking cool. I felt so validated. And then, yeah, it got like millions of views. And I just wanted to do that again and again, and again. And I saw what Mekanism was doing and my first boss at that agency, he'd left for Mekanism, Jason Harris, the president and CEO of Mekanism now. He joined Mekanism, became a partner. And we had a great working relationship.

     

    Brendan Gahan:

    I interned for him and stuff. And I showed in that video, I was like, look, look, look at this thing. It's got three million views. I know I can help you guys. I was so envious of the work they were doing. They were doing like early viral video stuff. And this is like 2006, 2007, when a lot of this stuff, people weren't paying attention at all. And so I was just so envious of the projects they were working on. And they brought me in for a few interviews and I literally met the whole agency, which at the time was pretty small, I think like twice. And then they hired me.

     

    Chris Erwin:

    Was this East Coast based?

     

    Brendan Gahan:

    This is all West Coast. They were in San Francisco, just a few blocks away from the office I was at, at the time, and then got hired, it was like Mekanism was doing a ton of branded content, viral video stuff but oftentimes without any paid media. The platforms, most of them didn't even have paid media as an option. I think at the time you could buy a YouTube homepage banner and that was it. Facebook didn't have it. There was no sort of formal way of promoting that stuff for the most part. So we sort of, myself and a couple other guys, younger guys, we built out a team over time that was the social media team. And we were just constantly coming up with different ways to promote content, doing everything from Reddit seeding to tons and tons of work with creators. We worked with all the big creators in those early days, which was great, because it was a small community. We got to make a lot of deeper relationships at the time.

     

    Chris Erwin:

    Yeah. And you were probably working with a lot of those creators direct versus now there's tons of representatives, managers and agencies, and sometimes you never even talk to the end talent, but back then probably different.

     

    Brendan Gahan:

    Oh, 100%, yeah. We would get pretty elaborate sometimes with these campaigns, we would do like in person summits and kickoffs. We worked with 20th Century Fox on some campaigns, and we would fly like 50 influencers in and a bunch obviously would be in LA, but host these elaborate dinners and events, and sometimes it'd be two, three days long where they're meeting with the execs, meeting with actors, kind of getting a download of the campaign, what the expectations were for them. Then we'd take them out, go partying. So it was cool. Got to spend a lot of face time with people and it was a really fascinating time.

     

    Chris Erwin:

    You were there for about five to six years at Mekanism, right?

     

    Brendan Gahan:

    Yeah.

     

    Chris Erwin:

    And then I think you transitioned to full screen after that for a brief stint, but then you started your own agency, Epic Signal. So what was the catalyst for you to leave this kind of the broader corporate support and other people that were helping elevate your career to say, I want to do something differently, I'm going to do it by myself.

     

    Brendan Gahan:

    I felt like full screen was exploding at the time. You know this, all the MCNs were blowing up, but I felt like there was a lot of distraction and stuff. And the thing that I was really passionate about at its core was the strategy in collaborating with both brands and creators to create something awesome. And I felt like full screen, it was like they were trying to grow this MCN, this network and make a scalable business. So it was a little bit different from what I was really passionate about. And so I left, I thought I was just going to take my time sort of consulting. But I mean, this was like when influencer marketing was reaching this new fevered pitch because... We talked about it yesterday. Sometime around there, Maker was acquired, all these clients that I'd worked with and people at different agencies that I'd worked with over the years came out of the woodwork and were like, we have to have an influencer strategy.

     

    Brendan Gahan:

    We have to have a YouTube strategy. And I'd been the, air quotes, like YouTube guy and influencer guy since 2006. So I was one of a handful of people who had sort of like this deep bench and experience in this niche. So all my old clients started hitting me up. All of a sudden I had more work than I could personally do. And slowly started hiring people just out of necessity, because I didn't want to say no to these awesome opportunities. I was like, oh crap. I get to work with Mountain Dew, hell yeah, let's do it.

     

    Chris Erwin:

    I do want to clarify, but when you went off on your own, I mean I'm sure look, as the industry is growing, Google original channels program happened in 2011, 2012, hundreds of millions of dollars of funding into digitally native production companies to fuel the overall video ecosystem to help you to recruit more advertisers. And so when you decided to go off on your own to start Epic Signal, why was that? Had you always wanted to be an entrepreneur? Did you think like, hey, I want to be an owner and I'm early in a very nascent industry and so this is scary, but I'm going to get an early foothold and see what happens.

     

    Brendan Gahan:

    It honestly wasn't as strategic as that, it was more like, I felt like my strengths could be better utilized going off on my own. And I like being really hands on and strategic. It was really as simple as, well, I want do this work the way that I know how to do it and the way I want to do it. And if that takes me going off on my own, then that's what I'm going to do. So I did. And in hindsight, it sounds much smarter than it was, it was not smart from like an on paper standpoint. I left full screen. I left my equity on the tape because I left just shy of a year, but I just felt like it was the right thing for me to do, because I knew, I'd seen this space grow so fast and I was like, I've been doing it longer than most people. I have relationships, I have a sense of what strategically works. I want to do it the way that I want to do it. And that just made me feel good, and so that's what I did.

     

    Chris Erwin:

    Now did you launch Epic Signal in LA or did you move to New York?

     

    Brendan Gahan:

    So I was in LA, but very quickly was splitting my time up between LA and New York. I was going back and forth. I'd spend two weeks in LA, two weeks in New York, back, forth, back forth constantly, and then was about to move to New York officially, I ended up having more clients there than anywhere else, more brands I was working with there than anywhere else. And then as I was sort of putting the plan together to do that, I ended up selling it. And then I had to move to New York, so it moved things along.

     

    Chris Erwin:

    That happened pretty quickly, right? Because I think you had Epic Signal for, was it a couple years before you sold it to Mekanism?

     

    Brendan Gahan:

    Yeah, I think it was just shy of two years. It was almost two full years, yeah.

     

    Chris Erwin:

    Okay. And when you decided to sell, how big was your team at that point?

     

    Brendan Gahan:

    It wasn't big. It was like a half dozen people.

     

    Chris Erwin:

    Okay. Why did you decide to sell?

     

    Brendan Gahan:

    I found myself in a situation where I was doing so much back office stuff. It was like the very thing that I left to go do was, I wanted to focus on the strategy and deal with that, do the actual work. And then what I found was, when you are an entrepreneur, it's very easy to get sucked into dealing with lawyers and accounts, and payroll, and all this stuff that is not fun, all that back office stuff.

     

    Chris Erwin:

    I'm feeling you right now on that. That's where I feel like I'm at with RockWater.

     

    Brendan Gahan:

    You try and delegate it, but it's like all these things get this overflow back to you. And so I was back in this situation where I was doing the work that wasn't making me happy. And at the same time, I sort of felt like I have this window of opportunity where it's like, this is a really small team, we're lean and mean. We've got great profit margins. We've also got dope clients. We were working with like ABI. We worked on Bud Light campaigns, Corona. We did work with several PepsiCo brands, a handful of others. So we had a dope roster of clients that we were working with, a handful of whom were on retainer. And I was like, we have this niche where we're focusing on helping brands with YouTube strategy and YouTube creators. And oftentimes, especially the bigger brands, like a Pepsi, Mountain Dew, they had multiple agencies and they would have like a social AOR even.

     

    Brendan Gahan:

    And they did have a social AOR, but I was like, it's only going to be a matter of time before I get squeezed out and they start offering this services that I'm sort of in this interesting niche I can offer at this time that they don't have. And so I felt like the cache of the brands that I had, the team in place, people would find it desirable because of the relationships and already booked revenue, and great team. And so I thought I'll try and capitalize on my time and see if I can make a deal happen.

     

    Brendan Gahan:

    And then I had a letter of intent on the table and I would call my old boss at Mekanism for advice. "Hey, I'm negotiating with these guys, and this is a deal on the table. Does this make sense? What should I push back on?" So he was aware that things were moving along. And basically I was in New York, I had signed a letter of intent, things were sort of going through due diligence and all that. And he was like, "Let's grab drinks." So I met up with him for a drink. He's like, "Just come back." I was like, "All right, well, I got a deal in hand if you can beat it, I'm down. Like let's do it." I loved working with him.

     

    Chris Erwin:

    Hey listeners, this is Chris Erwin. Your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work. And it also really supports what we do here. All right, that's it everybody, let's get back to the interview.

     

    Chris Erwin:

    I have to ask, did you run a formal sales process where you decided to sell and then you're like, all right, here's the 20 best fit buyers that are out there and I'm going to go call them or I'm going to hire someone to dial for dollars on the company's behalf. And/or were you also just getting unsolicited in bounds that you were like, oh, hey, this is interesting. Maybe with the market timing, things that you were sharing, where there was a lot of brands had big agencies of record, you felt that you were going to get squeezed out. So now is the time to sell, what was that looking like?

     

    Brendan Gahan:

    Exactly that, but sort of like the inverse. Initially, I sort of had a hunch and so I sort of informally had some conversations and dinners with people where like, I didn't come right out and say, "Hey, I want to sell," I didn't want to come across as desperate. Because I mean, and I wasn't, I wasn't desperate, but I wanted to sell. But I would sort of just seed the idea, like, "Hey, I'm kicking around the idea of selling, I'd love to do X, Y, and Z. And like'

     

    Chris Erwin:

    Just like dating, the classic courting phase, you're just doing the dance.

     

    Brendan Gahan:

    Exactly. And then once people started expressing interests, I was like, okay, I'm definitely onto something. This is something I'm way out of my depth on. So I asked around and some buddies recommended some lawyers and I hired them and signed a deal with them. And I was like, all right, let's make this happen. And that was the best decision I could have made. They earned every dime I paid them and then some, because beyond just the relief of handing it over, they definitely got me more money and I didn't ever have to be the bad guy throughout the process, which I'm very bad at saying no to people in negotiations and stuff like that. They were just like, every step of the way they were like, "No, just pass it over to us. We'll take care of it." And then they would hit me up and they're like, "Here's what's on the table, here's what we advise. What do you want to do?" And the process was stressful enough as it is, but having them sort of take the reins just alleviated so much stress.

     

    Chris Erwin:

    Selling your company is a very unique work stream that requires a very unique set of skills to execute well. And it can be very emotional for a founder, operator and CEO. This is your baby. You could transform your life through a big liquidity event, but it's also going to impact, you might be selling to another company and working for someone else. So having a partner there to guide you along the way is really important. I mean, I saw this a lot because I was a banker on Wall Street back in the day and sold a variety of different companies and helped shepherd the sale with Big Frame to Awesomeness TV. I just talked about that in the last podcast with Sarah Penna, one of the co-founders of Big Frame, and it's a really big decision.

     

    Chris Erwin:

    So I totally get it. I'm curious, who were the buyers that you were talking to? Was it different brand agencies? Was it different brands that wanted to actually just bring you on in house? Was it some of the emerging YouTube MCNs that wanted to build out their influencer sales arm? What was that group looking like?

     

    Brendan Gahan:

    I think it was two MCNs and this holding company, I won't name names and stuff, but it was a fascinating process. And to your point about seeing it and it being stressful and all this stuff, if you think about it, it's like, it's an experience that, as an owner or an entrepreneur you're out of your depth, it's a very unique thing that happens. It doesn't happen that often. And so bringing in professionals is so helpful because they actually do these deals. I'm doing totally different types of deals. I have no experience selling an organization.

     

    Chris Erwin:

    Yeah. You need to create a very compelling story and also urgency, get people excited and the feeling that they're going to miss out. So if you kind of go after the process willy nilly, you can set up a really bad result for your company. And also for your counterparties that are saying, "Hey, we're interested here. We've been in talks for a while. Why is this dragging along? Who else are you talking to?"

     

    Chris Erwin:

    So you can really damage, not only all the value that you've created for your business, but it can impact your team, it can impact the ability of you to continue working in the industry thereafter. So got to do it right. But so many say, I was just talking to a banker about this yesterday. Oftentimes, transactions result from long standing relationships and trust that have been built. So the end buyer for Epic Signal was your past boss at Mekanism, that became your eventual home. So after you joined forces with them, was the mandate, "Hey Brendan, come back on board. You're now part of the senior leadership team. The market opportunity is even bigger. Let's go after it with you and your whole team in a bigger way."

     

    Brendan Gahan:

    Pretty much, yeah. It was a bit of a plug and play option, they had... Obviously there was a social team when I left, the feeling was like there wasn't... A number of people had left by the time I came back, so I was able to bring my team in, merge it with the existing team. And we started expanding the offerings again. When I was running Epic Signal, I deliberately tried to keep it very narrow in niche, because I couldn't compete with a big social agency, it just wouldn't happen.

     

    Brendan Gahan:

    But by having two very key offerings, it streamlined so much of the processes and it gave me a clear point of differentiation. And when I joined back up with Mekanism, it was like full service, social, we're doing everything, community management in the lightweight, social content creation, analytics, reporting, influencer marketing, all this stuff. And so had to scale up the team and integrate with the larger organization as a whole. And it was fun. I think I'm sort of like this entrepreneur at heart or intrapreneur, and I like the process of sort of building and evolving and exploring new opportunities. So it was a really good fit, is a good fit.

     

    Chris Erwin:

    Thinking back on all of the brand and influencer campaigns that you've done, there's got to be one or two that stand out in terms of just something crazy went down. I think back to at Big Frame, working with some talent, doing a six figure brand deal, talent deciding literally two hours before something's supposed to go live that they're not going to post it or having a meltdown on the floor of VidCon and sobbing and crying because they're having a personal breakdown, because look, that life is tough and burnout is real in the influencer space. I remember a bunch of stories when we were launching different content verticals and flying in different 40 creators into like a creator house. This is like back in 2013, before there was like the modern creator houses of today. So any stories from the trenches that you remember from your early days?

     

    Brendan Gahan:

    Oh my God. Yeah, it's like, working with creators I think is one of those things, when you're in it, you're almost like, I'm never going to do this again. Then afterwards you're like, oh, that wasn't so bad. That was really fun. I think probably one that took the cake as far as stress goes, was we were working with Brisk Iced Tea, which is a PepsiCo brand. And we're about to host a summit because Brisk was relaunching, they had Eminem in the super bowl spot, and they were reviving the Claymation look. They did one with Ozzy Osborne, they did one with Danny Trejo, and we were actually having Danny Trejo fly out to New York, and he was going to meet with all these creators and stuff. And this was during the winter before super bowl. So I don't know if it was like December or January, or maybe early February, but there was a massive snowstorm.

     

    Brendan Gahan:

    Flights kept getting canceled and delayed. And I remember being glued to my phone, refreshing constantly, looking at, I think there were a handful of flights that were going to make it out of LA to New York before things were going to get canceled. And I remember, we signed up all these creators, Danny Trejo was going to show and he was going to be the cool, shiny object, and his flight to New York. I remember it kept getting delayed, delayed, delayed, it got canceled. We got him on another flight, delayed, delayed, delayed. And I was just like refreshing my phone and being like, this whole thing is going to fucking fall apart if that flight doesn't take off. It sounds like not that big a deal right now but I remember it was just one of those moments where I was just like, the whole thing was going to fall apart. The world was on my shoulders and I was just freaking out. But I've had a million situations like that, I remember-

     

    Chris Erwin:

    Did that work out? Did he get on the flight and did the campaign come together?

     

    Brendan Gahan:

    Oh yeah, he ended up [crosstalk 00:34:02].

     

    Chris Erwin:

    He's like, I can't leave the audience hanging.

     

    Brendan Gahan:

    Yeah. He made it and it was freaking amazing. We thought we had him for like an hour, he was going to do a little talk, kind of talk about... His story's amazing first off. And then his spot with Brisk was super cool. And we thought people were going to get a kick out of that. I think we had like 45 minutes for him booked. He was going to come out and hang out and talk with the creators. I think it was like 20 or so creators. And we thought that was going to be this awesome experience for everyone before we sort of called it a day and then went out. And he was so cool. He came out, told this story, which is insane. And then he was like, "All right, what are we doing next, guys?" And he hung out... We had all these YouTubers there.

     

    Brendan Gahan:

    We had like Nice Peter and Mike Diva, and Tim DeLaGhetto, all those guys. And he made himself available to do cameos and their vlogs or any content they were making.

     

    Chris Erwin:

    Wow.

     

    Brendan Gahan:

    People would be like, "Hey, can you pretend to choke me out and beat me up for my video?" And he'd be like, "Oh sure." He just was there hanging out all day. And then we were going to take all the creators out to a dinner, take them to [inaudible 00:35:10] or one of those, where drinking and bowling and stuff. And he's like, "Oh, could I come along?" He doesn't drink. So he didn't drink. But he was hanging with the whole crew, all of us until, I don't know, like one in the morning or something. He was the nicest guy, and so it was this amazing sort of transition from like the day before, one of the most stressful experiences of my life. I don't think I slept that night to everything went off better than I could have possibly hoped for.

     

    Chris Erwin:

    I just want to call that out. I think that's one of the beautiful things about working with digitally native creators and being in the advertising business, is meeting all these incredible personalities. So I think Danny Trejo, tell me if I'm wrong, but I think he's LA born, Latin, very tatted up, I think had a pretty rough upbringing, but made his way into American movies and TV series. And he often plays like the bad guy or the thug and maybe those roles have been evolving, but what you see on screen-

     

    Brendan Gahan:

    It's pretty spot on.

     

    Chris Erwin:

    Yeah, what you see on screen is clearly very different than who his actual personality is, and were it not for what you're doing, Brendan, you would never have gotten to meet him, and you probably have hundreds of stories like that, that's a pretty beautiful thing.

     

    Brendan Gahan:

    We did one campaign with Virgin Mobile, they were sponsoring Lady Gaga's tour at the time, we got to go hang out with Lady Gaga after one of her shows like, it was wild. I bring up celebrities, but I think honestly hanging out with the creators was my favorite thing, because especially back then, there was a lot of uncertainty in terms of like, how am I going to turn this into a job? Or this is my job, but I'm just kind of scraping by. And it was an interesting mix of sort of a lot of belief in what they were doing, which I found super admirable, and I was almost envious of the fact that they took that leap as well as this sort of insecurity and doubt that they had.

     

    Brendan Gahan:

    There's so much pressure to keep making content and to power through, but at the same time, not knowing exactly where it was headed. You think back then, like the daily vloggers, that was a big thing in that era, those guys, we would spend all day with them doing stuff for the brand. And then when other people would go have dinner and drinks late into the night, they would have to go edit and they'd be editing until like three in the morning, running on [crosstalk 00:37:21] of sleep. Yeah.

     

    Chris Erwin:

    You ask what kids want to be nowadays, they want to be a creator, but whether it's a daily vlogger, or you're creating content, you're managing a fandom that is always on, and that's a lot to take on and that's why there's burnout. And I hear you, some of those early creators, they were probably just racing because they're like, hey, I have put all my resources into this, all my focus. Maybe this goes away in a couple years because the fans' interests and the passions are going to change or the algorithms are going to change and maybe this is not going to be here. So it was like a money land grab.

     

    Chris Erwin:

    But Brendan, when you say that you would look at creators and say, oh, I was jealous how they took the leap, maybe I want to take the leap as well. You took that leap during COVID and you started really building out your own personal audience and thought leadership. And that speaks to that you like to do things on the side. I think you have a strong entrepreneurial or intrapreneurial spirit as you described. And I don't think it just started over the past couple years. I think when we were talking in advance of this interview, you were investing back in the day as well. And I think that you were an early investor in Big Frame, is that right?

     

    Brendan Gahan:

    So I did invest in Big Frame, but via Mekanism because I knew Sarah from back in the day when she was working for Phil DeFranco. And so when she was starting it, I was like, oh my gosh, can we get in? So yeah, we made this small investment and I just sort of wanted to be a part of all that. I definitely had like a serious case of FOMO.

     

    Chris Erwin:

    Yeah. I think that was really cool. I think Sarah and Steve, we actually had a bunch of different creators and I think peer business partners in our cap table, a way of giving them ownership as a thank you, helping us build this together. And so when we sold, all those creators that were in our cap table got some money. Was it life changing money? No, but it was something. And I think they really represented a pretty special ethos from the top.

     

    Brendan Gahan:

    That's awesome. That's so cool.

     

    Chris Erwin:

    But yeah, and you are also early on and I think you still are, you're an advisor to the VidCon board, is that right?

     

    Brendan Gahan:

    Yeah. So I sit on the advisory board for the industry track specifically. So I mean, I've been to all the US VidCons, a bunch of the international ones. So I was always deep in that space. And I've known Jim since the Revision3 days, he was, Jim Louderback the CEO was the CEO of Revision3, which was one of the big early MCNs. And I'm not sure exactly to be honest how that came about other than... But I think what prompted it was as part of the acquisition of Viacom for VidCon, Jim came on board and I think it was a way to make sure that, I think he put together a few advisory boards to make sure that he was getting a lot of input from multiple points, because for so long the community was relatively insular, and its expanded so much so quickly.

     

    Chris Erwin:

    I first met you, I think via an introduction from Chas, Chas Lacaillade who I think was an early interview on this podcast. You guys overlapped at full screen back in 2013 and then have both built your own businesses after that, pretty funny track. And first met you in New York. And I remember a conversation a year and a half ago or a couple years ago, I was asking, what are you focused on? What are you doing? You're a dabbler in so many things, you're at Mekanism, but I'm seeing that you're doing all this incredible thought leadership on LinkedIn, all these incredible posts and you're really consistent about it.

     

    Chris Erwin:

    They were really high quality. And you said, "Hey Chris, I'm really focused on building an audience. And I think audience in the modern creator economy is one of the most valuable currencies that you can have." And you weren't completely clear what you wanted to do with that audience, but you're like, I'm going to build and now's a great time to do it. So I am curious to hear that story of how that came to be and what you're working on today.

     

    Brendan Gahan:

    You probably said that so much more articulate than I did. I'm going to have to remember that, but yeah. That was definitely the insight. I think the way it came about was sort of like, I was legitimately beating myself up over the fact that I had probably hundreds of pages of writing and thoughts in Google Drive that I'd never published as a blog post. And I would just like constantly beat myself up over this. I'd have what I thought was a great idea. I'd work on a blog post and then it would just sort of get longer and longer and longer and longer. And then eventually it became this daunting task to like push it out, because I had a blog for a while and I would sort of fall into this pattern and then not publish for like a long, long time.

     

    Brendan Gahan:

    And the thing I sort of found was the hardest part was to press publish really. And so I was like, okay, well what's the easiest way I can get myself to kind of overcome that, because I did want an audience. I felt like I had thoughts that I wanted to get out of my own head. And so basically I was like, all right, what is sort of the easiest way to do this and inoculate myself to this idea that this fear of pressing publish. And so I started small and basically I was like, all right, well, I'm going to start posting one thing a day on LinkedIn. It doesn't matter if it's simply sharing an article, just writing cool or writing a whole blog post if I feel like it. And that made it very approachable.

     

    Brendan Gahan:

    In the early days, I would literally just sit there and press a timer, 20 minutes and write. When it was done, I'd give it a once over and then press publish. And that really helped me sort of start to overcome this fear, and did that for all of, what was that 2020 I believe. And then at some point towards the end of 2020, I was like... We'd already done multiple TikTok campaigns and I'd seen the power of TikTok, and like early days, you can still get in there and you can have an impact.

     

    Brendan Gahan:

    It's a softer landing than it will be later. So after seeing all the successful campaigns, I was encouraging my fiance to get on there and do it. And then every time she would post something, it would blow up. Because she had a decent sized YouTube channel and Instagram but it wasn't massive. And I was like, just get on TikTok, trust me. So I found myself sort of giving this advice to everyone, but not taking it myself. And I was like, all right, I should just... These opportunities they only come by every few years if you're lucky, and I was like, I need to just take my own advice. And so in the same way I had to get over writing and sharing my thoughts, I had to get over that with TikTok.

     

    Chris Erwin:

    Yeah, putting yourself on video, that's a big difference than writing and text base expression on LinkedIn.

     

    Brendan Gahan:

    It was so hard. It was so hard. She used to laugh at me because I would put the camera on me and then I would just try and say something, and I would be like, "Fuck, fuck," and then try and say a word and I'd stutter. And I would sit there for like 20 minutes trying to spit out two sentences.

     

    Chris Erwin:

    Brendan, I got to say, I feel you on that because Kevin Gould at Kombo Ventures, he would do these job rec videos on LinkedIn where he'd just be like, call it one or two minutes. "Hey, we're Kombo Ventures, I'm Kevin, we're looking to hire someone, this is what we're doing. And here's who we're looking for." I record these and this is like an inner tip on me. I'll record that like 15 times, it's a one minute video, but I'll say no, I skipped up, I said something I didn't want to say. I don't like how I look. I don't like the lighting, and people think like, oh yeah, you just put it up and that'll be like my one thing I need to get done in the morning, and it'll take me 15 tries to do it. Then you just go to think about, okay, if you're a professional creator doing that for a living, I really feel it then, it's a pretty good glimpse into it.

     

    Brendan Gahan:

    100%. And I think one thing I saw Roberto Blake, maybe, I think I saw a video or saw him tweet, you've got to make 100 bad videos to get to your first good one, or maybe it was Mr. Beast. And I was like, oh yeah, yeah, yeah, that's very true. And that sort of made me embrace the fact that the first ones are going to be awful, and I tried to not focus on like each one, but more building the habit because that would, I don't know how else to say it, but sort of inoculate yourself to that feeling of just sheer fear and anxiety of getting in front of the camera.

     

    Chris Erwin:

    On the outside looking in, I look at, we're a big content marketing machine at RockWater to drive awareness and legitimacy for the services that we do as the self-described McKinsey of the creator economy, right? Market research, strategy advisory, capital raising, and all of that. We look at what you're doing, Brendan, from your LinkedIn posts to your blog, to now almost I think over 100,000 followers on TikTok. It's very, very impressive. A lot of people in the industry say the same thing, right? Like, oh, do you see Brendan's path and what he's posting? It's incredible. I look at the TikTok videos. They're very well edited. Are you doing that yourself? Do you have a team helping you?

     

    Brendan Gahan:

    I'm not editing them myself anymore. I was up until late last year. So I hired an editor out of the Philippines actually who works full time on my TikTok. Then he does design for my blog posts and a bunch of different things basically, he helps me out with a bunch of stuff and that's been a huge relief because now I feel like I'm trying to transition to... There's almost sort of like, as a creator and this is something I observe, but I'm having trouble implementing it, sort of like people find you because of your topic is interesting or maybe you've got a helpful bit of information, but then they stick around and embrace you because of kind of the personality piece.

     

    Brendan Gahan:

    And I'm really trying to sort of evolve it into creating something that provides more insight into me at the same time. And hopefully people feel like there's a connection to me rather than like, "Hey, here are just some interesting stats or an interesting strategy." So that's sort of like where my head is at in terms of where I want to take it. I haven't quite figured out how I'm going to do that. But I think similar to just the same way I got started before, I'm just trying to throw things out there and see what sticks.

     

    Chris Erwin:

    Loudly from the RockWater team, keep doing what you're doing. We love it.

     

    Brendan Gahan:

    Oh, thanks. I appreciate that.

     

    Chris Erwin:

    Yeah. A closing theme before we get into some rapid fire questions and close out the interview. What's next for Brendan and Mekanism? And maybe that's a theme of talking about, what do you think is most exciting in the creator economy and how do you want to support it? You've been writing about Web 3 and X to earn models. Is that something that you're thinking a lot about lately?

     

    Brendan Gahan:

    In terms of Mekanism, I really enjoy that. And so long as I get to work with great brands and great people and do great work I'm content. In terms of the creator economy and stuff, I love everything that's happening there. And I do a little bit of investing and advising, and I love nothing more than sort of brainstorming with people who are building, it's so exciting. And I think the aspect of the creator economy that I'm really fascinated by is sort of... Rather than, most of the VCs coming in are like, oh, we're going to build this scalable product for creators. And that's interesting, but I think the thing that's more interesting is sort of the creators building their own brands, and I think right now production and productization, that's sort of the commodity piece. The development of a brand and cultivation of an audience is becoming the differentiator and the most valuable asset.

     

    Brendan Gahan:

    We were talking about that at the beginning, an audience is leverage. And so as we see sort of this transition from like Web 2 to Web 3, where everybody sort of breaks it down, Web 1 was read, Web 2 is read, write, Web 3 is read, write, own. If the creators of platforms and communities within Web 3 are the users and owners, it makes sense that they would be less likely to embrace traditional methods of advertising. There are some stats out there, like 96% of people hate ads. Yeah, nobody likes most advertising. There are great ads, but by and large people don't want advertising. So those who are sort of able to understand how to embrace communities and build communities, they're going to have a leg up as we sort of transition to Web 3. And we're already seeing the ripple effects of this.

     

    Brendan Gahan:

    I mean like iOS 14 impacted the ability to advertise, do targeted advertising. Creators are launching big brands now faster than ever, partnering with creators is the easiest way to have an impact because they've maintained that direct line of communication to their audience. And so I think creators building and owning brands is really exciting. And also, people are like, oh, like creators think it's in this nascent state. And yes, in the grand scheme of things, it is. But there are already multi billion dollar creator brands. It's so funny, I mean, you probably know him, but Richard Ryan, he was a YouTuber back in the day. I used to do a ton of work with him. He and this other YouTuber, Matt Best, they partnered with some other guys a few years back. They were the guys that launched Black Rifle Coffee, which I didn't realize how big that brand was until they IPOed, and like-

     

    Chris Erwin:

    Yeah, they just went public, right?

     

    Brendan Gahan:

    They went public. I actually was in Austin two weeks ago, I hung out with Richard. It was so wild. It's like, that was built, the platform for that initially was YouTubers. So it's really fascinating. And we're seeing all these other great brands, Logan Paul and KSI, their Gatorade competitor, et cetera. I think that aspect of the business, it just shows how powerful these creators are, which I think is really, really exciting.

     

    Chris Erwin:

    The Black Rifle Coffee, we were doing some research into that company a year ago to understand how some of these creator led brands and particularly CPG brands are incubated and looking at their story, and look, I don't want to undersell what they have done, but I think the quality of their coffee is good, but that's not their specialty. It's that they have these personalities behind it. And this ethos founded by former members of the military, pride in country. And they've built an incredible business doing that. And they've gotten a lot of other ambassadors that have helped them build their business along the way. And I think, yeah, it was funny, Chas was telling me about this. I guess you guys maybe hung out with Richard together. I would love to interview Richard on the podcast. So if he's listening, I'm going to be reaching out soon.

     

    Brendan Gahan:

    Richard's a really, really good dude.

     

    Chris Erwin:

    All right. So Brendan, we're going to enter the last segment of this interview. We're going to do a rapid fire, six questions, and the rules are as follows. With these questions, looking for short answers. So one sentence, or maybe even just one to two words, do you understand the rules?

     

    Brendan Gahan:

    Yes.

     

    Chris Erwin:

    Let's get into it. Proudest life moment?

     

    Brendan Gahan:

    Still ahead of me.

     

    Chris Erwin:

    What do you want to do less of in 2022?

     

    Brendan Gahan:

    Emails and late night work sessions.

     

    Chris Erwin:

    What do you want to do more of?

     

    Brendan Gahan:

    IRL time with friends and family.

     

    Chris Erwin:

    Okay. Maybe more time in Bitcoin Beach, down in El Salvador.

     

    Brendan Gahan:

    Yeah. Serious.

     

    Chris Erwin:

    What one to two things drive your success?

     

    Brendan Gahan:

    I'll keep this one short, crippling insecurity.

     

    Chris Erwin:

    Okay. I dig it. Advice for media execs going into 2022?

     

    Brendan Gahan:

    Get your hands dirty.

     

    Chris Erwin:

    Any future startup ambitions?

     

    Brendan Gahan:

    TBD.

     

    Chris Erwin:

    To elaborate on that, that could be some intrapreneurship at Mekanism or other things you're doing on the sides. I think my prediction is, this audience that you're building particularly on TikTok, I think something's going to come out of that in a pretty unique way.

     

    Brendan Gahan:

    So long as I can think and strategize, I'm very content.

     

    Chris Erwin:

    Here's the last one, Brendan, pretty easy. How can people get in contact with you?

     

    Brendan Gahan:

    Just Google my name, Brendan, B-R-E-N-D-A-N, Gahan, G-A-H-A-N. I'm on all the socials. So whatever your platform of choice is, you'll be able to find me.

     

    Chris Erwin:

    Yeah. And his website is great, lots of content there. Brendangahan.com. All right, cool. Brendan, thanks for being on the show. This was a delight.

     

    Brendan Gahan:

    Thank you. This was a lot of fun. I really appreciate you having me on and I love all the content you guys put out, so I'm really stoked to have made the cut and be on this.

     

    Chris Erwin:

    Very welcome, an easy decision.

     

    Chris Erwin:

    Wow. That was a super fun interview. And I really learned a lot. I think that Brendan and I are kindred spirits in a couple ways. One, our mutual love for surfing in Southern California, and two, just the vulnerabilities of putting yourself out there as a content creator. So that was really fun. Quick note, we just hosted our first executive event of 2022 just this past Thursday in LA. We did a media and commerce executive dinner at Chilena. It was awesome. We had an incredible array of guests. I think over 50 people came out and I also hosted a panel about the future of livestream commerce. So we had the head of operations of Popshop Live there, and the founder and CEO of both Verb, which is the parent company of Market.live and also StageTEN, just an awesome chat. It was a lot of fun, really great energy, and we're pumped to do more.

     

    Chris Erwin:

    So I think we're planning a dinner for investors in media and commerce coming up in the fall in New York City. And then also, we want to put another one together for sports media. So if you'd like to get involved as a sponsor, as a guest, or you want to be on a panel that I will moderate, reach out, you can hit us up at hello@wearerockwater.com. And then as always for all you listeners out there of our podcasts, we love to hear from you. If you have any ideas for guests or any feedback on the show, just shoot us a note, TCUpod@wearerockwater.com. All right, that's it everybody. Thanks for listening.

     

    Chris Erwin:

    The Come Up is written and hosted by me, Chris Erwin, and is a production of RockWater Industries. Please rate and review this show on Apple Podcasts and remember to subscribe wherever you listen to our show. And if you really dig us, feel free to forward The Come Up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter, and you could follow us on Twitter @TCUpod. The Come Up is engineered by Daniel Tureck, music is by Devon Bryant, logo and branding is by Kevin Zazzali, and special thanks to Alex Zirin and Eric Kenigsberg from the RockWater team.

     

    Sarah Penna — Creator Launch Exec at Patreon on Her $15 Million Exit, Marrying a YouTuber, and Betting on Creators

    Sarah Penna — Creator Launch Exec at Patreon on Her $15 Million Exit, Marrying a YouTuber, and Betting on Creators

    This interview features Sarah Penna, Senior Manager of Creator Launch at Patreon. We discuss how a trip to India inspired her media career, being one of the youngest YouTube MCN founders,  her $15 million exit to DreamWorks Animation, how she picks co-founders,  marrying a YouTuber-turned Hollywood filmmaker, founding a female-forward entertainment brand, and what’s up next for Patreon. 

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.

     

    Sarah Penna:

    We had outgrown the office. We were in the National Lampoon office. It was so janky and eventually we moved the talent team to my dining room table. I would cook dinner for the talent team. We would take talent meetings in my living room, which was just so bizarre and unprofessional but worked. My house was kind of a YouTuber hotel. It was very wholesome and very duct tape and bubble gum feeling. We were just kind of figuring it out.

     

    Chris Erwin:

    This week's episode features Sarah Penna, senior manager of Creator Launch at Patreon. So, Sarah was born in Salt Lake City, Utah. Her father was a serial entrepreneur and her mother ran the family construction business. Sarah's first foray into media began while studying abroad in India, when she became the translator for a documentary film crew. So after college, she moved to California and immersed herself in LA's up-and-coming digital media scene, which included working with OG YouTuber Phil DeFranco. Sarah rapidly became a digital expert and started her own digital talent management company in 2010, which eventually became Big Frame and was sold to AwesomenessTV and its parent, DreamWorks Animation.

     

    Chris Erwin:

    Today, Sarah runs a team that helps Patreon develop and launch premium talent partnerships, and also advises Frolic Media, a female-forward entertainment brand she co-founded in 2018. Some highlights of our chat include how we first met during an awkward interview moment with a guitar, when having 10,000 subs made you a Top 100 YouTuber, how she picks co-founders, what it's like to marry a YouTuber turned Hollywood filmmaker, and what's up next for Patreon. Now, I've known Sarah for nearly 10 years. She was actually my gateway drug into all things digital entertainment and where it not for her founding Big Frame, I would not be where I am today, and I am forever grateful to her, which makes me super pumped to share her story. All right, let's get to it. Sarah, thank you for being on The Come Up podcast.

     

    Sarah Penna:

    Thanks for having me.

     

    Chris Erwin:

    We got a little bit of history here. So, we'll see how much of that we can get through in 90 minutes before your next thing.

     

    Sarah Penna:

    Yeah, it's a lot. It's a lot to pack in.

     

    Chris Erwin:

    As always, let's rewind a bit and let's talk about where you grew up. So, my understanding is that you grew up in Salt Lake City, Utah. Your family had some land in Wyoming. I think your dad was a bit of an entrepreneur, but tell us about your upbringing.

     

    Sarah Penna:

    Yeah. I had a pretty cool childhood. I grew up in Utah. My parents were total hippies, just big personalities, did not grow up in the predominant faith of Utah. So, it was a little bit of an outlier, and my parents own a construction company together. So, a little bit of foreshadowing into how I worked with my husband at one point, but I grew up with an older sister and a younger brother. We had a menagerie of animals all the time, like goats, and my dad kept bees at one point. We always had two or three dogs and a bunch of cats and an iguana and chinchillas. We just had this kind of crazy Bohemian, bizarre, Jewish, hippie not Mormon family.

     

    Sarah Penna:

    So, my parents owned this construction company and became relatively successful with that but my dad has curse, as I do, which is, always coming up with new ideas and deciding to act upon them. He had a Japanese restaurant and he had a furniture company and he had an emergency preparedness kit company, and I-

     

    Chris Erwin:

    Would he do all of these at the same time as the construction business or would it be like stops and starts and all of that?

     

    Sarah Penna:

    No. My mom held it down. She really was the mastermind behind the construction company. She did all of the office work and made sure ... she really ran the company and then my dad was kind of the face of it. He was out at the job sites and in the early days, was actually doing the building. So, I got to see my mom be in this, talk about a male-dominated industry. She would come home so mad because she would get a piece of mail that ... her name's Paula and they would always address Paul, because they couldn't believe that a woman was running a construction company. So, I got to see this powerful woman running this super successful business in basically a hundred percent male-dominated industry.

     

    Chris Erwin:

    Sarah, I've known you for over 10 years and we worked together intimately for at least three or four of them. I had no idea about your background. I just learned more about you in two minutes. It took a podcast and a 10-year relationship to get here.

     

    Sarah Penna:

    That's totally my bad.

     

    Chris Erwin:

    All good. So, okay. As a kid, when your father dabbled in all these new business adventures, was that really exciting for you guys? Maybe frustrating for your mother, but as kids you're like, "Oh, dad's up to some cool stuff again."

     

    Sarah Penna:

    Yeah, it was fun. I was 15 when he did the Japanese restaurant and I got to work in the restaurant and just, it was cool, and I didn't realize the stress and the financial burden that it was putting on my mom and kind of how frustrating it was for her but I see that now, looking back, and she handled it amazingly. She's an incredible woman. But I'm a very early riser, and as a kid, I would ... my dad is, too. He would get up at four or five in the morning and I would, too. He would just load me up in his construction truck and we'd go get pancakes and go milk the goats and go check on his construction sites. So, I got to see the inner workings of that. Then, I love going to the office and rifling through my mom's office supplies.

     

    Chris Erwin:

    Well, I got some important Post-it notes here, got a yellow legal pad, all the things.

     

    Sarah Penna:

    It was so fun as a kid. You're like, pens and Post-it notes, and the office supply closet was just like this heaven.

     

    Chris Erwin:

    My dad, he ran a psychology business and still does for 40 years and had his own office, and then every year he hosted a conference. One of my favorite things is that he would hire his children, me and my twin brother, and we'd have to lick 500 envelopes and put stamps on them. But we got to use all of these office gear, we thought it was the coolest thing ever. Then, after a few years, we're like, "I think we're getting sick from all of this stamp-licking."

     

    Sarah Penna:

    Yeah, probably.

     

    Chris Erwin:

    But separate story.

     

    Sarah Penna:

    That's really funny.

     

    Chris Erwin:

    So, a question, watching your father's entrepreneurial endeavors and also your mother, too, running the business, did you feel like, "Hey, when I grew up, I'm going to have my own business too."

     

    Sarah Penna:

    Honestly, no. So, I was an incredibly shy child. I was very quiet. My family likes to joke that they thought I was just going to buy a cabin in the woods and just frolic in daisy fields and that would basically be all I could handle. So, to the shock of everybody, of what I wound up doing with my career, so no, I was very directionless. I went to a very intense high school that was a college prep school. There was a lot of pressure to kind of figure out what you wanted to do. Frankly, I just didn't have any passions. I wasn't thinking, "Oh, I want to take over the family business or I want to be an entrepreneur." I didn't even have that language.

     

    Sarah Penna:

    So, in a way, that was great because what I wound up doing didn't exist when I was little. If I had said, "Oh, I want to be a lawyer or an actress or what ... " something that did exist, I don't know that I would've found the path that I did find. My parents never called themselves entrepreneurs. They were just, this is what we do and this is how we do it.

     

    Chris Erwin:

    Very interesting, Sarah. So, I'm going to put the puzzle pieces together here. Let's talk about another formative event growing up. You had also mentioned that you studied abroad in India, where you actually learned to speak fluent Nepalese. So, tell us about this transformative moment for you.

     

    Sarah Penna:

    Like I said, I was a very shy child. In college, I kind of blossomed, but maybe in the wrong ways. I partied a lot and just, again, was quite directionless. I was a literature major, which is just like the lazy ... No, I love being a literature major, but it is a non-major. It doesn't really set you up for business success. Originally, actually, I was going to travel. I was going to study abroad in Italy and I had this moment where I just looked at myself and said, "You need to push yourself right now. This is a moment." My college had an incredible study abroad program in Nepal.

     

    Sarah Penna:

    Long story short, they couldn't do it in Nepal. There were some civil unrest, so they moved it to India. I went to India and I lived in a place that didn't have running water, and I did my laundry for six months in a river. I got perspective that I never would've had. During that time I met up with a documentary film, I will say, crew in quotes, because it was just two white dudes traveling around not knowing what they were doing. They were in this tiny little village that I was staying. I was living in a monastery and because I spoke the language I could just hang out with the locals. It was very funny to them that this tiny, little white girl spoke fluent Nepalese.

     

    Chris Erwin:

    Did you take Nepalese in advance of going to India at all?

     

    Sarah Penna:

    No.

     

    Chris Erwin:

    So, you just picked it up in country.

     

    Sarah Penna:

    Yeah.

     

    Chris Erwin:

    Wow.

     

    Sarah Penna:

    Writing is very hard, but the language itself is very intuitive once you fit the pieces together. So, I would help them. Tourists would come. I lived in this monastery for a couple of weeks. Tourists would come and I would help them translate and negotiate and all this stuff. So, these guys came, they were filming. I was like, "I'll join up with you guys and translate for you and help you get interviews and that kind of stuff." Because if you speak the language, it just opens more doors. So, I wound up traveling with them, and one of them I wound up dating, but that's for another story. He was going to UCLA. I was graduating. He was going to UCLA grad school.

     

    Sarah Penna:

    I was graduating college and I wound up learning about documentary film and originally thought I wanted to go into documentary filmmaking. So, 2006 is when I was in India.

     

    Chris Erwin:

    Got it. Did you have an interest in media and the arts before you met this documentary film crew/attractive young man that you wanted to date?

     

    Sarah Penna:

    No, and I didn't have any connections and I didn't have any ... but, again, I was kind of, not in a disparaging way, but I was kind of an empty vessel, right? I had no idea what I was going to do and this thing really sparked me. I loved holding the camera. I loved seeing the story come together. I moved to Venice with him, and this is way too long of a story, so I'll just make it really short through a series of very wonderful coincidences, which involved me randomly picking a documentary film at the LA Film Festival and contacting the filmmaker. I got an internship at World of Wonder and that kind of started my trajectory in media.

     

    Chris Erwin:

    This was the first time you dated a documentary filmmaker. I look at this as a warm up for Joe. We'll get into that later.

     

    Sarah Penna:

    I only dated creative people, [inaudible 00:11:39].

     

    Chris Erwin:

    Another podcast for your wild party days at Pitzer College. All right, so that led to your first work experience at World of Wonder. So, tell us about what that company was doing and what your role was there.

     

    Sarah Penna:

    World of Wonder in 2008 was probably the most amazing place to work, I have to say. It was constantly drag queens coming in the office, and parties. It was just a wild time. They were filming the first season of Million Dollar Listing, which I was an intern on. They were filming the first season of Tori and Dean: Inn Love, the Tori Spelling Show, which I was an assistant on. They were filming Porno Valley. They were filming ... I mean, it was just like a wild, wild time, incredible company. I loved it. I also recognized that reality TV wasn't really for me. While I was working there, I also was making short films and uploading them to these two new websites. One of them was called YouTube and one of them was called Current TV.

     

    Sarah Penna:

    Current TV was Al Gore's network based in San Francisco, where you would upload short documentaries and then the ones that got the most votes, they would ultimately put them onto their TV network. So, I had a couple documentaries get bought and put onto the TV network and ...

     

    Chris Erwin:

    Were you doing this independently or as part of World of Wonder?

     

    Sarah Penna:

    No, no, totally separately.

     

    Chris Erwin:

    Got it. Again, I had no idea that you did this.

     

    Sarah Penna:

    Yeah. Now, we're in 2007, the first documentary that got picked up was about me getting my medical marijuana license.

     

    Chris Erwin:

    Okay.

     

    Sarah Penna:

    It was a very new thing at that time, and so I documented the whole journey of what it was like to get a medical marijuana license and I smoked a joint on-screen. When I got hired there, it would play in the rotation, and one time Al Gore came to visit the office and they had the TVs up in the office playing Current, and my documentary came on with me smoking a joint and meeting Al Gore at the same time. It was very embarrassing.

     

    Chris Erwin:

    I'm famous/I'm super embarrassed. What a mix of emotions.

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    So, Sarah, I have to ask, you're working at World of Wonder, you're working on these incredible programs that are probably being sold to network TV, right? Not digital outlets and streamers. What was the catalyst that you're like, "I want to put my content on YouTube and Current TV." How'd that come to be?

     

    Sarah Penna:

    I just felt something more compelling about it. It felt more free. It felt like, somebody like me coming from Utah with literally zero connections could make something and have it be put on TV within a couple of weeks. Then, on YouTube, you couldn't monetize at the time. It was very rudimentary. I don't know, I just fell in love with it.

     

    Chris Erwin:

    YouTube was founded in 2004 and then, was it bought by Google in 2006, if I remember correctly?

     

    Sarah Penna:

    I think that's right. Then, 2007 Time magazine made you, the cover and the Person of the Year was you, and it was a mirror. I was like, that to me was a moment where I said, "Okay, this is really a thing and I want to be involved in it."

     

    Chris Erwin:

    I think you start meeting some pretty important early personalities and movers and shakers within digital video. I think you met one of the founders of what eventually became Maker Studios, I think. Was it Danny Diamond or Danny Zappin? Is that the same person?

     

    Sarah Penna:

    That's the same person. His YouTube name was Danny Diamond.

     

    Chris Erwin:

    Got it. So, how'd you meet Danny?

     

    Sarah Penna:

    So, I was working at this very small web series production company which, yes, that was a thing in 2008. So, I got laid off right from Current because the financial crisis hit. They laid everyone off. They sold the network to Al Jazeera. I moved back to LA. I had been up in San Francisco, moved back to LA, started working at this web series production company, got introduced to Danny through some mutual friends. He said, "Look, I just got some money from YouTube and I'm filming this thing for this new channel that we're starting called The Station. Why don't you just come up and see what it's like?" So, I go up there and unbeknownst to me, it was every big YouTuber at the time. It was ShayCarl, and KassemG, and Shane Dawson, and Danny, and Lisa Nova, and everybody-

     

    Chris Erwin:

    OG names.

     

    Sarah Penna:

    Funnily enough, my future husband was supposed to be there, but I don't remember exactly what happened, but he wasn't there.

     

    Chris Erwin:

    Okay. So, you're doing this. Are you thinking to yourself, "Oh my God, I'm having so much fun. This is a crazy world." You're embarking on a very exciting career adventure. You're seeing this change in the media industry. Did you feel that at the time or was it more of, "This is fun. I'm meeting some cool people. Let's see where it goes."

     

    Sarah Penna:

    It was more the former. I really thought to myself, I want to be involved in this in some way, shape or form. I really don't know what this is.

     

    Chris Erwin:

    Yeah.

     

    Sarah Penna:

    Not to say that I'm a genius, but I just had something in my gut that said, you've got to be involved in this somehow. You have to make this happen.

     

    Chris Erwin:

    That instinct proved to be pretty powerful for you in starting Big Frame, which we'll get to in a little bit. So, you meet Phil DeFranco, a prominent OG YouTuber, and I think you become a producer for him and his team, right?

     

    Sarah Penna:

    Yeah. So, he hires me in November of 2009 and I worked for him. We launched a new channel, which was like a gaming channel for him. I did PR for him. I handled brand deals for him. I edited because I still knew how to edit at the time. A skill I'm very sad that I lost. That was just an amazing experience. He had split from Maker TV at that time and so, we were kind of running our own thing. I think Phil, to this day, is one of the most brilliant, genius content creators that's come out of the YouTube space. He's just continually reinvented himself and not, just kept doing what he did and stayed successful. So, that was a masterclass in how to run a successful YouTube channel.

     

    Chris Erwin:

    Got it. Also, through Phil DeFranco, you actually end up meeting your future husband, Joe. So, he actually showed up on time for production or maybe a first day that you guys had. How'd you first connect with him?

     

    Sarah Penna:

    Before Phil hired me, I got invited to a Halloween party at his house and Joe was there, and I had actually very embarrassingly seen Joe's videos before meeting him. I was producing a short film with a prominent YouTuber at that time named Olga Kay and we were just doing some fun. We actually crowdfunded it. We raised a couple thousand dollars and made this thing called Olga Kay's Circus. We wanted Joe in it because he had a lot of subscribers at the time. He had 10,000 subscribers, so he was in the Top 100 YouTubers.

     

    Chris Erwin:

    Oh, my God.

     

    Sarah Penna:

    Can you believe that 10,000 subscribers would get you there at that time? So, we wanted Joe in it and we wound up meeting at this Halloween party and then Phil connected us and match made us a little bit, and we went on our first date in January of 2010.

     

    Chris Erwin:

    Then, how soon were you married or engaged after that?

     

    Sarah Penna:

    So, we went on our first date in January 2010 and then we got engaged in September of the same year, and then we were married the next year.

     

    Chris Erwin:

    First date with Joe, January 2010. Engaged, September 2010. Married, 2011. Interesting timing because you launched your first company, Cloud Media, I think in 2010, and you're sharing production space with Joe. So, you're tripling down on the digital media space. You're literally married to a creator. You're sharing space together and you're founding your own media company. But tell us about what was the origins of Cloud Media.

     

    Sarah Penna:

    Yeah, so I basically, again, I didn't say, "Oh, I'm going to be an entrepreneur. I'm going to raise money." I didn't have a blueprint for that. I didn't know what I was doing, which I think you'll hear a lot of entrepreneurs say, that's kind of a blessing in a lot of ways. So, I did a very big brand deal for Joe. I was able to negotiate a high six-figure deal for him, and using the percentage that I took as his manager from that, I started what I called the Cloud Media. I bootstrapped that company for a year and a half and just operated it based off of the percentages that I was taking from brand deals that I was doing for influencers and YouTubers, whatever we called them at the time.

     

    Sarah Penna:

    My difference was I would start out by not doing contracts with them. We would just have a understanding, which is very common with management companies. Most managers don't have contracts, right? That's more for agents and Maker and Fullscreen at the time were insisting on contract, and Machinima. I was like, "Hey, you don't have to sign a contract with me. Let me just show you what I can do. This is my fee, and if you like it, then you can officially sign onboard and we can go from there." So, that worked really well for me. So, I started signing. I think by the time that we re-founded the company as Big Frame, I had about 30 clients.

     

    Chris Erwin:

    I remember, that was one of the things that attracted me to Big Frame. This is definitely the reputation in the space, is that you had built, Sarah, one of the most premium networks of YouTube creators that existed. Really high quality YouTubers that worked together, that worked with you, and there was really good camaraderie and trust and rapport amongst everybody, and it felt very special and different. So, it's clear that was based on these initial values of, I'm going to do good work and prove myself to you, and that's how we're going to develop a business relationship. Until I came in and then I was like, "Sarah, we need contracts."

     

    Sarah Penna:

    A big influence on those ... those are, me as a person, my core values. But DeStorm, who was my second client outside of Joe, who I just cold called and was living in New York, he really sort of guided me in how he wanted to be treated, how he felt business should be done. He really helped collaborate with me on some of those foundational core values that we carried throughout the duration of Big Frame really.

     

    Chris Erwin:

    So, speaking of that, you're literally learning from one of your clients. Were there any other mentors in the space as you're figuring ... this is the early days. We still say we're in the Wild West of the creator economy, that was the real Wild West of YouTube. So, probably, very few people to learn from. Did you have anyone that you would call on a regular basis and say, "Hey, let's just share notes."

     

    Sarah Penna:

    No, I didn't. Unfortunately, I think the space became quickly competitive. I would say at the beginning there was a little more collaboration between, let's say, like Danny and George Strompolos and myself. We would go up to YouTube and talk to them together as a group and what our needs were and share creator feedback. I think once money started pouring into the space we got a little more siloed, which is understandable, but no, I didn't. I was really out there in the woods like, "Okay, this is what we're doing now." Not really knowing what that was. Just saying, "Okay, this is how we're doing it. This is how our contracts are going to look."

     

    Chris Erwin:

    How old were you at this point?

     

    Sarah Penna:

    I was 26.

     

    Chris Erwin:

    So young. So, then, I think, well, as part of that dynamic, as the space got more competitive, George is launching Fullscreen, Danny is launching Maker, more venture capitals moving to the space. The Google Original Channels program launches, $200 million dedicated fund to help creators produce higher quality content for YouTube, which will then attract more advertisers and more revenue. So, I think at this point is when you eventually connect with Steve Raymond, the co-founder of Big Frame, which got its origins from Cloud Media, right?

     

    Sarah Penna:

    Exactly, through a mutual friend. I was on the hunt for a CEO. I recognized my limitations. I did want to raise money. I didn't know what that entailed. Frankly, I needed more of a grownup. I think my skillsets were really great on the creator side and the brand deal side but as the industry started growing up, I very quickly recognized I need someone who has a skillset that I just don't have. So, I met Steve and we hit it off, and we had a couple meetings, and he just jumped right on in. We decided to re-found the company. None of us liked the name because people thought it was like cloud computing and, which is fair, and it just made sense to start fresh. It also gave us an opportunity to have contracts with people and just structure it in a way that would allow us to raise money. So, yeah.

     

    Chris Erwin:

    Hey, listeners, this is Chris Erwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right, that's it, everybody. Let's get back to the interview. I have to ask, I started the advisory firm five years ago that I have now. I started that with a co-founder and then quickly realized, "Hey, I have a certain vision and I'm going to build this in my unique way." So, restarted the advisory firm with me as the solo owner.

     

    Chris Erwin:

    I've realized bringing someone else into the mix that really gets the vision that I feel comfortable sharing this with is difficult for me. I just know my personality, and founder issues are always like the hardest things in any startup. How did you feel in terms of bringing Steve on? Did you feel comfortable? When you met him, you're like, "Hey, this guy gets it. We have shared values and sensibility." Were you able to develop a sense of trust with him pretty quickly or did that take a decent amount of time?

     

    Sarah Penna:

    I trusted him very quickly. Although, I sometimes felt like that scene in The Little Mermaid where she's like, closes her eyes and signs her voice away, I was like, "Am I doing that?" I definitely had that moment where I was like, "Am I letting somebody in I don't ... ?" We had three meetings before. I was like, "Here's a third of my company." We had another co-founder, that's it. We don't need to [inaudible 00:25:56] but basically, here's half of my company. I definitely had people who were like, "Don't think you should have done that." But to me, the value of Steve and the ability ... I did trust him. The main thing for him was, he was very clear that he didn't want to disrupt what I was doing. He was very impressed with the business that I had built on my own and he didn't want me to feel like he was coming in to change that.

     

    Sarah Penna:

    He invested some of his own money and valued the contracts that ... I was like, I don't have that money to invest, but he was like, we should value the money that's in the bank for Cloud Media and the value of the contracts or the agreements that you have with the talent. So, I was like, "Okay, that's really fair." He made it easy. That, for me, was important. I don't like complicated things. I don't like long dragged out negotiations, and I was ready to just get to work. So, he was someone who was like, "I know how to do this. I have the connections. I don't want to disrupt your work." He's a good guy, I could just tell, and we made it work.

     

    Chris Erwin:

    I love that. I know Steve very well. He was my boss for three or four years and learned an incredible amount from him. But I think you're right, Sarah, the thing that stands out about Steve was just a good guy, good moral compass, and he doesn't let great get in the way of good enough. He'll just say, "This is good. This is thoughtful. We've talked this through. Let's move forward." But like you said, he's very fair in how he wanted to value the company. I didn't know that, but it's totally on brand for him. So, curious, I joined in the summer of 2012, I was ...

     

    Sarah Penna:

    Oh, boy, what a summer that was.

     

    Chris Erwin:

    So, I went to business school after being a Wall Street banker for a few years. Then, I was in school in Chicago and I worked while I was there for Pritzker Capital, which was an early investor in the YouTube MCN ecosystem. They had invested in Big Frame. They invested in Awesomeness. We eventually joined forces, and that is how I met Steve first. I was talking to Rishi, Rishi or Matt McCall and they're like, "Yeah, when you fly out to LA for these meetings, we invested in this company called Big Frame. You should check them out." I was like, "I don't even understand this company's business model, but digital video that feels like the future. I'll take a meeting."

     

    Chris Erwin:

    I remember meeting Steve and we had lunch on the Promenade, and then I came in for my first interview. I walked into the office, this is on Sunset Boulevard in the old National Lampoon building. I walked in and I walked into a ... it feels like we were just working out of someone's semi-living/work space. I was like, is this a company? Is this like what West Coast work is like? Because I had grown up working on the East Coast. I walked into the back room and in the back room there's this little circular table. Steve's there. Grant Gibson's there. Jason [Szymanski 00:28:39] is there. Then, you're at your back desk.

     

    Chris Erwin:

    So, you're supposed to be part of this interview, your head's down on your computer. They're like, "Oh, that's Sarah over there." I looked over and I'm like, "Oh, I guess this is what founders do in digital media. They're just heads down in their computers. Maybe I'll eventually talk to her over time." That was my first introduction to Big Frame. So, I just say all of this as I was like, this is like a precursor to just wildness that ensued thereafter. We had just gotten the Google Original Channels funding, raised some venture funding on top of that, and then it was like, build these five different content verticals. I'm curious to hear from you, there are so many memories from back in the day, but as you think about some of the war stories from the trenches, what are some things that stand out?

     

    Sarah Penna:

    Oh, my God. Well, your interview definitely. Also, you failed to mention that we had two absolutely crazy wiener dogs running around the office as well. Yeah. I think we had outgrown the office. We were in the National Lampoon office. It was so janky and we ... eventually, we're on three different floors. We moved sales to an office down Sunset. We were sandwiched between a strip club and a Trader Joe's. Then, Joe and I were renting a house off of Sunset, like walking distance, and eventually, we moved the talent team to my dining room table. Joe at that time was putting two YouTube videos a week out on his MysteryGuitarMan channel, and he would stay up all night and then he would sleep until 2:00 PM and he'd come downstairs.

     

    Sarah Penna:

    It was like, Lisa, Byron, Megan, Rachel were at our dining room table, and Joe was rolling out of bed as one of our talent but also my husband. I would cook dinner for the talent team at my house. We would take talent meetings in my living room, which was just so bizarre and unprofessional, but worked. We would also throw these wild game nights, board game nights, so Settlers of Catan was very popular at that time. We would have 40 YouTubers in our house playing Settlers of Catan with multiple games going on. My house was like a YouTuber hotel. We had a guest bedroom. Jenna Marbles came and stayed. Lena came and stayed with us. DeStorm. It was very wholesome and very duct tape and bubble gum feeling. We were just kind of figuring it out.

     

    Chris Erwin:

    I remember that. I remember Steve explaining, "Oh, we're having a reorg." The reorg was like, "Okay, we're moving the talent team to Sarah's house across the street." Then, production goes upstairs into a semi-new office that we got. For us, at that size, that was like a big deal.

     

    Sarah Penna:

    It was. Yeah. Oh, man, when we moved to our Lindblade offices, was that like heaven on earth to have an actual office, but that was later. Another funny memory I had was when Max first started. He had come from a place where he was doing really, really big deals. I handed him off a brand deal opportunity for $1,500 and he went in the bathroom, which by the way was right next to everybody's desk and splashed cold water on his face. We had moved him from New York to LA and he was just like, "What am I doing?" Ultimately, Max, obviously, was an absolute rockstar and built out that sales team to just be very profitable and doing really well.

     

    Sarah Penna:

    But that first deal was $1,500, and that was just par for the course at that time. It was shocking to people coming from the outside and then once it clicked, it really clicked and you're like, "Okay, I get what we're doing here." But there was just a lot of duct tape and bubble gum.

     

    Chris Erwin:

    I think Max is going to be an interview on this podcast coming up. I have interviewed Dan Levitt. When I think of Dan, we talk about when I first interviewed him and I think he showed up in some shiny suit and Jason Szymanski in the back office is pointing. He's like, "Chris, we're launching a music vertical and we have a new interview candidate coming in." I would just look out the window and I would be like, "These characters." I was like, "I've never worked with any characters like this before." I come from Wall Street, so it's was like everyone's in a suit and tie. I see people coming in shiny suits and I'm just like, "I think this is the new world I'm in. I'm just going to roll with it."

     

    Chris Erwin:

    So, it was such a rollercoaster of fun. So, then exciting things are happening and eventually, we move into this big new office, I think on Lindblade in Culver City. We're closer to Maker. We're closer to Fullscreen. Then, we run a process to sell the company. I'm just curious to hear from you, Sarah. Bringing Steve on was probably like, that was a big decision for you, but then hiring an investment bank that's going to run a sales process, we're going to have new ownership and potential leadership. What was it like for you to make that decision?

     

    Sarah Penna:

    That was really hard. I just wanted to keep the party going. Like many young entrepreneurs, I think I tied my identity completely to this company. And my husband was in the next office, he was a client. We went home, we would talk about brand deals over dinner. My entire identity was Big Frame. All of my friends were in some way, shape or form involved in this company. My family would tease me when I'd go home for Christmas. They're like, "Are all of your friends under contract?" I was like, "Yeah, kind of."

     

    Chris Erwin:

    Maybe a nice way to go through life.

     

    Sarah Penna:

    Yeah. I mean, we know where we stand with each other. No, but I just, I was so immersed that the idea of losing control was hard. I think I also felt my limitations as a founder and that's hard to come up against when you're kind of, I don't want to say that I was arrogant, but I was really confident and I felt really good about how I was running things and running the company. Then, we got to a point where my limitations and our limitations became evident and that's hard. It was hard and it was also exciting because it is, under most circumstances, it's a great thing. I also just had never been through anything like that, so I let a lot of anxiety get to me.

     

    Sarah Penna:

    I let it completely consume me. I'll be totally transparent. I would cry on the bathroom floor, like, what am I doing? There was a lot of doubt. I think that was probably the biggest strain on Steve and I's relationship, is how to go about this and how to present in the room. That was a big source of stress for us. Who's going to present? Is it me? I've been out there kind of the face of the company. I've been doing all the panels, and the VidCons, and the press, and the creator. Or is it Steve, who is the CEO who, frankly, should be doing it?

     

    Chris Erwin:

    That was unclear. We brought in an executive coach to help us figure that out.

     

    Sarah Penna:

    We did. Ultimately, like many of these things, it just came about through relationships and less about going and pitching, and the relationship that I had kind of built and cultivated, and changing landscape. There were a lot of factors, but that was very stressful. Then, in New Year's Eve of 2013, while we were in the middle of this process, I found out I was pregnant.

     

    Chris Erwin:

    Just to pile it on.

     

    Sarah Penna:

    Just for fun. Thought that would be a great thing to add on to the plate at the time. It's so funny because I think back a lot to the moment where I told Steve that I was pregnant, I was hysterical. I couldn't even tell him. I was crying so hard. He was like, in a very nice way, "I don't understand why you're so upset. This is a good thing." I was like, "What?" I thought he was going to be so mad and that this was going to ruin everything. I tell that story only to say, I think that our culture makes young women feel like ... and I had a lot of people tell me, then opened up to me over the years, that they felt like they can't have kids because of ... that moment of, "Oh, my gosh, I have to now disclose this thing."

     

    Sarah Penna:

    Even if it's illegal to not move forward with something because someone's pregnant, you can still find other ways. So, I thought I had completely ruined everything and that was ... I'm very sad about that looking back, but Steve really was like, "This is awesome. I'm so happy for you. Don't even think about it. Nobody's going to bat an eye." That was true. I wound up giving a keynote at VidCon eight months pregnant and we sold the company, but that was very stressful. Also, I couldn't drink. It was a lot. We were celebrating and I was like, "You know what? I'm having a glass of champagne because I'm ... You all have been drinking through this very stressful process and I haven't."

     

    Chris Erwin:

    More like being pregnant was also a launching pad for you to launch the mom's vertical at Awesomeness-

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    ... which came thereafter but, yeah, just to add some context on some of the notes here. I remember in the MCN days, there was the early Awesomeness launch in 2011 and then it was sold to DreamWorks, I think, in 2012, and everyone got really excited. But then, the YouTube MCN winter hit and there was a lack of capital flowing into the space. People were saying like, "Are these businesses real? Are they viable? Are they just going to get consolidated into traditional media?" It was harder to raise capital, and there was a lot of doubt in the ecosystem. Then, in 2013, I think in the second half of the year, Disney bought Maker for $500 million. Then, we made a decision, we're like, "There's a moment in time here, let's hire an investment banker." Shout out to Brian Stengel.

     

    Sarah Penna:

    Yay, Brian.

     

    Chris Erwin:

    We kicked off a process in the second half of 2013 and sold in April of 2014 to AwesomenessTV. Look, I was very intimately involved in that process with you and Steve. I saw how hard it was on you guys. You guys were just carrying an incredible burden. I think something, too, like a theme of your career, Sarah, where you have this passion for overlooked communities. I think you getting into the digital fears, there's a way to service these new creator voices in an exciting way with new business models and new distribution models. I bet there was some fear of ... A lot of this business was your friends and your friends actually had equity in the company.

     

    Chris Erwin:

    You had given equity out to a lot of creators when you launched Cloud Media and Big Frame. What if all that was going to change with this new ownership? I think that was probably a moment that you were concerned about. I don't know if we'll ever make all these details public, but the sales process, I just remember like one week it would be super exciting. We're flying to New York for this big meeting with a traditional publisher. Conversations are going really well and then they completely flat lined and go nowhere. Then, the next week, it's like really exciting, but eventually got to a great result.

     

    Sarah Penna:

    At three in the morning, while we were all still at the Big Frame offices collapsed on the floor. Yes.

     

    Chris Erwin:

    We end up selling to AwesomenessTV. I think that was a very exciting experience for all of us. I think Awesomeness was, in a way, they were the Goldman Sachs of the YouTuber economy back then. They built an incredible team and network, and I think we all really learned a lot from Brian Robbins and Joe Davola. Just amazing creative visionaries. You also launched a mom's vertical while you're there with Snooki and JWoww, you do the corporate thing for, I think, two to three years then it's okay, what are you going to do next? I think that you start seeing another underserved community, which is the romance community, and you think about launching a company there. So, what's that quick story?

     

    Sarah Penna:

    While I was running the mom's vertical, which as you said, I think my big passion in life is finding underserved communities and overlooked communities and creating content around them. I felt at that time that the content that was out there for moms was just not great and it was a huge market. So, Brian had brought on a woman named Lisa Berger who comes from E! and has had a very long traditional media career. He brought her on to do the Go90 programming and the YouTube programming for the Awestruck, which is the mom's vertical. We hit it off and we have a great time together running this crazy thing, and we wind up optioning a romance novel and turning it into a series for Go90.

     

    Sarah Penna:

    Very, very, very long story short, we crashed Go90 because of how popular it was, despite everyone telling us it wasn't going to work. I'm a huge reader and I love romance. I was looking out at the landscape and saying, "You know what? I think romance is going to have a moment, like what Marvel did for geek culture, where now it's cool to be a geek." I think we're at this point, this is 2017. Trump is in office. Women are pissed off. We're sick of all of the stuff that we're like being disparaged. We're sick of all of the female characters in popular shows being killed off or assaulted or whatever. We just want happily ever afters. Everyone's disparaging this romance community as just sad cat ladies, single cat ladies eating bonbons.

     

    Sarah Penna:

    I was like, "We're going to go prove them wrong. Fuck this." Similar to the early days of YouTube, where I saw these influencers have a chip on their shoulder where, "Oh, you just think I am a single dude making videos in my mom's basement." There was a similar misconception about the romance novel fandom. The romance novel fandom is actually incredibly educated, diverse, not just in who they are, but where they live and their socioeconomic status. They're incredibly feminist and they know that it's fun and cheesy. They know that there's a wink and a nod. We set out to create a space to celebrate that, not make fun of it, not disparage it.

     

    Sarah Penna:

    It's a fascinating culture, a fascinating community. I was not part of it in the sense of participating in the fandom, but I've been a long time romance novel reader and I was in the closet about it because I was embarrassed. So, we banished the term guilty pleasure because we don't want anyone to feel guilty about reading romance. So, we set out and we created a digital platform and a newsletter, and then started optioning novels to turn into movies and TV shows. We got a first look deal with CBS. We have a deal with Audible and we have a deal with iHeartRadio. Our daily podcast is going to launch in February. So, really set out to just create a space where people who actually know and love romance are creating the content.

     

    Chris Erwin:

    I love that, Sarah. It's also very interesting, when you came to me and I was like, "Sarah, what are you thinking about? What's up next?" You told me about the romance community. I did a double take and I paused because I'm like, "Wait, this is such a huge community." I think in traditional media, think of all the rom-com movies, but nothing in digital. I'm like, "Yeah, this is totally overlooked. Why is no one else talking about this? This is huge." I think it's very interesting how you characterize it as ... yeah, often when I say, even to this day, "I'm going to watch a rom-com." I'm embarrassed as just an older male saying that, but why? Why do we say it's a guilty pleasure?

     

    Chris Erwin:

    Why is there any guilt about a really fun love story? When love is one of the number one drivers of happiness and a common theme that all of us talk about around the dinner table and with our friends.

     

    Sarah Penna:

    Why is being a horror fan, seeing people get murdered, why is that not looked down upon, but seeing people be happy is? Very interesting.

     

    Chris Erwin:

    Very interesting points about the romance community. So, you are at Patreon now. Are you still co-running Frolic? What is happening with Frolic Media?

     

    Sarah Penna:

    Yeah. So, Lisa has taken over and is helming Frolic. I continue to be a strategic advisor and obviously, care very deeply about the future of where that company goes, and cheerleading and championing them from the position that I am in now.

     

    Chris Erwin:

    I think it's a very exciting space. We interviewed Naomi Shah, the founder of Meet Cute on this podcast as well, which does these, call it like rom-com microcast. I started listening to those over the past six months and I absolutely love them. Bite-sized nuggets of just rom-com joy in audio form. So, I believe in it. Pay attention to RockWater's 2021 predictions about underserved communities because I think this could be ... potentially, we will publish this likely in the end of January. It could be a good cover note that you're sending to any potential investors or partners for you.

     

    Sarah Penna:

    Absolutely. Thank you.

     

    Chris Erwin:

    Believe in the thesis. Okay. So, before talking about Patreon, I just want to talk about another concurrent journey within your family in the media space, which is your husband, Joe. He's been a creator for over a decade. I think in the past few years, he was digital native on YouTube doing incredible stop motion biography, but always wanted to cross over. I think he's realized some incredible success recently. Why don't you tell us about that?

     

    Sarah Penna:

    Joe is just, I obviously am biased, but he has an incredible creative mind. He's good at everything he does, which is so annoying, but I love him for it. He is good at languages, and art, and music, and math, and all of that really combined and you can see that reflected in the fun, playful nature of MysteryGuitarMan. But like you said, ultimately, he really wanted to direct movies. When he first started down the journey, there was a trend of these influencer-helmed, one to two million dollar movies that would be VOD and make back their money. You'd put the how many subscribers that YouTuber had and how much we were going to sell it for, and set download on iTunes, and that was where his agency and his management team was kind of pushing him to.

     

    Sarah Penna:

    He said, "You know what? That's not really the path that I'm going to take," and wrote a movie called Arctic, which is a mostly silent movie helmed by a 50-something-year old Danish actor named Mads Mikkelsen. So, quite the opposite of an influencer-helmed comedy. Joe willed that movie into existence. There was every hurdle against him. He had to start from the bottom. His YouTube channel didn't help him because he wasn't doing an extension of MysteryGuitarMan. He didn't want to be in front of the camera and he did it, and that movie got into Cannes. We went to Cannes, and it premiered and got a 10-minute standing ovation.

     

    Chris Erwin:

    Whoa, I did not know that. A 10-minute standing ovation at Cannes?

     

    Sarah Penna:

    Yeah.

     

    Chris Erwin:

    Good for you guys.

     

    Sarah Penna:

    So, that was just ... walking that famous red carpet, and for me, it was wonderful because I ... He had finally gotten traditional management. I was no longer managing him. So, I actually got to go to Cannes just as his wife, as his plus one. I was not worrying about logistics and getting him to his interviews on time. I still was but I wasn't [crosstalk 00:47:45].

     

    Chris Erwin:

    It takes a village to get Joe to an interview on time.

     

    Sarah Penna:

    Truly, especially in a foreign country. That's a whole other story. So, that was just a really incredible moment to see and he, off the heels of that, they announced at Cannes his next movie, which was called Stowaway, which had Anna Kendrick and Toni Collette, and Daniel Dae Kim, and Shamier Anderson in it. It premiered on Netflix last year. Now, he is working on so many new projects and so, hopefully we'll be shooting another one this year. He's loving it. He's very good at it. He has the personality to be a director. Very in control of his set, he's very calm, creative, collaborative and it's just very, very cool to see. You know what? He went through the grieving process of letting go of that YouTube channel and he's out on the other side and making things happen.

     

    Chris Erwin:

    That's awesome. I remember when we heard that news, there was a lot of text threads amongst the Big Frame community. I remember texting with Byron and with Max, and with Steve about, "Look, how awesome is this about Joe? Have you heard?" We know that he'd been working so hard and he was just such an incredible creator from day one. So, we're pumped for him and it feels like this is just the beginning for what he's going to do. Right?

     

    Sarah Penna:

    It really feels like he's on the trajectory, for sure.

     

    Chris Erwin:

    Yeah. So, look, you and Joe, as this media power couple continue to evolve. Speaking of the most recent step in your evolution, as we work to the final segment of this interview, Sarah, you guys moved to Santa Barbara, I think during the COVID pandemic. Then, you recently, someone that we've known mutually for a while, Avi Gandhi, you started talking to him at Patreon and saw an opportunity to join the creator team over there, which is your latest creator adventure. So, tell us about what excited you about moving to Santa Barbara and your new role at Patreon, and what you're doing over there.

     

    Sarah Penna:

    Yeah. So, I wanted to move to Santa Barbara for 10 years and it never was feasible or realistic, and I, like many people during the pandemic, had a very hard year. Living in LA just became very challenging. Jonah, my son, our son is, when the pandemic started was five, and now he's seven. We just felt if we were going to do it, it was now or never because he started having his best friends and it just becomes harder as they get older. So, we just pulled the ripcord and we did it with no plan, no idea if it was going to work out and it has been just an absolute dream come true. We love it up here and was fortunate enough to be able to join this incredible company, Patreon.

     

    Sarah Penna:

    I joined in November and like many things in my career, it just felt so right that I couldn't pass it up. A big driving factor was, obviously, it's very hard to leave my start-up and to leave Frolic. I did it in the best way I could, but for me, going to a place that really shares my values in that creator space, I started seeing the creator economy and the interest in it heating up in a way that I haven't seen in a long time. Similar to when I met Danny all those years ago, and I was like, "I need to be a part of this." I felt that the train was leaving the station without me and I wanted to get back into the creator space.

     

    Sarah Penna:

    I took a lot of time looking at what is the right company for me, for my values, and for what I want to do. Patreon is kind of a unicorn, a unicorn in the sense that it's valued at a unicorn status, but also a unicorn, for me, because it hit this very narrow target of what I was looking for.

     

    Chris Erwin:

    Just remind me, how long has Patreon been around for? Because I remember Patreon, early days of when I started Big Frame in 2012. Is that right?

     

    Sarah Penna:

    Yeah, eight years.

     

    Chris Erwin:

    So, now at Patreon, what team are you running there and what are you focused on for 2022?

     

    Sarah Penna:

    I live on the creator partnerships team and I run a team called Launch. We are responsible for giving creators white glove experience for launching their Patreon pages. We have teams that are going out and sourcing those creators. Once they come to us, they are pretty excited about the platform and we help them figure out what tiers are best for them, what banner image is going to look good, and really help them drive towards their launch date. These are creators that range in all kinds of sizes and all kinds of ... I'm talking to someone who makes leather, like leather wallets and leather goods, and we're talking to big YouTube creators and celebrities, and we're talking to everybody in between.

     

    Sarah Penna:

    It's just a really exciting time to be at a company like Patreon that's been in the creator space for so long, is helmed by a creator, and is going to continue to be a real player in the creator economy as it goes forward.

     

    Chris Erwin:

    It seems that there's incredible traction for your business where I think there was a recent announcement. The team is currently 400, but you're doubling the company to 800 people this year. Is that right?

     

    Sarah Penna:

    Yes, that's what they say.

     

    Chris Erwin:

    Well, look, I think the market tailwinds are definitely behind them. I think, yeah, it's a really exciting evolution. We've written about this extensively at RockWater. YouTube created these new business models for creators, where they can publish content online and then participate in ad revenue through YouTube's AdSense program. Then, the chance to distribute content to other social platforms and participate in ad revenue there and then doing talent deals, brand integrations, and getting paid off platform. Then now, I think there's this incredible movement with all these creators, the audiences that they bring, the fandoms that they generate, the engagement that they generate on these platforms, they're the real moneymakers.

     

    Chris Erwin:

    So, how do you give them more tools though, to also not only build these platform businesses, but their own businesses? So, Patreon doing that, allowing them to have direct relationships with their fans, get access to contact information, monetize in different ways behind a paywall, different types of subscription content, whether it's video or audio, whatever else. I think what you guys are doing is a beautiful thing. We need more companies thinking like you. So, I think that you guys are really well set up for success, and I'm excited, Sarah, for the different communities of creators that you guys can represent, that have a need, that don't have the tools from other platforms that are overlooked right now yet, again, going back to what you do best.

     

    Sarah Penna:

    Thank you. I absolutely agree with all of that. I have said for years, as some people, not many, but a lot of people in the creator space, you need to own your audience. Renting your audience is not sustainable. You need to build community. You need to not just be on a conveyor belt of content, You really need, as a creator in this space, the tools are there for you to build a sustainable business and to not be tied to the whims of platforms and algorithms. There's a big conversation about creator burnout. Patreon is positioned to help creators solve some of these big issues, big and, by the way, nuanced issues. It's not just, oh, these platforms are bad and we are good at all.

     

    Sarah Penna:

    These platforms are great and you need to build up audiences on your podcast and on your social. If you are able to have ... I'm a really big a fan of Seth Godin's 1,000 true fans idea. If you can build out 1,000 true fans who are on your Patreon, you might be covering your rent. You might be covering your rent plus plus, and you might be making a really good living. That's what we want. We want to empower creators and we're really set up to do that. It's just an exciting time to join the company.

     

    Chris Erwin:

    Before we wrap this up with the closing rapid fire round, Sarah, I just got to give you some big kudos here. You legitimately changed my life. I'm trying not to become emotional here. I look back on my past career over the past 10 years and everything that I've done, being able to found RockWater is a function of you, starting Cloud Media and Big Frame, and then taking a chance on me. I had a very different background than someone that you had ever typically hired before. I'm sure that you needed some convincing from the rest of your leadership team.

     

    Chris Erwin:

    But what I have learned with you, the pedigree that I've gained and the experience has not only been so personally transformational, all these new relationships that I've built, women that I've dated and just incredible friendships and all of the above, it's really set up an exciting career for me. Something that I wake up to, excited to do every day. I see a lot of incredible potential going forward. It's a function of you taking a chance on me and getting early into the digital video MCN days. So, I am very, very thankful. I think there's many people that have very similar sentiments to what I just shared.

     

    Chris Erwin:

    So, I'm probably speaking on behalf of many. So, big kudos to you, and particularly to call out, I don't come from a creative background. When I came in and was very systematic and operational, I wanted to scale the business, it took me a while. But seeing how you ran the creative team, how you nurtured the culture, when you brought in Rachel and Megan Corbett, and Lisa Filipelli, and Byron, and people that I spent a lot of time with and really learned an incredible amount from, it really all stems from you. So, Sarah, you have been an incredible person in my life. You did incredible things for all the talent at Big Frame.

     

    Chris Erwin:

    You are now doing the game again, with Frolic and with Patreon, and I wish you the best. As you know, anytime that you need anything, sometimes we don't talk for six months or a year, but when we do, we pick up very, very quickly. I am a massive supporter of everything that you do. So, call me whenever you have a need.

     

    Sarah Penna:

    Thank you. Now I'm crying. Thank you so much, Chris. That means a lot to me.

     

    Chris Erwin:

    Very well-deserved. Okay. So, now, let's move into closing rapid fire. Six questions. The rules are, you can answer in one sentence or in one to two words. Do you understand the rules?

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    Okay. Here we go. Proudest life moment?

     

    Sarah Penna:

    Having my son Jonah.

     

    Chris Erwin:

    What do you want to do less of in 2022?

     

    Sarah Penna:

    Less complicated.

     

    Chris Erwin:

    What do you want to do more of?

     

    Sarah Penna:

    More space in my schedule.

     

    Chris Erwin:

    I like that. Advice for media execs going into 2022?

     

    Sarah Penna:

    Don't believe all of the hype and just keep your eye on the ball.

     

    Chris Erwin:

    Any future start-up ambitions, Miss Entrepreneur?

     

    Sarah Penna:

    God, I hope not. No, not as of right now. I am very happy not running a company right now.

     

    Chris Erwin:

    Not necessarily off the table. That's basically what you're saying.

     

    Sarah Penna:

    It's never off the table with me.

     

    Chris Erwin:

    Last one. This is an easy one. How can people get in contact with you?

     

    Sarah Penna:

    Sarah@patreon.com.

     

    Chris Erwin:

    Very easy. All right, Sarah, this was a true delight. Thanks for being on the podcast.

     

    Sarah Penna:

    Thank you so much, Chris. This was so much fun for me, too.

     

    Chris Erwin:

    Wow. That interview with Sarah just flew by. I felt like there were so many more things that we could have discussed. We'll have to do another podcast together. Yeah, I admit I got a little teary-eyed at the end there just going down memory lane with her. She was really formative in my career and, yeah, that really hit me at the end. I was not expecting that. All right. So, a few quick things. Our Livestream Commerce executive dinner is coming up. The date is now March 10th. We are 98% close to confirming that with our sponsor. But if you're interested in attending, shoot us a note. You can reach us at hello@wearerockwater.com.

     

    Chris Erwin:

    Also, we are hiring. We're looking for interns, undergrad and MBA level, and also a full-time analyst. We are growing all things creator economy and we need help. If you're interested, you can apply at jobs@wearerockwater.com. Lastly, we love to hear from our listeners. If you have any feedback on the show, any ideas for guests, just reach out to us. We're at tcupod@wearerockwater.com. All right, that's it, everybody. Thanks for listening. The Come Up is written and hosted by me, Chris Erwin, and is a production of Rockwater Industries.

     

    Chris Erwin:

    Please rate and review this show on Apple podcast and remember to subscribe wherever you listen to our show. If you really dig us, feel free to forward The Come Up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter and you could follow us on Twitter @TCUpod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zazzali. Special thanks to Alex Zirin and Eric Kenigsberg from the RockWater team.

     

    Dev Sethi — Head of Sports at Instagram on Launching a Sports MCN, Athlete Creators and NIL, and Metaverse Fandoms

    Dev Sethi — Head of Sports at Instagram on Launching a Sports MCN, Athlete Creators and NIL, and Metaverse Fandoms

    This interview features Dev Sethi, Head of Sports at Instagram. We discuss being separated from his twin in highschool, his side door into sports at YouTube, launching the first sports MCN at Whistle, why NIL is this century’s most important breakthrough for athletes, why he left the incredible team at Complex for Instagram, and the metaverse’s impact on the personalization of sports.

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.

     

    Dev Sethi:

    One of the things that I love sharing with the teams that I've managed, and the individuals I've managed and that's important to me is how do you empower those team members' voices, whether you're to 23 and out of college with no work experience, or 35 and have been in social, and digital, or in sports for decades plus, we all see what we do, our industry, what's happening differently than anybody else, and almost by sheer virtue of who you are and the life experiences that we all bring to these jobs. So if I'm, as a manager, as a team leader, able to create an environment or a safe space for people to share, that's how we're going to get better.

     

    Chris Erwin:

    This week's episode features Dev Sethi, Head of Sports at Instagram. So Dev was born in the DC metro area, the first generation immigrants from India. Then in high school, Dev's life journey took a big turn after a traumatic family event and some wise words from a teacher which inspired him to become school president and captain of both the baseball and basketball teams. Dev then went on to Notre Dame, and soon after found a side door into sports media at YouTube's new partnership. He then left to help build digital communities at publishers like Whistle and Complex. But after a heart-to-heart with his mom, Dev reverted course, and returned to big tech as Head of Sports at Instagram.

     

    Chris Erwin:

    Today, Dev is shaping the future of sports fandom. Some highlights of our chat include being separated from his twin in high school, launching the first sports MCN, why NIL is this century's most important breakthrough for athletes, and the metaverse's impact on the personalization of sports. I've known Dev for over five years. He's one of the sharpest and kindest minds in the digital verse, I'm grateful to help share his story. All right, let's get to it. Dev, thanks for being on the podcast.

     

    Dev Sethi:

    Thank you for having me, nice way to spend my Wednesday afternoon.

     

    Chris Erwin:

    Yes. And appreciate it because I think you had some last minute dental work that was just done this morning, is that right? Can you still talk?

     

    Dev Sethi:

    Yeah. I don't know if folks are going to consume this entirely audio or even visual, but got last minute dental work done this morning so part of my mouth is still numb, Chris might see me drool out one of the sides of my mouth. But hopefully, I'm not slurring my speech too badly, and I promise you, if I am, it's because it's because of the Novocaine, it's not because of any other reasons. Oh, here we go.

     

    Chris Erwin:

    Well, Dev, what I can say is I think you sound great, and I don't think many of our listeners will be able to see the video, but you look great as well, as always. So you're good to go for my book.

     

    Dev Sethi:

    Making me blush already. Okay, let's do this thing.

     

    Chris Erwin:

    All right. So with that, Dev, let's rewind a bit and let's talk about where you grew up, your childhood interests and if there may any glimpses into what you were going to do in your sports media career from an early age, in some of our prep chats, you're telling me about growing up in the DC metro area, is that right?

     

    Dev Sethi:

    That is correct. And it's actually where I'm currently based as well, but grew up in Nolan, Virginia, literally adjacent to Washington DC. My parents are immigrants from India and that's where they ultimately ended up settling. So I'm certain that folks that are listening to your podcast can sympathize with me being a long suffering Washington area sports fan, that's basically epitomized my experience being a sports fan in this area, but grew up here and had a great time. It's actually quite a diverse area, and for those who have been to Nolan, Virginia and the DMV overall, it's changed quite a bit since I was a kid, it's virtually night and day how much this area has evolved over time.

     

    Chris Erwin:

    Your early household, growing up, were your parents into sports, immigrating from India? Did they have ties to the US leagues, and sports programs, or international? What was that like?

     

    Dev Sethi:

    Yeah, nothing prior to them arriving on these shores. My father was a sports fan and played sports growing up, but very different sports obviously in his own country than the US. But for certain listeners who I'm certain have had the same experience as I've had, but sports was and is an incredibly powerful way to assimilate into a new place, whether it's a new community, a new state, or let alone a new country. And so my father quickly adopted American sports as an interest, a hobby, an enthusiasm. And again, for those who are familiar with this area as much, there is a thriving Indian community or South Asian community in the DMV. And one of sort of its rallying cries was and is sports.

     

    Dev Sethi:

    And so, I have a lot of great fond childhood memories of going to Washington watch parties, and when you're showing up for Thanksgiving, the guys show up early, because they want to watch all three games on Thanksgiving before anyone starts feasting. And it just really was a big part of my growing up. And I think a great way for my parents to get comfortable in what was then an unknown environment for them, So it's a really big part of, I think, my personal history as well as my parents history.

     

    Chris Erwin:

    And did you have siblings that were also consumers of sports as well?

     

    Dev Sethi:

    I have an older brother who is four years older. He's not in this industry, so he will likely never listen to it so I can trash his athletic gifts. I think he played soccer and basketball but sort of gave it up early-ish in his life to focus on being more of an academic, which is why he's a lot smarter than I am. But I also have a twin brother who is equally a sports junkie, a passionate fan of pretty much all things sports. And he and I played basketball and baseball growing up together, and we were watching sports ourselves. So a very big sports house so I like to joke that I missed out on all the Disney movies like Cinderella and all those kinds of movies Beauty and the Beast, I have watched virtually none of them because on Friday, Saturday and Sundays, we normally have a sporting game on TV.

     

    Chris Erwin:

    I've known you for a few years now. And I don't think I knew that you were a twin. I'm also a twin as well. Did you know that about me?

     

    Dev Sethi:

    I did not know that about you, wow. Identical over fraternal?

     

    Chris Erwin:

    We are fraternal, but we look a lot alike. He took a very different career path than me, he's in the military, 82nd Airborne at Fort Bragg, ranger qualified, so he's just at a physical level that is well beyond where I'm at. But it's funny, thinking of growing up with him, I grew up in my family, we didn't watch a lot of sports, but we played a lot of sports. My brother and I were very athletic and active growing up. So when you said on Friday, Saturdays and Sundays, you weren't watching Disney movies because you are consuming, my brother and I, we would get up at 6:00 AM and go hit the basketball courts at like 6:30 or 7:00 on a Saturday. As soon as it was like my parents were up and we were allowed to get out of the house. That was what was fun, was having a twin, you always had someone to play with.

     

    Dev Sethi:

    Yeah. I don't know if I saw those early hours on the weekends very often as a kid, but to your point, having a partner in crime in more ways than one, and someone who literally is an activity partner. It's actually interesting for he and I, and he would attest to this, so growing up, I hated basketball and I loved baseball and he hated baseball and loved basketball. And you'll appreciate this as a twin and with your parents, my dad said, "Well, tough shit. I'm not driving you all to a million different activities, you're going to do these things together."

     

    Dev Sethi:

    And so, we ended up participating in these sports together. And again, the irony of it all is that I love basketball now and played it through high school and then intramurals in college, and he played baseball through high school as well. And so just one of these deals where sort of the forcing function of, "Hey, this is sort of you're a package deal." And parents aren't only chauffeurs, let alone when they've got two the same age that have various interests. But no, we played a ton of sports growing up, and to your point, hit the park and go play pickup together because you already got two out of the five people you need for a team, right?

     

    Chris Erwin:

    It's funny you say that, Dev, because I still give my parents, to this day, flack for not letting me do travel soccer. I was really good. And they were like, "No, Sundays are for going to church and other family activities." And I was like, "I don't need you guys to drive me. I have other other friends' parents that'll drive me." And I could have been this great star, but that's a... I'll leave the rest of that story for my therapist. A question that I have for you is you go to Notre Dame, and did you have an intent of getting into sports media when you were going to school and thinking about when you wanted to graduate or were you thinking about something else?

     

    Dev Sethi:

    I had, and I'm assuming I am like many former and current college students, where I really had no idea what I wanted to do for a living. And sports as a profession, as it were, was nowhere near my radar. The internships that I had in college, I think the closest experience I had to working in sports during college was an internship in SAP's marketing department. And SAP was a sponsor of Ernie Els and Chad Campbell, who were two then prominent golfers me. Ernie Els' just awesome and probably a hall of fame golfer, and that was the closest I got to sort of a sports experience in an internship in college.

     

    Dev Sethi:

    So yeah, to answer your question, I had no aspirations, I had no foresight or vision into how to even break into that. I knew I necessarily wasn't going to go the path of wanting to be an agent or something like that, which would've sort of required a much different kind of education. I really just had the fandom of sports in college and really didn't know what I wanted to do when I graduated. No better illustration than the fact that I was a marketing major but I was also an education minor, because I have a sort of a side, if not hobby, passion around the profession of education and the industry behind education, and it sort of uses a different part of your brain than taking business classes. So I had a number of interests, but really, no direction, I guess, when it came to career stuff at that age.

     

    Chris Erwin:

    So what you just said about your interest in the educational field and that you also, I think, did a minor there at while at Notre Dame, where do you think that stems from?

     

    Dev Sethi:

    I had some very influential grade school teachers growing up who I thought really shaped who I am today, and also, where I am today in terms of just how I've been able to sort of to grow and have somewhat of a tenure in this industry now. But I do think having had such a positive impact from those educators at the high school level.

     

    Dev Sethi:

    It's funny, but the education minor, I needed to take some electives. And I took a course from a relatively new professor at Notre Dame and the course was actually called creativity in the classroom. Whereas you're at business classes that have 50, 60, 150 people in them, and you're using again, on one side of your brain, this class experience was incredibly intimate, it was maybe 12 people, it was focusing on a sort of a unique aspect of education in the classroom. I loved every second of it. And the professor, I thought, crafted the course in a way that wasn't rigid, it actually had a lot of flexibility to who was taking the class. And she was a great listener herself, which I think is, I don't want to say a rare trait for a professor, but I haven't experienced many professors who are nimble in that regard in terms of how they shape their coursework in a semester.

     

    Dev Sethi:

    And so anyways, I fell in love with the experience of taking a class that was so different than what I was normally used to taking. And that basically became, "Hey, well, I took that in the fall. Let me take another education-related course in the spring." And before I knew it, I was getting eligible for a minor, so.

     

    Chris Erwin:

    It's amazing how intersecting with great people in your life, it could be a professor within the educational department that makes you then want to specialize, it could be someone, a founder, CEO at a company that then recruits you to their vision, or someone in the industry that gets you excited about transforming your career. I hear that, that's an important to note is that these little human touches can be so transformational. Are you still in touch with this professor?

     

    Dev Sethi:

    I am. She's actually, really, the only college professor that I remain in touch with, and she still lives around Notre Dame. And so, when I have the occasion to come back and visit, we'll always grab dinner, or drinks, or lunch, or something like that. And I'm very quick to reiterate to her how important and influential she was to my experience, say in the same way an English teacher, who had never actually taught me, was instrumental in how I grew as a person and as a student in high school. And she's actually, now that I'm back in the DC area after a long time away, her and I are actually grabbing lunch next Friday.

     

    Chris Erwin:

    Dev, speaking of this high school teacher which had a big impact on you, there's a bigger story behind this that relates to the expulsion of your twin brother. Why don't you tell us about that?

     

    Dev Sethi:

    Yeah. I think I'm more comfortable telling this story because fortunately, my twin brother's life wasn't totally derailed by this expulsion and he actually works at meta now, which is kind of funny, so we're technically colleagues even though I've no idea what he does for a living. But no, we were juniors in high school and he got kicked out of our high school 10 days into our junior year. And it was under somewhat controversial circumstances. My mother was pretty furious about the circumstances and she wanted me to leave that high school too.

     

    Dev Sethi:

    And it was this teacher, who actually had never taught me before, I had not taken one of her classes. She pulled me aside one day while all this was going down, she said, "Hey, can you come by my class after school for 10 minutes?" I was like, "Sure, why not?" I barely knew her. And she sat me down and she said, "I know this is a tough time for you and your family," yada, yada, yada, "you don't realize this yet, but this could actually end up being one of your biggest blessings in disguise." and what she meant by that.

     

    Dev Sethi:

    And what I discovered and learned after I ended up deciding to stay at that school was, my experience in high school, my personality, just my being at that high school had always been inextricably linked to me and my twin brother. It was always Dev and Raj, it wasn't just Dev or Raj. And she sort of was reiterating, you have a chance to essentially be your own person, and to carve your own path and pursue the things that you may want to do, and not necessarily always have that association.

     

    Dev Sethi:

    And she was dead on. I ended up doing things my junior and senior year that I never would've thought I would've done. I ended up running for and winning high school president, which, if you know my personality at all, that's definitely not me. But sort of threw my hat in the ring, was captain of our baseball and basketball teams, did a number of extracurriculars. And it's funny because by the time I graduated, there were hundreds of students who had no idea I even had a twin brother, which I think, again, reiterates my then teacher's point.

     

    Dev Sethi:

    And so, just one of these sort of inflection points in my life where I don't know if I would've made that decision had it not been for her, and someone who had literally no relationship with me but at least thought enough about my wellbeing and my circumstance to share with me her perspective, and it ended up changing my... I mean, I cannot overstate that, it literally changed my life. So I don't think I would've gotten into Notre Dame had it not been because of that conversation, and all that stuff, and the things that happened, I don't think I would've been on that same path at all. And I would argue my twin brother would acknowledge that too.

     

    Chris Erwin:

    Wow. That is an incredible story. We spend so much money on our college and graduate school educations, access to all these world class professors and teachers yet some of my most prominent memories in the classroom, date back to when I was in middle school. And I really remember very prominently, a US history teacher that we had, Mr. Galante, everyone who has gone through his classroom has stories about him. There was no one that was as passionate and cared so much about his students learning. The way he would describe the American Revolution or the civil war, it made every learning experience incredible and fun. In contrast to you, I'm really not in touch with many of my professors, maybe just one or two from business school that I kind of see on LinkedIn every now and then, but it's pretty awesome that you're able to maintain that.

     

    Dev Sethi:

    Yeah. To your point, the fact that we're talking about these educators, we're dating ourselves, as I'm dating myself decades after they spoke, they last connected with us in the classroom, I think says everything and also I think it almost reiterates that education is a bit of a lifelong process. And I know that I'll actually never stop learning from both of those people in any of the interactions that I have, but obviously, a bit of a different relationship now that I'm a full-fledged adult at least in some parts of my life, and you have different types of conversations. But I'm very lucky to have had those people in my life.

     

    Chris Erwin:

    Yeah. Look, and I think what you just touched on is a broader theme of this particular podcast, Dev. You had mentioned the intersection of social and sport and just how fast this world changes on a weekly and monthly basis. So in talking about learning, it's you have to keep your learning curve steep. You've been in this industry for many years now, Dev, and you're in a senior role. And I think that people can say, "Oh, well, Dev knows everything that there is to know." And it's like, that's not true. Things are literally changing on a daily basis. So I like that when we were prepping for this conversation, you're like, "I acknowledge this, I'm the aware of what's happening, and for me to be effective, and to guide a team, and serve as my talent and business partners best it's like, I got to be learning every day and come in with a beginner's mind, so we'll talk more about that. I am curious, so what was your first role right after undergrad?

     

    Dev Sethi:

    Yeah, it was this interesting experience where... and I actually already had a job offer fortunately lined up, going to my last semester of college at a very different company, doing a very different job. It was at the Aon corporation and it was actually doing human resources and communications. And so, that's where I was ultimately going to spend my first years out of college, and this little company called Google decided they were going to show up on Notre Dame campus to meet with prospective candidates for an array of jobs they were hiring for, and this was back in 2006. And they came on campus, I was lucky enough to get an interview with them and it actually ended up being the worst interview I've ever given and I-

     

    Chris Erwin:

    Okay. We got to pause there. Wait, why was it the worst interview you've ever given?

     

    Dev Sethi:

    I'm not gaslighting anybody or anything, this is objectively the worst interview I've ever given my life. So they came on campus and I thought I was really smart having taken all of one psychology class during my college career. And I was like, "Oh, I'll pick the last session of the day on their interview schedule because a recency effect, I'll be the most memorable candidate," yada, yada, yada. And I got a call maybe three hours before the interview from the interviewer saying, "Hey, we actually mistakenly booked our flights to leave out of Chicago, not South Bend. And for those who don't know South Bend's about, I think, 90 miles or 90 minutes from Chicago, TODR, we have to leave early to catch our flight so we have to miss your interview slot, how can we make it up to you?

     

    Dev Sethi:

    And I said, I actually wasn't even feeling well that day. And I said, "Hey, no worries happens. Why don't we just do a phone interview whenever you get back to Mountain View." And we set up a phone interview, I had my twin brother and one of my best friends in high school visiting me in town that following weekend for a football game. And so, on a Friday, I get my car and I drive to some abandoned parking lot so I can take this hour long, two phone interviews, 30 minutes of piece. Well, Chris, I imagine you know this feeling because of what you do, who you are, and how expert you are, but the feeling that I had that maybe some people can relate to is when you're talking for that long and you're basically bullshitting on the questions they give you, but you know that they know that you're bullshitting, that's what the entire hour of this interview felt like.

     

    Dev Sethi:

    And I remember, and I kid you not, I hung up the phone. I drove back to my apartment with my brother and my friend were waiting. And I legitimately said that was the worst interview of my entire life, good thing I've got another job lined up. Let's party and have a great time this weekend going to the football game. And I got a call back a week later from Google saying, "Hey, we've enjoyed our time together. We'd love to fly out to Mountain View for in person interviews." And those, fortunately, went a little bit better and I got offered a job, but I still maintained to this day, to anybody who asks, that the only reason they gave me the opportunity to interview in person was because they felt so bad about canceling my first interview and so they gave me a second shot at it that went much better. But it was brutal. I mean, and that is exactly how it went down. And sorry, this is a very long-winded answer.

     

    Chris Erwin:

    No, it's interesting.

     

    Dev Sethi:

    But yeah, no, so true story. And even to answer your original question, we essentially were interviewing for general roles within two parts of the org. One was AdWords, which is essentially Google suite of sales products and ad products, and one was AdSense, which was Google's sort of publishing network and publishing tools. And so, I didn't know until, I want to say, maybe a couple months or weeks before I started, what role I was even going to fulfill and hearing my mom's voice in here saying," Hey, it's Google. You should probably try." Okay. I'll fly in a little bit blind and sort of see what these roles are about, see what that industry's about because this is 2007 when, again, our world, an industry looked a lot different.

     

    Chris Erwin:

    Something I deal with daily and something that just talking to different founders and executives, they also deal with all the time is imposter syndrome. So when you say like, "Oh, Chris, because of your role, RockWater, you're supposed to be an expert advisory firm. We're talking like we advise a lot of the smartest clients in this space. And so then we're supposed to show up and be smarter than them, that can put a lot of pressure on you.

     

    Chris Erwin:

    And so I actually flip that around in saying we're smart, we're thoughtful, but we believe there's so much to learn from everyone that we do business with. And I think if everyone goes through life and goes through business with that mindset, that's going to force you to be honest, and self aware, and give the best advice, and also learn the most to really understand where your clients and your business partners are at. And I think that's what sets us apart. But Dev, I'm bad at interviews. I mean, I remember really, various bad had interviews from college, but in contrast to you, I actually didn't get the job offer. There was no flying me out, so you clearly did something [crosstalk 00:22:56]-

     

    Dev Sethi:

    I still don't know how off the skin in my teeth, I got offered a position at that company. But I hear you on imposter syndrome too, and to your point, there's too much of where, I'm guessing is the case for you as would be the case for me, you could spend eight hours of your day just on Twitter reading about the industry, let alone participating in the industry. And so, you almost got to trust that information's going to come to you and that hopefully, you've surrounded yourself with a network of colleagues, friends, individuals who can help share their perspective and thus cultivate your own perspective to a degree, because yeah, it's too hard to keep up with it all. I mean, there's so many things happening on a literally hourly basis, let alone a daily basis.

     

    Chris Erwin:

    So Dev, you are a strategist at Google for around four years, but then you made a transition to be a senior strategist and overseeing new partnerships and development at YouTube between 2011, 2013. So I think this is where you first began to focus in sports, entertainment, and lifestyle verticals, targeting new creators, and doing a few other things there. Was that kind of like, as you would call it, your side entrance or backdoor into sports media?

     

    Dev Sethi:

    Absolutely was. And now, as I've described it previously, a side door into the industry of sports so to speak, because I was at Google, I'd spent a number of years in their sales and consulting arm, which, unbeknownst to me at the time, actually has provided me a lot of great perspective about the industry I'm in just through a very, again, different aspect of the ecosystem and literally, the advertisers who were helping money into our ecosystem.

     

    Dev Sethi:

    But it's about a little over half, I think, my tenure at Google there, one of my dearest friends who I've had the great fortune of working with a couple of times now, she mentioned that she had gone over to YouTube to focus on a different role actually within sports, and she said that the vibe just felt different, it felt a little more start-upy, interest points, verticals that I was sort of more keenly attuned to, whether it was sports specifically, or to your point, lifestyle relative to some of the clients I was working with on the sales side that, my last experience was in the finance vertical, prior to that, it was on an agency for portfolio business.

     

    Dev Sethi:

    So represented this opportunity, something different, and maybe even align a little bit with some of my passions. And that's where I was introduced, again, to at the time and continues to be one of the leading social media/video platforms in the world, and starting to learn more about that part of the industry. And also, again, focusing on sports and working with individuals, organizations who were producing content that was applicable, if not a good fit, for our platform.

     

    Dev Sethi:

    But as you shared dates earlier, that was 2011 were our industry was in its infancy, I guess you could call it, even though it was only a decade ago. I joke that YouTube hadn't even introduced monetization program when I first got there, a fully fledged one, Instagram was photo only, Snapchat didn't exist, Verizon hadn't spent a billion dollars on their own platform and their own content. All this stuff has come and gone in a relatively short period of time, and YouTube was in a much different place back then too, as was the industry, and thus, the conversations that I was having about that platform.

     

    Chris Erwin:

    I do remember because in 2012 is when I joined Big Frame. And that was, I think, recently, after Google and YouTube, I launched their Original Channel program, a 200 million dedicated fund to help fund better quality content on the platform to attract more advertisers. You were there during that period, so that must have been exciting. And I think that you were to see the different digital media brands and publishers that were being built from this funding and the complimentary seed capital that was being raised. And so I think, after Google, you decided, you're like, okay, I've been at one of the largest video platforms, but now I'm going to transition over to work for these publisher brands. And so you left, I believe to go to Whistle Sports in 2013, what was the impetus for that?

     

    Dev Sethi:

    Yeah, the impetus for me leaving the cozy confines, as I'll put it, at Google and YouTube because there's one thing that a company like that does, it really puts you in a comfort zone and really makes you feel like you're enjoying the employee experience to a large degree. So the same colleague who shared the opportunity around YouTube because her and I actually started together at Google together. She had made the move to YouTube. She said, "Hey, you should check things out on the side of the aisle. I did, took a job there. She actually left to join this then small sports media startup called Whistle Sports. And she basically asked me if I wanted to come over and be her partner in crime and build this thing together. And at the time, what we were focusing on was being the world's first sports-focused collective and multiplatform network, that was one part of the business.

     

    Dev Sethi:

    Another part of the business was sort of an analytics consultancy given you could gain a lot of meaningful data and insights about sports on digital and social through working with a collective and all the data they have on their audiences through social media, and then one part content brand, which I'm quick to say I had very little to do with, given the remit was really around partnerships and operations.

     

    Dev Sethi:

    But it was this interesting moment in time. And again, I know you'll attest from your time at Big Frame where you have a ton of creators and organizations who are still trying to understand the value they can gain and extract from being on social and digital, what their content strategy should be, what their audience engagement strategy should be, how does that marry with other parts of their business, what are those best practices, what are the things that an individual content creator doesn't have a muscle memory for, whether it's sales, production, et cetera, how do you create value? And that's what we focused on when I was at Whistle and doing partnerships and operations is big a real partner in their businesses. And hopefully, with a little bit of expertise having come from the walls of YouTube, but knowing that the industry was growing quite rapidly, YouTube was quickly becoming one of a number of platforms where people could build and monetize an audience.

     

    Chris Erwin:

    When you went there, was Michael Cohen working there, when you first started.

     

    Dev Sethi:

    Michael Cohen was a consultant at the time. And he and I got closely acquainted in the work that we were doing together.

     

    Chris Erwin:

    Yeah. Speaking of shared history. So Michael Cohen and I, I met him, I think in 2007, when I was interviewing at a boutique investment bank in New York City, and he was one of the guys that interviewed me. We got to know one another. Yeah, this is well before the MCN days. He left the firm, I left the firm, I went to business school. When I graduated, I ended up going to Big Frame. And I remember Michael reached out and was asking me like, "What's this whole like YouTube, MCN, digital video thing that you've got into." And he was picking my brain for a couple years. And then I remember when he made the move to Whistle and I was really pumped for him. Early on in his tenure there, as you guys were thinking about some different VOD strategies, he engaged our firm. I think that's how I first met you, if I remember correctly,

     

    Dev Sethi:

    I think it was, we now have so many shared threads together, but I think that was the first introduction, was when either you had informally known him or even, he had formally brought you on to help consult for the business. But it's wild how the scene's coming full circle and now I'm on your podcast.

     

    Chris Erwin:

    To think back, all the shared history, how we've worked together and now you're on the show. But I think that's one of the beautiful things, if you were an early mover in digital video, just camaraderie of the people in this space and the shared war stories, it's really fun. And it's incredible how much history people have in such a very short amount of time because the space moves so quickly, but it's also like it's action packed and very intense, so the days, and the relationships just really fill up.

     

    Dev Sethi:

    I think you and I both get reminded probably on a daily, if not nearly daily basis, just how intimate the industry can feel. And because of these shared connections, these shared histories, I mean, folks who are member of VidCon when it wasn't at the Anaheim Convention Center and it was the basement of a hotel, that, again, wasn't very long ago, and just, again, a lot of that shared past.

     

    Dev Sethi:

    And actually, it makes me think ways in which I can pay some of that forward to some of my team members and other other colleagues, because for lack of a better term, you and I have been working with creators probably exponentially longer than most people today who are trying to tap into or engage the creator economy as it were. And you and I were working with these folks early days when that term barely even existed, and if not, was specific to a platform like a YouTuber as an example. And so, I think it just goes to show how far things have come, but also again, how shared that history can be and again, how intimate the industry can be. I don't want to say we're OGs because I don't feel that way, but-

     

    Chris Erwin:

    I think it's okay to say we're OGs and I think this is not like patting ourselves on the back, but if you got into space in like the early 2010s, right around the Google Original Channels program, that's pretty early on.

     

    Dev Sethi:

    Definitely. And like I said, when I was there, they hadn't even created the full underpinnings of a monetization program, which the irony being fast forward to 2021, and they're a leader in terms of social video and monetization. So to me, 10 years, it's a long time, maybe the gray in my beard would indicate otherwise. One of the reasons I left those cozy confines was actually to force myself to experience this industry through a different perspective. And I don't want to say you get a narrow lens working at a platform, but it's very easy to view the world in one very specific way.

     

    Dev Sethi:

    And I remember talking to my boss at the time, great guy who I still have a close relationship with, and I was letting him know that I was going to make this jump to go from behemoth to small startup across the country because I also entailed to move from SF in New York, and one of the reasons I cited was I want to gain enough experience, ideally expertise, but enough perspective so that if I ever decide to come back, I'll be able to deliver even more value to a YouTube having had the empathy of sitting across the aisle, across the counter, so to speak, and having really had my hands on this industry in a much different way than just the platform. I'm the provider, so to speak. Everyone's coming to work for me or coming to work with me, they wanted to gain that kind of perspective.

     

    Chris Erwin:

    I think that experience at Whistle and then at Complex, which we'll talk about in a moment, has really made you much better equipped for the job that you now have at Instagram. I think that's very well said. Hey listeners, this is Chris Erwin, your host of the Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guest, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right, that's it, everybody, let's get back to the interview.

     

    Chris Erwin:

    You're at Whistle for, call it, nearly three years and then you make the jump to become chief of staff at Complex working under Rich Antoniello, who is incredible, and then also with the rest of their leadership team, including Christian Basler, who was also interviewed on this podcast. Again, what was the impetus for going over to Complex, and what was some of the work that you were doing there?

     

    Dev Sethi:

    Yeah, and Rich and Christian are two of my favorite people. I'm very lucky to have crossed paths with them and had a chance to work with them. For I'm certain many of your listeners I've met them before, but if they haven't, it's worth trying to get some time with them because they're just amazing people and brilliant minds in our space. The impetus wasn't as straightforward as it might appear on my LinkedIn profile, but I actually left Whistle in the late fall of 201, and a big reason why I left was because I actually felt like I had given everything I had physically, mentally, emotionally to the job and to the team. And it was my mother who actually sort of called it out on a phone call. And she was like, "You seem like you're always tired, you seem like you don't have much energy for anything else and maybe you don't seem as happy as you normally."

     

    Dev Sethi:

    And I don't think the happiness comment was a direct correlate to the work I was doing but first time in New York City, first time in a startup, I describe them both the same way. They are fun, they are exciting, they are intense, and they are exhausting all at the same time. And so, it was probably burning of the candle on both ends for a couple of years. And towards the end of '15, I remember having a conversation with Michael and basically coming to the conclusion that if I didn't want to be the guy who led my part of the company into 2016, then I need to do the right thing and hand this off and transition it and take care of the business and take care of myself. And so, I gave them, I think, three months' notice. I transitioned my role, leading that part of the team to one of my very dear friends, close friends in my first hire at Whistle, his name's Josh Grunberg.

     

    Chris Erwin:

    Oh, Josh is great.

     

    Dev Sethi:

    Yeah, and I know you got the chance to meet him. Anyways, transitioned the role and then left New York and headed back down to the DC where I'm originally from and just really enjoyed my life for a year. My mother had been sick at the time, she's fortunately much better now, but it sort of put things in perspective. And I wasn't saddled with adult responsibilities like a mortgage or kids at the time, so felt like as good a time as I need to take a break, which had you asked me prior to that, would I ever leave something for nothing? I would've said, "No effing way." But it felt like the right decision. I took that year off, did that for, it was almost a year and I was thinking towards just the fall of 2016, that I was ready to jump headfirst into work again.

     

    Dev Sethi:

    And it was actually a buddy of mine who shared that Complex was hiring, its chief of staff role. And I wasn't married too whether I wanted to run a team or be an IC, and I didn't really care about if I came back to New York or not, to be honest. But what I stated that were really important to me were one, working for somebody who could teach me something and who I could partner with and learn from, and the other sort of must-have was whether it was on a leadership team or in the front office, whatever the case would be, working with people with whom I could collaborate strongly, be influential, but also learn something from.

     

    Dev Sethi:

    And the reason I even used the word learning a couple of times is because, at times at Whistle, especially towards the end there, you really had to seek out learning opportunities because you could spend your entire day focused on your part of the business and there were some amazing, amazingly intelligent and talented people there who I was fortunately and sort of like through osmosis, able to learn from, but I knew in a new role, I wanted those things. And so, this guy said, "Hey, Complex is hiring their first chief of staff, you should put your hat in the ring." I did, got a chance to meet Rich, we had two conversations and he offered me the job. Before I knew it, I was packing up my things heading back to New York City, so it all happened pretty quickly, to be honest.

     

    Chris Erwin:

    That really strongly parallels what Christian told me, which I think... He's like a young media savant and I think he had been working at a European-based media company for like eight to 10 years. And then he was like, "I need to take at least a year off, I'm tired, I'm burned out." Similar to kind of what you were feeling after Whistle where it's like, "Hey, you're going to take a year off." But Rich reached out to him, I think called him, set up a coffee meeting and because Rich is so magnetic, he essentially, very quickly convinced Christian, like, "You're going to come over to Complex and we're going to build something awesome together." And he didn't end up really taking any time off, I don't even think he took two or three months off.

     

    Chris Erwin:

    But I thought it was really thoughtful of you and I think this is a theme that keeps coming up more and more is maintaining your mental health and sanity, not only in your overall career but particularly in the industry which we operate in, which is digital media and entertainment, where it moves so quickly and things are changing so fast that, there's concern that if you take time off, you're going to miss the boat, you're not going to learn, you're not going to have an opportunity to step back into the ring. I don't think that's the case. I think that you actually need to refresh and energize because of how demanding it is, what we do, and I think it makes you better, better for it.

     

    Dev Sethi:

    Christian and Rich, again, they're such good people, but Chris, this better than anybody, they are completely different. They could not be any different in terms of personality, which I think was amazing to actually see them for just partnership, where they recognized the strength in differing perspectives, different personalities, and how to operate the business. And I just thought it's really cool, it takes kind of its own sort of self-awareness.

     

    Chris Erwin:

    No, I like what you've said. I think great leaders have to find where do they fill the gaps in their team and where do they find complementary skills and energies and personalities. Because if you're just trying to replicate yourself, that's not how you build towards a bigger vision and a bigger opportunity. Clearly, Rich has done that with Christian in building out the rest of the team. And I think about that often, we always tell our clients and my own team at RockWater, we're not necessarily looking for well-rounded people, we're looking for a well-rounded team. Now, in the beginning, you kind of have to have some basic functions that are covered by everybody when you're lean and we definitely are, but as you grow, it's a very different mantra. And I heard that when I was... I think literally my first day of business school and they described the types of candidates that they were looking for and why everyone in that room, sitting in this large hundreds of person assembly, they're like, "You are a very well-rounded class because individually, all of you guys are incredible." And that has always stuck with me.

     

    Dev Sethi:

    You're reminding me of one of the things that I love sharing with the teams that I've managed, and the individuals I've managed, and that's important to me, is how do you empower those team members' voices? I've said whether you're 23 and out of college with no work experience or 35 and have been in social and digital sports for decades plus, we all see what we do, our industry, what's happening differently than anybody else and almost by sheer virtue of who you are and the life experiences that we all bring to these jobs. So if I'm as a manager, as a team leader, able to create an environment or a safe space for people to share, that's how we're going to get better, to your point. Well, maybe not well-rounded people, but well-rounded teams because you have diverse perspectives. And so, whether you're that 23-year-old or you're that 50-year-old, your participation, isn't just appreciated, it's really required in order for us to get better as teams, as organizations, et cetera.

     

    Chris Erwin:

    Very well said. All right, so Dev, so after Complex, I think you leave in around 2018 and you head over to Instagram, where you go over to become the Head of Sports. So tell us about, again, what caused that transition? What was your initial mandate when you went over there?

     

    Dev Sethi:

    There's a theme about if you want to call this a career, so to speak, I don't know if I call it that, but if there is a theme or a through-line, it's one I've been the recipient of a lot of great sort of fortune and also the recipient of just great relationships that I've had because that job, as I told you with my colleague and friend who sort of helped recognize and identify opportunities for me, that happened twice, I was actually reached out to, by a friend of mine in the industry who had worked at an agency, Octagon, who I had kept in touch with over the years. He had been in Instagram and my predecessor, the former Head of Sports was departing for a different role at the company and this role was going to be vacant. And for whatever reason, weren't going to consider my friend, so he basically said, "Hey, we've talked about working in the industry together, we like and respect each other, we could probably work well together, do you want to throw your hat in the ring?"

     

    Dev Sethi:

    And I did, and months later got a job offer to take on this role with very ambiguous title and perhaps even a more ambiguous remit, but one that was sort of mine to carve out to a degree. But even taking it back to my decision to leave YouTube, it's funny because everything I told my then boss about the reasons I was leaving, came true in the sense that, I gained this, I would call somewhat unique perspective. Having worked at Whistle, having worked at Complex while having the tech background and then having it come full circle and join Instagram and perform this role. Those things did come true, just the only thing I changed was the employer. I didn't go back to Google and YouTube, I went to Facebook and Instagram. And so, just kind of funny how that works out as far as the remit, the objectives of things I work on, I sort of like to describe it as really acting as a connective tissue between my company, its objectives, and priorities, and then the sports industry and its priorities and objectives. And how am I that connective tissue? How might that bridge be able to make those things work cohesively?

     

    Dev Sethi:

    And so, for Instagram as all well know, they're focused on things like just being relevant to young people, to having people use their service, both as consumers, but also as creators, they care about products like reels and more broadly speaking commerce, even AR, VR to a degree, and they care about being meaningful to that creator economy, which I know we touched on earlier as well.

     

    Dev Sethi:

    And so, understanding those priorities and also understanding the unique priorities that live within the sports vertical, how am I able to marry those. And for sports, as you well know, the needs, the opportunities, et cetera, they're different depending on who you are in that industry. What the NBA needs out of social media or is looking to do on social media is very different than what LeBron James wants to do or is very different than what Bryce Young at Alabama wants to leverage these platforms for. And so, how do I represent and advocate for those needs and interests, while also driving the objectives of my company? I view that as broadly speaking my remit. And on a day-to-day basis, it presents very, very differently on any given day.

     

    Dev Sethi:

    Talking yesterday with colleagues about how can we... for folks who don't know there is another Olympics coming up in a few short months here, how do we work to empower athletes participating at the Winter Olympics, to be able to express themselves and engage their fans on social, in a very unique circumstance where the games are in China. So focusing on that to today, obviously, doing this podcast, but also working on an incubator to work with the next generation of athletes and creators at HBCUs, a very storied and proud and critically important part of our ecosystem within sports and college athletics. How do we work with those athletes at those universities, who, again, a community that's largely been underrepresented, how do we work to equip, and empower, and educate them on the value our platforms can bring those athletes, especially in the era of NIL name image likeness, which happened on July 1st. So again, I guess my point is a gamut, focused on, it's very broad at times, but largely speaking it's, again, that sort of bridge between priorities and how can I be an advocate for what sports needs in order to thrive and flourish on social.

     

    Chris Erwin:

    It sounds like a very exciting, and as you described, a very broad mandate. There's much more than you could do in a simple day's time, so I think a question that would be helpful is, looking at the modern creator economy and thinking about the different partners that are out there. As you described, the NBA has a different need than say, LeBron James or different talent personalities, and then with also different events around the corner, like the Olympics being hosted in China and what does that mean for the Instagram experience here, for US-based creators and US-based sports fans? What are some of the things that you're seeing that Instagram is actually building for, where like, "Hey, this is what creators want, or this is what consumers are demanding and we need to better support this need." Can you give a few highlights of some examples of that work?

     

    Dev Sethi:

    I was just having a conversation with some folks at Endeavor, not even an hour and a half ago, and this term of creator economy, which I'm guessing, Chris, you'll agree is sort of the buzziest term in our industry of 2021, in terms of how we're thinking about it from an Instagram perspective... I'll give you the sports example and then I'll give you sort of the product example. The sports example is, the investments that my team has made in trying to empower the ecosystem around college athletes in the era of NIL. And for those who probably don't know, NIL as an acronym stands for name image and likeness, as sort of a moment in time, as a value. It basically means that college athletes, as of July 1st, for the first time, by and large, could monetize their name, image, and likeness, which also extended to social media and the ability for you to monetize your audience, be able to work with brands, et cetera.

     

    Dev Sethi:

    And the true first in the history of college athletics, July 1st will go down as one of the most important days in the history of college athletics in my opinion. So from a sports perspective, how do we empower the ecosystem around college athletes, to ready themselves for this moment, by providing education, by providing resources, by providing incubators like the one I referenced earlier, to support this ecosystem in a world where athletes, especially youth athletes, can really be full-on content creators and embrace the totality of our platforms for the first time. And so, again, that didn't exist seven months ago, and now, you've got to bite at the apple to illustrate the value an Instagram, or Facebook, or YouTube can provide to these athletes in an environment where they're actually probably more interested and inclined to listen and learn than may ever have been before, because there's a real economic opportunity available to them that wasn't there before.

     

    Dev Sethi:

    So that's sort of the sports perspective, and how I'm thinking about some of my objectives and things that are happening around us that we want to have some vision and strategy against. The other side of it, at least in terms of what Instagram's focused on in the creator economy, a primary focus on safety and wellbeing, making sure that you as a creator, a user have a positive and safe experience on our platforms. And this year, Instagram has released a number of safety tools to help preserve that safe experience on our platform. Going towards new product development like the ability for audiences to tip their favorite creators during a livestream, which I know is probably more catching up the parody on some other platforms, but we know is an important part of a creator-user experience, in ways in which creators can monetize.

     

    Dev Sethi:

    We recently announced last month that we're building essentially a branded content marketplace, where brands have the opportunity to discover creators on our platform and potentially do business with them right then and there. To have that occur on a platform, we know brands are spending their time looking for individuals to partner with, and creators are constantly looking for ways to gain opportunity and to stand out, us building a marketplace to do just that, something we've invested in recently.

     

    Chris Erwin:

    No, I really like that and thinking about, yes, Meta definitely has relationships with probably all of the largest brands, marketers on the planet, but something that Facebook has done really well is, enable really targeted marketing for these small and mid-size businesses that can't necessarily afford the 32nd TV spot. So it's like, "All right, you don't have $500,000 to spend, but you got $10,000 to spend, you can run a campaign on Facebook, targeting the clients that make the most sense and are most relevant for your business." And I like the idea that this marketplace would also enable the same, not just for running these paid media spots, but also for influencer marketing campaigns, but also something that you guys are really leaning into a lot, which is social commerce. Really enabling creators to sell product directly through the Facebook and Instagram shop product flows.

     

    Chris Erwin:

    And I think to do that, I think the brands and the creators need to come together and need a bit more support there. That's something that we've written extensively about at RockWater is like, "What is this product gap?" It's something that's really holding back the launch of the livestream commerce market in the US relative to that of China. So I think that this marketplace idea that you guys have is a step definitely in the right direction. And particularly as Instagram has so many different social commerce and also these programming products, it needs to be fueled by more collaborations. A couple of quick questions before we get to the rapid-fire and close this out, Dev, so one, some big announcements around Meta recently. Massive reorganization, $10 billion commitment to building out the Facebook Metaverse or this new virtual experience for the Facebook users and community, what does that mean for sports media? What does that mean for the partners that you work with? Is that something that you guys have an idea on? Are you helping to formulate the vision? Tell us about that.

     

    Dev Sethi:

    To me, it's exciting because, well, one, so much of this hasn't been written yet, but the potential for what the sports experience could look like at Meta, on our own platforms in the ways that I just described, but also in the Metaverse, the world is everyone's proverbial oyster in that regard, whether it's evolving the co-watching experience from how we experience it on social media today, to a more virtual environment, where we're able to co-watch a football game together, or we're rather able to play a game together, or if we just want to express ourselves in a unique way, let alone the monetization possibilities. And again, I don't want to speculate, but you can imagine the variety of ways in which monetization can come to bear in this new environment and participating in a Metaverse.

     

    Dev Sethi:

    I mean, again, I defer to the experts like yourself, who literally write newsletters on these sorts of things, but to me, it all means we can get really creative, our company, but the industry is going to get incredibly creative on that as it all comes to bear and who's going to be positively impacted. And in terms of my job, I guess specifically, I get to ideally represent them more opportunities for how organizations and individuals can work with our company, because you have the inherent value of it, you work with Instagram, then you work with Facebook, and maybe there's an interesting WhatsApp partnership, but it's this tremendous again, sort of holistic opportunity for individuals and orgs to partner with sports partnerships or other verticals and other teams in ways that may have felt fragmented in the past but I think just generally speaking allows us to delve into different areas, and hopefully do some really cool things together.

     

    Dev Sethi:

    Yeah, I've given you an example, the conversations even before I got here, with the NBC and the Olympics on Facebook and Instagram were very different in 2016 than they were in 2020. And now, imagine what those conversations look like in 2022 or 2024, and it's because of the evolution of the technology, the evolution of the platforms themselves, and the ways in which the brands and individuals want to engage their fans, which is probably the most important through-line of the entire thing.

     

    Chris Erwin:

    It's really interesting, I mean, that can be a whole separate show of just brainstorming, what does the virtual experience mean for sports fandoms of tomorrow? What younger generations want is the personalization of everything, personalization of watching sports, when, and how they want to consume it with the personalities that they care about. So you think about the in-person experience of being in the arena, being at game day, but how do you get that same excitement and energy level, but then also add to the experience of why people also like to watch sports from home, where they have their personalized social feed, and newsfeed, and maybe they have different camera angles that they're watching from their TV and from their phone. How can you put all those exciting dynamics together in this virtual environment and then, in addition, give the fans tools to express their fandom in new and exciting ways?

     

    Chris Erwin:

    So the same way of like, you're wearing the Jersey of your favorite sports team. What are some of the digital goods and digital fashion that you can express on game day and then maybe your outfit's rotating between every play or every quarter? The ideas are just really endless and really exciting.

     

    Dev Sethi:

    Absolutely, I feel like we're limited, I'm personally not being a very creative person, only limited by my creativity in the sense of everyone wants to point to a reference point, "Oh, this feels like it's the sims or this feels like something that I've seen before." Well, most of what's going to get created, no one's going to have necessarily seen before, the opportunities are essentially endless. And at the core of the metaverse and whoever participates in it, it's still fundamental that it's about communities that can connect with each other in virtual environments when they cannot be with each other in person. And that represents boundless opportunity, whether you're the NFL, whether you're trying to connect with your brothers in Savannah, whether I'm trying to connect with my twin brother who's down the road, that's still at the heart of it. And I think we're just going to see that be expressed and developed again, in a number of ways, hopefully much sooner than later.

     

    Chris Erwin:

    Well said. All right, so before we move on to the rapid-fire, I just want to give a closing notice, some kudos to you, Dev. As the listeners have heard, I have known you dating back, I think at least four or five years now. We've stayed in touch. And something that I just really appreciate is how gracious you are with your time and how gracious you are with helping people understand and get excited about all of the work in sports media and digital. And I think I follow some of the feedback that you've given us on our newsletters, the feedback that whenever we have a chance to talk on the phone or on a Zoom chat and just tracking your LinkedIn feed, you really evangelize your work and the spirit of digital media in a very positive some way and it's really appreciated. We've definitely noticed it, you have a demeanor that really points this whole industry towards a really great place and I'm really thankful for that, and I wanted to acknowledge that.

     

    Dev Sethi:

    No, thank you, I'd say you're being way too kind and I'm certain that you deliver a lot more value to this industry than I do in the seat that you sit in and then what you've put together and run but I appreciate it. I think there's many of us who have to rely on each other to continue to grow, educate ourselves, and collaborate because that's just sort of how big and gnarly this industry is. And so, you're obviously the center of the value that we all derive. And once you put together this podcast, and newsletter, the consultancy that you've built up, yeah, I just have a lot of gratitude for things that, frankly have broken my way, the core of it's just been, hopefully trying to be a decent person, but also maintain great relationships like you and I, I think we've probably spent at least 75% of that first lunch, just shooting the shit on getting to know each other, 25% on the business stuff. I'd rather take that proportion, frankly. We get to things like today because we have, I think, a great base to build off of, so I'm deeply appreciative of getting to befriend you over all these years too.

     

    Chris Erwin:

    Very welcome, such from a guy who has such a powerful position in sports media. So, all right, with that, moving on to rapid-fire, here are the rules. Six questions, answers are to be short and to the point, so it could be just a single sentence or just a single word. Do you understand the rules, Dev?

     

    Dev Sethi:

    I understand them, I don't know if I'll adhere to them, but yeah, I understand them.

     

    Chris Erwin:

    Everyone says the same thing, but I'm going to hold you to it. All right, first one, proudest life moment.

     

    Dev Sethi:

    I've been offered the opportunity to speak a couple of times in front of students at my alma mater, Notre Dame and I never thought in a million years, I would ever do anything in my life or deliver that kind of value that my alma mater would ask me to support them and be of service to them. So that was a crowning achievement in my mind at least.

     

    Chris Erwin:

    Okay, cool, what do you want to do less of in 2022?

     

    Dev Sethi:

    More sporting events, with hopefully a lot less disruptions and just more grace for, I think our fellow citizens who are all going through tough time but who all have such diverse perspectives. So hopefully more of that too. I'd say hopefully a lot less bad weather, but I don't know if the weather's even been that bad. So I don't have a great answer for that.

     

    Chris Erwin:

    Okay. Less bad weather and disruptions in 2022?

     

    Dev Sethi:

    There you go.

     

    Chris Erwin:

    But I like what you said about more sporting events and the things that matter. What are one or two things that drive your success?

     

    Dev Sethi:

    I think having a great, talented bought-in team or teams that I've managed that make me look good. And also just having a personal passion in investing in my team, their career, their goals, and the enablement of them doing great work, that's what gives me joint energy about this role and any other role and I think that's equated to personal success as well.

     

    Chris Erwin:

    Advice for media execs going into 2022.

     

    Dev Sethi:

    Just continue to embrace innovation, whether it's on platform innovation, some of the things I referenced earlier, but also the innovation in the sports industry. I mentioned NIL a number of times, but try to skate to where the puck is going. And also do it authentically, don't sort of follow the leader all the time in this industry, make that set align with how you want to serve your audiences and what your core competencies are because no one media company should aspire to be just like another media company in my opinion.

     

    Chris Erwin:

    Very well said, I love that answer. All right, last couple, so you've gone from the big platforms, to the digital media publishers, back to the big platforms, I have to ask, any future startup ambitions?

     

    Dev Sethi:

    I have few entrepreneurial bones in my body. I've thought about starting my own consultancy. Honestly, I should probably just join yours, but-

     

    Chris Erwin:

    It would be an honor, it'd be an honor to have you join our rank.

     

    Dev Sethi:

    Yeah, I'd be able to listen in to stuff in general, but I think at the core, I just want to continue to be in roles that allow me to focus on strategy and also building great operations as well.

     

    Chris Erwin:

    Last one, pretty easy, how can people get in contact with you?

     

    Dev Sethi:

    I'd say LinkedIn, although my response times can vary dramatically, but LinkedIn's a good way to hit me up. It's spelled D-E-V, last name S-E-T-H-I. You can hit me up on Instagram, I'll be remiss if I didn't mention that, last name, first name S-E-T-H-I-D-E-V. Feel free to shoot me a DM. And yeah, those are probably the two best ways to get at me.

     

    Chris Erwin:

    All right, Dev, so that's the show. Thank you so much for taking the time to do this.

     

    Dev Sethi:

    Oh Chris, thanks for having me, man, this is the best part of my week. Glad to spend my Wednesday with you and looking forward to rapping more offline, but above all, I also hope you and your family are feeling safe and healthy and getting to enjoy the holiday season.

     

    Chris Erwin:

    Thank you, Dev, same to you. I really enjoyed that conversation with Dev. He's such a good guy and I just walk away feeling really proud that there's people like that in our digital community. All right, so to close it out, a reminder that we love to hear from our listeners, so if you have any feedback on the show, any ideas for guests, you can always shoot us a note at tcupod@wearerockwater.com. And a reminder that wherever you listen to our show, please leave us a review and share the show on whatever social media accounts you have. It just helps other people find our work and really supports what we do. Last quick note, we are all so hosting a livestream commerce event, it's an executive dinner, it's going to happen in LA, probably on March 3rd. If you'd like to know more or are interested in sponsoring it, you can reach out at hello@wearerockwater.com. All right, that's it, everybody, thanks for listening.

    The Come Up is written and hosted by me, Chris Erwin, and is a production of RockWater Industries. Please rate and review this show on Apple Podcasts and remember to subscribe wherever you listen to our show. And if you really dig us, feel free to forward The Come up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter. And you could follow us on Twitter, @tcupod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zazzali. And special thanks to Andrew Cohen and Mike Booth from the RockWater team.

     

    S2#5 Hà Thị Tú Phượng, Founder và CEO METUB: Tìm kiếm những nhà sáng tạo trẻ

    S2#5 Hà Thị Tú Phượng, Founder và CEO METUB: Tìm kiếm những nhà sáng tạo trẻ

    Hà Thị Tú Phượng là CEO, nhà sáng lập của METUB Network - nơi quản lý và phát triển hơn 2500 kênh YouTube, trong đó có các đối tác là nghệ sĩ hàng đầu tại Việt Nam như Min, Hoàng Yến Chibi, Huỳnh Lập, Hiền Hồ,... Hiện METUB đã cán mốc 5 tỷ người xem.

    Ít ai biết rằng khi chỉ mới 22 tuổi, chị Tú Phượng đã quyết định thành lập và vận hành METUB theo mô hình MCN còn khá mới mẻ tại Việt Nam. Bằng sự đam mê và những am hiểu về xây dựng kênh giải trí trên nền tảng kỹ thuật số, chị đã dẫn dắt METUB đạt đến những thành công hiện tại, và lọt vào danh sách Forbes 30 Under 30 năm 2018.

    Trong tập podcast này, cùng nghe cuộc trò chuyện của host Ruby Nguyễn và chị Hà Thị Tú Phượng để khám phá phương pháp khai thác tiềm năng vô hạn từ nền tảng YouTube để tạo ra lợi nhuận nhé. 

    Video được tài trợ bởi Bộ Khoa Học và Công Nghệ. Đề án “Hỗ trợ hệ sinh thái khởi nghiệp đổi mới sáng tạo quốc gia đến năm 2025” (gọi tắt là Đề án 844) được Thủ tướng Chính phủ ký quyết định ban hành vào ngày 18/5/2016 giao Bộ Khoa học và Công nghệ chủ trì thực hiện. Đề án có mục tiêu tạo lập môi trường thuận lợi để thúc đẩy, hỗ trợ quá trình hình thành và phát triển loại hình doanh nghiệp có khả năng tăng trưởng nhanh dựa trên khai thác tài sản trí tuệ, công nghệ, mô hình kinh doanh mới.
    Tìm hiểu thêm tại đây:  http://dean844.most.gov.vn/

    Liên hệ với METUB - mạng lưới các nhà sáng tạo hàng đầu Châu Á tại đây: https://metub.net/

    Kết nối với các nhân vật của chúng ta tại:
    Chị Hà Thị Tú Phượng: https://www.linkedin.com/in/phuonghavn/
    Chị Ruby Nguyễn: https://www.linkedin.com/in/rubynguyen/

    Hãy để lại lời nhắn, phản hồi hay bất kì câu hỏi nào cho chúng tôi tại vi@vietcetera.com nhé.

    Programmatic TV: The Current State of the Market and Where it's Heading - with Nev Hasan of MCN

    Programmatic TV: The Current State of the Market and Where it's Heading - with Nev Hasan of MCN

    Nev Hasan, National Digital Sales Director at MCN and IAB Director of Research Gai Le Roy discuss the state of Programmatic TV in Australia ahead of Ashton Media's Programmatic Summit 2018. They discuss what’s changed in the space over the past few years, what the clients are asking for, dynamic trading for TV buying, attribution, measurement and effectiveness. (Tickets for the Programmatic Summit are available here.)

    See omnystudio.com/listener for privacy information.

    This week's Guest, Amber J. Lawson, The Do-Gooder

    This week's Guest, Amber J. Lawson, The Do-Gooder

    This week we chat with Amber J. Lawson, the Do-Gooder. Amber J. is the founder and CEO of Good Amplified, a YouTube Multi-Channel Network that works with non-profits to create content opportunities for them. Amber J. is a well-known entertainment executive who is taking her knowledge of the industry and content creators in the YouTube world and using that to help nonprofits drive awareness, build audiences and expand their bases leveraging video content. Poised to revolutionize fundraising, Amber J.’s do-gooding is all about impacting social change. A former performer herself, Amber J. is a hoot to chat with and full of knowledge and insights about how to leverage digital channels to drive engagement. You’ll laugh and you’ll learn something when you hear from Amber J. Lawson, The Do-Gooder and The Tech Cat.