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    melodrama

    Explore " melodrama" with insightful episodes like "GUTS, Olivia Rodrigo", "Seeing Saas-Bahu Soaps Through a New Lens With Dr Shoma Munshi", "Big Screen: Gaslight", "Big Screen: Gaslight" and "Big Screen: Gaslight" from podcasts like ""Vinyl Drop", "TS Talks", "Humanities (Audio)", "Film and Television (Audio)" and "University of California Video Podcasts (Video)"" and more!

    Episodes (48)

    GUTS, Olivia Rodrigo

    GUTS, Olivia Rodrigo

    Olivia Rodrigo's sophomore album chronicles her 19th year and journey after achieving such a high level of success with her debut album. Keith Montena returns this week with special guest Carly Giacoio to break down the campaign surrounding GUTS, how Olivia's success rivals other young Disney stars, and the speculation surrounding drama with Taylor Swift. This is also a detailed look into SOUR's success in retrospect and the viral plagiarism accusations. Other topics include Rodrigo's creative process with collaborators like Dan Nigro & Ian Kirkpatrick, Grammy nominations, the VMAs, and The Hunger Games: The Ballad of Songbirds & Snakes soundtrack single.

    Seeing Saas-Bahu Soaps Through a New Lens With Dr Shoma Munshi

    Seeing Saas-Bahu Soaps Through a New Lens With Dr Shoma Munshi

    Anthropologist Dr. Shoma Munshi speaks to The Swaddle's Aditi Patel about the colourful world of Indian TV dramas, revealing an unexpected side to Hindi soaps, and what they mean to the women who watch them.

    You can watch our documentary on this topic, ‘Beyond Bahus,’ on The Swaddle’s YouTube channel.

    ‘TS Talks’ is a diverse collection of The Swaddle team’s audio conversations with experts, academics and sources over the years.

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Big Screen: Gaslight

    Big Screen: Gaslight
    Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

    Episode 117 - High Heels

    Episode 117 - High Heels

    0:00 - Intro & Summary

    2:00 - Movie Discussion

    45:20 - Cast & Crew/Awards

    52:52 - Pop Culture 

    1:00:04 -  Rankings & Ratings

     

    To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/


    Follow us!

    https://linktr.ee/1991movierewind

     

    Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)

    Don't forget to rate/review/subscribe/tell your friends to listen to us!

    Big Screen: Now Voyager

    Big Screen: Now Voyager
    Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

    Big Screen: Now Voyager

    Big Screen: Now Voyager
    Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

    Big Screen: Now Voyager

    Big Screen: Now Voyager
    Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

    Big Screen: Now Voyager

    Big Screen: Now Voyager
    Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

    Big Screen: Now Voyager

    Big Screen: Now Voyager
    Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

    K-Drama Café 28: Somebody - Pt.2

    K-Drama Café 28: Somebody - Pt.2

    ATENCIÓN CHINGU: Te recordamos nuevamente que este k-drama es solo para público adulto, al igual que este episodio.

    En esta segunda parte hacemos el review completo del K-Drama [Somebody] Esta serie que rompe con el esquema de cualquier drama coreano; pues explora de forma muy cruda y gráfica, temas de violencia, crimen, comunicación humana "a través del físico", riesgos de la tecnología y más.

    Acompáñanos a revisar toda la carnita de esta historia, qué tan perturbadora fue y si la recomendamos o no.

    *¡SPOILER ALERT! Recuerda que aunque intentes borrarlo no lo olvidarás si escuchas los spoiler sin querer, pues aquí hablamos de todo, sin censura y hasta damos las “calificaciones entre chingus”. Escucha la parte 1 para entender el contexto y cuéntanos qué tal te pareció.

    -Si quieres saber más de este K-drama y dónde puedes verlo, ¡aquí te dejamos la liga de nuestro newsletter! 

    https://mailchi.mp/1fd8e2840873/entrechingus-newsletter

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    K-Drama Café 29: Somebody - Pt.1

    K-Drama Café 29: Somebody - Pt.1

    ~"Find me somebody to love…"

    En el episodio de hoy hacemos el review del K-Drama [Somebody] Esta serie que nos cuenta la historia de una desarrolladora y sus amigas que quedan atrapadas en una red de crímenes y muerte, la cuál involucra la aplicación de citas que ella creó y a un misterioso hombre. 

    Haz match con nosotras para conocer un poco de esta historia y acompañarnos ambas partes del episodio. *Pero te avisamos que este es un k-drama SOLO para público adulto por su contenido explícito.

    *¡SPOILER ALERT! Estás en zona segura (aún) pues esta parte es libre de spoilers chingu, por si no has visto el drama. Y si ya lo viste todo, te invitamos a que escuches la segunda parte y nos cuentes qué tal te pareció.

    - Si quieres saber más de este k-drama y dónde puedes verlo, ¡aquí te dejamos la liga de nuestro newsletter! 

    https://mailchi.mp/1fd8e2840873/entrechingus-newsletter

    - Síguenos en nuestras redes sociales:

    Instagram: https://www.instagram.com/entrechingus/

    Twitter: https://twitter.com/entre\_chingus

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