mics

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Today, we’ll briefly showcase one of our vetted microphones, plus where you can find top-tier podcasting gear like it. Listen until the end and stay tuned for the next solo episode so you’ll know which microphone to get for your show!

WHAT TO LISTEN FOR

• Why you shouldn’t buy a microphone without proper research
• A preview of Grow Your Show’s vetted microphone audio quality

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Our guest this week is a young stylish pro surfer from Australia that is happens to be the son of

one of Australia’s most influential Surfers of all time. Let’s just say “ The apple didn’t fall far

from this tree”, as he prefers to keep his fins to the face and rails buried on every turn. With

influences from Pancho, Ross, and Dad…. it is refreshing to see Style, Speed, Power, and Flow as his

focus in surfing. We are excited to hear about him competing in WQS, creating short

edits, the Social Media game, sponsorships, and just what it takes to be a young pro in today’s

world. We welcome Micah “Mics, Mini Margo, Margo 2.0” Margieson.

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Mics, mass shootings, Joe Biden, new employees, 24/7, baker, dead animals, horse racing, nascar, hip replacement, Avatar, Dr. Strange, marvel, animal bets, Tulsa race riots, abortions, salmon, cats

On this episode I have a candlelit chat with St Louis comic Nicholas Cuvar. We discuss summoning the spirits, independent comedy, and much much more!

Like share prescribe! 

Today is an “after school special” where I talk with a handful of students and tackle the biggest questions on their minds!

QUESTIONS & TOPICS INCLUDE

• What do you do when you bomb?
• Finding comedians to hang with.
• It's just an experiment every single time.
• Expect there to be silence.
• Beginning comedy with an already stable lifestyle.
• Is it absolutely necessary to go all in with no safety net?
• There's no shortcut around growing through stage time.
• Finding parts in your world that are the least stable to help you create comedy.
• Riches are in the niches.
• Comedian Eddie B. (teaching niche)
• Balance between you and your spouse.
• Occasionally your comedy career has to go way off balance.
• Best way to guarantee stage time is starting your own open mic.
• Professional Speaker Mark Klein.

And a whole lot more!

SPONSOR SPOTLIGHT: 

This episode is brought to you by Patreon supporter JUDY BARBE and CLUB 52.

On this week's episode I have on Weymouth rapper Shawn Mics. Shawn just dropped his latest album titled "Another Day In Paradise" so we discuss the meaning behind the album and songs on the project. We also talk about rappers who people consider corny, the art of concept albums, as well as artists being sensitive.

Jesse Mills is a Production Sound Mixer based out of San Francisco, California. He uses a Sound Devices 664 mixer/recorder, a Sound Devices 744 for effects recording and high dynamic range projects and a Sound Devices MixPre for smaller projects. Jesse uses Lectrosonics SMQV wireless transmitters, MM400 transmitters, HMA transmitters and 411 wireless receivers and a LR receiver for a camera hop, along with Sennheiser G3s for hops as well. He likes the dpa 4060 lav mics. For shotgun mics, Jesse likes the Schoeps CMit and CMC-6 with MK-41 capsule and a Sennheiser 416. He likes Denecke JB-1's for time code and uses their time code slate. For power distribution he's using Audio Root. Jesse uses ORCA bags, Portabrace and a Petrol bag.  https://elephantearaudio.weebly.com

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Are the mics hot?!  Zach Johnson, The Millennial Farmer; Becky Johnson, Mrs. Millennial Farmer; and Randy Nessman, the Master Pipe Layer himself; heat up the mics and kick off their first ever podcast together!  In this show we discussed some of the history of our friendships, what exactly Randy does with his farming and drain tile job, his ability to enable an entire night of drinking, and vacation cruise shenanigans.  This show was completely unstructured and a good warm-up for what’s to come as the trio discusses everything from farming to what she really said.

Curtis Judd is a Utah based sound for video enthusiast and freelance production sound mixer. He uses a Sound Devices 633 and has just acquired the 833. Curtis also uses a Sound Devices MixPre-10T as a backup, dpa 4017b shotgun mic, Schoeps CMC 641 and the Sennheiser MKH-8050 shotgun mics, Audio Limited A-10 wireless, dpa 4160 lav mics and Countryman B-6, and recently started using the Shure Twinplex TL47 and TL-48 with good results. He uses the UltraSync One and Tentacle Sync for timecode. Curtis also uses the Orca OR-30 audio bag. Check out his YouTube channel and his website at https://www.learnlightandsound.com/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Kim Kylland is a production sound mixer, boom op, singer, songwriter and composer, based out of Los Angeles, California. Kim uses a Zoom F8 mixer/recorder and the Sound Devices 633, Sennheiser G3 wireless, Audio Technica System ATWs, Lectrosonics SMWB's for wireless transmitters, Sennheiser 416 shotgun mic, Countryman B3 lav mics, Sanken COS-11's and Sennheiser MKE-2 lav mics, Denecke JB-1 Syncbox for timecode and Tentacle Sync timecode boxes. Kim puts all that in a ORCA bag designed for the Zoom F8. Kim's production company is https://birdmurmur.com/ Kim's personal site is https://kimkylland.com/ 
Kim's last EP:  https://kylland.bandcamp.com/ 
Her Documentary, "Stateless" : https://statelessdoc.com 

Jim Keaney is a Production Sound Mixer and Boom Op who has worked on commercials, documentaries, narratives and reality TV and is based out of Boston, Massachusetts. Jim uses Sound Devices 633 & 688 mixer/recorders with an SL-6 accessory, and CL-6 mixing board, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB and SMWB wireless transmitters as well as SRb's and SMQVs, Audio Root for power distribution, Betso TCX-2 timecode boxes, Sennheiser 416 shotgun mics as well as a Schoeps CMIT 5u and Sanken CS3e shotgun mics. Schoeps 641's and Sennheiser MKH-50 mics. Jim uses COS-11d lav mics and Countryman B6's. He also likes the Sony MDR-7506 headphones and the Remote Audio HN-7506 headphones.

Bill Mitchell is a production sound mixer and boom op based out of Nashville, Tennessee. He uses a Sound Devices 633 mixer/recorder, Kortwich preamp for 3 additional preamps into the 633, Lectrosonics SRb & SRc receivers, Sanken COS-11 lav mics, dpa 6060 lav mics, Lectrosonics SMQV and LT transmitters, Remote Audio power distro, Lectrosonics UM400 for IFB, Schoeps CMIT 5u shotgun mic for outdoor, Schoeps CMC MK41 for indoor, and Tentacle Sync for timecode.

Henri Rapp is a production sound mixer and studio recording engineer based out of Cleveland, Ohio. He uses a Sound Devices 664 mixer/recorder, Wisycom MCR-42 wireless receiver and MTP41S and MTP30 transmitters, Lectrosonics SRc wireless receiver and SMDWB transmitters, 4061 and 6060 dpa lav mics and Sanken COS-11s, dpa 4017 shotgun mic and Oktava MK012 mics. Henri also likes the Timecode Systems Wave and UltraSync ONE.

Josh Morrison is a Production Sound Mixer and Boom Op based out of Phoenix, Arizona. He uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB wireless transmitters, Schoeps CMIT 5u shotgun mics along with a Sennheiser MKH-50 and MKH-416 shotgun mics, Sanken COS-11d lav mics, Tentacle Sync-E timecode boxes, Comteks for IFB for clients and Sony MDR-7506 headphones.