Explore " mission: impossible" with insightful episodes like "Mission: Impossible - Dead Reckoning Part One (2023)", "Ep109 || Mission: Impossible - Dead Reckoning Part One (with Jacob Evangelista)", "Spence-Crawford Legacy Fight, Mahalia's IRL and Mission: Impossible - Dead Reckoning Part One Review", "Talking Comics Podcast: Issue #607: The La Blue Girl Variant" and "Ep108 || Mission: Impossible - Rogue Nation / Mission: Impossible - Fallout" from podcasts like ""Matt & Todd Go to the Movies", "The Weekly Reel Podcast", "Fullscope Podcast", "Comic Book Podcast | Talking Comics" and "The Weekly Reel Podcast"" and more!
Matt & Todd produce a spoiler-free review after seeing Mission: Impossible - Dead Reckoning Part One (2023) starring Tom Cruise, Hayley Atwell, and Ving Rhames.
Special Guest Podcasters: Tim Davis & Marie Meakin
Episode One Hundred and Nine. This podcast episode, should we choose to accept it, will be an in-depth breakdown of Mission: Impossible - Dead Reckoning Part One (2023). We have required Jacob Evangelista to be a team member of the IMF team for this episode. For this week's Double Feature, we play a variation of the kiss-marry-kill game with "keep it-delete it-watch only one more time" with the M:I and two other movie franchises. Also, the guys name their top 3 female leads within the M:I franchise. Then, they hand out their Weekly Reel Awards and get one step closer to crowning the season 6 champion in Guess the Rotten Tomatoes Score. Finally, they slot Mission: Impossible Dead Reckoning Part One into their M:I franchise movie rankings.
Who are your top 5 Mission: Impossible characters? Email us your comments/feedback at weeklyreelpod@gmail.com. Follow The Weekly Reel Podcast on Instagram (@weeklyreel) and TikTok (@weeklyreelpod).
Guest: Jacob Evangelista (@fashowj)
Co-host: Ken Arceo (@free_ken_a)
Co-host: Jeremy Pulumbarit (@jp_flicks)
Social Media: Andrea Pilapil (@andreajpilapil) / Linktree / Patreon
Music: Cameron Penaflorida (@bamsaidcam)
In this episode, Wellington and Savon discuss Errol Spence and Terrence Crawford's mega-fight coming up, key x-factors, and why this fight won't go the distance. Next up, they discuss Tyson Fury possibly being the best boxer overall right now and what's the next big fight out there for Canelo. For their Summer League analysis, they discuss Keyonte George's performances for the Jazz, Cam Whitmore's impressive play for the Rockets, and Draymond-Jordan Poole's beef still going on. Finally, they review Mahalia's new sophomore album IRL, Alayna's Self Portrait of a Woman Unraveling debut album, and review Curren$y and Harry Fraud's Vices album.
In the second half, they review Mission: Impossible - Dead Reckoning Part One, the 2023 spy action film directed by Christopher McQuarrie and starring Tom Cruise, Haley Altwell, Ving Rhames, and Simon Pegg. They start off by discussing the high-level shot stunts, it having a terrific cast and this being one of the best action movies of the year. Next up, they discuss the execution of this being impressive, if the opening scene hurt the film at all, and their personal rankings of their favorite Mission: Impossible movies ever.
In this episode, Bob, Joey, John, and Steve mourn a fallen friend, attend Rogers: The Musical, eat grilled cheese sandwiches with a princess, get eaten by fishflies, talk Superman: Legacy casting news, and much more!
Books: Fallen Friend: The Death of Ms. Marvel One-Shot, Knight Terrors: Poison Ivy #1, The Great British Bump-Off #4, The Rocketeer: Den of Thieves #1, Captain America: Sentinel of Liberty #1-11, Captain America: Symbol of Truth #1-11, I Hate This Place #10, Sirens of the CIty #1, World's Finest: Teen Titans #1, Green Lantern #1-2, The Princess and the Grilled Cheese Sandwich OGN, Blades of Furry #1-62, Fishflies #1
Other Stuff: Mission: Impossible - Dead Reckoning Part One, Transformers: Rise of the Beasts, Rogers: The Musical
The Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, Chris Ceary, and John Burkle, who weekly dissect everything comics-related, from breaking news to new releases. Our Twitter handle is @TalkingComics, and you can email us at podcast@talkingcomicbooks.com.
Episode One Hundred and Eight. The Weekly Reel Podcast concludes the M:I franchise rewatch series by breaking down Mission: Impossible - Rogue Nation (2015) and Mission: Impossible - Fallout (2018). In this special episode, the guys bring back "Binge or Cringe" and another round of "This or That" for topics such as Best Plot Twist, Best Stunt, and, of course, Best Tom Cruise Run before Guessing the Rotten Tomatoes Score for both movies in a crucial week for the season 6 competition. Finally, the guys rank the first six Mission: Impossible movies.
Which Mission: Impossible movie had the best Tom Cruise run? Email us your comments/feedback at weeklyreelpod@gmail.com. Follow The Weekly Reel Podcast on Instagram (@weeklyreel) and TikTok (@weeklyreelpod).
Co-host: Ken Arceo (@free_ken_a)
Co-host: Jeremy Pulumbarit (@jp_flicks)
Social Media: Andrea Pilapil (@andreajpilapil) / Linktree / Patreon
Music: Cameron Penaflorida (@bamsaidcam)
In this episode of So Many Sequels, Josh, Garrett, and special guest Matt Archibald review Mission: Impossible - Dead Reckoning Part One. The seventh installment of the Mission: Impossible franchise is a timely rumination on the dangers of AI as well as an action-packed sequel that never slows down1. The movie boasts several elaborate action sequences and set pieces, each more impressive than the last. The movie is directed by Christopher McQuarrie who also wrote the last two installments, Rogue Nation (2015) and Fallout (2018).
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What are you even doing with your life if you aren't jumping out of a plane or off the side of a building at 60 being a literal spy?
Since it's Mission: Impossible season it was only right to review the one that started it all, the 1996 chapter. As children of the 80s both me and Jai are super familiar with Tom Cruise as an entity and every year he seems to ratchet up our collective blood pressure with each installment in the franchise.
We both remember seeing this film back in the day and it was such a fun ride. Some of the things we touch on is the amazing minimalist fashion, some Scientology, and marvel at the practical effects they used on the most "impossible" scenes.
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Hosts: Lauren @lauren_melanie & Jai @jai_stylefactory
Music by Den-Mate @imdenmate
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Tom Cruise is back in the seventh installment of the action packed franchise.
“The IMF is like Halloween, a bunch of grown men in rubber masks playing trick-or-treat.”
Hunt Is Back, and He’s Better Than Ever... Really
It’s crazy that we’re at the sixth film in the franchise and it’s the best of the bunch. How does that happen? Likely, it’s because Cruise has been driving this franchise not just as star but also producer from the start, but it’s hard to dismiss the fact that writer/director Christopher McQuarrie returned. His sense of this story, these characters, and this world seems to fit hand to glove as much as Cruise does. Join us – Pete Wright and Andy Nelson – as we continue our Mission: Impossible series with McQuarrie’s 2018 film Mission: Impossible – Fallout.
Here’s a hint at what we talk about.
It’s like they take all the greatest moments from the previous five films and find ways to integrate reworked versions of them into this film. It’s fantastic. We walk through the various action beats in this film, starting with the over two-and-a-half minute single shot of Hunt and Walker doing a HALO jump into Paris. And it only gets better from there.
Hunt is dealing with Solomon Lane again, but we’re also adding John Lark into the mix. It’s a bit of a mystery as to who he is, but... not really. It’s hard to buy Lark, aka August Walker, as anything but villainous. Is it the way Henry Cavill plays him? Or is he just written that way? Regardless, he makes for a great villain and works exceptionally well in this franchise.
There’s also the return to Julia as a key part in Hunt’s life. It plays well, and clearly is an important point to Hunt learning to navigate his life when it comes to saving the world vs. saving those he loves. That plays not only into Julia’s story but also Ilsa, as clearly something is developing here with her in her return.
All in all, it’s a great film that shows insane stunt work by Cruise, a broken ankle, great characters, a thrilling and engaging story, and a mystery as to where it could go from here. We love it. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“The IMF is like Halloween, a bunch of grown men in rubber masks playing trick-or-treat.”
Hunt Is Back, and He’s Better Than Ever... Really
It’s crazy that we’re at the sixth film in the franchise and it’s the best of the bunch. How does that happen? Likely, it’s because Cruise has been driving this franchise not just as star but also producer from the start, but it’s hard to dismiss the fact that writer/director Christopher McQuarrie returned. His sense of this story, these characters, and this world seems to fit hand to glove as much as Cruise does. Join us – Pete Wright and Andy Nelson – as we continue our Mission: Impossible series with McQuarrie’s 2018 film Mission: Impossible – Fallout.
Here’s a hint at what we talk about.
It’s like they take all the greatest moments from the previous five films and find ways to integrate reworked versions of them into this film. It’s fantastic. We walk through the various action beats in this film, starting with the over two-and-a-half minute single shot of Hunt and Walker doing a HALO jump into Paris. And it only gets better from there.
Hunt is dealing with Solomon Lane again, but we’re also adding John Lark into the mix. It’s a bit of a mystery as to who he is, but... not really. It’s hard to buy Lark, aka August Walker, as anything but villainous. Is it the way Henry Cavill plays him? Or is he just written that way? Regardless, he makes for a great villain and works exceptionally well in this franchise.
There’s also the return to Julia as a key part in Hunt’s life. It plays well, and clearly is an important point to Hunt learning to navigate his life when it comes to saving the world vs. saving those he loves. That plays not only into Julia’s story but also Ilsa, as clearly something is developing here with her in her return.
All in all, it’s a great film that shows insane stunt work by Cruise, a broken ankle, great characters, a thrilling and engaging story, and a mystery as to where it could go from here. We love it. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“We’re kind of formulating a plan B, although technically it’s a plan C.”
Everyone’s Gone Rogue in Rogue Nation
Christopher McQuarrie did some uncredited rewrites on Mission: Impossible – Ghost Protocol, though he’d worked with Tom Cruise a number of times in the past, having written and directed Jack Reacher then writing Edge of Tomorrow. Clearly, his strength as a storyteller, perhaps more than his friendship with Cruise, led Cruise to offer him the opportunity to help the fifth Mission: Impossible film. That opportunity to not only work on the script but also direct seemed to be the right formula Cruise (perhaps more the producer than the star) was looking for to bring the franchise into right zone he’d been looking for from the start. Join us – Pete Wright and Andy Nelson – as we continue our journey through our Mission: Impossible series with a conversation about McQuarrie’s 2015 film Mission: Impossible – Rogue Nation.
Here’s a hint at what we talk about.
Right out of the gate, we’re given an exciting action sequence, one which had been advertised relentlessly to draw audiences to the film to see Cruise hanging off the side of a plane. For real. It’s insane but makes for a great start to the movie. Plus, we get more comedy with the team and intrigue as the IMF gets shut down by the Senate, which puts Ethan on the run. It’s a thrill of a way to start the movie that shows we’re on the right track now.
The team is great, keeping Jeremy Renner, Simon Pegg, and the ever-consistent Ving Rhames from the last film. It’s our first full repeat, and it works well. We do have questions about the roles of each of the team members though. Are they given enough delineation between them? Is this, perhaps, why Jeremy Renner doesn’t return?
The big surprise is the addition of Rebecca Ferguson who proves herself Cruise’s equal and brings tremendous chemistry as a British spy working both with and against Hunt at seemingly every turn. She’s incredibly compelling and is stunning in that dress.
Of course the villain has to work for the team to be of any interest, and we’re fans of what Sean Harris is bringing as ex-MI6 operative Solomon Lane, the head of The Syndicate. He’s compelling, and the plot moves in exciting directions dictated by him. It’s a thrill of a film in a franchise that only gets better. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“We’re kind of formulating a plan B, although technically it’s a plan C.”
Everyone’s Gone Rogue in Rogue Nation
Christopher McQuarrie did some uncredited rewrites on Mission: Impossible – Ghost Protocol, though he’d worked with Tom Cruise a number of times in the past, having written and directed Jack Reacher then writing Edge of Tomorrow. Clearly, his strength as a storyteller, perhaps more than his friendship with Cruise, led Cruise to offer him the opportunity to help the fifth Mission: Impossible film. That opportunity to not only work on the script but also direct seemed to be the right formula Cruise (perhaps more the producer than the star) was looking for to bring the franchise into right zone he’d been looking for from the start. Join us – Pete Wright and Andy Nelson – as we continue our journey through our Mission: Impossible series with a conversation about McQuarrie’s 2015 film Mission: Impossible – Rogue Nation.
Here’s a hint at what we talk about.
Right out of the gate, we’re given an exciting action sequence, one which had been advertised relentlessly to draw audiences to the film to see Cruise hanging off the side of a plane. For real. It’s insane but makes for a great start to the movie. Plus, we get more comedy with the team and intrigue as the IMF gets shut down by the Senate, which puts Ethan on the run. It’s a thrill of a way to start the movie that shows we’re on the right track now.
The team is great, keeping Jeremy Renner, Simon Pegg, and the ever-consistent Ving Rhames from the last film. It’s our first full repeat, and it works well. We do have questions about the roles of each of the team members though. Are they given enough delineation between them? Is this, perhaps, why Jeremy Renner doesn’t return?
The big surprise is the addition of Rebecca Ferguson who proves herself Cruise’s equal and brings tremendous chemistry as a British spy working both with and against Hunt at seemingly every turn. She’s incredibly compelling and is stunning in that dress.
Of course the villain has to work for the team to be of any interest, and we’re fans of what Sean Harris is bringing as ex-MI6 operative Solomon Lane, the head of The Syndicate. He’s compelling, and the plot moves in exciting directions dictated by him. It’s a thrill of a film in a franchise that only gets better. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“You actually said that out loud? ‘Mission accomplished?’”
Ethan Hunt Shifts Gears and Finds His Groove
Brad Bird’s on board the franchise, getting a chance to not only make his first live action film but also to do so in a major franchise with giant set pieces and mega-stars. Perhaps that’s what the franchise needed, after all of Cruise’s antics around the time the third film was released. There was even talk that this film might have been his last as the franchise lead, turning it over to Jeremy Renner from this point forward. But things worked out, perhaps because of Bird’s injection of fun and levity he brought, and the franchise shited to something that would only continue improving. Join us – Pete Wright and Andy Nelson – as we continue our M:I series with a conversation about Bird’s 2011 film Mission: Impossible – Ghost Protocol.
Here’s a hint at what we talk about.
This film is a blast from start to finish. We have a great team that feels cohesive both as a team in context of the film working to solve their mission as well as the actors who actually have chemistry and blend well. There’s a lot of play with the spy tech here as we get some incredible gadgets, but we also get to see what happens when our spies have to think outside the box when gadgets break or malfunction. The set pieces in this film all bring new and different energy to the franchise and the film, particularly the centerpiece of the film – Cruise scaling the side of the Burj Khalifa in Dubai. It’s insane and we’re here for all of it. We also have a villain that feels wonderfully villainous. Could we have used more of Michael Niqvist? Sure. But what we get works well for us. Even his threat to launch a nuke and start WWIII, while at the level of Bond villains, has a bit of a grounded feel to it.
We talk a bit about the end of Cruise/Wagner Productions, and also ponder why Bird hasn’t had a chance to make many more live action features. Regardless, it’s a great conversation about a film that certainly set a new high bar for this franchise. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“You actually said that out loud? ‘Mission accomplished?’”
Ethan Hunt Shifts Gears and Finds His Groove
Brad Bird’s on board the franchise, getting a chance to not only make his first live action film but also to do so in a major franchise with giant set pieces and mega-stars. Perhaps that’s what the franchise needed, after all of Cruise’s antics around the time the third film was released. There was even talk that this film might have been his last as the franchise lead, turning it over to Jeremy Renner from this point forward. But things worked out, perhaps because of Bird’s injection of fun and levity he brought, and the franchise shited to something that would only continue improving. Join us – Pete Wright and Andy Nelson – as we continue our M:I series with a conversation about Bird’s 2011 film Mission: Impossible – Ghost Protocol.
Here’s a hint at what we talk about.
This film is a blast from start to finish. We have a great team that feels cohesive both as a team in context of the film working to solve their mission as well as the actors who actually have chemistry and blend well. There’s a lot of play with the spy tech here as we get some incredible gadgets, but we also get to see what happens when our spies have to think outside the box when gadgets break or malfunction. The set pieces in this film all bring new and different energy to the franchise and the film, particularly the centerpiece of the film – Cruise scaling the side of the Burj Khalifa in Dubai. It’s insane and we’re here for all of it. We also have a villain that feels wonderfully villainous. Could we have used more of Michael Niqvist? Sure. But what we get works well for us. Even his threat to launch a nuke and start WWIII, while at the level of Bond villains, has a bit of a grounded feel to it.
We talk a bit about the end of Cruise/Wagner Productions, and also ponder why Bird hasn’t had a chance to make many more live action features. Regardless, it’s a great conversation about a film that certainly set a new high bar for this franchise. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“Humpty Dumpty sat on a wall.”
Ethan’s back, and he’s getting married!
It took some time to sort out the plans for this one’s script, and it wasn’t easy finding the director either. Tom Cruise and Paula Wagner did get there though, locking in TV showrunner JJ Abrams to co-write and helm the third in this franchise, making it his feature film debut. Join us – Pete Wright and Andy Nelson – as we continue our ‘Mission: Impossible’ series with a look at Abrams’ 2006 film Mission: Impossible III.
Here’s a hint at what we talk about.
The film starts with a gut punch, introducing us to the villain and setting up Ethan and his wife in a position as hostages. Philip Seymour Hoffman as Owen Davian, the villain, is perfect and the star of this film, but is it too early to start having issues? As someone much more in tune with co-writer/director JJ Abrams at the time, Pete was very much in the bag for being there with Abrams as he made the leap to the big screen. Andy didn’t have that connection so didn’t have as much of an interest in the film (or the franchise at this point after John Woo’s second entry). So does the opening work?
We talk about the vibe of the film and how, because of the romance between Ethan and Julia, it feels very different. Largely, it works and moves us past Woo’s mess of a film into something that feels better already. It’s just unfortunate that there are still so many issues. Perhaps the largest is that it never quite feels cinematic.
Regardless, it’s a fun entry into the franchise and gives us plenty to dig into. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“Humpty Dumpty sat on a wall.”
Ethan’s back, and he’s getting married!
It took some time to sort out the plans for this one’s script, and it wasn’t easy finding the director either. Tom Cruise and Paula Wagner did get there though, locking in TV showrunner JJ Abrams to co-write and helm the third in this franchise, making it his feature film debut. Join us – Pete Wright and Andy Nelson – as we continue our ‘Mission: Impossible’ series with a look at Abrams’ 2006 film Mission: Impossible III.
Here’s a hint at what we talk about.
The film starts with a gut punch, introducing us to the villain and setting up Ethan and his wife in a position as hostages. Philip Seymour Hoffman as Owen Davian, the villain, is perfect and the star of this film, but is it too early to start having issues? As someone much more in tune with co-writer/director JJ Abrams at the time, Pete was very much in the bag for being there with Abrams as he made the leap to the big screen. Andy didn’t have that connection so didn’t have as much of an interest in the film (or the franchise at this point after John Woo’s second entry). So does the opening work?
We talk about the vibe of the film and how, because of the romance between Ethan and Julia, it feels very different. Largely, it works and moves us past Woo’s mess of a film into something that feels better already. It’s just unfortunate that there are still so many issues. Perhaps the largest is that it never quite feels cinematic.
Regardless, it’s a fun entry into the franchise and gives us plenty to dig into. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“Well, this is not ‘mission: difficult’, Mr. Hunt. This is ‘mission: impossible.’ ‘Difficult’ should be a walk in the park for you.”
Hunt’s Back for Love, Doves, and Viruses!
Returning for a sequel to their hit, Tom Cruise and Paula Wagner decided to explore the franchise with a different director – something they’d continue doing for the first five films. For this, they went with Hong Kong action filmmaker John Woo. Known for his over-the-top action set pieces, his use of slow motion, and his use of doves, it may seem a bit of a surprise that what Woo really wanted to inject this sequel with was romance. But is that where the film goes wrong? Or did it have issues even without the love story? Join us – Pete Wright and Andy Nelson – as we continue our ‘Mission: Impossible’ series with a conversation about Woo’s 2000 film Mission: Impossible 2.
Here’s a hint at what we talk about.
While it may seem natural to hire John Woo to direct a Mission: Impossible movie, it’s quite a surprise that this is the worst of the franchise. Woo’s filmmaking style doesn’t seem to fit. It feels like it’s a different universe than where the rest of the franchise takes place. But is that strictly Woo’s fault? Was it partially the story put together by Ronald D. Moore and Brannon Braga? Or the final script written by Robert Towne? It’s hard to say, but the romance Woo wanted to inject into the story certainly doesn’t help.
And that’s one of our primary complaints. Nya, as played by Thandiwe Newton, could be an interesting expert thief character but they drop that angle instantly and restrict her to love interest and pawn. Plus, by the time we get to the end of the film, they completely bail on Nya as a potential threat to humanity with the virus she’s carrying. No wonder Newton had such a miserable time making this movie.
But there’s also the angle of the virus and antidote. It seems very James Bond villain-esque, but even there it’s less about threatening the world and more about making a little money. Maybe it’s because we struggle with Dougray Scott as the villain, or the fact that his relationship with Newton’s Nya seems less likely than a possible gay relationship with his right hand man played by Richard Roxburgh.
Cruise does start his crazy stunts here with the wire work as he’s doing the free solo climb. His later stunts and action set pieces aren’t too bad, but they never feel great. It has its moments, but this film just never feels like it’s doing what it needs to be doing. Still, it makes for a fantastic conversation. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“Well, this is not ‘mission: difficult’, Mr. Hunt. This is ‘mission: impossible.’ ‘Difficult’ should be a walk in the park for you.”
Hunt’s Back for Love, Doves, and Viruses!
Returning for a sequel to their hit, Tom Cruise and Paula Wagner decided to explore the franchise with a different director – something they’d continue doing for the first five films. For this, they went with Hong Kong action filmmaker John Woo. Known for his over-the-top action set pieces, his use of slow motion, and his use of doves, it may seem a bit of a surprise that what Woo really wanted to inject this sequel with was romance. But is that where the film goes wrong? Or did it have issues even without the love story? Join us – Pete Wright and Andy Nelson – as we continue our ‘Mission: Impossible’ series with a conversation about Woo’s 2000 film Mission: Impossible 2.
Here’s a hint at what we talk about.
While it may seem natural to hire John Woo to direct a Mission: Impossible movie, it’s quite a surprise that this is the worst of the franchise. Woo’s filmmaking style doesn’t seem to fit. It feels like it’s a different universe than where the rest of the franchise takes place. But is that strictly Woo’s fault? Was it partially the story put together by Ronald D. Moore and Brannon Braga? Or the final script written by Robert Towne? It’s hard to say, but the romance Woo wanted to inject into the story certainly doesn’t help.
And that’s one of our primary complaints. Nya, as played by Thandiwe Newton, could be an interesting expert thief character but they drop that angle instantly and restrict her to love interest and pawn. Plus, by the time we get to the end of the film, they completely bail on Nya as a potential threat to humanity with the virus she’s carrying. No wonder Newton had such a miserable time making this movie.
But there’s also the angle of the virus and antidote. It seems very James Bond villain-esque, but even there it’s less about threatening the world and more about making a little money. Maybe it’s because we struggle with Dougray Scott as the villain, or the fact that his relationship with Newton’s Nya seems less likely than a possible gay relationship with his right hand man played by Richard Roxburgh.
Cruise does start his crazy stunts here with the wire work as he’s doing the free solo climb. His later stunts and action set pieces aren’t too bad, but they never feel great. It has its moments, but this film just never feels like it’s doing what it needs to be doing. Still, it makes for a fantastic conversation. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“This whole operation was a mole hunt.”
Tom Cruise Upgrades the TV Show with Mission: Impossible
It took Paramount a while to get the Mission: Impossible movie off the ground. They’d tried for years with the property, nearly getting a version made in the early 80s before it fell through because of an escalating budget. By the time Tom Cruise and Paula Wagner were ready to start their own producing work, the property was still floundering. Cruise, as a fan of the show, immediately recognized its strengths and thought it would be a great way to kick off Cruise/Wagner Productions. Join us – Pete Wright and Andy Nelson – as we kick off our last series of the season – the Mission: Impossible films – with De Palma’s 1996 film Mission: Impossible.
Here’s a hint at what we talk about.
Pete has seen some of the original show but Andy never has. Does that play into how we approached this first film and our impressions? They certainly do change elements, after all. Jim Phelps is a traitor. It’s not so much a team story as it is an Ethan Hunt story. But it does feel like covert missions in this film, perhaps moreso than later in the franchise.
This is also the birthplace of Cruise as the action star always ready to do his own (often crazy) stunts. It’s not as large or over-the-top here, but it’s certainly still part of the story and who can forget him suspended on the cables dropping silently into CIA headquarters? That’s absolutely the centerpiece of this film and still is a thrill to watch. We also love the sequence with Hunt talking to Kittridge in the restaurant full of giant fish tanks, as well as the train sequence.
We struggle with some of the team elements, and definitely have issues with the flatness of that first team. Good thing they all get picked off! Some performances are better than others. Same goes for the effects of the day, but largely De Palma shows he knows how to use CGI and when, so it’s rarely a problem here. Speaking of De Palma, he’s bringing a lot of creative style to the story which feels key to the spy story being told. It’s a thrill to start this franchise with him really allowed to play.
All in, it’s a good start to this series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
“This whole operation was a mole hunt.”
Tom Cruise Upgrades the TV Show with Mission: Impossible
It took Paramount a while to get the Mission: Impossible movie off the ground. They’d tried for years with the property, nearly getting a version made in the early 80s before it fell through because of an escalating budget. By the time Tom Cruise and Paula Wagner were ready to start their own producing work, the property was still floundering. Cruise, as a fan of the show, immediately recognized its strengths and thought it would be a great way to kick off Cruise/Wagner Productions. Join us – Pete Wright and Andy Nelson – as we kick off our last series of the season – the Mission: Impossible films – with De Palma’s 1996 film Mission: Impossible.
Here’s a hint at what we talk about.
Pete has seen some of the original show but Andy never has. Does that play into how we approached this first film and our impressions? They certainly do change elements, after all. Jim Phelps is a traitor. It’s not so much a team story as it is an Ethan Hunt story. But it does feel like covert missions in this film, perhaps moreso than later in the franchise.
This is also the birthplace of Cruise as the action star always ready to do his own (often crazy) stunts. It’s not as large or over-the-top here, but it’s certainly still part of the story and who can forget him suspended on the cables dropping silently into CIA headquarters? That’s absolutely the centerpiece of this film and still is a thrill to watch. We also love the sequence with Hunt talking to Kittridge in the restaurant full of giant fish tanks, as well as the train sequence.
We struggle with some of the team elements, and definitely have issues with the flatness of that first team. Good thing they all get picked off! Some performances are better than others. Same goes for the effects of the day, but largely De Palma shows he knows how to use CGI and when, so it’s rarely a problem here. Speaking of De Palma, he’s bringing a lot of creative style to the story which feels key to the spy story being told. It’s a thrill to start this franchise with him really allowed to play.
All in, it’s a good start to this series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership.
Here’s where you can find us around the internet:
We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
What are some other ways you can support us and show your love? Glad you asked!
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