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    mixing and mastering

    Explore " mixing and mastering" with insightful episodes like "Episode #36: Rob Glass (Mixing Engineer & Producer) | Interview Series", "The BEST Mixing Advice For Music Producers | MMP w/ Amond Jackson" and "Episode Five // Nicholas Di Lorenzo" from podcasts like ""The Scales of Music Podcast", "Midi Money" and "Coffee With Carda"" and more!

    Episodes (3)

    Episode #36: Rob Glass (Mixing Engineer & Producer) | Interview Series

    Episode #36: Rob Glass (Mixing Engineer & Producer) | Interview Series

    In this week's episode, I sat down with and dear friend of mine, Mixing Engineer & Producer, Robert Glass. Join us as we chop it up and talk about his influences, the development of their studio, some awesome technical advice, and some great music recommendations!

    Have any questions that you would like to have answered or discussed on the show? Have anyone in mind that you would like to see on the show? Leave those answers in the comments and we will pick, at random, questions to be answered and guests to reach out to.

    Podcast Recorded in: www.riverside.fm/
    Studio One DAW used for Mixing: http://www.presonus.com


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    The BEST Mixing Advice For Music Producers | MMP w/ Amond Jackson

    The BEST Mixing Advice For Music Producers | MMP w/ Amond Jackson

    That's why I sat down with mixing engineer Amond Jackson (credits: Future, Young Thug, Snoop, Rick Ross, & more) to talk about some of the mixing mistakes producers are making with their beats and the hacks you can use to fix them so that you can make more 💵 with your beats.

     

    ❌ Too much reverb ❌

     

    Reverb is supposed to create spatial awareness for the listener and shouldn't be thrown all over your beat, so to make sure you're not drowning out the important elements in your sounds, you can use an EQ to filter any unneeded frequencies out of your reverbs.

     

    ❌ Bass Blanket ❌

     

    Specifically, when it comes to 808s and steady basslines, many producers tend to create a "Blanket of sound" that doesn't allow the brain to "reset itself" when it hears low end.

     

    Instead, you can try cutting the tail of your 808s by using a gate to make your low end more dynamic.

     

    ❌ Wearing too many hats at once... ❌

     

    "When you're making beats, just make beats. When you're mixing a song, just mix the song."

     

    This was one of the biggest points that AJ brought up to me.... the most efficient producers and engineers in the game have two hats: a mixing hat and a producing hat.

     

    If you focus on too many things at once (i.e. trying to make a beat and fully mix it at the same time), your attention is split and your efficiency goes out the window.

     

    Instead, try to mix your beats completely after you've arranged it the way you like it.

     

    And if you wanna learn some more of the mixing hacks that the top-performing producers are using in their own beats...

     

    ...then check out all the other tips that AJ mentioned on the newest edition of the Midi Money Podcast!

     

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    Episode Five // Nicholas Di Lorenzo

    Episode Five // Nicholas Di Lorenzo

    Nicholas Di Lorenzo is a mixing and mastering engineer from Melbourne, Australia and the founder of Panorama Mixing & Mastering. Before starting up his own business, Nicholas honed his skills under the tutelage of Martin Pullan (Deep Purple, Anthony Callea, Jimmy Barnes). Having had Nic on board to master several of my records, I can attest to his craftsmanship and I’m proud to have him as a trusted member of my team. Throughout this podcast, we get talking about Nicholas' love for his work and the experience he has gained working on over one thousand projects spanning both Australia and the rest of the world. We chatted all things plugins, techniques and industry advice for upcoming producers and mixing engineers. It was awesome to catch up with Nic and I hope you all enjoy the episode! You can keep up to date with Nic on Instagram @panorama_mastering.

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