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    modernists

    Explore " modernists" with insightful episodes like "Gore Vidal: The Correctionist", "Show 045 "Sensual Vocabulary" by Karyna McGlynn" and "Conversations with Collectors: Barney A. Ebsworth" from podcasts like ""Bright Minds: from the John Adams Institute", "Lit from the Basement" and "National Gallery of Art | Talks"" and more!

    Episodes (3)

    Gore Vidal: The Correctionist

    Gore Vidal: The Correctionist

    Gore Vidal was an American writer known for his essays, novels, screenplays, and Broadway plays. A lifelong Democrat, Gore ran for political office twice and was a seasoned political commentator. As well known for his essays as his novels, Vidal wrote for The Nation, New Statesman, The New York Review of Books and Esquire. Vidal’s major subject was America, and through his essays and media appearances he was a longtime critic of American foreign policy. He died in 2012 from pneumonia. In his obituary, The New York Times wrote, “Few American writers have been more versatile or gotten more mileage from their talent” and The Washington Post remembered him as a “major writer of the modern era” and an “astonishingly versatile man of letters”.

    In 1992 he visited the John Adams to discuss his life, work and views.

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    Conversations with Collectors: Barney A. Ebsworth

    Conversations with Collectors: Barney A. Ebsworth
    August 2013 - Barney A. Ebsworth, collector, in conversation with Franklin Kelly, curator of American and British paintings, National Gallery of Art. To celebrate the opening of Twentieth-Century American Art: The Ebsworth Collection at the National Gallery of Art on March 5, 2000, Barney A. Ebsworth discussed the collection's history and the works selected for the exhibition with Franklin Kelly, the Gallery's curator of American and British paintings. On view through June 11, 2000, the exhibition featured 52 paintings, 12 sculptures, and 10 works on paper belonging to Mr. and Mrs. Ebsworth. Included were works by Edward Hopper, Charles Sheeler, Georgia O'Keeffe, Andy Warhol, Arshile Gorky, and other American modernists. Ebsworth began collecting in the mid-1960s while living in Europe for military service and traveling for his cruise-ship business. Although his early acquisitions were 17th-century Dutch and Flemish and 18th-century Japanese art, eventually the exclusive focus of the collection became American modernist works dating from the Armory Show of 1913 onward. An important collection required having only the best works of a certain period, and Ebsworth felt that modern American art was more accessible in terms of scholarship, more affordable than older masterpieces, and connected to the life of our times. He reveals the friendships, joys and rewards that grew out of the collection.
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