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    mouseoutfit

    Explore "mouseoutfit" with insightful episodes like "Episode 112 : Reign Of The Tech", "Episode 112 : Reign Of The Tech", "Episode 70 : The Current", "Episode 70 : The Current" and "Episode 65 : Friday the 31st" from podcasts like ""Air Adam Podcast", "Air Adam Podcast", "Air Adam Podcast", "Air Adam Podcast" and "Air Adam Podcast"" and more!

    Episodes (8)

    Episode 112 : Reign Of The Tech

    Episode 112 : Reign Of The Tech

    Technology

    "... that 'Cuban Linx' was the bible..."

    - Tyler Daly

    Squeezing this one in right before the deadline, I'm glad I can now rest my voice! This month's show starts off at a low tempo and gradually warms you up right through to the conclusion, with tracks old and new from the US and UK, from the 80s to just a few weeks ago. Turn it up!

    Twitter : @airadam13


    Playlist/Notes

    Z-Ro : Kneel Down

    With the outrage pointed at Colin Kaepernick and Nike this month, it was a good time to play this single, which has been in my speakers plenty over the last few months. You can absolutely hear the anger all the way through, and his actual voice is one of the more under-appreciated in the artform. I'd also recommend watching the video for this track - it's powerful (TW: violence).

    [Harry Fraud] Action Bronson : Muslim Wedding (Instrumental)

    I played the vocal version a long while back, then remembered I had the instrumental too, which was just perfect for this blend!

    Children Of Zeus : Kintsugi

    People are waking up to the incredible talent of Children Of Zeus, with the new "Travel Light" album getting props and play in all kinds of places. It's always a good time to get involved, and let this track be an example why. Konny Kon and Tyler Daly go deep lyrically, and Beat Butcha does a great job on one of his two beats on the LP - the slight changes towards the end of Tyler's verse are a winner. Don't sleep!

    Styles P : Shadows

    It's worth searching out the original sample this track is based around - it's a sad but beautiful song. DJ Green Lantern layers the strings and vocal sample from that song along with thumping drums reminiscent of early Kanye while Styles P comes through with the rhymes of a haunted man. Absolute standout from "The Green Ghost Project".

    Showbiz & AG ft. Jeffery Nortey : Visions

    There was another track from the 2012 "Mugshot Music" album I really wanted to play, but it didn't fit the selection - whereas this one found a place much more easily. Still a great pick though, with Show in reflective mode on a beat that thumps but is a little haunting at the same time.

    Timeless Truth : Cold Wave

    Banging, crashing, dramatic New York business from this ill Queens duo. This is the title track to their 2016 sophomore album, and if you like raw Hip-Hop then this is absolutely for you. Oprime39's wicked opening verse is followed by a possibly even better one from Solace, and they ride the DJ Skizz track like snowmobiles over the frozen tundra. Which reminds me - the video is basically just them rhyming in some pretty vicious cold weather while rocking some appropriate cold-weather gear. Big coat crew stand up!

    [Showbiz] Molecules : Hardcore (Instrumental)

    A bit more Showbiz, why not? Molecules of The Legion linked up with Show for the "A Bronx Tale" EP last year, which very helpfully includes the instrumentals for all tracks - great for the DJs.

    Marsha Ambrosius : Luh Ya

    A beautiful tune made even more fitting for the podcast by the classic drum break that drives it. Liverpool gave us a great one in this songstress, and her connection with producer Harmony Samuels here creates a strong track, which was a single a little while ago but is also on the just-released album NYLA.

    Mobb Deep : It's Over

    After the great show this month, I knew there had to be some Mobb in the episode. Havoc's beat is so nice and laid-back, you think it could be some love business but noooooo. The late great Prodigy and Havoc go pure street on it -it's what they do. Can't believe this is already fifteen years old, it hasn't dated at all. You can not only get this on the B-side (just saying) of the "Solidified" 12", but also on the "Mobb Deep Free Agents" album/mixtape which is a recommended purchase for any Mobb Deep fans who don't already have it.

    Kill Miami ft. OneDa : Since Day One (Mouse Outfit Remix)

    An all-Manchester collaboration! The producer Kill Miami hands remix duties of his original track to The Mouse Outfit, with Chini and Metrodome heading up the crew's work on the boards. The instrumental is great enough as it is, but with rising MC OneDa on the mic as well, you have a track which will make you think of summer all the way through the cold months to come...

    Natural Resource : Heavy Loungin'

    Blending from "wavier than oceans" to an MC actually called Ocean :) From that mid-late 90s underground Hip-Hop scene came Brooklyn's Natural Resource - MCs What?What? (now Jean Grae) and Ocean, with DJ Aggie behind the wheels. I ripped this track a while ago and have mislaid the CD - so I might need to come back here to fill in more details!

    [DJ Premier] The LOX : Recognize

    Unmistakable Premo right here from a 2000 single release, taken from the "We Are The Streets" album. Terrible album cover though.

    Missin' Linx : Sametime

    RIP Mark B. The late UK producer got the call to contribute a beat to this NYC crew, and it's just the right vibe for these MCs who are darting in and out of each other's lines the whole track. The group is made up of Al Tariq (formerly Fashion of The Beatnuts), Black Attack, and Problemz, and had a few singles out between 1998 and 2000 - including this one, but also the big V.I.C-produced "M.I.A" which is better known.

    Brand Nubian ft. Diamond D : Punks Jump Up To Get Beat Down (Remix)

    I'm not sure how well known this version is compared to the big single that everyone knows (and which is superior to the album version), but I first heard this right around release time thanks to our local pirate radio station! This was a fairly early example of a "remix" where not only was the beat completely different, but also all of the lyrics. Diamond D provides the instrumental, as he did on both other versions, and also contributes a solid verse. Lord Jamar opened his verse with a line I always thought would sound good with a bit of extra scratching, and Sadat X's dope-as-usual lyrics are almost certainly best remembered as part of a big Beatnuts tune :)

    Pete Rock & CL Smooth : If It Ain't Rough, It Ain't Right

    Not one of the most-discussed cuts from "Mecca and the Soul Brother", but yet another great one. Dope beats, dope rhymes...just the essentials. You only get two of the three CL Smooth verses here, but really you know you're supposed to have this album by now!

    JVC Force : Strong Island

    The veteran Hip-Hop heads will have named that tune in one, the younger audience or those who aren't as well versed (no pun intended) might be hearing it for the first time. This is one of the all-time classic singles, and a perfect debut release from this Long Island crew - Curt Cazal on the beat, AJ Rok and B Luv on the mic. All the way back in 1987, this tune exploded and still gets play more than thirty years later. You can find it on the "Doin' Damage" LP, but there are plenty of 12" and compilation releases too - no excuse not to buy this one if you like it.

    Large Professor : 7 Train P

    I wanted something where the drums were prominent/banging enough to mix from "Strong Island", and finally found it on Large Pro's "Beatz Volume 1" collection. If you didn't know, the 7 train serves Flushing, Queens - the man himself's home neighbourhood.

    Beatnuts ft. Method Man : Se Acabo (Remix)

    Finishing off with a little Latin flavour - the world famous Beatnuts connecting with Method Man from the Wu for an alternative version of a track from the "A Musical Massacre" album. The original is all in Spanish, but this remix from "Take It Or Squeeze It" brings the heat for the English-only speakers! Yo hablo un poco Español. Un poco.


    Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

    Episode 70 : The Current

    Episode 70 : The Current

    Waterscape

    "Tourbillon don, in sync with the sun and moon."

    - Agu

    I thought I'd try to touch on just a few events of the month in this episode's selection. We go from some underground legends making their return after a long absence, through classic crate material to a young artist making his mark on the modern scene in a big way, and finish up with something for International Women's Day. Along the way, we mark the anniversary of the passing of Biggie Smalls, as always in March. Enjoy the show!


    Playlist/Notes

    Natural Elements : All Hail NE

    They're baaaack! My goodness, I was so happy to hear that these devastating MCs had returned after a long period out of the spotlight, and sometimes working on other projects. "The NEp" was an instant purchase decision... Looking forward to more material from the newly-reformed crew, and they deserve everyone's support. I believe this was the first track released from the EP, and it's been on heavy, heavy rewind all month. Anthony Cruz (p.k.a. A-Butta), Swigga (p.k.a. L-Swift), and Agu (p.k.a. Mr.Voodoo) work their trademark "three-man weave" technique through the track, bouncing ridiculous lines off each other rather than the usual approach of giving everyone a solo verse each, and it generates an energy that just can't be achieved any other way. The beat is ill too, Scram Jones getting busy on the board but not upstaging the rhymes - a great complement. Loving this track. A lot of MCs might brag about their flashy watches, but who else could casually liken themselves to a very specific, highly technical component from the world of hand-made timepieces?

    [Nashiem Myrick] The Notorious B.I.G. : Who Shot Ya? (Instrumental)

    Originally this beat was a "blink and you'll miss it" interlude on Mary J. Blige's "My Life" album, with Keith Murray rapping on it; but then it found its way to Biggie and became what it needed to be. One of the classic instrumentals, still amazed by how they got such a hard track from such gentle source material...

    Mobb Deep ft. Tragedy Khadafi : First Day Of Spring

    I have to admit - it took me a little while to really appreciate Mobb Deep. Remember, a lot of acknowledged classic Hip-Hop isn't retro or what some call "old school" to me - I'm not that old, but if it came out in 1989 or later... Anyway, when "The Infamous" album was the only Mobb release out there for most of us, I was actually a bit lukewarm on it at first. What really flicked the switch for me was when someone passed me a copy of DJ Mister Cee's "Best Of Mobb Deep" mixtape - it was crammed full of remixes, features, and unreleased cuts, and when mixed in with the already-released tracks, I understood. This track in particular I managed to get on "Pre-Hell" - a compilation of unreleased Mobb that didn't make the "Hell On Earth" LP, and very unusually, Prodigy isn't on it! Havoc takes the second verse, but cedes the opener to fellow Queensbridge alum Tragedy, and it's just straight-up street business. It's listed as being produced by Mobb Deep, so I'd guess Havoc's hand is on this pretty heavy. Bad sound quality on this pressing, but I hope you like it anyway!

    DJ Adam 12 ft. Erule and Ed O.G. : Lessons (Remix)

    Dug up this track from DJ Adam 12's "World Wide Originals" EP, which I've featured on the show once before. The Mike Caren beat is nice, Boston's Ed O.G. is on point as always, but Erule steals the show for me. Just rhymes after rhymes after rhymes, it's a huge shame he never blew up the way he deserved to. If you want another example, wind back to the episode featuring his track "Worldwide"; absolutely nuts.

    A Tribe Called Quest ft. Consequence : What Really Goes On

    A more appropriate hook is rarely heard, because this track bumps for real! Definitely one of the top picks from the "Beats, Rhymes, and Life" album, and one that I think bridged the gap nicely between what they were doing on "Midnight Marauders" and the production style brought by The Ummah.

    The Isley Brothers : You Still Feel The Need

    Some serious funk for your ears right here - there's just something about those Ohio groups! I don't think my parents had much/any Isley Brothers vinyl in the house, and I actually first knew of this song via the Ronnie Laws jazz cover on his "Harvest For The World" album. Went back to hear the original and knew I was going to have to include it on the show one month! The closing track on the Isley's original "Harvest For The World" LP, this is a classic tale of pulling heartstrings wrapped between some funky guitar sheets. See what I did there? ;) 

    Kuartz : Tammi Thai

    Manchester/Oldham-based Kuartz came out this month with a new beat tape on Brainfood records, and I mean that literally - he actually came through with a real cassette, which was a nice surprise for someone like me who still keeps a working tape machine handy. Luckily, there's a digital download code for everyone else too :) Anyway, this particular beat was done a while back but he gave it the nod for inclusion on the latest release. He takes "All I Do Is Think About You" by Tammi Terrell (which he says he found pretty easily and for a good price) and dices it up under a nice staccato drumline. This is a very limited release, but if you want a copy - or want to buy a beat for your project - get in touch with the man himself!

    DJ Jean Maron & M-Dot ft. Punchline & Keith Murray : Beautiful Thir[13]teen (Remix)

    I totally can't remember how I found this one - probably while looking for some Keith Murray tracks for digital purchase. Had a quick listen and the calm, steady production from French producer DJ Jean Maron sounded good to me so I thought I'd grab a copy for this month's show. I'm usually a Keith Murray fan but I have to say Punchline and M-Dot carried the day on this one, with some top verses!

    Phat Kat ft. Dwele : Rainy Days

    The other end of the mood spectrum from the previous track, but still with a beautiful instrumental courtesy of Jake One - a rare call outside of the incredibly talented Detroit production community, but an excellent one. From the "Undeniable" album (and EP), Phat Kat pours his heart out over the loss of loved ones. I chose this just for the sound and then after recording realised how it might resonate given this month's news...

    Grand Agent ft. Declaime & Li'l Dap : The Right Way (Remix)

    Nice little track I've had on deck for inclusion for a long while now - it just fits really well into a mixtape format. The well-travelled Agent gets busy on this alongside a few MCs, but I just love Dap's verse - his voice is just so dope when he rhymes! You can find this on the "Fish Outta Water : The Remixes" album, in collaboration with Beat Society who let a whole load of producers loose to do their thing. This track in particular is handled by Street Orchestra who have all kinds of horns and things filling out the sound, making the tune all-round solid.

    The Notorious B.I.G. : Juicy (Remix)

    The first of the two definitive Biggie "come up" tracks, both of which make it onto this episode. While this is labelled a remix, it actually has a more interesting history than meets the ear. A Pete Rock composition which Puffy happened to hear on a visit to The Basement ended up..."inspiring" the beat that ended up on the "Ready To Die" LP. The main change was the removal of Pete's hard drums in favour of the softer, 80s R&B drum sound, but the use of the main Mtume "Juicy Fruit" sample was otherwise identical. Pete Rock was eventually brought in to do this remix, which if I understand correctly is pretty much what the track was supposed to be in the first place!

    [Mr Pink] Mr.Pink & Mr.Blonde of Hijack : Jamaica Crimewave (Instrumental)

    Deep into the post-"Horns Of Jericho" era, Hijack may not have had their original lineup but there was still some music coming out and this was a highlight for me. The vocal version of this cut is ill but it is brutal; it goes in on British prison and street life with the air of those who know that of which they speak. The instrumental has been stripped down even more than the original cut, which is a shame; if you do check the original though, you'll find it's not complex, but highly effective - when you combine it with the lyrics, that balance is just right. This is a 12" I think is well worth having in your collection.

    Kendrick Lamar ft. James Fauntleroy and Ronald Isley : How Much A Dollar Cost

    It's just too early to say if Kendrick's surprise release ("To Pimp A Butterfly") this month is a classic record, but I think it can be agreed that it is definitely an important record. An absolutely recommended purchase, it sounds like nothing else that's out right now and is pretty overwhelming in terms of density and scope, as well as being a very clearly Black album and centres on his perspective of the Black experience. I would say to have a listen, but have a few and then you may begin to digest it all. It's not an album that lends itself to picking and choosing but nonetheless I wanted to feature one track and went with this; a tale of Kendrick coming across a homeless beggar which has strong parallels to one particular Bible passage. Great storytelling and rhyme skills, and the production is right there with him - so many people involved in the project overall, it's worth me pointing you to this article to give them their due. I hope some of the younger generation of rappers and producers listen to this album and take it as a cue to step their respective games up!

    The Mouse Outfit : Saga

    At last, the second album from The Mouse Outfit ("Step Steadier") has been released and it's another excellent one. This track is the closer, probably not one that would be a single release but that bassline and accompanying piano tickles my brain just right! The Mouse Outfit are knocking out top-line production with amazing regularity and have just the MCs on hand to complement it; Sparkz and Dubbul O bless the mic on this one. Definitely a crew and a release worthy of your support!

    Black Moon : This Goes Out To You

    Why is this here this month? Well, it's from the "Total Eclipse" album ;) Ok, we only had about a 90% eclipse in Manchester, but still... Anyway - this album is nowhere near as well known as it should be, it's definitely one to pick up as there are some top tracks on it. We'll definitely be revisiting this one. Coptic is on the production for this particular track, and Buckshot reflects on the struggles the group went through to build a record label and a career. Low-key dopeness.

    The Notorious B.I.G. ft. 112 : Sky's The Limit

    The second "come up" anthem, this time from the posthumously released "Life After Death" LP. Very smoothed out, with DJ Clark Kent on production with a Bobby Caldwell sample, really not doing much to it but arguably not needing to! 

    Kardinal Offishall : U R Ghetto When... (Instrumental)

    T Dot in the house! Nice bit of self-production on this smooth track, which I think did make a little underground noise at the time as the second A-side track on the "Mic T.H.U.G.S" 12", back in 2000.

    Katch 22 ft. Malaika B : Enigma

    This is one of those that I've always had on my various MP3 players, always loved...and most people probably don't know at all! One of the great UK Hip-Hop crews of the early 90s, "Dark Tales From Two Cities" was an ambitious double album showing how far their range stretched, and I remember at the time a lot of people were not ready for this track. The poet Malaika B takes the lead on this spoken word piece and illustrates one face of the UK Black female experience in fine style, clear as a bell, with an instrumental reminiscent of the classic 80s UK soul style. Of course, International Women's Day is every year, but I thought I'd play something to mark it on this episode and felt like this was a worthy choice.


    Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

    Episode 70 : The Current

    Episode 70 : The Current

    Waterscape

    "Tourbillon don, in sync with the sun and moon."

    - Agu

    I thought I'd try to touch on just a few events of the month in this episode's selection. We go from some underground legends making their return after a long absence, through classic crate material to a young artist making his mark on the modern scene in a big way, and finish up with something for International Women's Day. Along the way, we mark the anniversary of the passing of Biggie Smalls, as always in March. Enjoy the show!

    Episode 65 : Friday the 31st

    Episode 65 : Friday the 31st

    Friday The 31st

    "We were trading our crowns for our souls..."

    - James Fauntleroy

    Had I finished this episode earlier, it would have had a different title - but as it's Halloween and a Friday, I couldn't pass up the opportunity! Got some quality new releases and some definite archive raiding all lined up, which I encourage you to spread the word about as much as possible!

    PS I mention Afrika Bambaataa appearing in Leeds next month; here's the info!


    Playlist/Notes

    Common ft. Cocaine 80s & Lil Herb : The Neighbourhood

    If that intro doesn't get you, I suggest you head to the bathroom to check if you have a reflection. James Fauntleroy of Cocaine 80s opens it up with a fantastic vocal and lyric, before the sweeping, Curtis Mayfield-fuelled No I.D track comes in and helps Common to paint a dark picture of growing up in 70s-80s Chicago. He doesn't carry the mic alone though, with 90s baby Lil Herb taking the second verse and giving a perspective from his own generation. Common couldn't have opened his new "Nobody's Smiling" album any better.

    [J.Cardim] AZ : Vendetta (Instrumental)

    Few words. Dope beat. Soul sample. Sounds familiar. "The Format." That's all.

    Fu-Schnickens ft. Shaquille O'Neal : What's Up Doc (Can We Rock)?

    When this came out back in 1992 and I saw who was featuring, I cringed. Shaq was in his rookie year in the NBA and getting an insane amount of hype, and I thought this was just a quick cash-in move; in some ways it was, since he was added onto the end of an already-done track. Credit where it's due though, he put in a decent enough performance, and it turned out to be the prelude to his own little rap career. Moc Fu on the third verse takes the crown for me, despite not having the straight up speed or density of the other group members that appear on the track before him. Beat-wise, Main Source's K-Cut brings the bounce in a decidedly early 90s style. This was the lead single for the Fu's "Nervous Breakdown" album but actually first appeared on Shaq's debut - so at least three options there for finding it!

    Oh yes - "when it comes to money," Shaq was not like Dick DeVos, given that this was the man who was paying him...

    The Mouse Outfit : Power

    This Manchester crew have been making moves since the release of their debut album "Escape Music," and now they're back with a brand new track. Sparkz and Ape Cult's Truthos Mufasa tag team the mic duties over some instrumental work that sounds like nothing this crew have done before. Constantly expanding, great to hear.

    Jungle Brothers : 40 Below Trooper

    I think this has to be my favourite track from this foundation crew, despite the fact that it's from one of their less-regarded albums ("J Beez Wit The Remedy"). I caught the video on MTV many moons ago back in 1993 and was an instant favourite. Reportedly, the production of this album was mired in drama as the group wanted to go experimental, and the record company (Warner Bros) kept rejecting their material and sending them back to the studio. The final version was much less out-there than the original, and this track maybe speaks to that - very dope, but also accessible to the average head of the time, like me.

    Kazahaya : Remember Hip-Hop (Instrumental)

    2009 release on Breakin' Bread from Kazahaya, a Japanese beatmaker very much in the cut-and-paste vein and wedded to the classic sound. This is the instrumental of course but to get the full effect, search out the "Remember Hip-Hop" EP, if you can!

    EMC : Charly Murphie

    Big stomping track! To really appreciate the full awesomeness of this track, you need to have seen the now-legendary episode of the Dave Chappelle Show where Charlie Murphy (brother of Eddie) tells the story of his run-ins with Rick James. All the MCs - Masta Ace, Stricklin, and Wordsworth - slay this track with callbacks to that famous sketch, and 14KT handles the production, with a track based around "Three Blind Mice." Stormer from the new EP "The Turning Point."

    Tall Black Guy ft. Ozay Moore : Mon amie De'troit

    Beautiful production by Tall Black Guy, just absolutely golden. That bassline lets you know straight off, but the skittering hat work and the guitar line elevate it right out of whatever building you're in. Ozay Moore, formerly known as Othello, brilliantly carries off his lyrical personification of Detroit as a woman going through hard times. The album "8 Miles To Moenart" isn't long, and doesn't have many vocals, but it's truly high-quality and gets my recommendation.

    Dilated Peoples : Century Of The Self (ft. Catero)

    After a long layoff from working as a group, Dilated are back with the "Directors Of Photography" album (damn, wish I'd thought of using that title) and it's a good return to the stage. This is one of my favourites on there, but it's an unusual lineup; Oh No on production, and with only Rakaa on the verses. Oh, and what verses! All the way political, and what would be called "paranoid" if so much of it wasn't actually documented fact, it's definitely worth sitting down with this one and really absorbing the lyrics.

    The Brotherhood : Alphabetical Response

    Trivia note - this was the first track on my first ever mixtape! It turns out it's a lot easier putting it at the start than mixing it in, the intro is a DJ nightmare - took some careful listening :) Late 90s UK single taken from the "Elementalz" album, with Underdog on the haunting head-nod beat and working in the Speak & Spell for the hook! I would also wager this one track has more uses of the word "bonce" than the rest of Hip-Hop to date combined. I'm glad we righted that ship.

    C2C : The Beat

    France stand up! Turntablists par excellence C2C get very busy on this, cutting and scratching everything in sight/hearing on a track I have to believe would work very well on a discerning dancefloor. It's also a bonus they kicked it off with another Speak & Spell sample! If you want more, you need to pick up the "Tetra" LP.

    The Action Figures : Russell Westbrook

    Had this one hanging around for a while, and it was not only a sonically good fit but the title is pretty topical if you're an NBA fan! TAF hail from Grand Rapids, Michigan, and are tied into the wider Hip-Hop community centred around Detroit - in fact, this track was produced by Young RJ of BR Gunna and Slum Village, and you can definitely hear the Motor City sound in there. Just a nice little digital single, which you can get free from their Soundcloud.

    Clear Soul Forces ft. Kooley High : Freq Freq

    Detroit yet again, striking to see so much material coming from a city which pre-Slum Village was never thought of as a Hip-Hop hotbed! Clear Soul Forces combine with North Carolina's Kooley High (who I'm only just hearing for the first time) to just kick lyrics over the crisp drums provided by Ilajide to great effect. Bargain price on Bandcamp, so don't be shy about picking it up and following both crews!

    Mos Def : The Edge

    The album "The New Danger" contained a track titled "Close Edge," which is almost identical to this; I got this on a while label a while before the album was released, and it seems that they gave it a bit more tweaking and changed the title. Either way, a solid track with Mos in low-key battle mode on a Minnesota beat that has all kinds of percussion going on in the background - have a keen listen for it and note how empty the track would sound without it.

    O.C. : The Professional

    What you know about this one? You could justifiably call "Starchild" O.C.'s "lost album" - hamstrung by sample clearance problems, not a big seller, rarely remembered as part of his discography, and produced without any input from the rest of the DITC crew. If you can get hold of it though, then do - you'll probably have to go for digital download since only 20,000 were ever pressed. I think it's fair to say O.C. is never one to disappoint with the lyrics, so the concern is always going to be whether the rest of the package can keep up. A producer named Vanguard takes the boards for this heavy horn-laden outing, with the infamous DJ Revolution contributing the extra-sharp cuts - mission accomplished.

    Damu The Fudgemunk : Work In Progress

    One for the DMV! Washington's true-school stalwart beatmaker is always reliable for some classic drum and sample tracks, and this (maybe unfinished) one from his "Spare Time" album delivers the goods.

    The Lench Mob : Lord Have Mercy

    If you weren't listening to Hip-Hop in the early 90s, you probably never heard of this crew. If you were, you definitely have! Their controversial debut album "Guerillas In Tha Mist" from which this track is drawn made some noise at the time with some of the big hammering tunes but this little gem was overlooked. Uncomplicated but dope use of a well-known sample made the perfect backdrop for the heartfelt lyrics. Ice Cube put this LA crew on, and it was all there for them but unfortunately a murder conviction for J-Dee was a near-final blow; they replaced him for their second album, before fading away. Regardless, this track will always stand tall.


    Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

    Episode 65 : Friday the 31st

    Episode 65 : Friday the 31st

    Friday The 31st

    "We were trading our crowns for our souls..."

    - James Fauntleroy

    Had I finished this episode earlier, it would have had a different title - but as it's Halloween and a Friday, I couldn't pass up the opportunity! Got some quality new releases and some definite archive raiding all lined up, which I encourage you to spread the word about as much as possible!

    PS I mention Afrika Bambaataa appearing in Leeds next month; here's the info!

    Episode 46 : Uptown Style, Downtown Swing, Crosstown Beef

    Episode 46 : Uptown Style, Downtown Swing, Crosstown Beef

    Harlem Nights

    "Old school, new school need to learn though."

    - Biggie

    I recorded this on a brand new PC setup, been a bit fiddly but got it done! March is here again, so of course there's some Biggie Smalls in the selection. Besides that, got a couple of great Camp Lo tracks (saw them live this month), a new tune out of Manchester, and plenty more - enjoy this while you eat your Easter eggs :) 

    In other news; check out some of my nicest Hip-Hop photography at [Ex]hibition #1, opening on April 11th at 2022NQ Manchester, and follow it up with a night at More Bounce with Maseo (De La Soul) and Ali Shaheed Muhammad (A Tribe Called Quest) on the wheels!

    Episode 46 : Uptown Style, Downtown Swing, Crosstown Beef

    Episode 46 : Uptown Style, Downtown Swing, Crosstown Beef

    Harlem Nights

    "Old school, new school need to learn though."

    - Biggie

    I recorded this on a brand new PC setup, been a bit fiddly but got it done! March is here again, so of course there's some Biggie Smalls in the selection. Besides that, got a couple of great Camp Lo tracks (saw them live this month), a new tune out of Manchester, and plenty more - enjoy this while you eat your Easter eggs :) 

    In other news; check out some of my nicest Hip-Hop photography at [Ex]hibition #1, opening on April 11th at 2022NQ Manchester, and follow it up with a night at More Bounce with Maseo (De La Soul) and Ali Shaheed Muhammad (A Tribe Called Quest) on the wheels!


    Playlist/Notes

    Camp Lo : Lumdi (Remix)

    Pretty much every time I hear these guys on the mic, I know I'm going to enjoy it :) This one could do with being a bit longer, and being on vinyl! This has a little bit more boom to it than the original (which I think I heard after this) but doesn't change it too much. Both versions take the same classic soul sample but this remix made me think it was a Bollywood sample at first! I think Pete Rock might have produced this version...heavy either way.

    Camp Lo : Krystal Karrington

    Most people associate Camp Lo with that smoothed-out sound, and justifiably so, but this opener on "Uptown Saturday Night" is just hard as nails sonically. Sonny Cheeba and Geechi Suede just weave in and out with their legendary slang style all over this menacing Ski-produced banger. As an aside, with a bit of pitch-slider trickery on the turntable you make the sound at the start sound like "Shimmy Shimmy Ya" :)

    [Q-Tip] A Tribe Called Quest : Butter (Instrumental)

    One of my favourite Tribe beats from "The Low End Theory" - light and crunchy at the same time. There's probably an advertising slogan that would fit here. Several great samples blended into this beat, but I don't know if they're all cleared so you're going to have to do your own detective work on this one...

    The Mouse Outfit ft. Black Josh : Air Max

    Breezy and easy with a collaboration between one of the hottest crews coming out of Manchester and one of the MCs from the Ape Cult, another local crew who are coming up and making some noise. I don't know what the songwriting process is with these guys, who incorporate live instruments but also MPC work and of course MCs, but it is definitely working...single is available free here, but let's hear an album!

    David Porter : I'm Afraid The Masquerade Is Over

    Bit of a soul classic! David Porter used to write and produce alongside Isaac Hayes at Stax but also had a recording career himself, and this 1972 number is a fantastic record. It's mostly here because it was the source material for the track that follows, but the eagle-eared (?) will spot at least one more sample here...

    The Notorious B.I.G : Who Shot Ya?

    Always feels a bit weird playing this given that Biggie was shot and killed, but it was one of his hardest tracks so it's a shame not to! 2Pac thought this was aimed at him (so to speak), but this was always denied. In fact, this song seems to have a fairly complicated history on other fronts; it wasn't on "Ready To Die" but I have a version of the album with this as a bonus track, and I think it was originally supposed to have Keith Murray on - I've got an MP3 of an early version that indicates such. The beat seems to be the only constant, a classic from Nashiem Myrick and Puffy (or P Diddy, for the youngsters). You should be able to find this on the B-side of the "Big Poppa" 12". 

    Kid Tsunami ft. Sean Price and Chuck Chilla : Bang Exclusive

    I'd never heard of Kid Tsunami until I saw this track posted. He's a producer from way down south in Perth, Australia, but signed to a US label (Headbop) and works the Brooklyn connection by pulling in Sean Price on the mic to body this one. Very nice, and the whole single is available on Bandcamp.

    Tall Black Guy : Make Life Better

    Detroit business! If I remember correctly, it was a tweet by Phonte of Little Brother that put me up on this track. Absolutely brilliant piece, his own take on the Jones Girls' "Nights Over Egypt" with a stack of electronic bounce. This apparently didn't make the cut for the "Hollyweird 2.0" EP, so you know the rest has to be fire! I will definitely be checking for this man in the future...

    Marco Polo w/ Big Daddy Kane : Nite & Day

    An early leak from the upcoming Marco Polo production project "Newport Authority 2," this is easily one of the best new tracks I've heard this year. Once again a piece of the classic Al B. Sure! "Nite & Day" makes its way into a Hip-Hop track, but this use is centred around the vocal rather than the familiar groove. The resulting beat sounds to me just a little like Gang Starr's "Royalty," or would blend well with it at least! Based on this, that album/mixtape is going to be a must-own on release. 

    Ahmad : If You Want It

    You may or may not recognise the name - LA artist, got a little shine with an early single "Back In The Day" in 1994. He released one eponymous album which I bought on the strength of the great Roger Troutman being featured on a couple of tracks. I looked Ahmad up and apparently he has really done well for himself - Sociology degree from Stanford, and still writing and producing to this day. Salute! Anyway, this particular track is from the 1995 "Pump Ya Fist (Hip-Hop Inspired By The Black Panthers)" compilation, worth getting if you see it cheap. The funked-out production here is by Big Dave, which would have been a great name for a UK artist...

    E-40 & Ice Cube : Behind Gates

    It's that "down" sample all the way through this Rick Rock beat that grabs me - your mileage may vary. Picked this 12" up cheap without hearing, just on the strength of the MCs on the track. It might not feature their best verses of all time by any stretch, but it's still pretty good! Nice to see two giants of the west (Vallejo and Los Angeles respectively) come together on this single from the "Loyalty & Betrayal" album.

    Heltah Skeltah ft. Vinia Mojica : Therapy

    Part of that first Boot Camp Clik wave; a single and a great cut from the debut "Nocturnal" album, but not even the best! If you like that heavy mid-90s sound, you should definitely pick up the whole LP. In the meantime, here's just a taste, with the head nod style of Baby Paul providing the base for them to talk about how life out there affects mental health. 

    The ARE : Keep On Trying (Instrumental)

    I thought The ARE was a collective but Twitter tells me it's just one man, who has turned out some killer beats! He had a project "Dem Damb Jacksons" which was all based around Jacksons samples, and this is from the instrumental version. Definitely worth checking just for the cleverness!

    The Notorious B.I.G ft. Diana King : Respect

    Biggie running down his life story up to that point. I've had the impression from more than one person that they regard this song as a weak inclusion on "Ready To Die." Wrong :) This was one of my favourites early, that beat (by Poke of the Trackmasters) is extra-crunchy, slowing down the KC and the Sunshine Band version of George McRae's "I Get Lifted" and putting some extra weight on it. Diana King just broke through to the mainstream with "Shy Guy" after this appearance, where she brings some extra flavour on the hook with her take on Pan Head's "Gun Man Tune." Don't hate.

    DJ Vadim ft. Motion Man : Till Sun's In Your Eyes

    Nice UK track I'd been thinking about including for a few months, finally found a good place to blend it in; I've had it on 12" for a long while, a single from the "USSR : The Art Of Listening" album. This kind of heavy beat with the semi-wobbly bass is the kind of thing that definitely works for Manchester crowds, but the one thing everyone remembers about this track is the awkward silences in the hook - nice touch!

    Clipse ft. Pharrell : Young Boy

    Catchy (well, the hook anyway), bouncy, and amazingly dysfunctional! The super Thornton brothers come through with a track from their 2002 debut "Lord Willin'" describing how their family life lead them into the drug business. Great tune, but a pretty awful story if you think about it...

    Fat Joe ft. Big Pun : My World

    This one is being included in large part because the bit in the hook about Prince always makes me laugh :) The beat takes just a tiny snatch from Luther Vandross' "Don't You Know That?" and uses it well - a second Baby Paul track for this month. No other hidden gems to impart on this one, but you can get it on the "Don Cartagena." Probably a few missteps on there reaching for commercial appeal but where it hits, it hits hard!

    pH7 : New York (Instrumental)

    Sometimes you just pick up one of those really miscellaneous records when shopping, and this was one! Instrumental of the last track on the "Blazing Heat" 12" on Groove Attack records, which I didn't give much play to but dusted off to find the beat I needed for this spot. pH7 is from Cologne and I've just seen a recent interview with him and his production partner JR - if you like the track, then it's worth a read!

    Public Enemy : Long & Whining Road

    Great closer in my opinion - I'd recommend seeing the excellent video for this one too. Chuck D, a man too rarely mentioned in the discussion of greatest MCs of all time, gives a full career retrospective of himself and Public Enemy. Get that back catalogue if you haven't already! You could do worse than grab the album this features on, "How Do You Sell Soul To A Soulless People Who Sold Their Soul?," which also contains the track "Harder Than You Think" which was heavily used on the UK Paralympics coverage.


    Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

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