mtl

Shannon’s husband Byron is the star of the morning show - who knew he was so hilarious while doing this? Plus, Vinny explains how you will officially need a membership if you want to continue going here. 

Follow the show: https://fizlink.com/virginmornings

 

About Mariah Stovall: Mariah Stovall has written fiction for the anthology Black Punk Now, and for Ninth Letter, Vol 1. Brooklyn, Hobart, the Minola Review, and Joyland; and nonfiction for The Los Angeles Review of Books, Full Stop, Hanif Abdurraqib’s 68to05, The Paris Review, Poets & Writers, and LitHub. I Love You So Much It’s Killing Us Both is her first novel and 24 Hour Revenge Therapy is her favorite Jawbreaker album. She lives in New Jersey. About I Love You So Much It's Killing Us Both: Set in the suburbs of Los Angeles and New York City, I Love You So Much It’s Killing Us Both is an immersive journey into the life and mind of Khaki Oliver, who’s perennially trying to disappear into something: a codependent friendship, an ill-advised boyfriend, the punk scene, or simply, the ether. These days it’s a meaningless job and a comfortingly empty apartment. Then, after a decade of estrangement, she receives a letter from her former best friend. Fiona’s throwing a party for her newly adopted daughter and wants Khaki to join the celebration. Khaki is equal parts terrified and tempted to reconnect. Their platonic love was confusing, all-consuming, and encouraged their worst impulses. While stalling her RSVP, Khaki starts crafting the perfect mixtape—revisiting memories of formative shows, failed romances, and the ups and downs of desire and denial—while weighing the risks and rewards of saying yes to Fiona again. One song at a time, from 1980s hardcore to 2010s emo, the shared and separate contours of each woman’s mind come into focus. Will listening to the same old songs on repeat doom Khaki to a lonely life of arrested development? Or will hindsight help her regain her sense of self and pave a healthy path for the future, with or without Fiona?

About Alexandra Tanner: Alexandra Tanner is a Brooklyn-based writer and editor. She is a graduate of the MFA program at The New School and the recipient of fellowships from MacDowell and The Center for Fiction. Her writing appears in The New York Times Book Review, Gawker, and Jewish Currents, among other outlets. Worry is her first novel. About Worry: Named a Most Anticipated Book of 2024 by Nylon, The Millions, and Debutiful! Frances Ha meets No One Is Talking About This in a debut that follows two siblings-turned-roommates navigating an absurd world on the verge of calamity—a Seinfeldian novel of existentialism and sisterhood. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother, a newly devout Messianic Jew, starts falling for the same deep-state conspiracy theories as Jules’s online mommies. Jules, halfheartedly struggling to scrape her way to the source of her ennui, slowly and cruelly comes to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. And Amy Klobuchar might have rabies. As the year shambles on and a new decade looms near, a disastrous trip home to Florida forces Jules and Poppy—comrades, competitors, constant fixtures in each other’s lives—to ask themselves what they want their futures to look like, and whether they’ll spend them together or apart. Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

About Rebecca May Johnson: Rebecca May Johnson has published essays, reviews and nonfiction with Granta, Times Literary Supplement and Daunt Books Publishing, among others, and is an editor at the trailblazing food publication Vittles. Small Fires is her first book. About Small Fires: Why do we cook? Is it just to feed ourselves and others? Or is there something more revolutionary going on? In Small Fires, Rebecca May Johnson reinvents cooking -- that simple act of rolling up our sleeves, wielding a knife, spattering red hot sauce on our books -- as a way of experiencing ourselves and the world. Cooking is thinking: about the liberating constraint of tying apron strings; the transformative dynamics of shared meals; the meaning of appetite and bodily pleasure; the wild subversiveness of the recipe, beyond words or control. Small Fires shows us the radical potential of the thing we do every day: the power of small fires burning everywhere. The paperback edition includes a new afterword and recipes for Ten-Minute Tomatoes and Cream Pasta, Meatballs with Tomato and Tarragon Cream Sauce, plus other ideas for tomato and cream combinations and platings inspired by a visit to the archive of groundbreaking English food writer Elizabeth David.

About Marie-Helene Bertino: Marie-Helene Bertino is the author of Parakeet, 2 A.M. at The Cat’s Pajamas, and the story collection Safe as Houses. She was the 2017 Frank O’Connor International Short Story Fellow in Cork, Ireland. She has received the O. Henry Prize, the Pushcart Prize, the Iowa Short Fiction Award, the Mississippi Review Prize, and fellowships from MacDowell, Sewanee, and New York City’s Center for Fiction, and her work has twice been featured on NPR’s Selected Shorts. She teaches creative writing at New York University and Yale University and lives in Brooklyn. About Beautyland: From the acclaimed author of Parakeet, Marie-Helene Bertino’s Beautyland is a wise, tender novel about a woman who doesn't feel at home on Earth. At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings. For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone? Marie-Helene Bertino’s Beautyland is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.

About Lexi Freiman: LEXI FREIMAN is an Australian writer and editor who graduated from Columbia's MFA program in 2012. Her first novel, Inappropriation, was longlisted for the Center for Fiction’s First Novel Prize and the Miles Franklin Award. She also writes for television. About The Book of Ayn: An original and hilarious satire of both our political culture and those who rage against it, The Book of Ayn follows a writer from New York to Los Angeles to Lesbos as she searches for artistic and spiritual fulfillment in radical selfishness, altruism, and ego-death After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse. Things look better in Hollywood—until the money starts running out, and with it Anna’s faith in the virtue of selfishness. When a death in the family sends her running back to New York and then spiraling at her mother’s house, Anna is offered a different kind of opportunity. A chance to kill the ego causing her pain at a mysterious commune on the island of Lesbos. The second half of Anna’s odyssey finds her exploring a very different kind of freedom – communal love, communal toilets – and a new perspective on Ayn Rand that could bring Anna back home to herself. "A gimlet-eyed satirist of the cultural morasses and political impasses of our times" (Alexandra Kleeman), Lexi Freiman speaks in The Book of Ayn not only to a particular millennial loneliness, but also to a timeless existential predicament: the strangeness, absurdity, and hilarity of seeking meaning in the modern world.

About Anna Biller: Anna Biller is a filmmaker and a writer known for her feminist point of view, and for her meticulously crafted visual design. The New York Times called her cult film The Love Witch “a hothouse filled with deadly and seductive blooms,” and Indiewire called her debut feature Viva “a pitch perfect resurrection of the Valley of the Dolls days of cinema.” She is currently in development for a ghost movie set in medieval England. About Bluebeard's Castle: Bluebeard gets a feminist Gothic makeover in this subversive take on the famous French fairy tale — from the acclaimed director of The Love Witch, and for fans of Jane Eyre When the successful British mystery writer Judith Moore meets Gavin, a handsome and charming baron, at a birthday party on the Cornish coast, his love transforms her from a bitter, lonely young woman into a romance heroine overnight. After a whirlwind honeymoon in Paris, he whisks her away to a secluded Gothic castle. But soon she finds herself trapped in a nightmare, as her husband’s mysterious nature and his alternation between charm and violence become increasingly frightening. As Judith battles both internal and external demons, including sexual ambivalence, psychological self-torture, gaslighting, family neglect, alcoholism, and domestic abuse, she becomes increasingly addicted to her wild beast of a husband. Why do women stay in abusive relationships? The answer can be found in the tortured mind of the protagonist, whose richly layered fantasy life parallels that of the female Gothic romance reader. Filled with dark humor and evocative imagery, Bluebeard’s Castle is a subversive take on modern romance and Gothic erotica.