Explore "music royalties" with insightful episodes like "Money for Ukraine & Deporting Criminal Immigrants | Afternoon Update | 2.2.24", "Twilio's Layoffs, Spotify's Strategy", "Broken Records: Why are music catalogues so valuable?", "All the Single Ladies Put Your Hands Up, and Get Down on One Knee" and "Episode 11: How David Bowie Became a Financial Product" from podcasts like ""Morning Wire", "Motley Fool Money", "Many Happy Returns", "Money Rehab with Nicole Lapin" and "Odd Lots"" and more!
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Justin Bieber sold his back catalogue for $200m. This follows eye-watering sales for megastars like Bob Dylan, Bruce Springsteen and Tina Turner.
But why are music rights now the hottest asset on the planet?
We discuss how the music industry has turned itself around, the risks of owning song rights, and whether royalties deserve a place in our portfolio.
And in today’s Dumb Question of the Week: What is securitization?
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This podcast is for informational and entertainment purposes and is not financial advice. We do not provide recommendations or endorse any decision to buy, sell or hold any security. We cannot be held responsible for any actions listeners may take and investors are encouraged to seek independent financial advice.
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When the world lost David Bowie this month, it lost one of modern music's undisputed geniuses. Less well-known is Bowie's contribution to the financial world. In this episode of Odd Lots, hosts Tracy Alloway and Joe Weisenthal speak with David Pullman, the banker who worked with Bowie to develop "Bowie Bonds," which paid investors on the cash flow from the artist's song royalties. This episode covers how these bonds came to be, their lasting\u0010impact on financial markets and what it was like to work with David Bowie.\u0010\u0010Speaking of financial history, in this episode we also talk about the Beige Book, a monthly publication from the Federal Reserve that gives an anecdotal look at the U.S. economy. Joining us are Bloomberg News editor Paul Cox (arguably the father of the Beige Book) and Fed reporter Matt Boesler.
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