narrative device

Gaze into the pensieve to learn the secrets of point of view and narrative device in the 2005 novel by J.K. Rowling, Harry Potter and the Half-Blood Prince. The Roundtablers also discuss the 2009 film of the same name, directed by David Yates from the screenplay by Steve Kloves.

Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.

Click here for the full show notes. 

Gain a new perspective on history and point of view as the Roundtablers analyze E. L. Doctorow’s 1975 novel Ragtime. The 1981 film based on the novel was directed by Miloš Forman from a screenplay by Michael Weller and Bo Goldman.

Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.

Click here for the full show notes.

This week the Roundtablers look to The Great Gatsby, the 1925 novel of disillusionment in love by F. Scott Fitzgerald, to find out why the story endures. The team also examines the 2013 film adaptation directed by Baz Luhrmann from a screenplay by Luhrmann and Craig Pearce.

Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.

Click here for the full show notes. 

All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review Murder on the Orient Express. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.

Click here for the full show notes.

Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, Jane Eyre. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.

Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.