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    ngv

    Explore " ngv" with insightful episodes like "David Shrigley's sublimely silly, dark universe", "The Weeping Woman", "Dance at Bougival, Pierre Auguste Renoir (1883)", "Fruit Displayed on a Stand, Gustave Caillbotte (1872)" and "Turn In the Road, Paul Cezanne (1881-1882)" from podcasts like ""The Art Show", "True Crime Conversations", "Beyond the Frame", "Beyond the Frame" and "Beyond the Frame"" and more!

    Episodes (13)

    David Shrigley's sublimely silly, dark universe

    David Shrigley's sublimely silly, dark universe

    When you see a David Shrigley picture – at worst, you’ll chuckle, at best you’ll laugh out loud every time you think of it (which is sometimes years later.) The Shrigley universe is filled with badly drawn hands, everyday disappointment, and simple pleasures. In short, it’s sublimely silly and pretty dark. Daniel speaks with the British artist during his Australian visit for the National Gallery of Victoria's Triennial.

    We meet up with Australian artist Daniel Boyd, fresh from his first major solo exhibition in Europe and who’s just shown his work at the New York gallery that represents some high-flying international artists.

    And hear from Diana Al-Hadid, the Syrian-born US sculptor who's made stunning artworks in response to two 15th C. paintings owned by the National Gallery of Victoria – audience favourite The Garden of Love and a religious painting by Hans Memling.

    The Weeping Woman

    The Weeping Woman

    It’s an unusual place to start a true crime story - at the National Gallery of Victoria in 1985. 

    The director of the gallery, a man named Patrick McCaughey, purchases a single painting for $1.6 million. Due to currency fluctuations, the cost increases to $2 million, the most expensive purchase ever made by an Australian gallery. The painting is by Pablo Picasso, titled The Weeping Woman. The work represents suffering - oddly fitting for the story that was about to unfold. 

    Also oddly fitting is the statement made by McCaughey upon announcing the purchase. He said of the Weeping Woman: “This face is going to haunt Melbourne for the next 100 years.” 

    And haunt Melbourne it did.

    CREDITS

    Host: Jessie Stephens

    Guest: Marc Fennell, host of FRAMED 

    Producer: Gia Moylan

    Audio Producer: Ian Camilleri

    Beyond Blue: 1300 22 4636 | beyondblue.org.au

    Lifeline: 13 11 14 | lifeline.org.au

    CONTACT US

    Tell us what you think of the show via email at truecrime@mamamia.com.au  

    Join our closed Facebook community to discuss this episode. Just search True Crime Conversations on Facebook or follow this link https://bit.ly/tcc-group 

    If any of the contents in this episode have caused distress, know that there is help available via Lifeline on 13 11 14 or Beyond Blue on 1300 22 4636

    See omnystudio.com/listener for privacy information.

    Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures.

    Just by reading or listening to our content, you’re helping to fund girls in schools in some of the most disadvantaged countries in the world - through our partnership with Room to Read. We’re currently funding 300 girls in school every day and our aim is to get to 1,000. Find out more about Mamamia at mamamia.com.au 

    Become a Mamamia subscriber: https://www.mamamia.com.au/subscribe

    See omnystudio.com/listener for privacy information.

    Dance at Bougival, Pierre Auguste Renoir (1883)

    Dance at Bougival, Pierre Auguste Renoir (1883)

    Pierre Auguste Renoir was a tale of rags to riches, and his modest beginnings could be the catalyst behind his success. Known for his celebration of colour, vibrancy, and the human candor, Renoir went from an artist struggling to pay for paint, to then turning that paint into tens of thousands of dollars.

    Renoir channels the human experience in Dance at Bougival by candidly capturing the joy and freedom the dancers found at Bougival, perhaps a skill he learned in his former years, to find beauty in the smallest details.

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes, and smashing perceptions.  

    Across this series, we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series.

    If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne 

    More info at hsbc.com.au/beyond-the-frame-podcast

    See omnystudio.com/listener for privacy information.

    Fruit Displayed on a Stand, Gustave Caillbotte (1872)

    Fruit Displayed on a Stand, Gustave Caillbotte (1872)

    Apple, with many other fruits at a market stall, from Gustave Caillebotte’s Fruit Displayed on a Stand was the inspiration for a truly impressionist notion, why not paint a still life of something you would paint indoors, outdoors? And rather than paint the outdoor scenario, it’s the inside of the stall… the style en plen air, while simultaneously à l'intérieur! 

    Doesn’t seem rebellious, but Fruit Displayed on a Stand was highly experimental for the time. It went against virtually all artistic conventions and traditions. But the best part… rather than Cailbotte isolating the Apple in a posed arrangement and snubbing the other fruit… he painted us all! 

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes and smashing perceptions.  

    Across this series we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series.

    If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne 

    More info at hsbc.com.au/beyond-the-frame-podcast

    See omnystudio.com/listener for privacy information.

    Turn In the Road, Paul Cezanne (1881-1882)

    Turn In the Road, Paul Cezanne (1881-1882)

    Paul Cezanne was an artist who often took the road less travelled, turning his back on the artistic norms of the time, and instead, shifted his gaze and brush to peculiar vantage points of his muse. Cezanne’s Turn in the Road wasn’t the turn in his career that he may have hoped, the artistic roads of change are winding, and because of this, Cezanne’s work wasn’t celebrated until after his death. Eventually, this rebel in life and art became one of the most important figures in modern art, a true turn in the road.

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes and smashing perceptions. Across this series, we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series. If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne. More info at hsbc.com.au/beyond-the-frame-podcast

    See omnystudio.com/listener for privacy information.

    Racehorses at Longchamp, Edgar Degas (1871)

    Racehorses at Longchamp, Edgar Degas (1871)

    Edgar Degas was one of the founding members of impressionism,  He hated the term “impressionism” and didn’t want a label. All his paintings were created from memory and imagination – he loved to say that “no art can be less spontaneous than mine.”

    Racehorses at Longchamp - a painting of jockeys on their horses hanging about the track at the end of a race was interestingly Degas first work to be bought by an American museum, the Museum of Fine Art, Boston. 

    See Racehorses at Longchamp here - https://collections.mfa.org/objects/31229?image=1

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes and smashing perceptions.  

    Across this series we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series.

    If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne.

    For more information on the podcast head to hsbc.com.au/beyond-the-frame.

    See omnystudio.com/listener for privacy information.

    Grainstack (snow effect), Claude Monet (1891)

    Grainstack (snow effect), Claude Monet (1891)

    Claude Monet got into repetition in a big way. Toward the end of the 1800s, he painted a series of 15 "grainstacks". Enormous stacks of hay, wheat, barley or anything else that was growing within walking distance of Monet's house. An act of creative freedom that turned Monet into a prolific artist.

    He was as business savvy as he was talented - you could call Monet the Ken Done of his time. 

    See Grainstack (Snow Effect) here - https://collections.mfa.org/objects/34078/grainstack-snow-effect

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes and smashing perceptions.  

    Across this series we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series.

    If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne.

    For more information on the podcast head to hsbc.com.au/beyond-the-frame.

    See omnystudio.com/listener for privacy information.

    Beyond The Frame Trailer

    Beyond The Frame Trailer

    HSBC proudly presents “Beyond the Frame” a look behind the bigger picture of some of the world’s most important Impressionist art. In this season we’re looking at the rebellion of the French Impressionists – it wasn’t all dreamy brushwork, but a movement that was rife with bravery, breaking stereotypes and smashing perceptions.  

    Across this series we go back 150 years to discover some of the surprising stories behind 6 iconic impressionist artworks, -- one painting per episode.  Warning: this isn’t your usual art history series. You’d expect we’d do a podcast with a gallery representative, a curator, a professor in art. You’d expect. But on Beyond the Frame, we are moving past that into the artwork itself to give you a better impression of the work of these famed French artists. We're lucky enough to be joined by some of the most famous subjects in art history - Boot from Mary Ellen in a White Coat by Mary Cassatt, the Road in Turn in the Road by Paul Cezanne -- hear from the artworks themselves! 

    If you like what you hear in your “Beyond the Frame” experience, see these renowned artworks for yourself in the National Gallery of Victoria’s exhibition French Impressionism from the Museum of Fine Arts, Boston, proudly supported by HSBC. Open now until October 3. For tickets visit ngv.melbourne.

    For more information on the podcast head to hsbc.com.au/beyond-the-frame.

    See omnystudio.com/listener for privacy information.

    Ep 20 'How To Be A Full Time Artist' with Will Huxley (artist, THE HUXLEYS)

    Ep 20 'How To Be A Full Time Artist' with Will Huxley (artist, THE HUXLEYS)
    My guest this week is artist Will Huxley. Along with his partner in art and life,  Garett, he forms one half of The Huxleys, which is a 'performance art experience' allowing him to play in the space of experimental theatre, costume design, photography and video.
     
    The Huxley's two of the most recognisable artists in the country - mainly due to their larger-than-life costumes and colourful performance that are as layered with meaning as they are widely accessible. 
    They have been guests of every major art event and profiled by every major media outlet in the country.
    You may have seen them turn up to a functions in giant inflatable costumes and their glitter infused mock-glam-rock act Style Over Substance in which they perform as a band without music.
     
    Will and I came up alongside each other at film school. Since graduating in the middle of the 2000s have faced the disillusionment of trying to work out where we fit in ever-narrowing film and TV industry. 
    We discuss the way Will has forged a path towards making work that he really believes in - and turned it into a career.
     
    This is a great chat for anyone feeling discouraged by the lack of opportunity within their dream industry, or for those who are unsure about how to make the bridge from they work they are doing to the work they want to be doing. It's great to be reminded that for Will this has been the journey of fifteen years, with every step along the way equipping him with another tool for making work that unlike anyone else. 

    See omnystudio.com/listener for privacy information.

    Im Not From Here - Show 2: The NGV 28/04/16

    Im Not From Here - Show 2: The NGV 28/04/16

    Josh checks out the Warhol/Weiwei exhibition at the National Gallery of Victoria, speaks with NGV curator Jane Devery, and settles the debate on whether WA or Victoria has the best coffee. 

    After moving East from Western Australia in March of 2016, Josh Martin is Victoria's newest Melbournite. Each week he experiences something different that Melbourne has to offer, speaks about the new challenges he has to face, and whinges about how cold it is in Victoria. Listen to I'm Not From Here live, Thursdays from 10:00PM EST, on SYN Nation.

    See omnystudio.com/listener for privacy information.

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