Does the novel 'The Plague' by Nobel Prize Winner Albert Camus Prophecy The Current Pandemic?
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Re-reading Camus’s The Plague in pandemic times
https://blog.oup.com/2020/04/re-reading-camuss-the-plague-in-pandemic-times/
Sometime in the 1940s in the sleepy colonial city of Oran, in French occupied Algeria, there was an outbreak of plague. First rats died, then people. Within days, the entire city was quarantined: it was impossible to get out, and no one could get in.
This is the fictional setting for Albert Camus’s second most famous novel, The Plague (1947). And yes, there are some similarities to our current situation with the coronavirus.
First, the denials by those in positions of power. Doctor Rieux, the main character (who turns out to be the narrator) confronts the authorities who reluctantly agree to form an official sanitary commission to deal with the outbreak. The prefect insists on discretion, however, for he is convinced it is a false alarm, or as some would say today, fake news! It is not difficult to hear the echoes of the initial reactions in China and in some parts of the US media landscape regarding the coronavirus.
In between patient visits, Rieux reflects that though calamities are fairly frequent historical occurrences, they are hard to accept when they happen to us, in our lifetimes. This is the story of placid everyday lives lived as routines that are suddenly, brutally disrupted by a virus: an existential reminder of the arbitrariness of life and the certainty and randomness of death. The temptation of denial is a powerful one, both in the book and today with the emergence of the coronavirus.
With the city gates of Oran closing and everyone collectively thrown into interior exile, the gravity of the situation becomes impossible to deny. Families and couples are separated, food rationed and consequently a black market emerges – this reminds us of the run on hospital masks and sanitizing gel in the US, formerly cheap, readily available products, now increasingly sought-after commodities.
As we know, Camus conceived his novel as an allegory for the German Occupation of France from 1940 to 1944, during which families were separated due to the division of the country in two zones, one occupied, one nominally free. In short, the plague is the stand-in for the Germans.
Here with the coronavirus, the challenge resides not in decoding an allegory, but rather in finding out what the pandemic reveals. In other words, what can a genuine global medical crisis tell us about what is fictional or hidden in our lives?
Paradoxically, in these times of self-imposed exiles, school closings and quarantines, the coronavirus tells us about a different kind of globalization. We have now learned that China manufactures most of our medications and medical supplies – not only our consumer goods – and suddenly emerges in our mind the figure of a Chinese worker making our antibiotics and the like: this leads to the stark realization that our survival depends on hers; it is a collective enterprise. We are in it together. This could be the best thing that comes out of the current pandemic.
Oliver Gloag was educated at Columbia University (BA, honors in comparative literature), Tulane University (J.D.) and Duke University (Ph.D.). His research interests include Francophone/postcolonial literature, political theory, twentieth century French literature and cultural history.
His chapter "Sartre and Colonialism" for The Sartrean Mind will be published by Routledge. He is also working on the Very Short Introduction to Albert Camus (under contract with Oxford University Press).
Education
- Ph.D., Romance Studies, Duke University
- M.A., Romance Studies, Duke University
- Juris Doctor, Tulane University School of Law
- B.A., Comparative Literature, Columbia University
Courses Taught
- French 178: Existentialism
- French 325: Composition and Structural Review
- French 340: French Civilization and Literature I
- French 341: French Civilization and Literature II
- French 435: Francophone Studies
- French 460: Master of French Cinema
- Humanities 324: The Modern World
- Humanities 414: The Individual in the Contemporary World
Cultural Activities
- French Film Society
- Weekly French Conversation Table
Research and Teaching Interests
- Colonial and Postcolonial studies
- Francophonie
- Twentieth century French literature
- Political theory
- Cultural history
- Sartre and the notion of l'artiste engagé(e)
Recent Conferences
- “Sartre and Camus, Inseparable”. 21st Annual Meeting of the North American Sartre Society. East Stroudsburg University. 13-15 November, 2015.
- "Sartre's Black Orpheus in a Global World: a Resurgence." Thinking with Sartre Today: New Approaches to Sartre Studies? The Oxford Center for Humanities. 30th and 31st January, 2015.
Recent Publications
- Forthcoming: "Sartre and Colonialism". In The Sartrean Mind. Routledge.
- Under contract: Albert Camus, A Very Short Introduction. Oxford University Press.
- "Camus et les colonies: à rebours de l'Histoire." Chapel Hill: Romance Notes, Volume 55/1. 2015.