playwriting

Had the pleasure of chatting with playwright and son of actress Eileen Heckart (Bus Stop), Luke Yankee, about growing up in the world of Hollywood and his journey to be coming a playwright. It's a wonderful interview that touches on his relationships with not only the Hollywood greats but also the pioneers of the theatre (including Steven Schwartz, Beth Henley, David Lindsay-Abaire, and David Henry Hwang) and how they affected his growth as an artist and craft of playwriting. We touch on his delving into playwriting, winning The Stanley Award, his inspirations and writing style, receiving notes and getting bad feedback, knowing and breaking the rules of playwriting as well as the importance of script analysis and criticism. We also talk the benefits of making your work more personal, making characters sound different, learning from the Greeks and other classics, and what he views as the most important element of playwriting. Also, if you're a long time listener to the podcast, Luke may very well have ended the debate on whether or not it's worth studying playwriting in academia. Overall, Luke was is absolutely charming and delivers a plethora of knowledge about the craft. Enjoy!

Luke Yankee is a writer, director, producer, actor, and teacher. His play, "The Last Lifeboat" (published by Dramatists Play Service) has had more than 50 productions in North America and has won over 60 regional awards. His play, "Marilyn, Mom & Me" was the recipient of the Southwest Theatre Productions Sponsor's Award, the Moondance Stageplay Award, and the Writer's Digest Award for Best Play. His play, “Confessions of a Star Maker” was recently a finalist for the Screencraft stageplay competition and was chosen for the Last Frontier Theatre Conference. Other plays include "A Place at Forest Lawn", "The Man Who Killed The Cure" and "The Jesus Hickey".

To view the video format of this episode, visit -
https://youtu.be/TCjWtRO1k9I

Links mentioned in this episode -

The Stanley Award -
https://wagner.edu/performing-arts/stanley-drama/

International City Theatre -
https://ictlongbeach.org

The Art of Writing for the Theatre -
https://www.amazon.com/Art-Writing-Theatre-Introduction-Introductions/dp/1350155578

Play Submissions Helper -
https://playsubmissionshelper.com

William Inge Theatre Festival -
https://ingecenter.org/festival/

The O'Neills -
https://www.theoneill.org

UC Riverside MFA Program -
https://palmdesertmfa.ucr.edu

Socials and Website for Luke Yankee -

www.lukeyankee.com

FB - www.facebook.com/luke.yankee
IG - @lukebyankee
X/Twitter - @lukebyankee

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Donna Hoke sat in the Playwright's Spotlight to discuss her journey into playwriting. In this interview we touch on her involvement in the Official Playwrights of Facebook, her start as playwright from a journalism background and learning on the fly, working in a smaller market and "owning your home town" as well as building relationships and putting in the time. We also talk about being commissioned, finding that "flow," finding opportunities, playwriting struggles, the use of character backstories, using exercises as standalone pieces, the structure and trends of ten-minute plays, and what constitutes success. Again, Donna offers such great insight and resources, I think you'll find yourself with a plethora of information. Cheers.

Donna Hoke’s work has been seen in 48 states and on five continents. She has been nominated for the Primus, Blackburn, and Laura Pels prizes, and is a three-time winner of the Emanuel Fried Award for Outstanding New Play for SEEDS, SONS & LOVERS, and ONCE IN MY LIFETIME. She has also twice received Individual Artist Awards from the New York State Council on the Arts to develop HEARTS OF STONE and CANALSIDE. She has been serving the Dramatists Guild in various capacities since 2012, is an ensemble playwright at Road Less Traveled Productions, and is former moderator of the 13,500+-member Official Playwrights of Facebook Other plays include - BRILLIANT WORKS OF ART, ELEVATOR GIRL, SAFE, and TEACH.

To view the video format of this episode, visit -
https://youtu.be/fnbkyVL4Sec

Links mentioned in this episode -

The Official Playwrights of Facebook -
https://www.facebook.com/groups/2351514659

New Play Exchange -
https://newplayexchange.org/

World Less Traveled Productions -
https://www.roadlesstraveledproductions.org

Playwrights' Center -
https://pwcenter.org

Play Submission Helper -
https://playsubmissionshelper.com

National New Play Network -
https://nnpn.org

The Dramatic Writer's Companion -
https://www.amazon.com/Dramatic-Writers-Companion-Characters-Publishing/dp/0226172546

Dramatists Guild -
https://www.dramatistsguild.com

Seven Devils -
https://www.sevendevils.org

Trade-A-Play Tuesday -
https://blog.donnahoke.com/trade-a-play-tuesday/

Playwright's Binge -
https://groups.io/g/playwrightbinge

YouthPLAYS -
https://www.youthplays.com/

Broadway Licensing -
https://broadwaylicensing.com

Playwright's Spotlight with Steven Dietz -
https://youtu.be/CnS8-gegiUc

Websites and socials for Donna Hoke -

Website - www.donnahoke.com

IG - @dhokeplays
Twitter/X - @donnahoke
Snap - @hokeplays

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through LACPF -
www.losangelescollegiateplaywrightsfestival.com/services.html

In this episode of Playwright's Spotlight, long time friend and standup Henry Phillips stopped by to discuss another aspect of writing for the stage - Standup Comedy. Henry shares his origins into the craft and business of standup, his approach to comedy and knowing when you've got the right joke, the use of Twitter as a testing ground, and how to segue into the next joke. We also talk about voice vs character, the ideal length of a joke, having jokes stolen, testing material and drawing from life, dry spells and branding as well as confidence and commitment in performance. In addition, we touch on building up to being a headliner, relationships and invitations, comedic potential and when's too soon to joke about a topic. It was a lot of fun to learn to hear Henry's pathway to his success. I hope you enjoy it.

Henry Phillips is an actor, writer, musician and standup comic. He has played hundreds of cities across the country and around the world. He has recorded five comedy albums including On the Shoulders of Freaks, Number 2, Why Haven’t I Heard From You, L.A. Dreams, and Neither Here Nor There. He’s appeared in multiple episodes of Silicon Valley as well as Season Two, Episode 4 of Drunk History. He is the co-writer of both Punching the Clown and Punching Henry and stars in the hit web-series Henry’s Kitchen.

To view the video format of this episode, visit -
https://youtu.be/7UI9zTfzt2U

Links mentioned in this episode -

Gengis Cohen -
https://www.genghiscohen.com

The Improv -
https://improv.com/hollywood/

Dr. Demento -
https://www.drdemento.com

The Second Degree -
https://www.imdb.com/video/vi2560076569

Websites and socials for Henry Phillips -

https://henryphillips.com
henrys.kitchen

Twitter/X - @henlips
IG - @henlips
Twitch - @henlips1
YouTube - @henryphillips

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

This was an absolute treat and a dream come true. Paul Greenberg from the sketch comedy troop The Vacant Lot honored me with ninety minutes of his time to come and talk shop. We discuss his pathway to success while performing onstage and then being cancelled in Canada as well as auditioning for SNL. We touch on what makes a good idea, how something always has to go wrong, and how a sketch must have a good ending. We also talk about the structure of sketch, the Canadien Dream, the history of Second City, doing your time and learning from the greats and how L.A. gets it wrong in the world of improv and sketch. Paul is chock full of knowledge and insight and shares his wisdom on how to be successful in the world of sketch comedy. I hope you have as much fun listening as I did recording this episode.  Enjoy!

To view the video format of this episode, visit -
https://youtu.be/XSAXIIUHYs4

Links mentioned in this episode -

The Brill Building -
https://en.wikipedia.org/wiki/Brill_Building

Rita MacNeil -
https://en.wikipedia.org/wiki/Rita_MacNeil

Ryerson Polytechnic University -
https://www.torontomu.ca

The Groundlings -
https://groundlings.com

Second City -
https://www.secondcity.com

Nichols and May -
https://www.youtube.com/watch?v=lKL1tNv__kU

The Vacant Lot -
https://www.youtube.com/@thevacantlot137

Websites and socials for Paul Greenberg -

Hanging with Doctor Z -
www.hangingwithdoctorz.com

IG - @paulgreenberg1
         @thesensationalrustysteele

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

We're back after a brief hiatus due to a guest cancelling, the holidays, and me feeling a bit under the weather, but our third season is still off with a bang. If there was a fascinating episode to drop after being away, this is IT. International playwright Ren Powell visited remotely with an aspect of playwriting and theatre I couldn't have been prepared for. We discuss going international, cultural differences, and the task of tackling translating from a cultural perspective as well as playwriting and also as an approach to learning a language. We touch upon Norwegian playwriting on the page and stage and their appeal to deconstructing theatrical works. Ren also speaks of her use of "erasure" in her adaptation of Shakespeare's King Lear and her advocacy of free speech against literary prosecution in the realm of human rights and human obligation. We also talk about new or obscure forms of theatre including pub theatre, pantos, and Norwegian variety/vaudeville style theatre (revits (sp?)) and Norwegian improv. I also chime in a bit (a lot) with my frustration of authority in academia. It truly is a fascinating conversation I hope you will enjoy.

My guest today is a poet, playwright and teaching artist born in Anaheim, California and currently based in Oslo, Norway. She has a Ph.D. in Creative Writing from Lancaster University in England, a BA in Theater Arts from Texas A&M University, and teaches at Vågen Upper Secondary School for the Visual and Performing Arts. Her work often juxtaposes mindsets with landscapes, culture with nature and often reflects on the themes of identity, place/displacement, mental disorders, human rights and obligations. Her plays include - Ripeness is All (An erasure/adaptation of King Lear), Light as Her Bones, and The Ant Farm.

To view the video format of this episode, visit -
https://youtu.be/Tr_EPp7V7K8

Links mentioned in this episode -

dv8 theatre -
https://dv8.co.uk

Forced Entertainment -
https://www.forcedentertainment.com

PEN International and America -
https://www.pen-international.org
https://pen.org

The Muse -
https://muse.jhu.edu

Websites and socials for Ren Powell -
www.renpowell.com

New Play Exchange -
https://newplayexchange.org/users/80012/ren-powell

Email -
renpowell.writer@gmail.com

IG - madorphanwriter

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Season 3, Episode 1. - If someone told me how powerful of a conversation I'd have been in store for prior to sitting down with Stan Mayer, I'm not sure I would've believed them, nor could I have prepared myself for the conversation we would have, and certainly not from a playwriting perspective. What proceeds is an in-depth and personal insight into war and how it translates to the stage where most would place it in a cinematic medium. However, Stan breaks it down beautifully and makes a strong case why war stories belong on the stage, and how not only the playwright, but the community can heal from wounds that can still be decades old. We speak about honoring truth and how trust is an important commodity when it comes to collaboration, and how letting go can lead to getting out of your own way when it comes to ego. We also touch on the flourishing of discovery when sussing out the story over a long period of time through workshop, rehearsal, and play as well as at the importance of not diluting your co-author's voice and trusting your work in someone else's hands. It's a truly lovely conversation, and I can't thank Stan enough for sharing such a personal story and process with the Playwright's Spotlight community. I hope you enjoy this first episode of the new season.

Stan Mayer is an actor, playwright, and director. In a past life, he was a US Marine infantryman and Intelligence Officer in special operations, serving five tours of duty in Iraq and Afghanistan. Plays include Odysseus at Temecula and the upcoming premiere Mama, Mama, Can’t You See with co-writer Cecelia Fairchild produced by Coin & Ghost Theatre Company at Studio/Stage in Los Angeles.

To view the video format of this episode, visit -
https://youtu.be/ECmQGdWRpl0

For tickets to Mama, Mama, Can't You See if you're in the Los Angeles area, visit -
https://www.showclix.com/event/mama-mama-2023

Links to sites mentioned in this episode - 

Arts in the Armed Forces -
https://bobwoodrufffoundation.org/bwfgrants/arts-in-the-armed-forces/

Coin & Ghost Theatre Company -
https://coinandghost.org

studio/stage -
https://www.thestagecrafts.com/studio-stage/

Contact info and socials for Stan Mayer -
IG - @stoshactually

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

For the second of three episodes on women playwrights connected to Ōtepoti Dunedin, Allison and Emily are joined by Amy Wright to talk about the script she developed during the 2021 Otepoti Theatre Lab Playwrights Programme, Wish Yeti Were Here.  

Links:
Amy Wright Playmarket
Wish Yeti Were Here Scrip

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

In the final episode of season two of Play:Notes, Allison and Emily discuss Banging Cymbal, Clanging Gong with playwright Jo Randerson and how both the work and the playwright have changed since it was first presented in Ōtepoti Dunedin in 2001.

Links:
Jo Randerson Playmarket
Banging Cymbal Clanging Gong Script
Barbarian Productions

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

For the first of three episodes on women playwrights connected to Ōtepoti Dunedin, Allison and Emily talk to Abby Howells about her one-woman autobiographical and award-winning show,  HarleQueen. 

Links:
Abby Howells
Abby Howells Playmarket

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

Uncle Vanya shows us just how much Anton Chekhov loved trees, even if not all his characters did. In this episode we also look at the social setting of Chekhov’s Russia and some approaches to translation and adaptation. 

Links:
Five Chekhov Plays
Writing Adaptations and Translations for the Stage

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

When is a seagull not a seagull? And why did everyone have so many names? 

In the first of three episodes on Anton Chekhov’s most famous plays, Allison and Emily discuss The Seagull.

Links:

Five Chekhov Plays

Writing Adaptations and Translations for the Stage

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

Is Three Sisters Masha 2.0?
Is The Cherry Orchard an early examination of NIMBYism? 
We cover all this and more – including a big fire of little consequence – in the final of this season’s Chekhov episodes. 

Links:
Five Chekhov Plays
Writing Adaptations and Translations for the Stage

Thanks for listening! Please consider leaving us a rating and a review.

To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/

FINAL EPISODE OF SEASON 2! We made it another year. In this season ending episode, we spend time speaking with Richard Vetere. Richard reached out to me on Instagram and voiced interest in being on an episode of Playwright's Spotlight. After looking over his credentials, Richard certainly had insight to offer, and as always, I learned something new. In this episode, we discuss the evolution of grants, the current state and the fate of theatre, what makes a good director, what's necessary in stage directions, obtaining flow in playwriting, his personal process when it comes to the craft, structure, and finding inspiration and generating ideas. We also reflect upon the brilliance of Rod Serling's The Twilight Zone, whether Shakespeare was a real person, innovation as a young playwright, whether rewriting published work is possible, Equity as a union, maturing as a playwright, producing in smaller markets, and having creative control in playwriting. It was an absolute treat to talk with Richard, and I was enthralled to have him wrap up our second season of Playwright's Spotlight. See you in Season 3.

Richard Vetere is a playwright, novelist, poet and film and TV writer, actor, director and producer.  He has over twenty plays published by Dramatic Publishing, Smith & Kraus and Applause Book and include Caravaggio, Gangster Apparel, Machiavelli, One Shot, One Kill and Bird Brain with production of the plays Off-Broadway in NYC, Chicago, Melbourne, Cyprus, Rome, Paris and London. He has received numerous grants for writing including a Mary Roberts Rinehart Grant for Playwriting and a Cultural Council Foundation for poetry and playwriting. He was a guest of the Chicago Humanities Theater Festival for his play Caravaggio. He has a Masters in Comparative English Literature from Columbia University and lectured at NYU in the master's program in playwriting and film writing and continues to lecture at Queens College. 

To view the video format of this episode, visit -
https://youtu.be/r5gxnIpnuuA

Links to sites mentioned in this episode -

Mary Robert Rinehart Grant -
https://english.gmu.edu/awards/127

Cultural Council Foundation -
https://www.americansforthearts.org

Dramatists Guild -
https://www.dramatistsguild.com

Simon and Schuster -
https://www.simonandschuster.com

PDW -
https://www.actingstudio.com/acting-classes/playwrights/beginning-playwriting/

Actors Equity -
https://www.actorsequity.org

Websites and socials for Richard Vetere -

Website -
https://www.richardvetereauthor.com

FB - https://www.facebook.com/richard.vetere
IG - @vetererichard
Twitter - @RichardVetere

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

We've dug into the vaults of Playwright's Spotlight for this episode. Originally recorded on February 8th, 2023, I interviewed playwright Brynn Thayer a few weeks before the world premiere of Let Me In. Unfortunately due to a software update, the audio was unusable and the pod-recorder used for backup was not started on time. Brynn and I tried to find a time to rerecord but were unable to due to schedule conflicts, so I've decided to release the episode without the first six minutes, which I'm glad I decided to do. I think Brynn has encouraging advice and experience that she shares in this episode. We discuss her beginnings as a soap actress and its development toward her playwriting, how she was able to learn character from soaps, her pathway from a one-woman show, to a two-person short film series, and later a full length three-person play. We also touch upon the need of validation, writing from grief, hearing the truth, conflict in questions, wearing all the hats in a production as well as the flaws of a character and writing behavior. We had a lot of fun recording it and wish I would have released it sooner. I would still love to have Brynn in to discuss Let Me In after having experienced it. I hope it makes the rounds, because it's a wonderful piece.

Brynn Thayer has been working in the industry since the 1970s. She's been nominated for a Daytime Emmy and wrote and performed her one-woman show, The Eulogy, which the Los Angeles Times called "Sardonic, Funny and Accessible.” She directed, wrote and produced the Worst Day series of short films with her partner Shahaub Roudbari, which toured the festival circuit and won many awards. Her most recent play, Let Me In, played to sold out crowds at Theatre 68 in North Hollywood.

To view the video format of this episode, visit -
https://youtu.be/W4hG9Rc-kZE

Links to sites mentioned in this episode -

Beverly Hills Playhouse -
https://www.bhplayhouse.com/

Lenaea High School Theatre Festival -
lenaea.org

Howie Deutsch -
https://workspacehollywood.com

Theatre 68 -
https://www.theatre68.com

New Play Exchange -
https://newplayexchange.org

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Another episode touching on aspects not featured in past episodes. Today playwright Anna Ouyang Moench sits in the Playwright's Spotlight and, thankfully, after botching her name twice, she was nice enough to stick around. In this interview, we discuss the benefits of writers groups, the pursuit of playwriting, and developing a play during rehearsal through a nontraditional writing approach. We also discuss the techniques of structure, working under time constraints and the the practicality and theatricality of producing, transferring from larger markets to smaller markets as well as building your network as you grow. We also talk about how playwriting helps in the arena of film and television, how to take notes and receive feedback and being mindful when receiving it, how to juggle life's responsibilities and finding discipline while writing, the mechanisms of a play, playing with the structure of timeline as well as obtaining theatrical and literary representation and so much more. Certainly a learning experience on my end which I hope you enjoy.

Anna Ouyang Moench is an award-winning playwright and screenwriter. Her plays have been produced across the country and include Mothers, Birds of North America, and Sin Eaters. She has been supported by fellowships and residencies from The Playwrights Realm, New York Foundation of the Arts, the Jerome Foundation, the Van Lier Foundation, Yaddo, the Tofte Lake Center, the Sewanee Writers Conference, and the Last Frontier Theatre Conference. Her awards include the Paul Stephen Lim Playwriting Award from the Kennedy Center, the Gerbode Special Award in the Arts, Boulder Ensemble Theater Company’s Generations Award, and East West Players’ 2042: See Change Award. She is an alum of UCSD’s Playwriting M.F.A. program, the Emerging Writers Group at the Public Theater, Youngblood at Ensemble Studio Theatre, the Jam at New Georges, and writers groups at East West Players and the Echo Theater Company.

To view the video format of this episode, visit -
https://youtu.be/HbNX6N4sPaA

For tickets to Birds of North America if you're in the Los Angeles area, visit -
https://odysseytheatre.com/whats-on/birds-of-north-america/

Links to sites mentioned in this episode -

Playwright's Realm -
https://playwrightsrealm.org/

New York Foundation for the Arts -
https://www.nyfa.org

Jerome Foundation -
https://www.jeromefdn.org

Van Lier Fellowship -
https://www.aaartsalliance.org/programs/van-lier-fellowship

Yaddo -
https://yaddo.org

Sawanee Writers Conference -
https://www.sewaneewriters.org

Last Frontier -
http://www.theatreconference.org

UCSD Theatre Dept. -
https://theatre.ucsd.edu

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Playwright and parodist, Dean O'Carroll, sat in the Playwright's Spotlight this week. We discuss his origins as a playwright and the knowledge gained from a Bachelor's Degree in theatre to an MFA in playwriting and the differences from learning from lecture opposed to the practicalities of writing and the challenges he overcame including pushing through doubt. We touch on the process of writing farce and parody and the benefits of drawing from popular works, the risks of publishing before production, and whether or not it's possible to write a fool (actor) proof play. We also discuss publishers requesting changes, especially without permission, juggling and compartmentalizing multiple works, writing and collaborating for and with younger playwrights and opening doors, and how writing in other mediums benefits playwriting. Another wonderful and insightful learning experience. I hope you take something away from this episode.

Dean O’Carroll is a playwright and parodist originally from Amherst, Massachusetts. His parody plays Back to the 80s: A Risky, Goonie, Breakfasty Tale of Totally Tubular Time Travel; Star Stars: The Franchise Awakens; Marvelous Squad: A Super-Heroic Tale with Avengeance; The Humor Games, and the Sally Cotter trilogy are published by Playscripts and have been staged by schools and theatres around the world. His online play Greek Gods Under Quarantine is published by YouthPLAYS. He has also written material for “Weekend Update” on Saturday Night Live and several children’s books about DC Comics superheroes. He holds a BA in Drama from Vassar College and an MFA in Playwriting from Brandeis University. He was taught writing at Quinnipiac University, Simmons College, CUNY, Occidental College, and Widener University.
To view the video format of this episode, visit the link below -
https://youtu.be/yZ-7U65sy70

Links to sites and resources mentioned in this episode -

Playscripts -
https://www.playscripts.com

YouthPLAYS -
https://www.youthplays.com

Heuer Publishing -
https://www.hitplays.com/default.aspx

Pioneer Drama -
https://www.pioneerdrama.com

Brooklyn Publishing -
https://www.brookpub.com

Eldridge Publishing -
https://histage.com/

Socials for Dean O'Carroll -

IG - @deanocarrollplays
Twitter/X - @deanocarroll
DB - fb.com/deanocarrollplays

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la

FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Playwright Garry Michael Kluger stopped by to sit in the Playwright's Spotlight to talk about all things playwriting and also touched on its from film and television. Having been a three-time semi-finalist, we discuss the process of and when to submit for the O'neill's and whether it's ever okay to pay to submit your work. We also touch on how playwrights one has never met can serve as a mentor, conversation being spontaneous while dialogue being scripted, and how one's characters dictate the verbiage as well as the difference between humor and comedy, learning how to say no, dusting off old and incomplete work, writers having the final word, creating layered characters, the misconceptions of playwriting, and the process of editing. We unpack so much more that I can't list them all. Garry offers so much insight that I walked away with so much information. I hope you find the same for you. 

Garry Michael Kluger has written 19 plays, 3 books, 2 TV pilots, several television series, and 12 documentaries and was a writing member of Theatre West; one of Los Angeles’ most prestigious theatre companies. Three of his plays have been semi-finalists for the prestigious O’Neill Playwright’s Conference. His play The Other Half, was a part of the 2014 Pittsburgh New Works Festival and WestFest at Theatre West in Los Angeles, and Top Ten at the Sterts Playwrights Festival in London. The Homecoming, was a finalist in the Warner International Playwrights Festival, the West Hollywood Gay and Lesbian Play Reading Festival, and winner of the Chaos Theory Play Festival in 2011. In 2010 his play Brotherhood won “The Audience Favorite” as a part of the Hollywood Fringe Festival at the Tre Stage. In 2009, he was honored to receive the prestigious Red Carpet Award from Women In Theatre for his contributions, as a playwright, to Los Angeles theatre.

To view the video format of this episode, visit -
https://youtu.be/CFzEgdpHhes

Links to sites and resources mentioned in this episode - 

The O'neill -
https://www.theoneill.org/npc

The Pulitzer -
https://www.pulitzer.org/

Theatre West -
https://theatrewest.org

Tickets for Walking in Space -
www.wis2023.com 
or - https://ci.ovationtix.com/35048/production/1171437

Contact information and socials for Garry Michael Kluger -

Website -
www.iktproductions.com

Facebook - https://www.facebook.com/garry.kluger
Twitter - @baroy
IG - @baroy

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 

FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Playwright Howard Skora stopped by Playwright's Spotlight, and what a fascinating interview he delivered. What I thought would be another insightful look into the craft of playwriting, turned into an unsuspecting history lesson about the psychologist Sigmund Freud and quite a few unknown stories about his life. Not only does Howie educate me about the all things Freud, we delve into the stakes in comedy and playing against opposites, taking creative license with historical characters and stories, the research that goes into said people and events and what gets sifted out, and whether or not he writes prior, during or post research as well as the need to collaborate. In addition, we touch on writing for specific actors, stage directions requiring specificity, the pros of self-producing, rewriting during rehearsals, and the struggles and success and starting in standup when it comes to playwriting. It's definitely an episode for the books, and I look forward to catching a performance of Freud on Cocaine.

Howard Skora is a Los Angeles based playwright whose play Damaged Furniture had a 6 month sold-out run in Los Angeles that garnered him a Best Play and Best Writer nominations for the 2019 Valley Theater Awards. His first play, Miserable with an Ocean View ran for 5 sold-out months and was the top-rated original comedy in Los Angeles on Bitter Lemons for its entire run with a 94% sweet rating. His most recent play Freud on Cocaine will premiere at the Whitefire Theatre in Sherman Oaks, CA September 8th, 2023.

To view the video format of this episode, visit the link below -
https://youtu.be/lFdmcz_VyCY

Links to sites and resources mentioned in this episode -

The Diane Thomas Award -
https://www.networkisa.org/contest/view/ucla-diane-thomas-award

The Actor's Gym -
https://www.theactorsgymny.org/team

The Whitefire Theatre -
https://www.whitefiretheatre.com

Hollywood Fringe -
https://www.hollywoodfringe.org

Lucy Pollack PR -
https://www.lucypr.com

Dunning-Kruger Effect -
https://en.wikipedia.org/wiki/Dunning–Kruger_effect

Tickets for Freud on Cocaine -
www.freudoncocaine.com

Contact information and socials for Howard Skora -

www.howardskora.com

Twitter - @howardskora
IG - @howardskora

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la

FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

What a fascinating discussion. Playwright Wendy Graf sat in the Playwright's Spotlight and shared her experiences throughout her career including the effects of Covid, plays vs screenplays and how the translation of the latter can to stop the action on stage, the "secret" of success in playwriting, the concept of small vs large markets, and how to approach requested rewrites as a beginning and established playwright. We also discuss the audience's response to controversial subject matter, good and realistic dialogue, the benefits of overwriting, and the future of theatre and how the current political climate is affecting it. Whether you agree or not, Wendy Graf gives amazing insight on the where theatre has evolved and how it may meet its demise. As with all episodes, I hope you listen with an open mind and walk away all the wiser and a better playwright in the end. Enjoy.

Wendy Graf is a multi-award winning, Los Angeles-based playwright whose plays have been produced nationally and Internationally. Her play EXIT WOUNDS was Gold Medalist for the Moss Hart and Kitty Carlisle New Play Initiative) and will be receiving its World Premiere at International City Theatre in Long Beach, CA. Her other plays include - UNEMPLOYED ELEPHANTS: A LOVE STORY, PLEASE DON’T ASK ABOUT BECKET, ALL AMERICAN GIRL, CLOSELY RELATED KEYS, and BEHIND THE GATES amongst many others.

To view the video format of this episode, visit the link below -
https://youtu.be/652wKYF7wG8

Links to sites and resources mentioned in this episode -

ICT (International City Theatre) -
https://ictlongbeach.org/

Lucy Pollack Public Relations -
https://www.lucypr.com

Pacific Resident Theatre -
https://pacificresidenttheatre.org

Lab Theatre Project -
https://www.labtheaterproject.com

North Hollywood Arts District -
https://nohoartsdistrict.com

Actors Equity Association -
https://www.actorsequity.org

New York Times Article (may require subscription) -
https://www.nytimes.com/2023/08/05/opinion/saving-american-theater.html

Contact information and socials for Wendy Graf -

Website -
www.wendygraf.com

Email -
wgraf89132@gmail.com

X (Twitter) - @wendygraf

Facebook -
https://www.facebook.com/wendy.graf.3

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

We are back!!! Sorry for missing a week, folks. Had some audio issues with this episode and needed a little time to figure out the best approach. 99% of the audio glitches were on my end, and my guest offers some amazing insights that I didn't want to risk losing by reshooting the episode or losing context by editing out the question. All said, John Patrick Bray and I delve into some great topics and themes including - storytelling and playing with structure, the process of playwriting, the exercise of "negotiating over an object", and a different mindset when it comes to stage directions. We also discuss the concept of "great reckonings in small rooms", the struggle of dry spells and making playwriting a priority, subtext vs the obvious, and finding opportunities. We manage a tangent into the realm of movies and our feeling about Midsommer and Heritage that I find amusing. I hope you can forgive the technical difficulties and still mine through the knowledge within. I know it can be distracting, but I promise it'll be worth the it in the end. Thanks for you support and patience. Enjoy!

John Patrick Bray has written plays under grants from The National Endowment for the Arts and the Acadiana Center for the Arts in Louisiana, and has earned commissions from theatre companies and arts agencies around the country. He has been a Semifinalist for the O’Neill National Playwrights Conference, Semifinalist for the Ashland New Play Festival, Semifinalist for the Princess Grace Foundation Playwriting Award; a Finalist for the Kernodle Playwright Prize; and Winner of the Appalachian Festival of Plays and Playwrights. His plays and monologues are published with Applause Theatre and Cinema Books, Smith and Kraus, Original Works Publishing, Next Stage Press, JAC Publishing, and  Heartland Plays. He served as a Dramatists Guild Atlanta Region Ambassador in 2019 and is the co-founder of Athens Playwrights' Workshop. He earned an MFA in Playwriting from The Actors Studio Drama School at The New School and PhD in Theatre from Louisiana State University. He teaches in the Department of Theatre and Film Studies at the University of Georgia.

To view the video format of this episode, visit the link below -
https://youtu.be/X86fRpZxwao

Links to sites and resources mentioned in this episode -

Next Stage Press -
www.nextstagepress.com

Acadiana Center for the Arts -
https://acadianacenterforthearts.org

Skeleton Rep -
http://www.skeletonrep.org

New Play Exchange -
https://newplayexchange.org

Contact information and socials for John Patrick Bray -

Website -
www.johnpatrickbray.com

Facebook -
fb.com/jpbphd

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la

FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html