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    political art

    Explore " political art" with insightful episodes like "Amos P. Kennedy Jr. + Randall K. Burkett", "Unfinished Films of Afghanistan's Communist Era", "Visionaries: Elizabeth Catlett", "Kunst am CAS − Joseph Beuys – Multiples Dissonanzen der Demokratie. Verlernen wir zu debattieren?" and "Ep. 28: Dance and Sway (feat. KAMAUU)" from podcasts like ""Creativity Conversations", "This Being Human", "Womanica", "Center for Advanced Studies (CAS) Research Focus Democracy in Crisis" and "Glitter & Doom"" and more!

    Episodes (100)

    Amos P. Kennedy Jr. + Randall K. Burkett

    Amos P. Kennedy Jr. +  Randall K. Burkett

    The Creativity Conversations podcast is back from its hiatus. The introduction to this episode was recorded in the spring of 2021.

    Amos P. Kennedy Jr. and Randall K. Burkett sit down in the Rose Library at Emory University for a lively conversation about Kennedy and his work. Kennedy, who left a corporate job more than 20 years ago to pursue his artistic passions full-time, uses an old-fashioned letterpress printer to make colorful chipboard posters with social, political, racial, and inspirational messages. Kennedy also makes beautiful hand-made books. The Rose Library holds a collection of his work. The audio for this conversation comes from a video recording of the event in March 2016. Watch the full video

    This conversation is introduced by host/Emory Arts employee Maggie Beker and artist, then Emory Student, and Conversations with Eggs: Virtual Arts Zine editor James Reich. Beker and Reich introduce the podcast and discuss how Reich approaches his own creativity. View Reich's own work: https://jameshastur.com/

    This program is part of the Rosemary M. Magee Creativity Conversation endowed series.

    Unfinished Films of Afghanistan's Communist Era

    Unfinished Films of Afghanistan's Communist Era

    Artist and filmmaker Mariam Ghani joined AR in 2021 to talk about her movie "What We Left Unfinished," which explores Afghanistan's film industry during the Soviet Era. She also discusses "Index of the Disappeared," a long-running project focusing on people who went missing during the U.S.'s War on Terror, and a pre-COVID movie she made about pandemics.

    If you enjoyed this episode and want to learn more, go to agakhanmuseum.org/thisbeinghuman

    See omnystudio.com/listener for privacy information.

    Visionaries: Elizabeth Catlett

    Visionaries: Elizabeth Catlett

    Elizabeth Catlett (1915-2012) was one of the most prolific and important expressionist artists of the 20th century. Her work was political from its inception and balanced aesthetics with new and daring art styles.

    History classes can get a bad wrap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.

    Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. 

    Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Sundus Hassan, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejada. Special thanks to Shira Atkins.

    We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.

    Follow Wonder Media Network:

    See omnystudio.com/listener for privacy information.

    Kunst am CAS − Joseph Beuys – Multiples Dissonanzen der Demokratie. Verlernen wir zu debattieren?

    Kunst am CAS − Joseph Beuys – Multiples Dissonanzen der Demokratie. Verlernen wir zu debattieren?
    Aus Anlass des 100. Geburtstages von Joseph Beuys zeigt die Pinakothek der Moderne einige Exemplare ihrer Sammlung von Multiples. Beuys wollte diese nicht als museale Objekte, sondern als "Antennen" verstanden wissen, die seine politische "Sendung" in die Welt tragen. In diesem Sinne soll am CAS, ausgehend von Beuys Installation "jajajajaja, neeneeneeneenee", die Frage nach dem Erlahmen der öffentlichen Debattenkultur diskutiert werden. Wieso werden Meinungen immer unnachgiebiger verfochten und gleichzeitig abweichende Argumente nur noch so ungern gehört? Kann Kunst das Gespräch zwischen den scheinbar unversöhnlichen Positionen neu beleben? | Margarete Bause ist Soziologin und Sprecherin für Menschenrechte und humanitäre Hilfe der Grünen Bundestagsfraktion. | Stephan Lessenich ist Professor an der Goethe-Universität Frankfurt a. M. und Direktor des Instituts für Sozialforschung (IfS). | Tatjana Schäfer ist Assistant Curator für Kunst der Nachkriegszeit in der Pinakothek der Moderne. | Bernhart Schwenk ist Sammlungsleiter für den Bereich "Gegenwartskunst und Design" an der Bayerischen Staatsgemäldesammlungen, Pinakothek der Moderne.

    Ep. 28: Dance and Sway (feat. KAMAUU)

    Ep. 28: Dance and Sway (feat. KAMAUU)

    Celebrate Brooklyn is back, baby! After moving to an exclusively online format last year, Celebrate Brooklyn! is back and the Bandshell in Prospect Park with a full line up of artists ready to blow the roof off of the thing. One of these artists is KAMAUU. KAMAUU's music is packed with electrifying and rambunctious melodies, while at the same time filling his lyrics with versatility and substance. Find out why he and MacKenzie go to talking about Muhammad Ali and Crouching Tiger Hidden Dragon.

    You can RSVP for KAMAUU's performance on July 31st, plus check out the rest of the Celebrate Brooklyn line up at:
    bricartsmedia.org

    See you there!

    Ep. 27: Good Grief (feat. Damon Davis)

    Ep. 27: Good Grief (feat. Damon Davis)

    Meet Damon Davis, a post-disciplinary artist from St. Louis. A prolific creator, Davis has a solo show open at Detroit MOCA right now titled Filling in the Cracks. Textured and profound, Cracks is an exploration of grief where Davis has cast concrete busts of himself, broken them open and filled the vacant space with beauty.

    Mackenzie and Davis talk about grief, masculinity and the role we play in the structures that bind us. Also quartz watches.

    Check out his work here:
    heartacheandpaint.com

    Revisit Ep. 10: Improvising While Black (feat. mayfield brooks)

    Revisit Ep. 10: Improvising While Black (feat. mayfield brooks)

    Hi there! Glitter & Doom is off this week, so while we fish MacKenzie out from the bottom of the Grand Canyon, please enjoy one of our favorite episodes from Season 1.  

    Movement based performance artist, mayfield brooks spoke to us on Jan. 2020 about their love of Marsha P Johnson, their 2020 project Viewing Hours, and "improvising while Black." Today in 2021, mayfield premiered a new piece commissioned by the Abrons Art Center called Whale Fall. As an extension of that piece, an immersive installation will be up from June 12 to June 19th here in Brooklyn at the Center for Performance Research in Williamsburg.

    You can find more details about how to see it at cprnyc.org

    Ep. 26: How To Make An American Quilt (feat. Michael C. Thorpe)

    Ep. 26: How To Make An American Quilt (feat. Michael C. Thorpe)
    It’s not often you hear the expression, “quilting world flash bang” but that’s exactly how we would describe Michael C Thorpe. An outlier in the quilting world, Thorpe has made a splash in the medium by weaving in his identity as a black man, his dreams about his family and his own manner of painting with fabric and thread. He and MacKenzie talk about the Gees Bend quilters, and how quilting makes beauty out of discarded items. Stick around for an insight into the AIDS quilt with organizer, Ted Kerr. And finally, a very special guest.

    Ep. 25: Talking Threads (feat. Emily Spivack)

    Ep. 25: Talking Threads (feat. Emily Spivack)
    Emily Spivack, producer of Worn Stories (a Netflix series based on her book of the same name) has spent years collecting the stories people attach to their clothes. Whether it's the onesie you came home in, to the crushed velvet Mary Janes you wore to your 8th grade graduation – the clothes you put on your back soak up something about you and the moment you wore them. Emily and MacKenzie dive into their favorite stories from the series, their own pre-teen fashion journeys and, somehow, we end up at a prison in Northern Ireland.

    Ep. 24: My Oh My, Chocopie (feat. Mina Cheon)

    Ep. 24: My Oh My, Chocopie (feat. Mina Cheon)
    Meet new media artist, Mina Cheon and her North Korean alter ego, Kim Il Soon. While Mina Cheon is busy being a professor at Baltimore's MICA, and laying out 100,000 Chocopies to promote a unified Korea, Kim Il Soon is teaching art history to North Koreans via smuggled USB sticks and SD cards. Wait, you don't know about Chocopie? Christina Chaey from Bon Appetite is also here to tell you all about them. 즐겨!

    Ep. 22: Talking Circles (feat. Martha Redbone & Aaron Whitby)

    Ep. 22: Talking Circles (feat. Martha Redbone & Aaron Whitby)
    A "talking circle" is, historically, a way for a community to come together to hash out difficult issues in a respectful fashion. But in Martha Redbone and Aaron Whitby's Talking Circles – a work in progress at the New York Theatre Workshop – it also speaks to the spiral of history where 102 years after a global pandemic and protests over the murders of Black people, who are in the grip of a global pandemic and are protesting the murder of Black people. Have we learned anything? Or are we just talking in circles?"

    Episode 44: Joan talks about Medieval art & the political role of art

    Episode 44: Joan talks about Medieval art & the political role of art

    Joan, a lawyer in NYC, got her undergraduate degree in art history, and here in the talkPOPc tent discusses the political role of art, comparing today's world to the art of the medieval world. Using Bronzino's chapel of Eleonora in the Palazzo Vecchio, Joan refers to the sociology of that world and how art reinforced power relations. Bronzino, who came right after Michelangelo, was like other artists of the time: driven by the politics, literature, philosophy, and religion.  Art is just part of a larger system. Joan, who dislikes modern non-representative  art but likes graffiti, thinks Medieval art, in her view, "dehumanized" the human form in that it wasn't realistic, but this was precisely their intention: the image was about the after-life, not this life. And the emphasis was on that as a way to keep the serfs and impoverished in line - their attention was kept on the afterlife instead of the political problems of this life. Renaissance, with all its sensuousness and body depiction, was then a repudiation of the church's power dominance of the medieval period.

    Support the show

    Twitter: @talkpopc
    Instagram: @talkpopc

    S8.E5. Katie Zazenski. There Is No One Right Answer.

    S8.E5. Katie Zazenski. There Is No One Right Answer.

    Is art individual or collaborative? Is it neutral or political? What does it mean to truly be in the world? How does empathy fit into it all? Why is it easier to listen to male than female intuition? These and many more topics we chat about with Kathryn Zazenski, a visual artist and a director of an independent artist space in Warsaw: Stroboskop.

    LINKS

    Katie’s website 

    Stroboskop space in Warsaw

    Murmurs of the present” an article by Amélie Laurence Fortin and Katie Zazenski

    John Armleder: About Nothing: Catalogue Raisonné” by Lionel Bovier, Beatrix Ruf, John Armleder

    Ep. 20: Call Waiting (feat. 600 Highwaymen)

    Ep. 20: Call Waiting (feat. 600 Highwaymen)
    What is theatre? Is it a group of people watching actors on a stage? Is it a magical transportive experience that can only be experienced live? Does it need a crowd? Lines? Snarky will-call folks who can't spell your name? MacKenzie talks to Abigail Browde and Michael Silverstone, the duo that make up 600 Highwaymen – a theatre company "at the intersection of theater, dance, contemporary performance, and civic encounter" to try and answer some of these questions. Their newest piece A Phone Call (a guided phone call between you [yes you!] and a total stranger) is available for attendance at the Public Theatre as part of the Under The Radar Festival 2021.

    Ep. 14: Never Fear, Write King Lear (feat. William Shakespeare)

    Ep. 14: Never Fear, Write King Lear (feat. William Shakespeare)
    We’re back! Welcome to the second season of Glitter & Doom, where we’ll be exploring artists in isolation. If you’re on Twitter, you might remember a meme-storm in early March after Roseanne Cash tweeted: “Just a reminder that when Shakespeare was quarantined because of the plague, he wrote King Lear.” With the help of Andrew Dickson, author of The Globe Guide to Shakespeare, we try and figure out if Shakespeare actually *did* write King Lear while under quarantine, and which one of Lear’s daughters was the actual, literal worst.

    Ep. 13: The Good Ship Satire (feat. Dave Eggers)

    Ep. 13: The Good Ship Satire (feat. Dave Eggers)
    What do Trump rallies, German interior décor and the Village People have to do with author, Dave Eggers? Does satire still have a role to play when reality reads like an Onion article? Dave Eggers says yes. His new book, The Captain and the Glory, follows the grim misadventures of a narcissistic, incompetent sea captain steering a cruise ship called The Glory. Before long, he and his supporters are throwing dark-skinned passengers overboard to chants of “Drown the brown!” The metaphor isn’t subtle, but then again, these aren’t subtle times.

    Ep. 12: Drawing a Blank (feat. Liana Finck)

    Ep. 12: Drawing a Blank (feat. Liana Finck)
    What do microaggressions, sea captains and spam email have to do with artist, Liana Finck? As a shy person who struggled with social interactions, illustrator and cartoonist, Liana Finck made notes and drawings as a way to figure out how to fit in. “Passing for Human” is the title of one of her three books. But at a certain point, she started wondering, what if this isn’t just me? Liana would find herself in awkward situations because she was behaving in a way she wasn’t supposed to. But who decides how women are supposed to behave?

    Ep. 11: Take It To The Would Be (feat. Stephanie Dinkins)

    Ep. 11: Take It To The Would Be (feat. Stephanie Dinkins)
    What do killer robots, psychedelics and a woman named Susan Bennett have to do with artist, Stephanie Dinkins? When we talk about robots, the conversation is likely to be negative, if not downright dystopian. If you type “robots are” into google, the predictive text—which is itself a form of artificial intelligence—suggests “robots are taking over,” “robots are coming,” and “robots are stealing our jobs.” It also suggests, “robots are people too.” Artist Stephanie Dinkins found herself engaged in this very conversation with a robot by the name of Bina48, and it changed the trajectory of her artistic practice. Dinkins now finds herself presenting on artificial intelligence, race, and equity, often the lone artist in a room full of technologists.

    Ep. 10: Improvising While Black (feat. mayfield brooks)

    Ep. 10: Improvising While Black (feat. mayfield brooks)
    What do peanut recipes, mysterious photographs and compost have to do with artist mayfield brooks?    In their upcoming performance, “Viewing Hours,” mayfield brooks embraces the tradition of artists putting their bodies on the line for the sake of their practice. Upon entry, audiences are met with the sight of mayfield lying naked and prone under 40 pounds of compost, in simulation of a wake. In this piece, brooks uses their training as a dancer, performer and urban farmer to examine the commodification, death and decay of black bodies, and to investigate the act of witnessing and profiting off of black grief. mayfield brooks recently joined MacKenzie in the studio to discuss George Washington Carver, Marsha P Johnson and improvising while black. “Viewing Hours” will be performed on January 20th at the 8th Floor in Manhattan. For more tickets and information, visit: https://bit.ly/2u6nFHX