The Dirty Dirty Blues
To get you in the mood for Valentine's Day, let's indulge in some of the filthiest lyrics ever written. And yes, they are from the 1920s and 30s.
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Explore " ragtime" with insightful episodes like "The Dirty Dirty Blues", "The Lion King", "Scott Joplin", "Ep82 Honesty w/ Heart w/ Melanie La Barrie! (West End!)" and "From Chapel Hill’s The Cave: Ellis Dyson & The Shambles" from podcasts like ""American Filth", "Know the Show", "Stuff You Missed in History Class", "Thrash 'n Treasure" and "Six Count"" and more!
To get you in the mood for Valentine's Day, let's indulge in some of the filthiest lyrics ever written. And yes, they are from the 1920s and 30s.
See omnystudio.com/listener for privacy information.
THE LION KING Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi | Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda Woolverton
Works Consulted & Reference :
Music Credits:
During his life, Scott Joplin said that people would not appreciate his music until 50 years after his death. And he wasn’t wrong, though now he’s often called the king of ragtime writers.
Research:
Vadukul, Alex. “The Forgotten Entertainer Rag.” New York Times. 5/24/2018. https://www.nytimes.com/2018/05/24/nyregion/remembering-scott-joplin.html
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70 Guests, 70! This week, we're joined by our 70th guest (70th!!!)- West End (and now Broadway) icon, Melanie La Barrie! Together, we 'Follow the Leader' to shuck some Korn, before having a Ragtime with the Original Broadway Cast album- to discuss Melanie accidentally making her West End debut in the London production!
Plus we chat about & Juliet, Lateness, A Strange Loop, Boring shows, Youth Theatre in Trinidad and Tobago, and heeeaaps more!
https://twitter.com/melanielabarrie -- https://www.instagram.com/melabarrie/
& Juliet is currently playing on Broadway- check the links below for tickets!
Broadway Tickets: https://andjulietbroadway.com/
https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasure
https://linktr.ee/thrashntreasure
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Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!
Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!
https://www.thetonastontales.com/bookstore - TNT20
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North Carolina native Ellis Dyson (of the band Ellis Dyson & The Shambles) joined Six Count just before a performance at The Cave in Chapel Hill.
The show was the first gig on The Shambles’s short tour along the East Coast this October. The band is known for combining “old-time influences ranging from early New Orleans Jazz to Piedmont Murder Ballads.”
Now based in New Orleans, Ellis shares about the group’s origin story from 2015 as a banjo and saxophone duo in “The Southern Slice of Heaven,” the role of storytelling and theatrics in his music, and what’s next for the Shambles.
Musicians:
Stream music by Ellis Dyson and The Shambles:
You can also follow them on Instagram and Facebook.
Music credits
This season features the songs “Forged in Rhythm” and “Callous & Kind” by Keenan McKenzie & The Riffers (2017), used by Six Count with permission from the artist.
How to listen
You can find Six Count on Apple Podcasts, Spotify, or any other listening app!
Support the show
If you’d like to support Six Count, you can make a gift on DonorBox or Venmo @thexarawilde.
A writer for stage and screen, an artistic director, and an actor, Kwame Kwei-Armah chose a truly poetic trio of Black men pushed to a righteous breaking point for today’s conversation. Which is a perfect parallel to his latest project, Breaking (which premiered at Sundance ‘22 under the title 892), starring John Boyega and based on the true story of Brian Brown-Easley.
Then, Jordan has one quick thing about forthcoming shorts anthology Give Me an A.
Movies this week:
Malcolm X (Spike Lee, 1992)
Ragtime (Milos Forman, 1981)
Hollywood Shuffle (Robert Townsend, 1987)
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With Jordan Crucchiola and Kwame Kwei-Armah
Special music by the Chancel Choir.
In Episode 31, I talk with roots musician Noah Engh known for his distinct singing and ragtime and blues guitar and ukulele. We discuss both Noah’s and Uke’s journies in music; we reminisce about our time in Hollywood and discuss a portion of blues and roots music history. We also walk back through the pandemic and how Uke In A Suit came to exist, record a full-length album, and the pains of social media. Banjo, CO, also gets blessed with a live performance from “Uke In A Suit,” performing Blind Blake’s Too Time Blues. In this week’s wrap-up, Crystal and I discuss Hollywood decapitations, hot dogs, the Iowa State Fair, the difference between a square and gerrymandering. Now please enjoy as Noah and I “come correct” in our entertaining conversation.
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Live from Banjo Podcast Instagram
Live from Banjo Podcast Webpage
RAGTIME Book by Terrence McNally | Music by Stephen Flaherty | Lyrics by Lynn Ahrens | Based on “Ragtime” by E.L. Doctorow
Episode Segments:
Works Consulted & Reference :
Music Credits:
Judy Kaye first came to prominence playing Lily Garland in the original Broadway production of On The 20th Century opposite John Cullum and Imogene Coca. In a career spanning five decades, she has played theaters and concert halls across the globe, in roles as diverse as Lucy Van Pelt, Rizzo, Maria Von Trapp, Mrs. Lovett, and Grandma Kurnitz in Lost in Yonkers. Recent Broadway appearances include Cinderella, Wicked, Anastasia and Diana. She played Eurydice in Orpheus In The Underworld, Musetta in La Boheme, and Lucy Lockett in The Beggar’s Opera at The Santa Fe Opera. She has twice received the Tony Award; first in 1988 for the role of the tempestuous opera diva Carlotta Giudicelli in The Phantom of the Opera, then again in 2012 for her performance as the high-flying Duchess Estonia Dulworth in Nice Work If You Can Get It. She has also twice received the Theater LA Ovation Award; for her work as Emma Goldman in Ragtime, and as the melodically challenged Florence Foster Jenkins in Souvenir, two roles she originated on Broadway. She has sung with symphony orchestras throughout the US and Europe, and twice at the White House. She is also the voice of Kinsey Millhone in the Sue Grafton Alphabet Mystery Series for Random House Audio. (Bio courtesy of Broadway.com)
Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.
Comedian Zoë Coombs Marr says "being a man did wonders for her career," but she steps back into the spotlight as herself in Bossy Bottom, soon streaming online.
Also, we pay tribute to American playwright Terrence McNally who recently died, and we look at the legacies of the plague and other diseases in the performing arts.
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