rhapsody

It’s a Star Trek musical, but are we amused? Tune in to find out! Just kidding, we’re mostly very amused. Joselyn beams in to help Jeremy, Jordan, and Chelsea break down (dance?) this gigantic episode, while doing our absolute best to not break into song ourselves. (Don’t worry, we won’t be singing because that’s been done to death, and most of us can’t sing, Though there are a few fun musical parts and callbacks!)So dance about and listen to us discuss the 9th episode of Star Trek: Strange New Worlds Season 2, and with your help, rate it! 

Featuring:

Corrections: What is a Klingon knife called?

Hit it or Quit It? Someone wants to Hit this baby one more time!

Pros, Khans, Neutral Zones

The Gatekeeper of Forever: Madder than ever, but also, madder than ever?

Canon Police: Does Kirk know about David?

Your Comments

Next Time On's: Featuring a couple deleted scenes from this weeks musical.

Final Score

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Welcome to the "Future of Music" podcast, hosted by Ryan Withrow and Jonathan Boyd. In this episode, we are thrilled to have the legendary musician and drummer, Alex Holzwarth, joining us as our special guest. With a remarkable career spanning over three decades, Alex has been a driving force behind some of the most influential bands in the music industry, including Angra, Sieges Even, Rhapsody, Rhapsody of Fire, Blind Guardian, Tarja, and many others.

Tune in as we take a journey through Alex's illustrious career, from his humble beginnings to becoming an iconic figure in the world of music. He shares insightful stories about his experiences, challenges, and key moments that shaped his path as a drummer and musician.

We delve into Alex's current projects and endeavors, learning about the creative pursuits he's currently focused on. From exploring new musical styles to collaborating with diverse artists, Alex continues to push the boundaries of his artistry, inspiring countless fans worldwide.

In this thought-provoking episode, we also touch upon the future of music technology and the impact of AI on the music industry. As an accomplished musician with a keen interest in technology, Alex provides valuable insights into the fusion of music and artificial intelligence. Join us as we discuss AI-generated music, its potential for music production, and how it shapes the creative landscape for musicians and artists.

Throughout the conversation, Ryan Withrow and Jonathan Boyd engage in insightful discussions with Alex, drawing out his unique perspectives on the ever-evolving landscape of the music industry. Whether you're a die-hard music fan, a fellow musician, or simply curious about the intersection of music and technology, this podcast is a must-listen.

Don't miss this captivating episode of the "Future of Music" podcast, where we explore the past, present, and future of music with the exceptional Alex Holzwarth. Join us as we dive into the world of drumming, musical innovation, and the fascinating journey of an extraordinary musician.

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Det är den 12 februari 1924, det är en tisdag. Det är konsert på Aeolian Hall på 43:e gatan i New York. Ett nytt kapitel i musikhistorien, säger en besökare efteråt.

Lyssna på alla avsnitt i Sveriges Radio Play.

Det är knökfullt i konsertsalen och på plats finns musikaliska mästare som Rachmaninoff, Kreisler, Stokowski, Heifetz - vissa tycker sig se Stravinskij i publiken.

Konserten heter An experiment in Modern Music. Det är en lång och omfattande konsert - och efter 33 nummer, när alla är som tröttast, med en ventilation som är trasig och musik som låtit rätt enahanda, sätter sig den 26-årige sångskrivaren och musikalkompositören George Gershwin vid pianot. Han ska spela det näst sista stycket på programmet. Bandledaren Paul Whiteman höjer taktpinnen - Palais Royale Orchestra är beredda. Rhapsody in blue hörs för första gången.

Den här dagen, för runt ett sekel sedan, klev jazzen definitivt in på den klassiska musikens område. Eller om det var tvärtom...

Per Feltzin

P.S. Vill ni veta mer? Lyssna på Klassikern! (Se nedan.)

Wit a voice like Freddie Mercury's, what else do you need to make music? Not a lot, just enough to support his vocals.

Such is the philosophy of this remix of Bohemian Rhapsody: gone are the 160 layered voices, back is Freddie Mercury's amazing voice in your ears.

Queen rehearsed Bohemian Rhapsody for 3 weeks before even starting to record it. It took us a similar time to deconstruct it and lift Freddie from the mix..........

Season 3 kicks off with a visit from poet and professor Daniel Nester, librettist for "The Summer King" by Daniel Sonenberg and author of "God Save My Queen". We talk about slam poetry, karaoke and New York City's Bowery Poetry Club, and then attempt a deep dive into the operatic context of the classic rock song "Bohemian Rhapsody" by Queen, and why it may have been inspired by the verismo opera "Cavalleria Rusticana" by Pietro Mascagni.

År 1924 lyckas George Gershwin kombinera det svulstiga orkestersoundet med jazzens blå toner på ett MAGNIFIKT sätt. Det bubblar och svänger av storstadspuls och har blivit något av ett soundtrack till New York.

Lyssna på alla avsnitt i Sveriges Radio Play.

Programledare: Johan Korssell och Clara Törnvall.