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    storystructure

    Explore "storystructure" with insightful episodes like "53. Crying Behind the Curtain - Story #7", "EP 271 - Story Nerd Podcast with Valerie Francis and Melanie Hill", "Story Structure and Plot Devices w/ Paul Seiber", "Ep. 570: The Two Halves of the First Plot Point" and "Storytelling for Animation, Screenwriting, and Novels" from podcasts like ""Speak with Presence", "Stark Reflections on Writing and Publishing", "Anime Americana", "Helping Writers Become Authors" and "San Francisco Writers Conference Podcast"" and more!

    Episodes (33)

    53. Crying Behind the Curtain - Story #7

    53. Crying Behind the Curtain - Story #7

    What's the difference?  Jen demonstrates sharing an actual story vs. only telling the facts about a story.

    Jen Vellenga's "word" for 2023 is CONSISTENCY. Co-host Jennifer Rettele-Thomas challenged her to tell a story on the Speak with Presence podcast every day of 2023 starting on January 19, 2023.

    Can Jen V. do it? JRT doubts it. 

    Even if she's not perfect...how many stories can Jen tell and what structures will she use? How creative can she get about where she finds the stories she shares? Subscribe on your favorite podcast app to find out!

    Jen V & JRT and the co-founders of Voice First World, a communication and executive coaching company.

    EP 271 - Story Nerd Podcast with Valerie Francis and Melanie Hill

    EP 271 - Story Nerd Podcast with Valerie Francis and Melanie Hill

    Mark interviews Valerie Francis and Melanie Hill of the Story Nerd Podcast. The Story Nerd Podcast demystifies story theory so writers spend less time studying and more time writing. Literary editors and writers, Valerie Francis and Melanie Hill, analyze a film a week as an example of a storytelling principle.

    Prior to the main segment, Mark shares comments from recent episodes, a personal update and a word about this episode's sponsor.

    You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway.

    In their conversation, Mark, Valerie, and Melanie talk about:

    • How long it took for the three of them to coordinate the interview (2 months) and a bit of banter about time zones and Melanie being so further in the "future" than Valerie and Mark
    • Mark's nerding out on how the Y2K bug wasn't solved, it was just pushed back to 2050
    • Mal's background as a poet and her passion for writing poetry and how much passion could be conveyed in such a "small" piece
    • Loving poetry that has artwork or imagery with it
    • The real art that is involved in writing books that engage children
    • The point at which Valerie's day job got on her nerves enough and how she'd always enjoyed being creative via music and writing
    • Keeping track of how many words Valerie had written for and discarded from her novel Immortal
    • How Valerie and Melanie met
    • Applying story theory to their own manuscripts
    • Being an extrovert in an introvert's job
    • Learning something new with every single episode they produce
    • Doing things that are a bit fearful so that you can grow and improve
    • How their "hourly" recording session usually takes 3 hours because they're having so much fun and such insightful story discussion
    • It doesn't matter what genre one writes in, one can learn from reading all genres
    • How the concepts that they talk about on the podcast that relate to film can be applied to novel writing, because the story structure elements are all the same
    • Comparing walking, running, and running a marathon to the various steps on the writer journey
    • The way the podcast is broken down into seasons and the themes they are exploring
    • And more...

     

    After the interview Mark reflects on how Valerie and Melanie make story theory so easy by providing clear examples in a way that's easy and fun to digest, and recommends listeners go check out an episode or two starting with movies they're familiar with.

    Links of Interest:

     


    The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0 

    Story Structure and Plot Devices w/ Paul Seiber

    Story Structure and Plot Devices w/ Paul Seiber
    Hey there, Welcome back to Anime Americana! To kick off the next chapter of the show, I've been joined by listener and friend of the show Paul Seiber. Paul has a background in Film and Creative Writing, so we decided to take more of a detailed look at general story structure and some common plot devices under an anime lense. Anyway, I hope you'll enjoy, and I will see you next Saturday.

    Storytelling for Animation, Screenwriting, and Novels

    Storytelling for Animation, Screenwriting, and Novels

    Subjects covered

    Writer EJ DeBrun has experience in animation, screenwriting, and novels.

    Asked about the similarities between writing novels and screenplays, EJ replied that the similarities are simple: there are words and there's a story.
    Conversely, point of view is the main difference. Whereas with novels the current trend is for a deep point of view, i.e., getting into the characters' heads, internal monologues, etc., that doesn't happen with screenplays, which are for a visual medium. Screenplays favor action over description.
    EJ also pointed out that in long-form writing, the author controls the outcome; in screenwriting, the script is just the beginning of a process over which the writer does not have control of the final outcome.
    To understand the difference between how novels and screenplays are written, EJ suggested looking at works that have been adapted well, e.g., the 2005 movie Pride and Prejudice, and ones that haven’t.
    Asked about the Hero's Journey and why it works well, EJ explained that it's a proven structure that eliminates the need to reinvent the wheel. She emphasized that how something happens in a story is more interesting than what happens, so a familiar structure can be reused effectively.
    Regarding storytelling in animation, EJ noted that animation is a medium, not a genre; consequently, the narrative structure in animation is similar to in other storytelling