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    takashi shimura

    Explore " takashi shimura" with insightful episodes like "Rashomon - A Trial of Lies, Sensationalism, and Humanity", "Folge 28: AKIRA KUROSAWA - DRUNKEN ANGEL (1948)", "Director Analysis: Akira Kurosawa - Part 2", "Director Analysis: Akira Kurosawa - Part 1" and "Rashomon (1950)" from podcasts like ""Cinematic Doctrine", "Kinoshita", "The Box Office Show", "The Box Office Show" and "Popcorn and Soda"" and more!

    Episodes (12)

    Rashomon - A Trial of Lies, Sensationalism, and Humanity

    Rashomon - A Trial of Lies, Sensationalism, and Humanity

    MOVIE DISCUSSION:

    Melanie & Melvin talk at length about Akira Kurosawa's worldwide phenomena, Rashomon. From it's forward-feeling filmmaking and pacing to it's gripping drama, Rashomon continues to be in conversation for it's layered entertainment and deep contemplation. And, of course, they also talk about the immensely disruptive nature of lying.

    Topics:

    • (PATREON EXCLUSIVE) 32-minutes discussing Vulture's "The Decomposition of Rotten Tomatoes" article from September 6th about how an advertising firm paid reviewers for positive reviews... or, how it's a bit more complicated than that, but still a bad look for Rotten Tomatoes (PATREON EXCLUSIVE)
    • Melanie & Melvin recommend Rashomon, full stop, but also recognize it has several details that make it a deceptively hard watch. For Melvin, he's sure the dark complexities could be a turn-off. For Melanie, some fans might be put to sleep.
    • The first time Melvin watched Rashomon he felt, "That was a good movie.". The second time he watched Rashomon he went, "Oh, wow. This movie is great!".
    • Although Rashomon is very much about the complications of conflicting storytelling, it also showcases the way in which people communicate inherently through biases.
    • Rashomon is about a lot of things, one of which is the everyone's internal battle against cynicism and sensationalism.
    • Contemplating the reality that God permits evil during this age and the hope in Christ to endure.
    • Why do we as humans choose to commit evil amidst so much glorious beauty?
    • Rashomon's ridiculous level of digestibility lends it to be a very good "watch with friends" movie. Both Melanie and Melvin wonder what sort of amazing and profound reactions their various friends would have.

    Recommendations:

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    Folge 28: AKIRA KUROSAWA - DRUNKEN ANGEL (1948)

    Folge 28: AKIRA KUROSAWA - DRUNKEN ANGEL (1948)
    Um die Filme von Keisuke Kinoshita besser einordnen zu können, haben wir auch einige Filme von anderen zeitgenössischen japanischen Regisseuren geschaut und besprochen - zum Beispiel in Folge 14 ein Film von Nobuo Nakagawa: THE GHOST STORY OF YOTSUYA (1959).

    Heute geht es um einen frühen Film von Akira Kurosawa: DRUNKEN ANGEL (Yoidore Tenshi) von 1948. Im Mittelpunkt dieser Nachkriegsgeschichte stehen zwei Männer: ein Arzt mit schwerem Alkoholproblem (Takashi Shimura) und ein tuberkulosekranker Yakuza, gespielt vom wie immer sehr energetischen Toshiro Mifune. Die beiden treffen in einer Stadt aufeinander, die vom Krieg gezeichnet ist - mitten im Viertel steht brackiges Wasser in einem giftigen Tümpel, vom dem Moskitos aufsteigen. Die Verbrecher haben zwischen all den leidenden Menschen das Regiment übernommen, aber der Arzt stellt sich Ihnen entgegen - wenn er nicht zu betrunken ist.

    Im Podcast sprechen wir über die gegenseitige Abhängigkeit der beiden Männer, über die Frauen als Gegenentwurf, über das Zerbrechen von Macht und Maskulinität, über den Mangel an Subtilität bei Kurosawa, über schmissige, amerikanische Musik und über einen Zweikampf in einer Lache aus weißer Farbe.

    Nach DRUNKEN ANGEL (Yoidore Tenshi) aus dem Jahr 1948 folgt in vier Wochen eine weitere Episode, die wir mit Micha über japanische Filme der 1940er und 1950er Jahre aufgenommen haben, um sie mit Kinoshitas Filmen zu vergleichen: Die nächste Folge erscheint am Muttertag am 14. Mai 2023 und beschäftigt sich mit WOMEN OF THE NIGHT von Kenji Mizoguchi aus dem Jahr 1948.
    Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

    Rashomon (1950)

    Rashomon (1950)

    One crime. Four versions of the truth. Rashomon (1950) was director Akira Kurosawa's international breakthrough film, and for good reason. A highly influential film that created a new narrative structure that is still borrowed and celebrated in film's we see today. This is the dawn of the unreliable narrator and completely re-imagined how filmmakers approach flashbacks. While the influence in undeniable, is the film any good? And does is stand the test of time? Jason Furie and Adam Roth attempt to dissect this one. We tried. 

    Godzilla ('54)

    Godzilla ('54)

    Hail to the king, baby; it's Godzilla time! Tune in as we talk about that big lizard, his progeny, and the planes trains and automobiles that he kicks around. There's also a quick detour into the Godzilla '98 soundtrack because nothing says "Godzilla" quite like Jamiroquai.

    You can shoot us an email at whatisamoviepod@gmail.com

    Rebooting the DC Cinematic Universe / Rashomon (1950) [S03E02]

    Rebooting the DC Cinematic Universe / Rashomon (1950) [S03E02]

    Whether you love or hate the current run of DC movies you have to admit that the overall universe is a little bit broken. We discuss how we, given infinite hypothetical movie producing powers, would reboot the universe. ALSO: Tommy and Skippy discuss Akira Kurosawa's ultra-influential samurai/crime film Rashomon from 1950.

    TIME CODES
    00:50 - How we would remake the DC Cinematic Universe
    27:15 - Movie Discussion: Rashomon (1950)

    Email: podcastthatchallengedtheworld@gmail.com
    Twitter
    ProbablyOnly.com

    tags: dc comics, dceu, cinematic universe, batman, superman, jla, justice league, wonder woman, legion of doom, house of mystery, john constantine, akira kurosawa, samurai films, rashomon, 1950, jidaigeki, toshiro mifune, takashi shimura,

    Rashomon (1950), The Rocky Horror Picture Show (1975)

    Rashomon (1950), The Rocky Horror Picture Show (1975)

    The pairings keep getting stranger and stranger every week, and this week's show is no exception! Special guest Ryan Oliver joins Sam and Jon to tackle two very different classics, starting with Akira Kurosawa's massively influential 1950 arthouse classic Rashomon. We discuss everything from our differing experiences with the film, how multiple viewings have yielded different interpretations, and why the film has remained so meaningful even after 70 years. After that, we take a huge left turn toward Transylvania to examine the legacy and power of Jim Sharman's 1975 genre-defining cult classic The Rocky Horror Picture Show, which one of us doesn't like! It's another collection of varied experiences complete with a litany of recommendations to go along with both films!

    SHOW NOTES:

    • 0:04:05 – Rashomon
    • 01:12:40 – The Rocky Horror Picture Show

    MUSIC IN THIS EPISODE: "A Ghastly Discovery" by Fumio Hayasaka, "Sweet Transvestite" by Richard O'Brien, trailers for Rashomon and The Rocky Horror Picture Show

    CINEMAHOLICS IN THIS EPISODE: Sam Noland, Jon Negroni, and Ryan Oliver

    NEXT WEEK: Emily Kubincanek is back again! This time, we're taking a look at both the Silent Era and its legacy with Billy Wilder's Sunset Boulevard and Charlie Chaplin's The Gold Rush!


     

    Support our show on Patreon: https://www.patreon.com/cinemaholics

    See omnystudio.com/listener for privacy information.

    Rashomon (1950), The Rocky Horror Picture Show (1975)

    Rashomon (1950), The Rocky Horror Picture Show (1975)

    The pairings keep getting stranger and stranger every week, and this week's show is no exception! Special guest Ryan Oliver joins Sam and Jon to tackle two very different classics, starting with Akira Kurosawa's massively influential 1950 arthouse classic Rashomon. We discuss everything from our differing experiences with the film, how multiple viewings have yielded different interpretations, and why the film has remained so meaningful even after 70 years. After that, we take a huge left turn toward Transylvania to examine the legacy and power of Jim Sharman's 1975 genre-defining cult classic The Rocky Horror Picture Show, which one of us doesn't like! It's another collection of varied experiences complete with a litany of recommendations to go along with both films!

    SHOW NOTES:

    • 0:04:05 – Rashomon
    • 01:12:40 – The Rocky Horror Picture Show

    MUSIC IN THIS EPISODE: "A Ghastly Discovery" by Fumio Hayasaka, "Sweet Transvestite" by Richard O'Brien, trailers for Rashomon and The Rocky Horror Picture Show

    CINEMAHOLICS IN THIS EPISODE: Sam Noland, Jon Negroni, and Ryan Oliver

    NEXT WEEK: Emily Kubincanek is back again! This time, we're taking a look at both the Silent Era and its legacy with Billy Wilder's Sunset Boulevard and Charlie Chaplin's The Gold Rush!


     

    Support our show on Patreon: https://www.patreon.com/cinemaholics

    See omnystudio.com/listener for privacy information.

    015 | Seven Samurai

    015 | Seven Samurai

    In the penultimate episode in their Epic series, Connor and Riley examine Akira Kurosawa's crowning achievement Seven Samurai. While possibly the most influential film ever made, this film also showcases how Kurosawa's directing style differed from most at the time. Listen for Star Wars comparisons, Japanese culture, and Riley struggling to pronounce a single Japanese name correctly.

    WARNING: Spoilers for Seven Samurai

    Every Frame a Painting video:

    https://youtu.be/doaQC-S8de8

    Films mentioned in this episode:

    • Seven Samurai (1954) | Dir. Akira Kurosawa
    • Star Wars (1977) | Dir. George Lucas
    • The Lord of the Rings: The Two Towers (2002) | Dir. Peter Jackson
    • Une Femme est une Femme ( A Woman is a Woman)(1961) | Dir. Jean-Luc Godard
    • The Royal Tenenbaums (2001) | Dir. Wes Anderson
    • The Dark Knight trilogy (2005-2012) | Dir. Christopher Nolan
    • Ran (1985) | Dir. Akira Kurosawa
    • Dersu Uzala (1975) | Dir. Akira Kurosawa
    • Merry Christmas, Mr. Lawrence (1983) | Dir. Nagisa Oshima
    • The Magnificent Seven (1960) | John Sturges
    • A Bug's Life (1998) | Dir. John Lasseter

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