vernon reid

This week we pay homage to bands straddled the world of the 80s hard n’ heavy and the 90s alternative n’ grunge. These were bands that were somewhat outside of the status quo specifically in the hard rock and metal world that seemed to be playing music that was more genre and categorization-defying. Thus we created our own non-genre called; The Inbetweeners!

What’s this InObscuria thing? We’re a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we cover all 3 categories and even some bands that we played early on in the podcast. The transition from the hard rockin’ 80s to the punk-edged alternative of the 90s was a time like no other, and some bands simply got caught in the middle. Go and check out these songs and the albums that they come from and enjoy some music from The Inbetweeners! 

Songs this week include:

1. Naked Sun – “Psycho-Activate” from Naked Sun (1991)
2. Funhouse – “Y.R.S.” from Generation Generator (1990)
3. No Walls – “Naive” from No Wall (1992)
4. Animal Bag – “Missing Out” from Animal Bag (1992)
5. Red Sea – “Blood” from Blood (1994)
6. The Hatters – “Sacrifice” from The Madcap Adventures Of The Avocado Overlord (1994)
7. Loudhouse – “Faith Farm” from For Crying Out Loud (1991)

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Check out Robert’s amazing fire sculptures and metal workings here: http://flamewerx.com/

If you’d like to check out Kevin’s band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/

If you want to hear Robert and Kevin’s band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Singer/Songwriter Releases New Album Featuring Living Colour's Vernon Reid

#newmusic #newalbum #singersongwriter #avantgardemusic #soulmusic

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.
Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy’s Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.
Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well
Bandcamp: https://percy-howard.bandcamp.com/album/the-stars-the-well
Instagram: https://www.instagram.com/percyhowardmusic/

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We all know about fusion - the (sometime unholy) union of jazz and rock that tried to find a new audience for instrumentalists in the 1970s.  But there have always been, well, odder experiments with electricity in jazz, more like intrusions of the rock world than integrations, and we look at four rather varied examples in this here podcast.  Running the gamut from harmolodic blues-slinger to fusion axe-hero to . . . Herbie Mann? - these artists let the guitar off da hook and, possibly, into your hearts.  Herbie Mann - MEMPHIS UNDERGROUND ; James Blood Ulmer – BLACK ROCK;  Alan Holdsworth – NONE TOO SOON; Jay Hoggard - RIVERSIDE DANCE.

In April 2023, a seismic shift occurred in the world of art and creativity. The prestigious Sony World Photography Awards, renowned for celebrating human talent and vision, awarded a prize to an AI-generated photograph. This groundbreaking moment marked a turning point, showcasing the capabilities of generative AI in producing art that could rival human creations. It left many questioning the boundaries between human and machine creativity.

Simultaneously, another event unfolded. A new single, seemingly performed by beloved artists Drake and The Weeknd, took the internet by storm, captivating fans across the globe. However, as the excitement reached its peak, the truth emerged—it was an AI creation, flawlessly imitating the artists' musical styles and voices. This incident exposed the potential for AI to deceive and manipulate, blurring the lines between authenticity and imitation.

This era of generative AI has ushered in a new paradigm, where not only are judges and fans being fooled, but malicious actors are exploiting the technology for personal gain. Voice cloning, powered by AI, has become a tool for scammers to steal personal information and deceive unsuspecting victims out of their money. The implications are far-reaching, challenging notions of trust and raising concerns about privacy and security in an increasingly AI-driven world.

Amidst these pivotal developments, the esteemed musician and technology enthusiast, Vernon Reid, enters the stage. Known as one of Rolling Stone's '100 Greatest Guitarists of All Time,' Reid brings a unique perspective to the conversation. With his vast experience and passion for technology, he joins James in a discussion that delves into the evolving creative process and the profound implications of Large Language Models (LLMs) in shaping today's culture.

Together, they navigate the complex landscape of AI's impact on creativity, touching upon questions surrounding artistic authenticity, the role of human intuition in the creative process, and the ethical considerations raised by the potential misuse of AI. Reid's insights shed light on the opportunities and challenges presented by LLMs, and their profound implications for the future of art, music, and human expression.

To book this guest, contact Cricket PR: 212-363-0654

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I write about all my podcasts! Check out the full post and learn what I learned at jamesaltucher.com/podcast.

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• What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!
• Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!

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• Visit Notepd.com to read our idea lists & sign up to create your own!
• My new book, Skip the Line, is out! Make sure you get a copy wherever books are sold!
• Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.
• I write about all my podcasts! Check out the full post and learn what I learned at jamesaltuchershow.com

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Thank you so much for listening! If you like this episode, please rate, review, and subscribe to “The James Altucher Show” wherever you get your podcasts: 

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Follow me on social media:

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Maggie speaks with Miles Davis's nephew, musician and bandleader Vince Wilburn Jr about That You Not Dare To Forget by M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr. collects a progressive all-star ensemble featuring Miles Davis alumni and the players Miles inspired. This brand new, never-released studio recording captures a multi-generational who’s who of acclaimed artists performing new Miles-inspired compositions. Two tracks of the five on the album include unreleased trumpet performances by Miles and the album, produced by Mi les’ alumni Lenny White and Wilburn, features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield. This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting from artist and Miles’ associate Mikel Elam.

Source: https://www.milesdavis.com/albums/that-you-not-dare-to-forget/
Source: https://www.legacyrecordings.com/2023/04/18/m-e-b-on-making-that-you-not-dare-to-forget-jazziz/
Source: https://recordstoreday.com/SpecialRelease/15742

Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.

This week's guest Rich Brown. Hailing from Canada, Rich is a highly accomplished performer, composer, producer, and educator. He's recorded three albums as band leader and has been featured on over 70 recordings covering a wide range of musical genres. Rich has played, toured, and recorded with some of the most distinguished musicians on the planet, from James Blood Ulmer, Vernon Reid and Steve Coleman to Rudresh Mahanthappa, Angelique Kidjo, and David Clayton Thomas—just to name a few. Host Josh Paul talks to Rich about his upbringing, his performing and teaching style, and his philosophy on what it takes to be a multi-faceted musician in today's age.

Special guest Kevin Smokler joins us to discuss Living Colour's bouncy rocker "Glamour Boys," which gets us talking about joyful political protest, Black artists who make hard rock, and the real meaning of TCBY.
Our intro is by Andrew Byrne and our outro is by Rick Springfield. Want to leave us a voicemail? Just call 646-389-0767! You can email us at talkaboutsongs@gmail.com, tweet us at @talksongs, or Facebook us at facebook.com/mastas.podcast. To get access to bonus content (and vote in ranking episodes), become a patron at patreon.com/mastas. Special Guest: Kevin Smokler.

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"If you're seeing only one side of 'Blackness,' and you think that is diversity, you're missing the point."

In this episode of the MFM Speaks Out, Dawoud Kringle interviews LaRonda Davis, National President of the Black Rock Coalition (BRC), co-founder and CCO of Flaming Yoni Productions, and Group Creative Director of Publicis. The topics discussed include the history of the BRC, it's mission and accomplishments, their unique approach to music activism and their relationship with organizations such as MFM, AFM, Local 802, combating racism in the music industry, surviving the COVID-19 pandemic, and looking toward the future. 

Visit LaRonda Davis and the BRC at http://blackrockcoalition.org/

The following music featured in this episode are

Opening track: "Cult of Personality" by Living Colour

Middle track: "I Know Who I Am" by Nona Hendryx

Ending track: "Grandma Dynamite" by 24/7 Spyz

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).