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    video art

    Explore " video art" with insightful episodes like "Lessons from a First Time Filmmaker", "Episode 12 - Valkyrie Rose - Modeling, Photography, and some spooky tales.", "Nora Breen", "Kreativität als Transformation – Christina Olschewski" and "The Golden Brown Girls, thank you for being a friend" from podcasts like ""Rough Cut", "Seth's Alkahest", "Scratching the surface with City Kitty", "Chaos, Kunst & Muttermund" and "Multiple Os"" and more!

    Episodes (22)

    Lessons from a First Time Filmmaker

    Lessons from a First Time Filmmaker

    When filmmaker Amanda Kim discovered the artist Nam June Paik, she knew she wanted to make a documentary about him. Five years later, Amanda's debut film Nam June Paik: Moon is the Oldest TV premiered at the Sundance Film Festival.

    Amanda came on the pod to talk about what she learned as a first time filmmaker — from bringing on producers, to fundraising, to navigating the edit.

    Moon is the Oldest TV is currently screening at Film Forum in NYC.

    Find Amanda Kim on Instagram.

    Host Jennie Butler on Instagram
    Executive Producer Sky Dylan-Robbins
    Producer Amy DiGiacomo on Instagram and Twitter
    Producer Caley Fox Shannon on Instagram
    Producer Abhishyant Kidangoor
    Editor Audrey Horowitz on Instagram

    Got an idea for an episode? Email podcast@videoconsortium.org

    Click here to support the Video Consortium

    Kreativität als Transformation – Christina Olschewski

    Kreativität als Transformation – Christina Olschewski
    In dieser Folge spreche ich mit der vielseitigen Christina Olschewski aus Berlin – Christina ist Kunsttherapeutin, Modedesignerin und vieles mehr – eben über Vielseitigkeit, kreative Lebensläufe, Bewertung und Druck. Darüber was Lob mit Kindern macht. Über die Herausforderungen von Eltern, insbesondere alleinbegleitenden Müttern und Tina hat ein paar wundervolle Tipps, wie man wieder in eine kreative Leichtigkeit kommen kann und wie Eltern ihre Kinder auf ihrem kreativen Weg unterstützen können.

    The Golden Brown Girls, thank you for being a friend

    The Golden Brown Girls, thank you for being a friend

    Oriana Fox meets The Golden Brown Girls, Indrani Ashe and Shannon Tamara Lewis to discuss the imagined futures that their eponymously titled web series presents. Grey-haired, witty and optimistic, their older selves live out a fantasy that is in distinct contrast to their lived reality in an age of austerity. Ashe and Lewis also discuss the show’s centring of women of colour protagonists. Finally, the three arrive at a plan for a future episode in which Oriana will play a cameo appearance.

    This interview was recorded live on Instagram in May 2021 as part of Oriana's digital residency at Mimosa House Gallery. You can watch the original video here

    Oriana Fox is a London-based, New York-born artist with a PhD in self-disclosure. She puts her expertise to work as the host of the talk show performance piece The O Show.

    The Golden Brown Girls project was founded in 2014 in London by visual artists Shannon Tamara Lewis and Indrani Ashe. Soon after they invited another artist, Sara Umar to write herself into the script. It's now a growing network of women and creative professionals from across the globe with individual and collaborative practices. Their web series was envisioned as a method of imagining the artists' futures, a stage for their political concerns and a way to create new social structures with like-minded individuals. 

    Indrani Ashe is a US-born, Goldsmiths-educated, Berlin-based interdisciplinary artist of  Bengali and white American descent whose practice speaks to the experience of the body as a political vessel, wresting the narrative from hegemonical structures. Ashe was interviewed on a previous episode of this podcast, which you can listen to here.
    Follow her on Instagram @theshadowarchivist

    Shannon Tamara Lewis is a Canadian artist of Caribbean descent, who also studied at Goldsmiths, University of London, and is based in Berlin. In addition to founding The Golden Brown Girls, she is a painter whose figurative canvases combine bizarre imagery and uncanny landscapes to form a fantastical world. Follow her on Instagram @shannontamaralewis

    Credits:
    Produced, edited and hosted by Oriana Fox
    Introductory Voiceover by John Kilduff, aka Mr. Let's Paint
    Original theme song written and performed by Paulette Humanbeing
    Special Thanks to Tom Estes, Sven Van Damme, Katie Beeson, Janak Patel and Mimosa House Gallery, London
    www.orianafox.com

    ***Would you like to see your name in the above credits list? In a couple of short steps, you can make that happen by supporting this podcast via Patreon.***

    Visit www.theoshow.live for regular updates or follow us on Instagram.

    I Had To Make This: Bassem Saad

    I Had To Make This: Bassem Saad

    Bassem Saad has a background in design and architecture, and he talks about how viewing a Shana Moultin piece at the Palais de Tokyo in Paris triggered his hunger for making video. I find his work deeply incisive in this strange moment, and it was a pleasure to speak to him on the line from Berlin. I began by asking him about how he grew up, where, and how he made the transition from architecture to art. 

    “Know the game, be the game, play the game, change the game!” with artist Ope Lori

    “Know the game, be the game, play the game, change the game!” with artist Ope Lori

    Not only is the artist and businesswoman Ope Lori an expert in the politics of looking and desire, but she gets turned on by her own work. In this durational interview, Oriana Fox asks Lori about the lessons learned from making work that addresses the intersections of race and gender, and about how that has impacted her life and career. In this meandering discussion they touch upon the impact of the media and its stereotypes; the limits of the tactic of reversal towards genuine inclusion; the importance of language; guilty pleasures; cross-identification; porn; and fighting the myth of the suffering artist. They also discuss the path Lori followed in founding her very own consulting and training business PILAA (Pre-Image Learning and Action). Through it, Lori puts the expertise gleaned from her practice-based research as an artist to work for the greater good. In this way, she follows the motto coined by Jack Halberstam in Gaga Feminism: “Know the game, be the game, play the game, change the game!” If you have ever questioned the wider use of art that addresses identity politics, then look no further than Ope Lori’s trailblazing work.

    Oriana Fox is an artist with a PhD in self-disclosure. She puts her expertise to work as the host of the talk show performance piece The O Show.

    Dr Ope Lori lives and works in London. She is an artist and the founder of the business PILAA (Pre-image Learning and Action) which specialises in creating inspirational visual work and training in the area of equality, diversity and inclusion. Previously, she taught at both Chelsea College of Arts and Leeds Arts University. She holds a PhD from the Transnational Art Identity and Nation Research Centre, UAL and is currently working on a book. A newly commissioned artwork by Lori will be on view in a group exhibition entitled “Care, Contagion, Community – Self & Other” at Autograph in Shoreditch opening in September 2021. 

    Additional artists mentioned in this episode: Sadie Lee, Marcia Michael, The Golden Brown Girls (aka Indrani Ashe, Shannon Tamara Lewis and Sara Umar), Fred Wilson, Bill Viola, Virginia Nimarkoh

    Books mentioned in this episode: Darby English 1971: A Year in the Life of Colour; Mollie Godfrey and Vershawn Ashanti Young Neo-Passing: Performing Identity after Jim Crow;
    and Daniel Goleman Emotional Intelligence.

    Credits: 

    • Hosted, edited and produced by Oriana Fox
    • Post-production mixing by Stacey Harvey
    • Themesong written and performed by Paulette Humanbeing
    • Special thanks to Katie Beeson, Janak Patel, Sven Olivier Van Damme and the Foxes and Hayeses. 

    Would you like to see your name in the credits list? In a couple of short steps, you can make that happen by supporting this podcast via Patreon: https://www.patreon.com/orianafox

    If you're enjoying the series, please rate and review in your favourite podcast directories such as iTunes, Spotify or Podchaser. NB: You may need to sign in to rate and review.

    Visit www.theoshow.live for regular updates or follow us on Instagram.

    'It lit a fire in me': How Atong Atem flips the ethnographic gaze

    'It lit a fire in me': How Atong Atem flips the ethnographic gaze

    Australian-South Sudanese artist Atong Atem brilliantly flips the Ethnographic gaze to create gorgeous studio portraits with a powerful statement.

    Plus, how does the medium of video art exist in the era of binge watching?

    And Namila chats to incoming guest host Daniel Browning, a familiar voice to RN listeners — but did you know he trained as an artist?

    MASH Podcast: Artist Series - Surekha: Today is better than yesterday

    MASH Podcast: Artist Series - Surekha: Today is better than yesterday

    Surekha is a contemporary Indian video artist whose works showcase themes including identity and feminism/ecology. She has been a full-time artist since 1996 and her video works have been shown at galleries outside India since 2001. Her works are known for the mix of video and physical presence, highlighting inherent experiences. Surekha has been exploring the possibilities of the video form, negotiating the public and private, locating the body as a site of contestation and appropriation. She uses photography and video to archive, document and perform. She has shown her works both in India and many international shows. Learn more about the artist's early life and inspiration to her diverse expressions. 

    S1E13: Dark Art

    S1E13: Dark Art

    This week the gang sits down to discuss some "Dark Art", or rather some conceptual art by the likes of Marina Abramovic (Rhythym 0), the Euthanasia Coaster by Julijonas Urbonas, and La Cicatrice Interieure (The Inner Scar) by Philippe Garrel. Film, performance art, and conceptual art all in one bizarre episode!

    Make sure to support this podcast by sharing and subscribing to Bizarre Buffet!

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    Support the show!: https://patreon.com/bizarrebuffet

    See omnystudio.com/listener for privacy information.

    Ep. 46 - Patty Chang's "Melons (At A Loss)" (1998)

    Ep. 46 - Patty Chang's "Melons (At A Loss)" (1998)

    The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor."

    This week: you're rooted in place, unable to look away, and questioning everything you thought you know about femininity, self-nourishment, and a woman's right to her own body. Basically, Patty Chang's got you right where she wants you.

    See the images:
    bit.ly/33DsB4P

    Music used:
    Lobo Lobo, “Old Ralley”
    The Blue Dot Sessions, “Flatlands 3rd,” “Louver,” “Sino de Cobre,” “Dorica Theme,” “The Dustbin,” “We Shall Know Speed”

    Exhibition site:
    www.mfa.org/exhibition/women-take-the-floor

    Support the show:
    www.patreon.com/lonelypalette

    S3.E7. John-Paul Bichard. The Stories Inside The Forensic Space.

    S3.E7. John-Paul Bichard. The Stories Inside The Forensic Space.

    The realization of your own mortality must impact the art you do. John-Paul talks about his path as an artist early touched by cancer. He takes us into the world of interactive video installations, game design and provocation. We chat about the burlesque theater as an ultimate space for women to be themselves to the core. And we look into the third gender: the choice of neither being a female or male but being both.

    Important links

    The Elder Scrolls: Morrowind

    Cloven Viscount by Italo Calvino

    Episode 37: Micahel Arrigio

    Episode 37: Micahel Arrigio

    How can we encourage students to be comfortable in the discomfort of the creative process? How can we stay energized in a field where burn out is very common? We unpack these questions and many more with Professor of Art and Coordinator of Graduate Studies at Bowling Green State University, Michael Arrigo while attending the Mid America College Art Conference [MACAA] in Nebraska, earlier this month.