virginia antonipillai

“My dad grew up on a dirt-floor shack, and why didn’t he become a number-one tennis player?”

Before Ash Barty lifted the trophy at Wimbledon, there was Evonne Goolagong. 

As a young, self-confessed ‘tennis geek’, theatre maker Andrea James remembers being captivated by Wiradjuri tennis legend Evonne Goolagong, the greatest Aboriginal tennis player that Australia has ever produced.  

“I remember very strongly as a young Aboriginal girl growing up in regional Victoria the sight of this Aboriginal woman on the screen… I had never seen that before.” 

Andrea had long been fond of Evonne but when her now-husband gifted her a copy of Goolagong’s autobiography during courting, her tennis obsession became an Evonne-obsession. 

“I could not put the book down… I just thought, ‘Why hasn’t this story been told in this way before?’” 

Andrea’s powerful new work, Sunshine Super Girl, is a celebration of spirit and passion over adversity and a tribute to a woman whose sporting prowess continues to inspire a nation. 

In this episode, Andrea reveals a shared ancestral link with the seven-time grand slam winner, why it was critical to receive Evonne’s blessing in the making of this landmark play, and the challenge of recreating global tennis tournaments for the stage. 

Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au 

Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.

Podcast Curator: Louise Bezzina (Brisbane Festival)

Podcast Guest: Andrea James (Sunshine Super Girl) 

Podcast Host: Adam Brunes (Aruga) 

Podcast Producer: Gilberto Castillo (The Podcast Boss) 

“Ten years ago, I read in a book that 580 Chinese indentured labourers had been evacuated from Nauru during World War Two by the allies to Brisbane... They landed on 8 March 1942.”

A compelling discovery about her father’s life sparked a decade-long search for answers for Chinese-Australian Anna Yen – theatre maker, performer and writer of Slow Boat, which receives its world premiere at Brisbane Festival 2022. 

Blending vaudeville, circus, Cantonese Opera and martial arts, Slow Boat is a play within a play, inspired by the unexpected arrival in Australia of Anna’s father during WWII, along with hundreds of other Chinese men. 

At its heart is a powerful question: How can we survive and thrive when so much is out of our control?

In this episode, Anna retraces the serendipitous chain of events that allowed her to piece together her family’s fascinating history, reflects on the power of brotherhood, and contemplates what her arts-loving father would have thought of this remarkable new Australian work.

“This show is actually Australian history that we don’t really know. Even though this story has a particular setting – WWII, Chinese Heritage Men, Australia – it’s actually a universal story about, when times are really, really tough, how do we treat each other?”

Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au 

Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.

Podcast Curator: Louise Bezzina (Brisbane Festival)

Podcast Guest: Anna Yen (Slow Boat) 

Podcast Host: Adam Brunes (Aruga) 

Podcast Producer: Gilberto Castillo (The Podcast Boss) 

“It can start off very awkward, maybe a little bit uncomfortable but at the end of it you get this really beautiful experience.”

Diving into uncomfortable situations sits at the heart of the performance experiences created by Canada’s Mammalian Diving Reflex. But what starts as difficult, awkward and even a little terrifying can give way to beautiful connections and surprising interactions, says Creative Producer Virginia Antonipillai. Rather than shy away from the challenge, Brisbane audiences are flocking to experience Mammalian Diving Reflex’s site-specific and social-specific immersive performance, Nightwalks with Teenagers, at Brisbane Festival 2022.

“Let’s have teenagers lead us through a city and involve audience members not only as spectators to our antics but to also participate in them, resulting in a beautiful intergenerational experience.”

In this episode, Virginia explains why no two productions are never the same, how some nights the cast will play a game of basketball with the audience and other nights, they’ll tell a spooky ghost story. She reveals how the young stars of Nightwalks with Teenagers are not professional actors and how the experience seeks to bridge gaps between teenagers and adults by positioning teenagers in a place of influence.

“We need these sorts of activities to reinvigorate the community and get youth involved and really listen to them because they often have great ideas and are left out of big decisions; we need to involve them in life.”

Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au 

Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.

Podcast Curator: Louise Bezzina (Brisbane Festival)

Podcast Guest: Virginia Antonipillai (Mammalian Diving Reflex) 

Podcast Host: Adam Brunes (Aruga) 

Podcast Producer: Gilberto Castillo (The Podcast Boss)