whitney museum

Reporters Valentina Di Liscia and Hakim Bishara join me to discuss the Whitney Museum’s decision to cancel the exhibition Collective Actions: Artist Interventions In a Time of Change, which was scheduled to open on September 17. 

They both reported on the story this Tuesday, and now offer their own insights into the larger questions raised by this controversy, including how museums should collect, what role should artists have in the acquisition process, and if museums are getting better or worse at dealing with issues of racial and economic equity in their collections.

This episode will get you up to speed about the fast-moving story and what it tells us about the Whitney and other contemporary museums today.

A special thanks to Tyler James Bellinger for providing his track “Champagne” for this week’s episode. You can visit Apple Music or YouTube, for more information.

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Byron Kim is a Brooklyn-based artist who works in an area known as the abstract sublime. Part of the permanent collections of the National Gallery of Art and the Whitney Museum of American Art, his minimalist paintings sit at the threshold between abstraction and representation, conceptualism and pure painting. Catherine and Juliana learn about Byron’s original plan to become a poet (he switched to art, thinking it would be “easier”); his physician parents, who immigrated to New York back in the 1950s; the gigs that got him through his early years as a struggling New York artist (four words: Skadden Arps graveyard shift); his career breakthrough at the landmark 1993 Whitney Biennial; and his ongoing series known as “Sunday Paintings,” arguably his most personal work to date.

Watch on YouTube: https://youtu.be/ode9nx0PdDU
Hosts: Juliana Sohn @juliana_sohn Catherine Hong @catherinehong100
Executive Producer: Hj Lee
Editor: AJ Valente
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Last month, a dozen activists gathered at the Whitney Museum of Art to condemn the institution's lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz's artwork. Their action was noticed by the art world and the museum, which is continuing to talk to the protesters after changing some of the labels to reflect on the fact that the AIDS crisis is not over.

In this episode we talk to Wojnarowicz biographer Cynthia Carr, author of Fire in the Belly: The Life and Times of David Wojnarowicz, who helps narrate the complicated story of an artist who has become one of the luminaries of New York's East Village scene in the 1980s. I also invited two artists, Jean Foos and Frank Holliday, who knew Wojnarowicz during his lifetime, to help paint a picture of a scene that burned bright, but was eventually snuffed out by a commercial art world obsessed with novelty, and the looming disaster that was AIDS.

A special thanks to Twig Twig for the music to this week's episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.