zoneofinterest

This film was an experience to say the least. The Zone of Interest tackles an intense look at the horrors of Auschwitz and the commandant’s family who lived their daily life with normalcy.

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We have retitled our bonus episodes "Movie Musings" since this is the place where we share what we've been watching over the past week. This is also where we will post content unrelated to our main movie reviews, such as film news, movie drafts, top 10 lists, and all sorts of shenanigans.

In this episode Bee, Eli and Nathan share what they've been watching this past week. Nathan discovered a whole new ad-free streaming service he didn't know loaded with amazing titles. He also binged through Fargo season 1. Eli and Nathan both share their love for the new Seth MacFarlane series 'Ted' streaming on Peacock. Bee caught up with 'Zone of Interest', a film somehow even more depressing then 'Society of the Snow' and is in the midst of a rewatch of 'The Sopranos'. All that and more!

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Cady Heron is a hit with the Plastics, an A-list girl clique at her new school. But everything changes when she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George in 'Mean Girls', the latest musical adaptation of the Broadway adaptation of the original film adaptation from directing duo Samantha Jayne and Arturo Perez Jr.Then, the commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the concentration camp in 'The Zone of Interest', a haunting new feature from director Jonathan Glazer that's already generating Oscar buzz - even if A24 hasn't been able to get it in theaters.Finally, Top Gun 3 is in the works at Paramount, Universal's on the hunt for a new Exorcist director, and the 2024 Oscar Noms are out!Movie News, Movie Reviews, and more every Tuesday on Off Script Film Review!

A nove anni da Under the Skin, il regista britannico Jonathan Glazer torna con The Zone of Interest, film liberamente ispirato al romanzo omonimo di Martin Amis. Un film sull'impossibilità di rappresentare il male che ci ha davvero folgorato.