104. Where are we?
If the Sistine Chapel reflected the moral vision of Christian Rome, is there any such coherent view in Modern Rome of how we humans should understand our purpose and live our lives?
42. Bernini, the Baroque, and the Borghese
enMarch 02, 2021
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About this Episode
Our subject is the Villa Borghese, a sprawling park on the north side of Rome and home to Rome’s most wonderful museum, the Galleria Borghese. Unscrupulously assembled by Scipione Borghese, nephew to Pope Paul V, the art collection in the Galleria includes several of Bernini’s finest statues, as well as works by Caravaggio, Canova, and the greatest Renaissance artists. In moving from St. Peter’s to the Borghese, we again move from halos to nudes and so have another chance to see the dramatic changes initiated in the Renaissance.
Recent Episodes from Get Ready for Rome
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102. The Secularism of Modern Rome
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101. Michelangelo's Last Judgment
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100. The Four Corners of Michelangelo's Sistine Ceiling
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99. The Subjects Represented on Michelangelo's Sistine Ceiling
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98. The Design of the Sistine Ceiling
Michelangelo used painted architecture and numerous nudes to divide the Sistine Chapel ceiling into separate panels and give it a complex design. Today we summarize the elaborate arrangement he came up with.
97. Botticelli’s Facing Frescoes in the Sistine Chapel
Michelangelo dominates the Sistine Chapel, but the chapel's walls feature twelve frescoes by the previous generation of great Florentine artists. We look at two by Botticelli as an introduction to all twelve.
96. Reintroducing the Sistine Chapel
We return for a second introduction to the Sistine Chapel and outline some of the main challenges Michelangelo had to overcome in painting the ceiling.
95. The Overlooked Side Walls of the Sistine Chapel
This episode introduces the twelve frescoes on the side walls of the Sistine Chapel, which invite a comparison between the lives and laws of Moses and Jesus.