Get Ready for Rome

If the Sistine Chapel reflected the moral vision of Christian Rome, is there any such coherent view in Modern Rome of how we humans should understand our purpose and live our lives? 

Popes have frequently attacked the moral, political, and intellectual developments that gave birth to modern Italy. On the occasion of the death of Pope Benedict, we today review his controversial Regensburg Address to see what it says about modern Rome.

We return today to the "secular" or non-religious character of modern Rome in order to see more clearly how much the Rome of the People has changed from the Rome of the Popes.

Today we introduce Michelangelo's "Last Judgment," his vast fresco painted on the altar wall of the Sistine Chapel.

The four Pendentives of Michelangelo's Ceiling of the Sistine Chapel represent four different dramatic stories from the Old Testament. What are these stories, and what do they teach?

We know that Michelangelo's painting of the ceiling of the Sistine Chapel was an extraordinary achievement, but what subjects does he represent and what teaching do they convey?

Michelangelo used painted architecture and numerous nudes to divide the Sistine Chapel ceiling into separate panels and give it a complex design. Today we summarize the elaborate arrangement he came up with.

Michelangelo dominates the Sistine Chapel, but the chapel's walls feature twelve frescoes by the previous generation of great Florentine artists. We look at two by Botticelli as an introduction to all twelve.

We return for a second introduction to the Sistine Chapel and outline some of the main challenges Michelangelo had to overcome in painting the ceiling.

This episode introduces the twelve frescoes on the side walls of the Sistine Chapel, which invite a comparison between the lives and laws of Moses and Jesus.

We today make a first visit to the Sistine Chapel and look generally at the three different waves of Renaissance frescoes that decorated it. Two of these are by Michelangelo.

The difficulty of seeing Ancient Rome is that not much of it exists. The distinguished archeologist Rodolfo Lanciani documents this, and today we compare his ways of explaining its disappearance with those of Edward Gibbon.

American troops liberated Rome from German occupation just 2 days before D-Day. What made it possible, and why did the liberation occur when it did?

We have taken an introductory look at the reasons Paganism was replaced Christianity, but why have so many of the magnificent buildings the pagans built simply disappeared? Was it simply the work of time?  We begin today with Gibbon's answer to this question.

We today consider Gibbon’s explanation of how the Christians of Constantine’s century advanced their faith by taking active measures against paganism. As he makes his case, Gibbon also extends his unflattering portrait of the followers of the new faith, perhaps to weaken their successors in his own day.

Edward Gibbon's Decline and Fall of the Roman Empire advances five causes for the early Christians' triumph over their pagan and Hebrew rivals.  This podcast discusses them.

After noting the contradictory ways Constantine is remembered in Roman art and architecture, we turn to the main policies of this first Christian Emperor.

This short podcast reviews our goals and announces the beginning of our second season on April 21. The subject will be Rome, Constantine, and the Christianization of the Roman Empire.

I today announce that I've begun taking a break that I hope will also help me get ready for a new season of podcasts, and I summarize the topics and issues that lie ahead.

Travel can be educational, as our many study abroad programs affirm, but my recent return to Venice got me wondering whether it can also be misleading.