104. Where are we?
If the Sistine Chapel reflected the moral vision of Christian Rome, is there any such coherent view in Modern Rome of how we humans should understand our purpose and live our lives?
50. Back to the Borghese, Bernini, and the Baroque
enApril 13, 2021
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About this Episode
We return to the Galleria Borghese to consider the remaining two of Bernini’s four masterpieces, his Aeneas, Anchises, and Ascanias, and his David. Both statues may represent the virtue of piety, one based on a Roman story and the other based on the Old Testament, though Bernini’s David looks well equipped to defeat Goliath even if he should fail to receive God’s support.
Recent Episodes from Get Ready for Rome
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102. The Secularism of Modern Rome
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101. Michelangelo's Last Judgment
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100. The Four Corners of Michelangelo's Sistine Ceiling
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99. The Subjects Represented on Michelangelo's Sistine Ceiling
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98. The Design of the Sistine Ceiling
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97. Botticelli’s Facing Frescoes in the Sistine Chapel
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96. Reintroducing the Sistine Chapel
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95. The Overlooked Side Walls of the Sistine Chapel
This episode introduces the twelve frescoes on the side walls of the Sistine Chapel, which invite a comparison between the lives and laws of Moses and Jesus.