【Episode Introduction】
How is the literature, with language as the vessel, circulated among the geographically, historically, and linguistically dispersed Caribbean region?
Magical Realism Literature has revealed different characteristics across the Hispanophone and Anglophone Caribbean over the years. Yet it is ultimately an attempt to document or record the true essence of this region.
Delving into the complexities of the languages and cultures in the region, in this episode, Latin American researcher Lucia Chen and Caribbean literary figure Nicholas Laughlin discuss the origin and development of Magical Realism and how it continues to influence contemporary Caribbean literature.
別樣加勒比—魔幻寫實文學在當代
【節目簡介】
文學以語言為載體，如何流通在加勒比海被分散的地理、歷史和語言？
魔幻寫實文學在西語與英語、過去與當代之間，雖有差異，卻始終是對此地真實的紀錄或記錄的嘗試，拉美研究者陳小雀與加勒比海文學工作者Nicholas從語言使用的差異切入，討論魔幻寫實的起源如何影響當代的加勒比海。
被殖民的歷史，讓古希臘、瑪雅與非洲神話雜揉成此地特有的非常感知，表現在西語系魔幻文學經典中；被殖民的歷史，也讓屬於英語系加勒比海的文化被壓抑、遺忘，需要在當代以想像再造。
【Outline】
02:18 The origin of the Magical Realism
04:27 Caribbean region: Cultural complexity, multiple languages, and the need for translation
09:21 Common characteristics of Magical Realism: realistic setting, magical elements, limited information, critique of Imperialism, unique plot construction
13:00 Anglophone Caribbean Literature in the 1930-1950s
20:20 Alejo Carpentier’s “Marvelous Realism” (lo real maravilloso)
23:57 Transition from traditional Social Realism to Magical Realism
25:34 Did the writers think about how people label their writing?
26:27 Magical Realism writing in the contemporary time
30:38 “The Caribbean Otherwise”: What is real can be seen be unreal
34:05 Lucia and Nicholas read a passage describing boucan, the Cuban Barbeque, from Alejo Carpentier’s Siglo de las luces (Explosion in a Cathedral)
40:31 Go read the book!
【大綱標記】
02:18 魔幻寫實的起源
04:27 語言的隔閡，翻譯的需求
09:21 共性：現實場景、魔幻元素、有限的線索＋批判帝國主義
13:00 英語系加勒比海文學
20:20 卡本迪爾的神奇寫實（lo real maravilloso）
23:57 從社會寫實，到魔幻寫實
25:34 作者本人是否要有意識於自己作品被歸類為哪種文學？
26:27 當代魔幻—書寫技巧、各自發揮
30:38 The Caribbean otherwise—填補缺乏的創造性魔幻
34:05《光明世紀》中的加勒比海烤肉boucan
40:31讀書吧！包裹著魔幻的歷史與人文現實
【Guests】
Lucia Chen
Lucia Chen took her Ph.D. at The National Autonomous University of Mexico in 1998. She is a full professor of Latin American Studies in the Department of Global Politics and Economics at Tamkang University. She also serves as Vice President for International Affairs at Tamkang University. Her latest books are Magical Cuba, Magical Latin America (I): Magnificent Lives in Turbulent Times, and Magical Latin America (II): Gorgeous Lives in the Ordinary. Latin America for her is the second homeland.
Nicholas Laughlin
Nicholas Laughlin is the festival and programme director of the NGC Bocas Lit Fest and the former editor of Caribbean Beat and The Caribbean Review of Books. The Strange Years of My Life (2015) and Enemy Luck (2019) are his poetry collections. He is the editor of a collection of early essays by C.L.R. James, Letters from London (2003); a revised and expanded edition of V.S. Naipaul’s family correspondence, Letters Between a Father and Son (2009); and the anthology So Many Islands: Stories from the Caribbean, Mediterranean, Indian, and Pacific Oceans (2018). He is co-director of Alice Yard, a contemporary art collective based in Port of Spain.
【講者介紹】
陳小雀
墨西哥國立自治大學文哲學院拉丁美洲研究博士，淡江大學全球政治經濟學系教授，淡江大學國際事務副校長，專研拉美文學與文化，著有《魔幻古巴》、《魔幻拉美：動盪中的華麗身影》、《魔幻拉美：平凡中的絢麗生命》等，學術工作之餘，不時探訪拉美，足跡遍及拉美各國。
Nicholas Laughlin
Nicholas Laughlin是NGC Bocas文學節的節目總監，曾任《Caribbean Beat》和《The Caribbean Review of Books》編輯，著有詩集《The Strange Years of My Life》（2015）和《Enemy Luck》（2019）。他曾編輯C.L.R. James散文集《Letters from London》（2003）、V.S. Naipaul父子家庭通信集《Letters Between a Father and Son》（2009）修訂擴充版、選集《So Many Islands: Stories from the Caribbean, Mediterranean, Indian, and Pacific Oceans》（2018），他也是千里達西班牙港當代藝術團體Alice Yard的聯合總監。
【Reference】
- Lucia Chen http://www.tifx.tku.edu.tw/info/19
- Lucia Chen (2021), Savoring Delicacies, Nourishing Our Lives(品讀珍饈：滋養你我人生), Taiwan Publishing and Reading 2, 04-11. https://isbn.ncl.edu.tw/FCKEDITOR_UploadFiles/1625206649.pdf
Nicholas Laughlinhttp://nicholaslaughlin.net
- ROH, FRANZ, and Wendy B. Faris. “Magic Realism: Post-Expressionism (1925).” In Magical Realism: Theory, History, Community, edited by LOIS PARKINSON ZAMORA and WENDY B. FARIS, 15–32. Duke University Press, 1995. https://doi.org/10.2307/j.ctv11cw5w1.5.
- Juan Rulfo, Pedro Páramo, 1955.
- Miguel Asturias, Hombres de maiz, 1949
- Alejo Carpentier, Los pasos perdidos (The Lost Steps), 1953
- Alejo Carpentier, El siglo de las luces (Explosion in a Cathedral), 1962
- Gabriel Márquez, Cien años de soledad (One Hundred Years of Solitude), 1967.
- Miguel Asturias, El Señor Presidente (Mister President), 1946.
- C. L. R. James, Minty Alley, 1936.
- Alfred Mendes, Pitch Lake: A Story from Trinidad, 1934.
- Edgar Mittelholzer, Corentyne Thunder, 1941.
- Edgar Mittelholzer, A Morning at the Office, 1950.
- Roger Mais, The Hills Were Joyful Together, 1953.
- Jean Rhys, Wide Sargasso Sea, 1966.
- Wilson Harris, Palace of the Peacock, 1960.
- Robert Antoni, Divina Trace, 1991.
- Shani Mootoo, Cereus Blooms at Night, 1996.
- Pauline Melville, The Ventriloquist’s Tale, 1997.
- Isabel Allende, The House of the Spirits, 1982
- Laura Esquivel, Como agua para chocolate (Like Water for Chocolate), 1989.
- Marlon James, The Book of Night Women, 2009
- Marcia Douglas, The Marvellous Equations of the Dread: A Novel in Bass Riddim, 2016
- Ayanna Lloyd Banwo, When We Were Birds, 2022
- Leonardo Padura, Vientos de cuaresma (Havana Gold), 1994.
【參考資料】
1. 陳小雀
http://www.tifx.tku.edu.tw/info/19
陳小雀，〈品讀珍饈：滋養你我人生〉，《台灣出版與閱讀季刊》，110 年第 2 期(總號第 14 期)：舌尖上的閱讀，民國 110 年 6 月(2021.6)，頁 04-11，國家圖書館 。
https://isbn.ncl.edu.tw/FCKEDITOR_UploadFiles/1625206649.pdf
2. Nicholas Laughlin
http://nicholaslaughlin.net
3. ROH, FRANZ, and Wendy B. Faris. “Magic Realism: Post-Expressionism (1925).” In Magical Realism: Theory, History, Community, edited by LOIS PARKINSON ZAMORA and WENDY B. FARIS, 15–32. Duke University Press, 1995. https://doi.org/10.2307/j.ctv11cw5w1.5.
- 胡安．魯爾福（Juan Rulfo），《佩德羅．巴拉蒙》（Pedro Páramo），1955
- 米格爾．阿斯圖里亞斯（Miguel Asturias），《玉米人》（Hombres de maiz），1949
- 阿萊霍．卡本提爾（Alejo Carpentier），《消失的腳步》（Los pasos perdidos / The Lost Steps），1953
- 阿萊霍．卡本提爾（Alejo Carpentier），《光明世紀》（El siglo de las luces / Explosion in a Cathedral），1962
- 加布列．馬奎斯（Gabriel Márquez），《百年孤寂》（Cien años de soledad / One Hundred Years of Solitude），1967
- 米格爾．阿斯圖里亞斯（Miguel Asturias），《總統先生》（El Señor Presidente / Mister President），1946
- 塞利爾．萊昂內爾．羅伯特．詹姆斯（C. L. R. James），《有薄荷味的小巷》（Minty Alley），1936
- 阿爾佛雷德．曼德斯（Alfred Mendes），（Pitch Lake: A Story from Trinidad），1934
- 埃德加．米特爾霍爾澤（Edgar Mittelholzer），（Corentyne Thunder），1941
- 埃德加．米特爾霍爾澤（Edgar Mittelholzer），（A Morning at the Office），1950
- 羅傑．梅斯（Roger Mais），《群山一起歡樂》（The Hills Were Joyful Together），1953
- 珍．瑞斯（Jean Rhys），《夢迴藻海》（Wide Sargasso Sea），1966
- 威爾遜．哈里斯（Wilson Harris），《孔雀宮》（Palace of the Peacock），1960
- 羅伯特．安東尼（Robert Antoni），（Divina Trace），1991
- 薛尼．穆圖（Shani Mootoo），《夜花仙人掌》（Cereus Blooms at Night），1996
- 波林．梅爾維爾（Pauline Melville），（The Ventriloquist’s Tale），1997
- 伊莎貝．阿言德（Isabel Allende），《精靈之屋》（The House of the Spirits），1982
- 蘿拉．艾斯奇維（Laura Esquivel），《巧克力情人》（Como agua para chocolate / Like Water for Chocolate），1989
- 馬龍．詹姆斯（Marlon James），《夜之書》（The Book of Night Women），2009
- 馬西亞．道格拉斯（Marcia Douglas），（The Marvellous Equations of the Dread: A Novel in Bass Riddim），2016
- 阿雅娜．班沃（Ayanna Lloyd Banwo），（When We Were Birds）， 2022
- 萊昂納多．帕杜拉（Leonardo Padura），（Vientos de cuaresma / Havana Gold），1994
【Music】-
Intro music: Floating Abstract by Coma Studio
Link: https://pixabay.com/zh/music/floating-abstract-142819/
Licensed: https://pixabay.com/zh/service/license-summary/
Outro music: After Work by Winnie The Moog
Link: https://filmmusic.io/song/10925-after-work
Licensed: https://filmmusic.io/standard-license
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FB: https://www.facebook.com/TaipeiMoCA
Email: mocaresearch@mocataipei.org.tw
Sponsor: Hui-Neng Chi Arts and Culture Foundation
Special Thanks: Jian Cheng Junior High School
【襯樂】
片頭：Floating Abstract by Coma Studio
Link: https://pixabay.com/zh/music/floating-abstract-142819/
Licensed: https://pixabay.com/zh/service/license-summary/
片尾：After Work by Winnie The Moog
Link: https://filmmusic.io/song/10925-after-work
Licensed: https://filmmusic.io/standard-license
-
FB：https://www.facebook.com/TaipeiMoCA
聽眾信箱：mocaresearch@mocataipei.org.tw
-
贊助單位：財團法人紀慧能藝術文化基金會
特別感謝：臺北市立建成國民中學
