The concept of ineffability: Beyond the reach of language: The idea of ineffability acknowledges the limitations of language to fully describe profound, powerful, and immense concepts, such as the nature of God.
There are mysteries in life that are beyond the reach of language and human understanding. The speaker in this podcast discusses a mysterious concept that has eluded generations of people, including himself. Despite his extensive research and personal interest, he admits that he may never fully grasp the meaning of this concept. He finds comfort in the fact that he's not alone in this pursuit and that the very nature of this concept is ineffable, meaning it transcends the capabilities of language to be fully described. The speaker acknowledges that language is a useful tool for conveying basic ideas and emotions, but it falls short when it comes to describing things that are profound, powerful, and immense. This concept of ineffability has been applied to various ideas, including the idea of God, and it highlights the limitations of human language and understanding. Ultimately, the speaker encourages us to embrace the mystery and continue the pursuit of knowledge, even if it remains elusive.
The Sublime: A profound sense of the vastness and power of the world beyond human comprehension: The Sublime is an ineffable experience of the natural world's grandeur and complexity, reminding us of our insignificance and challenging our perception
The Sublime is an ineffable experience that transcends human description and understanding. It is often associated with encounters in nature, particularly during dangerous or awe-inspiring events, and has been reported across various cultures and time periods. The Sublime is not a religious experience per se, but rather a profound sense of the vastness and power of the world beyond human comprehension. It is a reminder of our insignificance in the face of the natural world's grandeur and complexity. The most common metaphor used to illustrate the Sublime is that of a ship lost at sea during a storm, facing the raw power and unpredictability of the natural world. The Sublime experience challenges our perception of the world and ourselves, and serves as a reminder of the beauty and mystery that exists beyond our everyday experiences.
The Ocean: A Catalyst for Sublime Experiences: The ocean's immense magnitude and raw power evoke awe-inspiring feelings of wonder and admiration, despite its inherent dangers.
The ocean, as described by ancient philosopher Longinus, is a powerful catalyst for sublime experiences due to its immense magnitude and raw power. The ocean's terrifying and unpredictable nature, filled with dangerous creatures and unforgiving environments, elicits feelings of awe and admiration that are not typically experienced with smaller bodies of water. Longinus believed that the ocean's greatness beyond calculation is what sets it apart and makes it worthy of our deepest admiration. Despite the inherent dangers, the ocean's sublime qualities continue to draw us in and inspire wonder.
The Power and Mystery of the Ocean as a Source of the Sublime: The ocean's danger and awe-inspiring presence evoke the sublime, driving people to seek out experiences in nature and embrace the unknown.
The ocean, despite its inherent danger, holds a profound and awe-inspiring presence. Its eternal, unyielding nature serves as a constant reminder of the power and mystery of the natural world. Longinus, in the first century, recognized this power and suspected it to be a key component of experiencing the sublime. However, the concept of the sublime remains subjective and elusive, leaving many questions unanswered about its nature and authenticity. Nonetheless, the allure of the sublime has driven people to seek out experiences in nature, embracing the unknown and the power of the natural world.
Accidental encounters of the sublime: The sublime experience arises from the encounter with greatness beyond measure and a fear for one's own life, often experienced accidentally.
The most compelling accounts of the sublime experience come from those who stumble upon it accidentally, rather than actively seeking it out. The mind's desire to justify what it wants to believe can cloud objective judgment. The sublime experience requires two key elements: greatness beyond measure and a fear for one's own life. Crossing the Alps in the 1700s, with its treacherous terrain and inherent danger, provided ample opportunity for such experiences. Diarists like John Dennis and Joseph Addison, who recorded their emotions during their Alpine crossings, described a seemingly paradoxical feeling of both delight and horror. This suggests a new way of aesthetically judging the world, deriving pleasure not from beauty alone, but from the experience of the sublime.
Exploring the Concept of the Sublime: The sublime challenges traditional notions of beauty and pleasure, offering a new perspective on experiencing vastness and danger.
The concept of the sublime challenges our traditional understanding of aesthetics and beauty. Edmund Burke, in his work on the sublime, proposed that there is a unique type of pleasure derived from feeling a sense of danger or vastness, even though it may not be beautiful in the traditional sense. This idea challenges the notion that pleasure is the only factor that determines beauty and that ugliness necessarily brings pain. The sublime opens up new possibilities for understanding and experiencing the world aesthetically, beyond just the pleasurable or the beautiful. This idea, as discussed, has significant implications for how we perceive and engage with the world around us.
The sublime: a deeper form of aesthetic judgment: The sublime is a more active and emotional form of aesthetic judgment compared to beauty, inspiring a romantic movement and intense experiences.
According to Edmund Burke, the sublime is a deeper, more real, and more important form of aesthetic judgment compared to beauty. Unlike beauty, which is more passive and involves finding enjoyment in something, the sublime stimulates the mind and evokes strong emotions. This concept was particularly appealing during the Enlightenment period, as a response to the intense momentum towards reason and empirical observation. The idea of the sublime inspired a romantic movement, where people sought out fear-inducing and distressful experiences to evoke sublime feelings. Artists have also tried to capture the sublime experience in their work, such as George Stubbs' "The Horse and Lion," to give viewers an extraordinary and profound experience. Despite the intriguing concept, I, the speaker, have not had a sublime experience as described by Burke.
Finding peace through recounting past traumas: People may find pleasure or peace in sharing past traumas, not for healing, but to experience the sublime - a feeling of awe and wonder elicited by danger and the unknown.
People, especially veterans, may find a strange sense of pleasure or peace in recounting past traumatic experiences, particularly those related to war. This behavior may not be an attempt to come to terms with these experiences and move on, but rather a way to experience the sublime – a feeling of awe and wonder that can be elicited by confronting danger and the unknown. Edmund Burke, a philosopher, noted that the sublime is not just a higher degree of beauty, but a unique experience that can be found in both natural phenomena and human-made events. The reasons for this are not fully understood, but it may be related to the power of these experiences to challenge and expand our perception of the world.
The Sublime vs. Beauty: Two Distinct Experiences: Burke saw the sublime as unsettling and Kant saw it as expanding our self-understanding, both philosophers agreed that the sublime is a profound and awe-inspiring experience distinct from beauty.
According to philosophers Edmund Burke and Immanuel Kant, the concepts of beauty and the sublime are distinct and serve different purposes. While beauty is a more conventional and pleasurable experience, the sublime is a more profound and awe-inspiring one. Burke believed that the sublime experience required something troubling or unsettling, like the vastness of the ocean or the power of nature, to truly evoke emotion. Kant, on the other hand, saw the sublime as a way to expand our understanding of ourselves and our place in the world. Despite the intrigue surrounding these ideas, it's important to note that our understanding of the sublime is still evolving and open to interpretation. If you're fascinated by this concept and want to explore it further, stay tuned for future episodes where we'll delve deeper into the thoughts of philosophers like Arthur Schopenhauer.
Episode #060 ... Kant pt. 5 - The Sublime
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Ep 4: "Can Atheists have mystical experiences?" with Ariane Moore
Every few episodes we want to take the time to listen to different perspectives and experiences from guests who come from outside of a Christian framework. And what better way to start than by exploring the ambiguous nature ofâ¦nature? In particular, the role it can play in facilitating mystical experiences. These kinds of experiences have long been associated with religion and divinity, but this weekâs guest suggests that people from a non-religious background can have these experiences too. Maybe you have had one before?
Ariane 'Ari' Moore is a fourth-year PhD candidate in philosophy of religion at the University of Tasmania. Her research falls between philosophy of religion and atheism studies, specifically exploring the intersection between the experience and behaviour of those who do and do not believe. Her PhD thesis aims to provide an account of how the natural environment is not only a unique source of wonder and awe but also holds immense value as the potential source of legitimate secular mystical experiences. You can watch her TEDx talk from 2022 here.
Other References:
- The Varieties of Religious Experience by William James
- Critique of Judgment by Immanuel Kant
- "Mysticism" by Richard Jones and Jerome Gellman in The Stanford Encyclopedia of Philosophy
- "Time in nature is most preferred spiritual practice of Australians in 2021" by Kathy Jacka
You can shoot Aaron or Amy an email about anything! We'd love to hear your brutally honest or delightfully encouraging thoughts on the show and the topics that come up each week. There's a good chance we have stuff on our website at Third Space too.
Feel free to suggest potential guests or topics as well. No doubt there are heaps of interesting ideas and stories out there worth hearing!
Deeper Questions is produced by Production Farm Studios
TO dazzle the spectator the thought should be new, without being farfetched; frequently sublime
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The Heroic Nature of Greek Art
In this episode guest Sandra Shaw joins us to discuss her book, Windows on Humanity. We cover several examples of Greek heroism including the Discus Thrower, who represents human excellence, and Zeus, who symbolizes human grandeur.
View the artworks here: https://www.youtube.com/watch?v=k9quBAYCDNo
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If you’d like to suggest a heroic figure to be covered on the show, send an email to Robert@ObjectiveStandard.org
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Windows on Humanity book by Sandra Shaw
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http://www.windowsonhumanity.com/
Paperback:
Entraînement grandeur nature pour le 35ème RI de Belfort
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