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    Part One: Thomas Kinkade: the Evil-est Painter

    enAugust 27, 2024
    What criticisms do the hosts have about Thomas Kincaid's practices?
    How did Kincaid's upbringing influence his art career?
    What marketing strategies did Kincaid apply to his art sales?
    How are Kincaid's paintings described in terms of emotional impact?
    What role does nostalgia play in the popularity of certain art forms?

    Podcast Summary

    • Thomas Kincaid ControversiesThomas Kincaid, a famous American painter, faces criticism for exploiting customers and promoting right-wing ideologies. His industrial production of art and distinctive style with idealized rural scenes and 50s Americana feel are subjects of debate.

      The podcast "Behind the Basterds" discusses Thomas Kincaid, a well-known American painter, and explores his controversial art and ethical practices. The hosts criticize Kincaid for taking advantage of his customers and contributing to right-wing ideologies. They also discuss the industrial production of his artwork and the sinister yet quaint feel of his paintings. Listeners may recall seeing his work in various settings, featuring idealized rural or small town scenes with a distinctive 50s Americana style and use of color and light. The podcast promises to delve deeper into Kincaid's life and art, offering both criticism and analysis.

    • Kincaid's marketing strategiesThomas Kincaid's success in the art world was due in part to his application of marketing strategies from multi-level marketing and right-wing populist politics to art sales, allowing him to sell prints rather than originals and amass a significant fortune.

      Thomas Kincaid, an American painter, was known for his unique style of creating cozy yet potentially sinister images, often featuring cabins and Christmas villages. His work, which was popular among middle-class consumers, made him incredibly wealthy, as he sold prints rather than originals. Kincaid's success can be attributed to his application of marketing strategies used in multi-level marketing and right-wing populist politics to art sales. Born in Sacramento, California, Kincaid grew up in a broken home, with his father abandoning the family when he was young. Despite his father's struggles as a painter, Kincaid went on to become one of the wealthiest artists in history, worth between $50 and $70 million. His paintings, with their surreal pastels and the sense of coziness that borders on sinister, have left a lasting impact on American art and culture.

    • Thomas Kincaid's upbringingThomas Kincaid's upbringing with an absent father figure and a mother hiding financial struggles led him to view art as a means to make money with minimal investment

      Thomas Kincaid's upbringing, as described by his brother Patrick, was marked by a largely absent father figure and a mother who hid their financial struggles from her children. This situation resulted in Thomas and Patrick growing up with a limited understanding of their family's reliance on societal support. Thomas, in particular, went on to view art as a means to make money with minimal investment, reflecting his childhood experiences. His artistic talent attracted mentors like Glenn Wessels, who encouraged him to pursue a career in art. The story of Thomas and Glenn has been dramatized in a Christmas biopic, with Jared Padalecki portraying Thomas. Despite the challenges of his upbringing, Thomas' mother is remembered as a cheerful figure who used humor to mask their family's financial hardships. Overall, Thomas' experiences shaped his perspective on art and his understanding of financial security.

    • Power of StorytellingStorytelling shapes perceptions and creates narratives, even if they deviate from the truth, and can be used to inspire, but the real story might be more complex

      The power of storytelling can shape perceptions and create a particular image or narrative, even if it deviates from the truth. This was evident in the discussion about Thomas Kincaid's art and the contrasting stories told about his artistic evolution. While some saw his work as cloyingly sweet and sentimental, others saw it as inspiring and optimistic. Similarly, Thomas himself presented his own version of his past, emphasizing his struggles and eventual success, which resonated with many. However, the real story might be more complex and nuanced, involving elements like a Christian awakening and influences from artists like Ralph Bakshi. Ultimately, the power of storytelling lies in its ability to shape our understanding of people, events, and art, for better or worse.

    • Thomas Kincaid's artistic journeyThomas Kincaid's journey from a book deal to animated films honed his skills and led to the development of his unique style. Realizing the potential in selling prints instead of originals, he found success despite initial criticism.

      Thomas Kincaid's artistic journey began not from a Christian awakening, but from a road trip and a book deal in New York City. This led him to work on the animated film "Fire and Ice," where he honed his skills and developed his unique style. After "Fire and Ice," Kincaid shifted towards using more light, landscapes, and surreal elements in his work. However, his art did not initially sell well due to critics' disapproval. Realizing the potential in selling prints instead of originals, Kincaid found a way to build wealth and become successful in the art world. Despite initial criticism, Kincaid's distinctive style would later influence various aspects of popular culture, including Marvel characters and animated productions.

    • Art evoking feelings of comfort and nostalgiaThomas Kincaid's simplistic and pleasant artwork, focusing on making people feel good, paved the way for the viral success of AI-generated art and the dominance of cozy, conservative, and hyper-commercialized Christian imagery on social media, particularly among older generations.

      Thomas Kincaid, despite criticism from art critics for his simplistic and pleasant artwork, recognized the potential in creating art that evoked feelings of comfort and nostalgia, which would later become popular on social media platforms. His focus on making people feel good through his art, rather than making complex statements or critiques, paved the way for the viral success of AI-generated art and the dominance of cozy, conservative, and hyper-commercialized Christian imagery on social media, particularly among older generations. Kincaid's art, which often featured vaguely patriotic scenes and simple subject matter, laid the groundwork for the type of content that would go viral on Facebook and other platforms. His monetization of this type of art before the widespread use of the internet and AI technology made him a pioneer in this area.

    • Emotional artArt that evokes positive emotions and a sense of safety is popular, as seen in Thomas Kincaid and AI art, which connect with people on an emotional level and provide comfort and familiarity. There's a market for this type of art.

      The desire to create art that evokes positive emotions and a sense of safety drives the creation and popularity of certain types of art, even if it's not traditionally considered high art. This was evident in the discussion about Thomas Kincaid and the viral AI art, which often features images that give off "good vibes" and tap into nostalgia. The success of these art forms can be attributed to their ability to connect with people on an emotional level and provide a sense of comfort and familiarity. Additionally, there's a market for this type of art, as demonstrated by Thomas Kincaid's business model and the cottage industry surrounding AI art. The discussion also touched on the influence of Warhol and the idea of art serving social values, as well as the role of entrepreneurs in capitalizing on these trends.

    • Perception of ValueCreating a perception of exclusivity and value through mass-produced art pieces can be successful, but misrepresenting the investment potential is unethical and can lead to negative consequences.

      Thomas Kincaid's success in the art world was built on creating a perception of exclusivity and value through mass-produced, yet personally touched art pieces. By utilizing a printing process that mimicked the look of a real painting and hiring "master highlighters" to add unique touches, he convinced buyers that they were investing in valuable, original artwork. This promise of potential financial gain, coupled with the comforting nature of his art, attracted a large customer base. However, it was later revealed that this business model was a scam, with the company misrepresenting the value and investment potential of Kincaid's artwork. Despite this, Kincaid's art continued to sell well, demonstrating the power of perception and the allure of potential financial gain.

    • PodcastsDiscussion featured recommendations for 'Behind the Bastards,' 'Get It To Dutch,' and Renee Stubbs Tennis podcast, showcasing the vast array of topics available in the podcasting world

      The discussion touched on various topics including the potential U.S. takeover of Greenland, Randy's comic work, and the exploration of historical friendships between notable figures like Hitler and John Wayne Gacy. The conversation also promoted several podcasts, including "Behind the Bastards," "Get It To Dutch," and the Renee Stubbs Tennis podcast. The tone was conversational and light-hearted, with a hint of humor and speculation. The speakers showed enthusiasm for their respective projects and encouraged listeners to check them out. Overall, the discussion provided a glimpse into the diverse range of content available in the podcasting world.

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    https://www.ecommercebytes.com/011124-docs/Information.pdf

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    https://www.theguardian.com/media/blog/2011/dec/07/thomson-reuters-merger-failings

    https://www.theguardian.com/media/2007/may/15/reuters.pressandpublishing

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    Part Two: Thomas Kinkade: the Evil-est Painter

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    Sources:

    https://archive.is/Exc9H#selection-1601.0-1605.107

    https://mbird.com/art/the-drunken-downfall-and-death-of-thomas-kinkade/

    https://www.patheos.com/blogs/cultivare/2012/05/the-dark-light-of-thomas-kinkade/

    https://www.huffpost.com/entry/painter-of-light-thomas-k_n_16801

    https://www.latimes.com/archives/la-xpm-2006-mar-05-fi-kinkade5-story.html

    https://www.theguardian.com/world/2006/mar/25/arts.artsnews

    https://archive.is/DJgOU#selection-1229.0-1233.162

    https://www.latimes.com/la-xpm-2012-apr-08-la-me-thomas-kinkade-20120408-story.html

    https://www.salon.com/2012/04/09/thomas_kinkade_the_george_w_bush_of_art/

    https://www.salon.com/2002/03/18/light_4/

    https://medium.com/@scottproposki/remembering-thomas-kinkade-and-learning-from-his-meteoric-rise-7dafbf3476d6

    https://www.susanorlean.com/articles/art_for_everybody.php

    https://www.salon.com/2002/03/18/kinkade_village/

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    https://hereswhatsleft.typepad.com/home/2004/12/conservative_ar.html

    https://news.artnet.com/art-world/brexit-art-preference-study-1368613

    https://medium.com/@baudart1965/thomas-kinkade-paintings-not-worth-much-if-anything-because-of-oversaturation-d298f1661b1e

    https://www.bloomberg.com/news/articles/2013-08-29/science-explains-why-it-s-so-easy-to-hate-painter-of-light-thomas-kinkade

    https://www.newyorker.com/culture/culture-desk/thomas-kinkade-death-of-a-kitsch-master

    https://www.theguardian.com/theguardian/1999/jul/12/features11.g22

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