Go on. Press the button. Paul Stephenson guides us through a choice of his varied, formally diverse and moving elegies in his Carcanet collection Hard Drive -- written in the years following his partner's sudden death -- and find a curiously life-affirming exploration of grief and its aftermath.
Robin and Peter also make their way across Europe (simultaneously in both the 21st and the 19th Centuries) in the company of Janet Sutherland whose The Messenger House (Shearsman Books) is a highly-ambitious weaving of history, poetry and travelogue. At the border, we flag down Charlotte Gann to examine her Cargo -- a characteristically brilliant new pamphlet by published by Mariscat Press. And, tugging at the long roots of prosimetra, we find Boethius, Dante, David Jones and a 12th Century bloke called Hugh of Bologna.
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A classic interview from the archive: Inua Ellams talking about his extraordinary book The Actual (Penned in the Margins, 2020), a powerful, personal and often very funny collection that pokes a sharp stick at the legacy of British Empire, foolish machismo, hero culture, relationships and much more.
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
Go on. Press the button. Paul Stephenson guides us through a choice of his varied, formally diverse and moving elegies in his Carcanet collection Hard Drive -- written in the years following his partner's sudden death -- and find a curiously life-affirming exploration of grief and its aftermath.
Robin and Peter also make their way across Europe (simultaneously in both the 21st and the 19th Centuries) in the company of Janet Sutherland whose The Messenger House (Shearsman Books) is a highly-ambitious weaving of history, poetry and travelogue. At the border, we flag down Charlotte Gann to examine her Cargo -- a characteristically brilliant new pamphlet by published by Mariscat Press. And, tugging at the long roots of prosimetra, we find Boethius, Dante, David Jones and a 12th Century bloke called Hugh of Bologna.
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
We are back and delighted to bring you more wonderful poetry in 2024. So let's illuminate the new year with Tamar Yoseloff, whose long engagement with visual art has created a poetry that blazes out against a black backdrop. We’ll hear poems from two Seren collections A Formula for Night her New and Selected poems and The Black Place (2019). Plus we will get a preview of her forthcoming collection Belief Systems from Nine Arches.
And we discuss the highly impressive Self-Portrait as Othello Carcanet Poetry (2023) by Jason Allen-Paisant a deserved winner of this year’s TS Eliot prize -- and talk about a little known scribbler called William Shakespeare.
Photo of Tamar Yoseloff by Stephen Wells.
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
Happy New Year! We're on our festive break, but wanted to share with you another classic interview from the archive. Here's Kim Moore talking about her Forward Prize-winning collection 'All the Men I Never Married' from Seren Books.
Support the showPlanet Poetry is a labour of love, paid for out of our own pockets.
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Psssst! Here's a moment of reprieve from the festive frenzy... Follow Jane Clarke wobbling on an oak log slick with frost, then she smooths us down a butter path to a place of poetry. Here we revel in the beauty and quiet authority of Jane's collection A Change in the Air shortlisted for the T.S.Eliot prize among others.
Peter finds listening to a Christmas carol to be a slippery slope to goblin greengrocers and secretive Christina Rossetti, while Robin rouses the old possum and revisits Journey of the Magi by T.S. Eliot. And, as if that weren't enough, we neatly put a bow in the red ribbon of the show, with Congregation, a Christmas poem from Jeremy Page
Thanks so much for listening to Planet Poetry in 2023. Merry Christmas and happy holidays everyone. Here's wishing you a Peaceful New Year!
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
Go on. We dare you to reach across the gulf to Planet Poetry. This time you'll find Martyn Crucefix, reading poems from his Salt collection Between A Drowning Man. This ambitious, timely work depicts the isolation and polarisation brought about by Brexit, Populism, social media and more. A deep and subtle work that reflects these troubled times, and yearns towards empathy.
Then let's delight in a poem from Clare Best’s new book Beyond The Gate and gaze into the mutable future: reporting back from a first encounter with Changing by Richard Berengarten, a magnum opus inspired by a lifetime of association with the I Ching -- the ancient Chinese text used for divination.
But there's one thing you can be 100% sure of: the usual banter from your pals Robin and Peter as they grasp another prickly poetic nettle.
Planet Poetry is a labour of love, paid for out of our own pockets.
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All aboard! Planet Poetry is going to rattle you into a Belfast haunted by absence. Here you'll meet Leontia Flynn and discover how the upheavals of Brexit and the pandemic have been echoed by ruptures and aloneness in her own life. Her magnificent response is the spare and intensely-moving collection Taking Liberties from Cape.
Meanwhile Peter has been reading I will Not Fold These Maps by the Bidoon (stateless) poet Mona Kareem, whose refreshingly direct style adds a touch of surrealism to reflect the absurdity of not being a citizen of the country you were born in. Then Robin (thanks to the marginalian) is enchanted by the astronomer poet Rebecca Elson and her collection A Responsibility to Awe from Carcanet Classic. Sampling a poetry that places an awareness of the poet's own mortality against a backdrop of stars.
Planet Poetry is a labour of love, paid for out of our own pockets.
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Hush your vuvuzela! Barnsley's own Ian McMillan lobs the keeper and helps Planet Poetry's fourth season start with a belting win. He treats us to selections from To Fold The Evening Star, New and Selected Poems from Carcanet as well as his smith|doorstop pamphlet, Yes But What Is This? What Exactly?
Plus your podcast pals Robin Houghton and Peter Kenny strap on their boots and shin pads, and discuss everything from Spitfires to a Welsh shrine-like display for R. S. Thomas, they dip into books by Denise Levertov, Glynn Maxwell and Han Kang, sprinkle a few Neanderthals, a Stanza Anthology and Robin's great plunger into the mix, and... Yep! Planet Poetry is back.
Photo of Ian McMillan by Adrian Mealing
Books mentioned by Robin & Peter:
The Man Who Went into the West, The Life of RS Thomas by Byron Rogers (Aurum 2006)
The Big Calls, Glyn Maxwell (Live Canon, 2023) The White Book, by Han Kang (Portobello Books 2018) and The Naked Neanderthal by Ludovic Slimak (Penguin 2023).
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
We revisit the Spring of 2021 and Robin's interview with Kathryn Maris, principally about her collection The House with only and Attic and a Basement (Penguin, 2018).
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
Another absolute sparkler from our trove of first season interviews. Charlotte Gann talks about her exceptional Happenstance Press collections, Noir, and The Girl Who Cried.
Back with season four on October 12 2023
Planet Poetry is a labour of love, paid for out of our own pockets.
If you enjoy the podcast, please show your support and Buy us a Coffee!
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