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    Weirdhouse Cinema: Halloween III

    enOctober 15, 2021

    Podcast Summary

    • Building connections within communities and exploring new placesNeighbor to Neighbor highlights the importance of relying on neighbors for social bonds and support, while the 2023 Nissan Frontier empowers you to discover new places with ease. AI is transforming industries, and John Carpenter's influence on Halloween 3: Season of the Witch is undeniable.

      Building meaningful connections within communities is essential for personal growth and preparedness. Neighbor to Neighbor, a California volunteer network, emphasizes the importance of relying on neighbors for social bonds and support during uncertain times. Meanwhile, the 2023 Nissan Frontier empowers you to discover new places and reach them with ease. In the realm of technology, artificial intelligence is expected to play a significant role in shaping the future. Technically Speaking, an Intel podcast, explores how AI is transforming various industries like health care, retail, entertainment, and personal computing. Lastly, despite not being officially credited, John Carpenter's influence on Halloween 3: Season of the Witch is undeniable, making it a fan favorite among his works.

    • A John Carpenter Halloween film without Michael MyersHalloween 3 offers a unique blend of Carpenter's style and lowbrow absurdity, inviting viewers to immerse in its strange world despite Michael Myers' absence.

      "Halloween 3: Season of the Witch," despite not being directed or written by John Carpenter and not featuring any recurring characters or plot elements from the original film, still fits perfectly within the John Carpenter Halloween cinematic universe. This movie, which is largely hated but gaining a cult following, stands out for its unique blend of Carpenter's style and the lowbrow absurd. Although Michael Myers is absent from the story, he is referenced through the playing of the first Halloween movie on TV. The primary pleasure of this film comes from its audio-visual texture, making it a "rub the fur movie" that invites viewers to immerse themselves in its strange and ludicrous world.

    • A new horror film each Halloween under the Halloween bannerThe Halloween franchise attempted to create a new horror film annually under the Halloween name, but the concept was ahead of its time and not initially successful.

      The Halloween franchise, starting with the original film by John Carpenter, has had a significant impact on the horror genre, leading to various spin-offs and anthology films. The idea behind Halloween 3: Season of the Witch was to create a new horror film each year under the Halloween banner, with no connection to the Michael Myers storyline. This concept was inspired by other horror franchises and was likely ahead of its time, as audiences at the time still preferred the traditional Michael Myers storyline. The film, while not a financial success initially, has since gained a cult following and is appreciated by horror fans and filmmakers alike. The Halloween franchise continues to evolve, with new installments being released regularly.

    • A debate on the cohesion of Halloween sequels, focusing on 'Halloween 3: Season of the Witch'Speakers discuss their preference for the original Halloween film and express disappointment with the series' deviation from the slasher formula in 'Halloween 3'. They propose an anthology series instead and defend the film against criticisms, acknowledging its unusual direction but not intending an anti-children statement.

      The discussion revolves around the desire for more cohesive Halloween sequels after the original, with the debate focusing on "Halloween 3: Season of the Witch." The speaker expresses disappointment that the series deviated from the slasher formula and became more unrelated to Michael Myers. They share their personal preference for the first film and the idea of an anthology series instead. The discussion then moves to a brief summary of "Halloween 3," which the speaker defends against criticisms, particularly from Roger Ebert. They acknowledge that the film might be perceived as anti-children due to the villain's intentions but argue that it's not a definitive statement against children. Overall, the conversation highlights the nostalgia for the original Halloween film and the fascination with the unusual direction that the sequels took.

    • Fears of surveillance, corporate control, and technology in Halloween IIIThe film's commentary on the dangers of corporations and technology is still relevant today, with its themes of safety and well-being being threatened by advanced innovations.

      The fears and themes explored in the 1982 horror film "Halloween III: Season of the Witch" are still relevant today, despite some of the plot points being far-fetched. The film's director, Tommy Lee Wallace, drew inspiration from his fears of surveillance, corporate control, and technology. These themes are reflected in the story of a large corporation producing dangerous Halloween masks that harm children. While some elements of the film may seem disconnected, such as the druid magic storyline, the intelligent core of the film is its commentary on the world we live in, where corporations and technology can pose threats to our safety and well-being. The film's marketing, with its tagline "The night no one comes home," contradicts the plot, but it speaks to broader fears of children being harmed outside the home, while the reality is that they may be more vulnerable at home. Overall, "Halloween III: Season of the Witch" offers a thought-provoking commentary on the dangers of technology and corporate control, and its relevance to our modern world is a testament to its enduring appeal.

    • Bringing Halloween back to its rootsA sense of shared purpose and community can help overcome challenges and make a difference, even if it means returning to disturbing or violent origins.

      In the horror movie "Halloween," the villain, Michael Myers, is not driven by personal enjoyment or satisfaction, but rather by a cosmic belief that certain events must occur for the planet. This is similar to the villain in the discussion, who sees Halloween as having lost its true meaning and intends to bring it back to its roots, no matter how disturbing or violent that may be. This sense of duty and belief in a higher purpose sets these villains apart from typical horror movie antagonists. Additionally, the discussion touches on the idea of community and connection, as exemplified by the Neighbor to Neighbor volunteer network. The takeaway is that sometimes, it takes a sense of shared purpose and community to overcome challenges and make a difference.

    • EBay Motors: A vast selection of automotive parts for customization and savingsEBay Motors offers over 122 million parts, ensuring a perfect fit with their guaranteed fit feature, and saves money compared to other options. Director Tommy Lee Wallace made his debut with 'Halloween III: Season of the Witch' and collaborated with John Carpenter on the film's unique electronic score.

      EBay Motors offers a vast selection of automotive parts, ensuring your vehicle stays in top shape. With over 122 million parts available, there's no limit to the customizations you can make. Plus, with the eBay guaranteed fit, you can trust that the parts will fit your vehicle perfectly the first time. And the best part? You'll save money compared to other options. Now, let's talk about the people behind the 1982 horror classic, "Halloween III: Season of the Witch." Director Tommy Lee Wallace made his directorial debut with this film, having previously worked on other John Carpenter projects. His career took off after this, with him going on to direct films like "Fright Night 2," "It" (TV series), and "Vampires: Los Muertos." John Carpenter, the film's producer and composer, played a significant role in the movie's success. His electronic film score, created in collaboration with Alan Howarth, is a standout feature of "Halloween III." The duo's music is considered among their best work, with the score's heavy, lead-heavy and light-as-a-feather synth elements setting the perfect tone for the film. The science fiction elements in the plot allowed for a more electronic score, making it a unique addition to the "Halloween" franchise.

    • A horror film exploring witchcraft in the computer ageTommy Lee Wallace's 'The Curse of Michael Myers' blends horror and comedy with a complex, messy lead character played by Tom Atkins.

      "The Curse of Michael Myers" (1995) can be described as a horror film exploring witchcraft in the computer age. The movie's logline, as mentioned by Tommy Lee Wallace, accurately captures its essence. The film's script was influenced by Nigel Kneale, who wrote the classic 1967 sci-fi film "Quatermass and the Pit." Tom Atkins delivers a hilarious performance as the lead, Dr. Daniel Challis, a hard-drinking doctor who is not a cop, despite his tough guy persona. Atkins' character is a mess with multiple relationships and questionable behavior, but that's what makes him so entertaining. One of these relationships is with Ellie Grimbridge, played by Stacy Nelken, who is the female lead. Despite Atkins' comedic aura in the film, it's essential to note that he is an excellent actor. His character's complexities add depth to the horror story.

    • Forced romance and strong performancesThe romance between the leads feels unnatural but Stacy Nelkin's acting and Dan O'Herlihy's villainy make 'Halloween 3: Season of the Witch' an intriguing watch.

      The romance between the two main characters in "Halloween 3: Season of the Witch" feels forced and makes no sense. Despite this, Stacy Nelkin's performance as the heroine is praised by critics, particularly her reaction shots which show a captivating and humorous attention. The final twist in the movie, where it's revealed that the second lead character is a robot, is a standout moment, leaving viewers questioning if she was an android the entire time or if she was replaced at some point. Dan O'Herlihy's portrayal of the villain, Connell Cochran, is also noteworthy, combining elements of a corporate suit and a warlock, and adding to the film's themes of technology and corporate control. Overall, while the romance may be confusing, the strong performances of Nelkin and O'Herlihy make "Halloween 3: Season of the Witch" worth watching.

    • Actor Dan O'Herlihy's Impressive FilmographyDan O'Herlihy's filmography spanned several decades and genres, including war, science fiction, and horror films. He acted alongside notable actors like Joey Preston, Jonathan Carey, and Al Berry in 'The Last Starfighter.' Nancy Kai, known for her role as Annie Brackett in 'Halloween,' also appeared briefly in the film.

      Dan O'Herlihy was a prolific actor with an impressive filmography, spanning several decades and various genres. He appeared in numerous films, including war and science fiction movies, and even had roles in classic horror films like "Halloween." One of his most notable roles was in "The Last Starfighter," where he played the copilot, Greg, alongside a young Joey Preston. O'Herlihy also had a son, Gavin O'Herlihay, who appeared in films like "Willow." Other notable actors in "The Last Starfighter" included Jonathan Carey, who played Starker and appeared in "Return of the Living Dead," and Al Berry, who played Harry Grimbridge and was also in "Re-Animator." A brief appearance in the film was made by Nancy Kai, known for her role as Annie Brackett in "Halloween." Despite retiring from Hollywood, Kai's post-career was intriguing, and O'Herlihy's filmography remains a testament to his versatility as an actor.

    • Art from Garbage: Sydney Pond's SculpturesDiscovering the artistry of Sydney Pond, who creates sculptures from garbage, and admiring other artists' innovative use of unconventional materials, such as recycled items and celluloid film.

      The discussion revolved around the discovery of a sculpture artist named Sydney Pond, whose works are made entirely out of garbage. The speaker was impressed by this genre of sculpture and had recently seen a similar exhibit using recycled materials. They also mentioned the movie "Metalstorm: The Destruction of Jared-Sin," where Michael Myers and Jamie Lee Curtis had cameos, and the cinematographer, Dean Cundy, played a significant role in giving the film a John Carpenter feel. Additionally, Ralph Bakshi, a legendary animator, had a credit in the animation department of the film. The speaker expressed admiration for these artists and their unique approaches to creating art from unconventional materials.

    • Building strong community connections and being preparedEmpower yourself with strong community ties and reliable resources for unexpected events, ensuring safety and adventure for you and your loved ones.

      Building strong community connections and being prepared for unexpected events are essential. Neighbor to Neighbor emphasizes the importance of relying on those around us, whether it's lending a helping hand or standing together during natural disasters. Meanwhile, the all-new Hyundai Santa Fe empowers us to embark on adventures and bring our loved ones along for the ride. Additionally, eBay Motors offers a wide range of parts to keep our unique rides running smoothly. Apple Card, with its cashback rewards, adds value to everyday purchases. The opening sequence of "Halloween 3" sets the tone with its pixelated visuals, hinting at the unexpected blend of technology and horror that follows.

    • Opening scene in 'The Fog' showcases Carpenter's styleThe opening scene of 'The Fog' uses tension, eerie atmosphere, and clever tricks to introduce John Carpenter's unique cinematic style.

      "The Thing" opening scene in "The Fog" (1982) is a perfect example of the distinctive cinematic style of John Carpenter and Dean Cundey. The scene's use of an empty, desolate setting and the old man's fearful flight from unseen pursuers, accompanied by the haunting synthesizer score, is reminiscent of earlier Carpenter films like "Halloween" (1978). Tommy Lee Wallace, the director, admitted to stealing these shots of empty sets before characters entered them. The scene's tension builds as the old man hides in a junkyard, fights an attacker, and escapes using a clever trick. The surreal moment when the attacker reacts like a malfunctioning machine adds to the film's eerie atmosphere. The scene transition to a service station with a British news report about Stonehenge's mysterious disappearance marks a shift in tone, introducing elements of the supernatural and humor in the Carpenter universe.

    • The Silver Shamrock commercial in Halloween IIIThe Silver Shamrock commercial in Halloween III is both annoying and eerie, featuring a catchy jingle, unsettling voice-over, and haunting imagery. Its repetition and connection to a nursery rhyme heightens its impact on the film.

      The Silver Shamrock commercial in "Halloween III: Season of the Witch" is both intensely annoying and beautifully eerie. The jingle, intended to annoy, is set to the tune of "London Bridge is Falling Down," which has theories rooted in child sacrifice. The commercial features a creepy voice-over trying to sound child-friendly, but with an unsettling undertone. The commercial's green clover logo, demented child head, and iconic Halloween masks create a haunting image. The commercial's looping or repetition adds to its impact, and the commercial's connection to an old nursery rhyme adds a chilling layer to the film. The commercial's effect is heightened when the power goes out, and the gas station attendant encounters the old man with the jack o'-lantern mask from the commercial. The scene then shifts to Tom Atkins' character, Dan Challis, surprising his ex-wife with Silver Shamrock masks, which the kids prefer over the older plastic masks. The commercial's impact on the film is significant, creating a sense of unease and anticipation.

    • Halloween commercials hold power over childrenChildren eagerly watch commercials for Silver Shamrock masks, disregarding warnings and risking their lives

      In the universe of Halloween 3, TV commercials function like scheduled programming, and children intentionally tune in to watch Silver Shamrock commercials, even if they already have the masks. Tom Atkins, a character in the film, is a doctor who disregards warnings about his drinking habit and leaves his house just as his ex-wife criticizes him for it. At the hospital, an old man, who is a victim of the Silver Shamrock curse, becomes agitated upon seeing a commercial and is heavily sedated. Meanwhile, Tom Atkins returns to his office and opens his refrigerator, revealing a strange assortment of items, including champagne and tomato juice. The old man is later murdered by an android in a gruesome and illogical manner, showcasing the film's effective and uncanny kills. Despite the ominous signs, Tom Atkins continues to disregard the danger and ultimately meets his own demise.

    • Tom's pursuit of the android killerDespite the hospital lacking security, Tom's determination to uncover the truth about the android killer leads him to chase down clues, witness self-destruction, and question the sheriff's dismissive conclusion.

      The film's plot is driven by the mysterious nature of the android killer and the protagonist Tom Atkins' determination to uncover the truth. Despite the hospital seemingly lacking security, it's up to Tom to chase down the murderer. When the killer immolates himself and his car, Tom is left with only car parts and no body. This leads to the revelation that the killer was an android, but before that, Tom chases the man in a gray suit outside, only to witness his self-destruction. Tom's ex-wife yells at him over the phone about picking up their kids while he investigates, and later, Ellie Grembridge, Harry Grembridge's daughter, comes to the hospital to identify her father's body. The sheriff dismisses the case as a drug-related suicide, but Tom isn't convinced. He asks a lab friend to examine the remains for clues about the killer's identity and motives. Tom's character continues to blur the lines between cop and doctor, and he even shares a kiss with a lab friend as he leaves. Overall, the film's intriguing plot and Tom Atkins' relentless pursuit of the truth keep the audience engaged, even if some elements seem illogical or implausible.

    • Duo's journey to uncover the truth behind the Silver Shamrock masksTom Atkins and Stacy Nelken team up to investigate the mysterious deaths linked to Silver Shamrock Halloween masks, uncovering their sinister purpose in Santa Mira.

      In "Halloween III: Season of the Witch," Tom Atkins' character, Dan Challis, and Stacy Nelken's character, Ellie Grimbridge, team up to investigate the mysterious deaths of children connected to the Silver Shamrock Halloween masks. While at a gloomy bar, they share information and Ellie reveals that her father, Harry Grimbridge, had planned to visit the Silver Shamrock factory in Santa Mira before his death. After discovering this, they decide to investigate the factory together. A notable detail is that Tom Atkins' character is not the main detective figure in the movie, as Stacy Nelken's character does most of the detective work. Additionally, the Silver Shamrock commercial, which Tom Atkins expresses dislike for, is played multiple times throughout the movie, growing increasingly ominous as more information about the masks' sinister purpose is revealed. Overall, the setup to the plot revolves around the duo's journey to Santa Mira to uncover the truth behind the Silver Shamrock masks and the mysterious deaths.

    • A Small Town's Dark Secret: Santa Mira's Hidden HorrorsFounded as a dairy town, Santa Mira transformed into a toy factory during WW2, producing Halloween masks. Strict surveillance, eerie atmosphere, and unusual visitors hint at dark secrets. Town founder, Conal Cochrane, is a genius inventor of toys and automatons.

      "Northern California's Santa Mira is a seemingly idyllic town with a dark secret. Founded around a large dairy in the late 1800s, it transformed into a toy factory during World War 2, producing Halloween masks under the name Silver Shamrock Novelties. The town, predominantly Irish, is under strict surveillance with security cameras everywhere, creating a panopticon-like atmosphere. Visitors, including Tom Atkins and Stacy Nelkin, are met with suspicion and are surrounded by an eerie sense of unease. As Halloween approaches, strange occurrences begin, and the town's founder, Conal Cochrane, is revealed to be a genius inventor of both toys and automatons. The town seems to attract unusual visitors, such as a disruptive family and an angry woman, Marge Gutman, who was once married to Tom Atkins. As the curfew looms, Tom and Stacy's investigation into the town's mysteries intensifies, leading them deeper into the horrors of Santa Mira."

    • Uncovering Santa Mira's Dark SecretsThe cursed Shamrock mask causes gruesome transformations and the factory owner's plan to burn down the factory reveals the presence of androids, emphasizing the danger lurking in Santa Mira.

      "Halloween II" continues the suspenseful and eerie atmosphere of the first film, with Santa Mira enforcing a curfew and harboring dark secrets. Tom Atkins' character accidentally stumbles upon some of these secrets when he meets the town drunk, who reveals the factory owner's plan to burn down the factory and the presence of androids. Marge Gutman's encounter with a cursed Shamrock mask leads to a gruesome transformation, further emphasizing the danger lurking in Santa Mira. The factory tour, reminiscent of Willy Wonka's, adds a sense of unease as the characters are unknowingly led into danger. The film's use of iconic settings and characters, such as the town drunk and the Silver Shamrock masks, adds to its horror legacy.

    • A factory owner orchestrates a plot to sacrifice children using androids and magical powersA factory owner exploits children's fear of Halloween to activate a magical transformation through masks and commercials, causing mass chaos and destruction

      In the movie "Halloween III: Season of the Witch," Connell Cochran, the factory owner, creates androids and orchestrates an international plot involving the mass sacrifice of children using magical powers and a stolen piece of stone from Stonehenge. The androids are programmed with microchips containing this magical power, which is activated when children wear Silver Shamrock masks and watch a commercial with a specific signal. The result is a horrific transformation of their heads into creatures. The less humans understand about Cochran's plans, the more magical and mysterious they become. Tom Atkins' character, Ellie's father, figures out the truth and is captured by Cochran. The climax reveals the plot and the devastating consequences when children across the country watch the commercial and transform.

    • Exploring the dark origins and consequences of Halloween traditions and technologyThe seemingly harmless traditions and advancements of Halloween and technology can have hidden dangers, especially when we fail to understand their origins and implications.

      Key takeaway from the discussion about "Halloween 3: Season of the Witch" is the exploration of the dark origins and potential consequences of Halloween traditions and technology. The villain, Connell Cochran, delivers a chilling monologue about the festival's roots in ancient Celtic practices, which involved inviting the real and unreal worlds to merge and even included human sacrifices. Cochran also implies that modern society, with its acceptance of Halloween and technology, is repeating these past mistakes. The movie's themes resonate with the idea that seemingly harmless traditions and advancements can have hidden dangers, especially when we fail to fully understand their origins and implications. The villain's monologue is a highlight, painting a vivid picture of the festival's dark past and the potential consequences of ignoring its true nature. The movie maintains its suspense and horror throughout, making it a unique and thought-provoking entry in the Halloween franchise.

    • Exploring community connections through podcasts and volunteer networksEngage in podcasts, volunteer networks, and transparent wireless services to expand your network and make a positive impact on your community.

      There are various ways to connect with your community and build meaningful relationships. Whether it's through listening to podcasts like Weird House Cinema, engaging in volunteer networks like Neighbor to Neighbor, or joining podcasts that explore deep questions with interesting guests like Minnie Questions, there are opportunities to learn, grow, and connect with others. It's important to remember that the people around us can be valuable sources of support and community, especially during uncertain times. Additionally, transparent and affordable wireless services like Visible can help keep us connected through technology. So, take advantage of these resources and opportunities to expand your network and make a positive impact on your community.

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