Agency Collective Tales
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Episodes (65)
Tom Smith @ Complete Online
Charles Sladdin @ Purple Banana
This month, Ellie spoke to Charles Sladdin, founder and MD of Purple Banana.
We talked about finding the balance between carving a niche that makes you unique but making sure that it's one that you love, why B Corps are the future of business and why stepping back from the day to day can be so difficult.
Joe Perkins @ Chaptr
Ben Thomson @ Full Metal Software
Zara Deegan @ EXT MKTG
Stewart Ritchie @ Powered by Coffee
Stewart talks about how he went from creating online forums for fun as a teenager to taking this specialism into a successful agency working with medium / large scale media clients, via a degree in Human and Mammalian physiology!
He also shares how his adulthood diagnosis has shaped the way Powered by Coffee is run so that it compliments neurodiversity, rather than using a cookie cutter business model, as well as the agency's exciting future projects.
Rea Averill @ Agency A
Pete Heslop @ Steadfast Collective
Tony Hallett @ Collective Content
Harry Fielder @ Umi Digital
00:00:00:12 - 00:00:10:10
Intro
Welcome to the Agency Collective Tales with Ellie Hale, our podcast,
where we talk to our brilliant agency owners about all things agency
life.
00:00:11:02 - 00:00:16:00
Ellie
I am joined today by Harry Fielder from Umi Digital, thank you so
much for being on the podcast, Harry.
00:00:16:19 - 00:00:17:17
Harry
Lovely to be here.
00:00:17:23 - 00:00:21:11
Ellie
You were about to tell me, Umi Digital, where that came from.
00:00:21:21 - 00:00:53:22
Harry
Yeah. So it's an untypical origin. So Umi actually started its life
as a hotel company, so Umi Hotels predated Umi Digital. So my
business partner Steve Lowy founded Umi Hotels back in 2007. There
was one in Brighton, one in Moscow and one in London. The one in
Moscow was a franchise set up. Interesting experience. And Umi
Digital was actually formed out of the internal marketing department
breaking away and becoming its own thing back in 2007 through 2010.
00:00:53:23 - 00:01:09:10
Harry
The hotel itself built up a really good flow of direct bookings,
trying to pull bookings away from the online travel agents because
obviously they charge so much commission: It's 20% commission
through online travel agents. So the goal for hotels is really to
just drive their own business and there was a business in itself.
00:01:09:17 - 00:01:13:01
Ellie
They'd already laid the groundwork and then went off and started to
find clients.
00:01:13:02 - 00:01:35:13
Harry
Exactly. My first piece of work with the business was actually with
the central merged hotel and marketing setup. I then went back to
university, by which time when I came back, it had split off and
that's when I joined Steve as a co-founder and we ended up growing
the business as it is today. He then dipped out as a Day-To-Day
operational member of the team, sort of maybe in 2017 or so to run
an educational travel business, and we've grown it from there.
00:01:35:14 - 00:01:41:13
Harry
It's nice because when you're in a niche, it's very compelling to be
able to say you were once a client. You were once -
00:01:41:14 - 00:01:42:13
Ellie
Right in the heart of it!
00:01:42:13 - 00:01:59:21
Harry
Yeah, absolutely. And in all the methodologies and the processes and
everything that we have today actually stems from being a hotel
company and we can really track back what the needs were. There's a
few members of the team that overlapped, when Umi Hotels were still
involved, so we still have some company memory of that. Always
remained at the heart of what we do.
00:02:00:04 - 00:02:03:20
Ellie
So talk to me about the last two years. How has that affected the
agency?
00:02:04:05 - 00:02:31:22
Harry
March 2020, our revenue dropped 60% within a week. The split of our
services, I'd say it's probably 60% recurring marketing support,
advertising support, creative on those monthly retainers with 40%
being design and build and project based stuff. The project based
stuff a lot of it was put on ice. Just because we deal with
exclusively in hospitality and travel sector they literally shut up
shop overnight almost or if they didn't shut up shop overnight they
didn't have the confidence in which to base new investments in new
projects.
00:02:31:22 - 00:02:48:19
Harry
So we naturally had to keep things online. So there was an element
of basic income throughout that, but certainly not enough to feed
all the mouths and we had to use furlough a lot. The most painful
thing was that we have a relatively young team and everyone had been
used to a lot of growth. Over the last five years, we've been
doubling year on year since 2016 really.
00:02:48:19 - 00:03:01:11
Harry
So I think for people to get their heads around not making progress
was a really tough mental thing. You know, particularly for me, I'd
only really known growth but actually success in itself was just
staying alive and staying afloat.
00:03:01:23 - 00:03:04:06
Ellie
How did that affect you as an agency owner?
00:03:04:07 - 00:03:22:11
Harry
I've really torn because there's this feeling of wanting to protect
everyone. At the time we had a head count of about eight or nine.
That feeling of not wanting to panic anyone and being say, "Oh,
it'll be fine!" just because that's what you want to say. They've
got their mortgages they've got their lives, right? And then you're
split between being incredibly transparent and saying, "Right, this
is the reality of the situation.
00:03:22:11 - 00:03:43:01
Harry
I don't know if we're going to make it out of it." There were times
when I gave it a far higher probability of it not working out than
working out. So it was really tough to try and strike that balance
of not creating alarm or panic unduly, but also respecting people's
intelligence that clearly there's something at play here and clearly
there is something not right and it is bad.
00:03:43:01 - 00:03:46:21
Harry
That was probably the toughest thing of understanding how to
communicate in a crisis.
00:03:47:03 - 00:03:55:22
Ellie
Yeah, I guess you never had to learn that lesson before, right? Did
you just follow instinct or did you seek advice on it? Did you speak
to other agency owners about how they were managing it?
00:03:56:03 - 00:04:13:22
Harry
I did have some advice. It was probably more given to me than me
actively seeking it out, which I think has changed my approach to
seeking advice. Actually, in the last few years, as well, because it
made me realise just how valuable an external opinion is. Maybe that
slight arrogance moving away when you realise you can't control
anything.
00:04:13:22 - 00:04:27:06
Harry
Yes, it was more about that pushed me towards the 'Just be very
transparent." You don't have to go into all the details of the
numbers, but show them the basic overview of where we're at, how
much it costs to keep the lights on. This is where we're at from a
cash point of view. This is the money coming in.
00:04:27:19 - 00:04:46:04
Harry
Here's a best case scenario, here's a median case scenario, here's a
worst case scenario, and this is how we can all pull together to
make this thing work. That in itself, transitioned my thinking away
from "I'm the only one that can solve this problem" to "Actually we
can collectively solve this problem", which, irrespective of the
pandemic, was another really important lesson as well.
00:04:46:04 - 00:05:10:17
Harry
Because at the size of eight people, very director-led sales, pretty
much all revenue goes through me. I have a hand on a lot of the
projects not delivering them necessarily, not account managing them
per se, but I have a relationship with most people and I think it
told me to let go a little bit and realise that you can't control
everything all the time and the sooner you can trust people and
share the responsibility of success, then it is a weight off your
heart and your head.
00:05:11:04 - 00:05:12:19
Ellie
Yeah, definitely easier said than done though, hey?
00:05:13:04 - 00:05:15:14
Harry
Oh, massively, but it was quite a liberating experience.
00:05:15:16 - 00:05:20:01
Ellie
Absolutely. So did you just have to do it bit by bit? This task,
this project.
00:05:20:17 - 00:05:38:17
Harry
Initially it was: "Right. I need you to all find areas that we can
save some money. What tools are we paying for that we're not using?
How much are we chucking down the drain on random marketing bits and
bobs? All these tools that we've subscribed to, that weren't really
that important." We managed to find so many savings around servers
just because traffic was so much lower.
00:05:38:17 - 00:05:55:21
Harry
We could. The requirement of us having all these advanced tools was
just so much lower because business operationally had become a lot
slower. So that was the first thing. The second thing was getting
people buying into the whole furlough thing. Those furlough
conversations to me, because I've never had to let anyone go before
Almost felt like I was letting someone go
00:05:55:21 - 00:05:56:08
Ellie
I bet.
00:05:56:17 - 00:06:06:22
Harry
And you look back on it and you think from an HR perspective, that's
probably the easiest thing you're ever going to do. Tell someone
that you can go and earn a good chunk of money by not doing
anything. At the time, it was just so hard.
00:06:06:22 - 00:06:22:05
Ellie
But nobody knew what it meant though, did they? And I guess nobody
knew two years later, we'd still be in all sorts of mayhem because
of it. And I guess to be told you were going on furlough two years
ago, it was the unknown, wasn't it? Is this the first step to me
losing my job? What's going to happen?
00:06:22:05 - 00:06:38:24
Harry
Exactly! And why some people were furloughed and not others? And
then that comparison of going, why am I less important? So when you
look back on it, yes, it was a wonderful scheme and the scheme
itself made sure that we could continue operating and these people
could continue their jobs. So for us, it did exactly what it was
designed to do, given the industry we're in and everything.
00:06:39:02 - 00:06:39:18
Harry
Yeah, it was tough.
00:06:40:07 - 00:06:46:16
Ellie
Especially then. I guess another HR perspective is dealing with the
staff that are left behind to do all of the work.
00:06:47:00 - 00:07:05:10
Harry
There was left to do. But it was more panic messaging. Every client
that we were speaking to, it was never a nice conversation to have.
Even if the relationship between us and them was fine, all their
communication was out of panic and they weren't having a fun time of
it at all. So trying to support them through that panic and that
distress was also quite draining.
00:07:05:10 - 00:07:34:15
Harry
You're never celebrating big wins, and certainly in the agency
world, you latch onto your client's successes. If they win an award.
It's fantastic because you've had a part in that. If they have an
amazing year and you helped support them to that, you feel really
good about it. So deriving a sense of value in what you're doing,
both as an owner and manager and everything of it my sense of self
satisfaction in work is completely linked to the success of the
business, but for the staff as well, their sense of value is
delivering cool stuff for clients and clients being really happy and
grateful and seeing the results of it.
00:07:34:15 - 00:07:55:03
Harry
And when you can't see any of that. both from a progress point of
view, it's going backwards and from an individual client project
based thing. It's not backwards, but it's just not happening. The
motivation was really tough. We had one person move. For only one
person to leave in all of that time was great in hindsight, and that
was purely just because they were at a point in their career when
they really wanted to push on and do some cool stuff from a
development point of view.
00:07:55:03 - 00:08:13:09
Harry
They wanted to learn new technologies, deliver cool web apps and
everything, and that just wasn't the opportunity at the time. And
therein lies another dilemma. If someone's clearly not happy, to
what extent do you keep saying, Just hang on, we can do it because
you don't know that, and it's not very respectful to them as well.
If you keep trying to fit them into a job that, you know, they're
not quite00:08:13:15 - 00:08:14:22
Ellie
Yeah, dangling some carrots.
00:08:14:22 - 00:08:32:10
Harry
And that was another really tricky thing to learn. How do you try
and keep people without being able to promise anything, without
being to actually set milestones? Because everyone loves to know, if
I do this by then this will happen. You couldn't do any of that. So
incentive schemes or career progress or anything was not really
possible
00:08:32:10 - 00:08:34:01
Ellie
So how did you navigate through that?
00:08:34:12 - 00:08:57:14
Harry
I think that transparency came in very useful and the ability to say
"This is where we're at and if we can sign, we will unfurlough all
these people." And I said, "Right, every single project we get, it's
going to result in an unfurloughed person" or "This year is not
about making money that's long gone. But the mission of this is to
try and get everyone back in a role, get the team back", because
that's when everyone feels motivated as well, when they've got lots
of people to bounce off.
00:08:57:21 - 00:09:17:07
Harry
If you're the only person holding up your department it's pretty
depressing. In that furlough time. We spent so much time building
cool stuff. We had so much time to use so we built check in
applications for hotels, we did digital menus, we did track and
trace apps. We did all sorts of things. So we created a thing called
Umi Labs, which was just a playground really, that we had all these
hotels to test things on.
00:09:17:08 - 00:09:32:12
Harry
We don't really charge any money for it. It was just a playground,
really. For a year or two. That's actually resulted in some great PR
and some have gone forward. We created just a WordPress plugin, but
it was like a one click install and you could sell vouchers on your
site, so you didn't have to sign up for one of these big gift
voucher platforms that take a big commission.
00:09:32:12 - 00:09:46:04
Harry
It was just worked with Stripe, worked with Wordpress, off you go.
What vouchers you want to sell? And we have one hotel who covered
all non furloughed overheads through that - Afternoon teas and stays
and all that sort of stuff. So and that just came out of: "Oh, let's
just mess around with WordPress plug ins for a week or so."
00:09:46:10 - 00:09:47:03
Ellie
That's incredible.
00:09:47:03 - 00:09:47:19
Harry
That was cool.
00:09:47:19 - 00:09:54:12
Ellie
So when did you guys feel that you were coming out of the Dark? When
did things start picking up for you, travel wise?
00:09:54:12 - 00:10:12:12
Harry
I think there's been a few little upticks, definitely one big uptick
was we worked with a company called Northcote Hotel slash Michelin
Star Restaurant up north. They sold Michelin star food boxes and
that was just crazy. Everyone was at home, each one was very
expensive. They had about 4000 people wanting 400 boxes in the space
of 20 minutes.
00:10:12:12 - 00:10:30:02
Harry
There was lots of little spikes of activity and excitement which
kept our minds sharp. I guess but properly I would say SeptemberOctober. 21 was went across the board, started having people really
interested in kickstarting their marketing campaigns again, feeling
confident enough to build new platforms, new systems, launch new
products.
00:10:30:09 - 00:10:31:17
Ellie
Long time to hold your breath.
00:10:31:17 - 00:10:49:20
Harry
Yeah, it was. And again, we're not on the frontline of hospitality,
so we're not the hotel itself, but our fortunes are almost entirely
linked to it, much like other people in the industry. You've got
booking engine providers, you've got their model is they just take
three to 5% commission on any bookings at a hotel makes. Again,
they're not on the frontline, but they are directly linked to the
success of the industry.
00:10:50:05 - 00:10:56:19
Ellie
Yeah, lots of other people affected. So coming into this year, we've
finished the first quarter, now. What is next for Umi?
00:10:57:02 - 00:11:17:22
Harry
COVID probably taught us or taught me that pre-pandemic we'd landed
some really big projects, cool projects that should have probably
kickstarted a snowball for us and instead we were quite cautious
about it. We were very defensive and banked, that as a great
experience but didn't necessarily use it as a platform on which to
go and win loads of other big projects.
00:11:17:22 - 00:11:38:08
Harry
Now, in one way it meant that we didn't overstretch ourselves prepandemic and in hindsight probably was a contributing factor to
getting through it because we were so defensive and had a little war
chest to keep us going. However, it did show to me that we had
opportunities and didn't take them in the past. Since October, we've
had our most successful series of four months or whatever it is in
history.
00:11:38:08 - 00:11:56:15
Harry
We've hired four people in the last four months, and so this year is
about really kicking on. It's using the platform of both all the
learning that we've done so not necessarily project based stuff, but
we've learnt a huge amount in the last two years and have also
landed some great projects in the last few months and it's now using
that platform to set up quite an aggressive growth strategy for the
next year, really.
00:11:56:15 - 00:12:14:10
Harry
So. while we've been incrementally ticking up, I've set a budget to
really kick on this year. The other big change I think as well has
been in 2020, we still had a pretty junior team. I would say. We'd
done some good stuff, but we didn't have many really experienced
people. We still have never hired ex-senior people, ex-big agency.
00:12:14:15 - 00:12:37:10
Harry
We haven't done that. We still have grown quite organically and
people have grown within their roles. But another HR thing, going
back to HR, was there comes a point where someone's done something
very well even having started Junior is now no longer junior, and if
you just keep incrementing them, this is the next level up, this is
the next level up, and there's like a small tick, small tick, small
tick, their next logical step would be to jump sideways.
00:12:37:10 - 00:12:54:03
Harry
And so March this year, we almost like a rebalancing of just taking
a fresh perspective on everyone and start treating ourselves as more
of a small to medium sized business as opposed to a small business.
Just taking stock again, if this person was on the open market, what
does it look like and recalibrating.
00:12:54:03 - 00:13:05:03
Harry
Now, you could get away with: "We're in a pandemic. We can't do
anything. I understand you need more or want more or... Yes, you've
learnt a lot, but there's not a huge amount I can do now." But this
was a chance to try and rebalance it and recalibrate ourselves.
00:13:05:06 - 00:13:06:20
Ellie
Retention is so important.
00:13:06:20 - 00:13:26:04
Harry
Absolutely. It's such a dream to have someone start junior and go
all the way through because they've got so much history in the
company. They know all the quirks and the little details, such an
invaluable addition to the culture, unless there's a definite step
that they can take, particularly having grown from a small team,
they're probably at the top of their department all the way through
so there's not like, "Oh, I can take your job!"
00:13:26:04 - 00:13:42:15
Harry
"I'm the developer. Now I have a couple of developers underneath me,
now I know a lot more, what now? What do I do with that? There's not
a designed career ladder in this particular instance. In bigger
agencies, yes, you can have the normal steps. Wheras, for us, there
were no normal steps. I've got a wonderful operations director,
Dana, she's been my number two all the way through.
00:13:42:15 - 00:13:58:18
Harry
But what's next step? I don't want to do what I do. But also, we're
both complete yin and yang in the sense that she's got operations
and process and everything on complete lockdown. I'm not that at
all. For her, what's that next step when you're growing within a
company, but you've already at the top of something small, but
underneath you, things are getting bigger.
00:13:59:00 - 00:13:59:24
Harry
So that's been quite an interesting one.
00:14:00:09 - 00:14:02:18
Ellie
Yeah. So you still in the midst of working that out?
00:14:03:02 - 00:14:14:02
Harry
No, I think we had a good recalibration at the beginning of March,
and we also did a rebrand at the same time. Fresh brand, new HR
system, revised contracts. I think it's created a bit of a clean
slate in a way for setting quite an aggressive growth plan.
00:14:14:08 - 00:14:19:15
Ellie
And you've unified the team, right? You've got everyone on board.
You know, everyone's committed, now you can push.
00:14:19:22 - 00:14:36:05
Harry
Particularly post-COVID. If all the team start seeing the company do
very well, because we are transparent with revenue and profit and
all that kind of stuff, we're very transparent about that, if they
suddenly start seeing all of that and nothing's really changing for
them. You have the old school businesses where it might be 100%
owned by someone.
00:14:36:06 - 00:14:54:07
Harry
The profit that comes out of it at the end of the day is what they
live on and that's their thing and that can be huge, that can be
vast, they can be small it doesn't matter what it is, but all profit
is essentially pocketed. That attitude. I get it. I fully understand
it, but I think to a younger workforce it's really tough to get your
head around.
00:14:54:14 - 00:14:54:22
Ellie
Yeah.
00:14:55:05 - 00:15:08:21
Harry
It just doesn't really fly anymore. If you were to say if you made
all of this profit, what are we putting back in this next year? And
I think a younger staff member is going to want to know that people
really want to be working for something bigger. I don't really know
how it was before because I've been ever really been involved in a
young team, I guess.
00:15:08:21 - 00:15:09:15
Harry
But interesting one.
00:15:09:24 - 00:15:15:24
Ellie
So exciting things ahead for you guys. Thank you so much for sharing
that with us. Harry, it's been great talking to you.
00:15:16:07 - 00:15:18:09
Harry
Thank you very much for all your lovely questions.
00:15:19:01 - 00:15:29:15
Intro
Thanks so much for listening. Please don't forget to subscribe, stay
in touch and if you like what you hear. Find out more at
theagencycollective.co.uk
Kelly Molson @ Rubber Cheese
00:00:00:03 - 00:00:10:01
Intro
Welcome to the Agency Collective Tales with Ellie Hale. Our podcast,
where we talk to our brilliant agency owners about all things agency
life.
00:00:11:00 - 00:00:17:11
Ellie
So today on the podcast, I am joined by Kelly Molson from Rubber
Cheese. Thank you so much for being on the podcast, Kelly.
00:00:17:15 - 00:00:20:18
Kelly
Thank you for having me on the podcast, it's a pleasure!
00:00:21:01 - 00:00:34:02
Ellie
You are very, very welcome. So like we always do with Agency
Collective Tales, take us way back in time when Rubber Cheese first
started.
First off, where did the name come from?
00:00:34:05 - 00:00:52:08
Kelly
It's such a rubbish story to this and everybody always asks about
the name and honestly, we just plucked it out of thin air because we
were young and foolish and stupid. This was like nearly 20 years
ago. So there was like a theme of agencies being called like Blue
Chile or Green Banana. So rubber cheese didn't seem that odd back
then.
00:00:53:11 - 00:01:15:22
Kelly
And we were like 24, 25, didn't really think through the whole brand
image or brand story stuff back then. But we did actually run a
story competition later on in our agency career. So actually if you
go to the website, you will see there is a little story on there as
to why Rubber Cheese is called Rubber Cheesebut I'm going to let you
go and find it rather than tell you
00:01:15:22 - 00:01:16:10
Ellie & Kelly
[LAUGHTER]
00:01:17:07 - 00:01:27:21
Ellie
I'll do that. So you were 24 when the agency started. What had been
your work experience up till then? That's ever so young to make the
leap to starting your own business. How did that come about?
00:01:27:23 - 00:01:47:15
Kelly
I think it felt young then, it doesn't feel young now. There are
agency founders that are way younger than we were that are members
of the AC. So back then it felt quite young. But I'd worked in an
agency I mean, I was a graphic designer. I'd trained to be a graphic
designer and I'd worked in various roles. I guess you'd probably
call me a bit of an allrounder, so i never really found one thing
that I wanted to stick at.
00:01:47:15 - 00:02:13:10
Kelly
I did a little bit of branding design and I did some packaging
design, and then I went and worked for a marketing agency and did
marketing design. And I just stayed in places a couple of years and
then moved on. Got itchy feet, I guess. And then I ended up working
at a web design company who had developed a really early Shopify
platform, and it allowed people to build their own ecommerce shops
and think about this is like 21 years ago.
00:02:13:10 - 00:02:30:22
Kelly
So this is really a new thing back then. I think e-commerce and
shopping online was still quite a frightening thing for people. It
wasn't the norm.
I was brought in as a print designer, but then I ended up designing
ecommerce shops and I guess that was where I got my first taste of
digital think it's probably the first time that I've had an email
address as well.
00:02:31:13 - 00:02:48:01
Kelly
So long ago! And I met my co-founder Paul there. He was a designer
as well, and I think the two of us, we were almost doing the same
thing day in, day out, and we just got a little bit frustrated
really. So the two of us decided that we were going to almost go off
and freelance but do it under the Rubber Cheese name.
00:02:48:01 - 00:02:51:00
Kelly
So we hadn't really thought that much about setting up a company. It
was just:
00:02:51:00 - 00:02:55:04
Kelly
"Let's go and freelance, let's go and do something a bit different
for a while and see where this goes."
00:02:55:04 - 00:03:05:10
Kelly
And we were just really lucky. So when I left the company, I sent an
email out to everybody on my email database which was probably about
20 people back then, 'cause I'd only just got an email address.
00:03:05:14 - 00:03:38:10
Kelly
But I had just recently connected with an old school friend on
Friends Reunited - Retro, I know! And he worked at an architect's
firm, and the architects firm needed to partner with a designer or a
team of designers on a pitch they were doing for Tescos. And so they
asked if we would partner with them on it. We said, yep, and long
story short, they won the pitch and so we ended up working for
Tesco's for about two years and that was one of our first clients
and that was just a phenomenal stroke of luck because that was our
bread and butter that paid our rent and that gave us I guess a
little bit of freedom to try
00:03:38:10 - 00:03:52:19
Kelly
out lots of different things that we wanted to do. So we did some
illustration work, we were doing some graphic design work and then
slowly over the years we just built up our client base quite
organically. It felt like a really nice easy start to agency life,
and then it got chaos.
00:03:54:23 - 00:04:02:12
Ellie
You guys have quite a specific niche, so can you tell me about that
in terms of the clients that you work with and how you discovered
that niche?
00:04:02:12 - 00:04:25:04
Kelly
Yeah, so we work a lot with visitor tourist attractions, and tourism
in general. It came about in a bit of a weird way. So one of our
longstanding clients is Pernod Ricard, global drinks company. And
they have brands under their umbrella like The Glenlivet, Abelour,
Plymouth Gin, Beefeater Gin, and we've been very lucky to work with
them for probably over ten years now on various different digital
projects.
00:04:25:07 - 00:04:44:18
Kelly
And a few years ago they asked us to create a ticket booking system
for the Plymouth Gin Visitor Centre, which is a great project. We
worked on that for about a year launched it, and it was such a
success for that visitor centre that they then rolled the platform
out for Beefeater Gin and then for four of the whisky distilleries
up in Scotland.
00:04:45:08 - 00:05:22:08
Kelly
And that project gave us an incredible insight into the visitor
economy, visitor experience attractions world. We all soon realised
how much we'd loved working on that project and how much we wanted
to do more of that kind of work. So I guess that's really where the
niche started to come from. We actively then looked for more
projects that we could use our expertise that we'd gained on that
for. Very lucky to win a pitch for Eureka, the National Children's
Museum, and those projects set us on the road to niching in that
area, which was quite scary to start with because we'd never put all
of our eggs in one basket before and we do still get enquiries
outside
00:05:22:08 - 00:05:38:16
Kelly
of that sector. And we pick and choose whether we think that we're a
good fit for them or we pass them on to other agencies as well. I
think that's probably just a historical thing because we've been
around for so long, but we started to then focus all of our outward
marketing on that niche as well, which was quite frightening to do
that.
00:05:38:16 - 00:06:00:10
Kelly
Suddenly you're making a really big statement about who you want to
work with - 'are you cutting your nose of to spite your face',
moment., But it's been fantastic, actually. And for me and the team
are all very much people that we would spend our own money on
experiences rather than stuff. And so it's a really good fit
personally for us., as well and runs through the core of our values
and what we value from a personal perspective as well.
00:06:00:20 - 00:06:02:20
Kelly
So it was the right thing to do.
00:06:02:20 - 00:06:05:07
Ellie
Hundred percent. But then how did 2020 affect you?
00:06:05:16 - 00:06:22:08
Kelly
Yeah, I'm not going to lie. That was quite scary! [LAUGHS] If I'm
being completey honest, 2019 had been a bit of a challenging year.
So I've spoken to quite a few agencies who had a bit of a rocky 2019
to be honest, and it was very up and down for us. So we came into
2020 with a slightly leaner team.
00:06:22:14 - 00:06:45:20
Kelly
We came into 2020, probably a bit war wounded, bruised and feeling a
little bit damaged, but we worked our bloody arses off. We won some
brilliant projects that all kicked off at the start of 2020, so we
were in a really, really strong position. March happened and that
was pretty terrifying and I guess it did make us sit back and
question, have we done the right thing here?
00:06:46:03 - 00:07:03:24
Kelly
I think that anyone will tell you, if you're going to niche into to
a sector, it's going to take good 18 months to make any kind of
impact I would say and we had launched into that in around July
August time of 2019. So we were coming up for just six months of
that and we did sit and question and say 'What do we do?"
00:07:04:02 - 00:07:24:02
Kelly
"We've gone all in and we've made this massive statement. It's what
we all feel and believe is the right thing for us." And so what we
did was just carry on doing everything that we could to support that
sector with the understanding that nobody had any money to spend.
People were being furloughed, made redundant, left right and centre.
It was horrendous attractions were closing, some never to be opened
ever again.
00:07:24:18 - 00:07:57:05
Kelly
So what could we do to help them? What could we do to support them?
And try and get through this dreadful time? And that was what we
did. We focussed on our podcast called Skip the Queue. We spoke to
as many people as we can. We asked them what help they needed. We
created a free e-book download with hundreds of strategies that they
could try, but when they were reopening just to try and get their
websites in the best possible position before they could reopen, I
spoke on webinars, I spoke at conferences and we just shared as much
of our expertise as we possibly could because that's all we could
do.
00:07:57:17 - 00:08:20:24
Kelly
So it was scary but that was the best thing that we could do. And
actually I made some amazing... I don't even want to say contacts.
I've just made some amazing friends within that sector, they're not
contacts anymore. They're friends who we've gone on to work with or
we've gone on to help in some way, or they actively support us in
terms of referrals and introductions and introductions just for the
podcast,
00:08:20:24 - 00:08:29:11
Kelly
I feel like it gave us the opportunity to really build a community
over that time community of people that we could really help.
00:08:29:11 - 00:08:34:02
Ellie
That's brilliant. Must have been such a comfort going through
2020/2021.
00:08:35:02 - 00:08:52:01
Kelly
The podcast was if I 'm honest. I've said this is blog posts, it was
the one thing that just kept me going because every week I knew that
I could speak to people, someone different, and I was going to talk
about something new, something exciting, or I was giving them a
platform to be able to share how they were feeling about what they
were going through or how they could support the industry as well.
00:08:52:11 - 00:09:01:16
Kelly
And it got me through that. It was brilliant. I'm so grateful to the
people that gave up their time to come and share on it because it
was helping me just as much as it was helping the audience that was
listening.
00:09:02:17 - 00:09:13:13
Ellie
I bet you were! Going from the two of you, 24, starting your agency,
just accidentally, almost. How do you then learn to be an agency
leader and lead a team?
00:09:14:24 - 00:09:31:12
Kelly
Probably still learning! [LAUGHS] It's just ongoing. Isn't it? Every
day is a learning day when it comes to stuff like that. It's a
really interesting question. It was just the two of us for a really
long time. So Paul and I for about five years and we were very much
trying to run a business, trying to get work in, trying to then do
the business.
00:09:31:12 - 00:09:55:13
Kelly
You know, I was in a production role still then, both of us were.
And I think we would have coming up to that 30 bracket and having
that conversation about what are we doing? Is it just the two of us
forever or are we going to grow this? What does this become? And we
decided that we were going to try to grow an agency and we had to
make the decision about somebody stepping back from a production
role, really, because it was getting too difficult to manage those
two different roles.
00:09:55:20 - 00:10:14:00
Kelly
And then we would end up with that feast or famine where we won a
lot of business. But then we were too busy doing the business to
actually look at what the pipeline looked like, and more. And so I
took a step back from production and we hired a designer that would
take on my design role. And then it became a two year journey of
pain.
00:10:14:00 - 00:10:34:12
Kelly
I'm not going to lie. I really struggled coming from a creative
background, suddenly being thrown into a world of spreadsheets and
pipeline and profit and loss [COMICAL GROWLING NOISE] and all those
scary things that you have to learn when you're a business owner and
learning how to manage people. In any of my roles prior to that, I'd
never actually managed anybody.
00:10:34:12 - 00:10:52:22
Kelly
I'd never had a junior under me or anything like that. And so there
was a lot that I needed to learn, and it felt like a very, very
steep journey. And I actually did feel quite resentful to start with
because I felt like Paul had stayed in his designer stroke creative
director role when he got to do the things that he knew really well.
00:10:53:04 - 00:11:10:13
Kelly
And suddenly I've got to learn all of this stuff that I'm finding
really difficult and challenging. And I just wanted to pull my hair
out every single day. And I'd say it honestly took a good couple of
years to feel confident in that role and confident that I knew what
I was doing and I could lead that agency. Every day is a learning
day from now.
00:11:10:13 - 00:11:24:09
Kelly
I'm really lucky that I have a really good agency network around me.
Obviously, we've got Agency Collective, who's been an incredible
support and there's always someone that's been through an experience
that you're about to go through that you can ask: "Has anyone gone
through this?" And instantly you'll have like00:11:24:09 - 00:11:25:14
Ellie
Been there, done that advice.
00:11:25:14 - 00:11:30:19
Kelly
Yeah, five or six people will be like, "Yes, oh my God, this has
happened to us as well, and you're not alone in it all"
00:11:30:19 - 00:11:39:05
Kelly
And that's probably the best thing that I did, is just try and build
up as many agency contacts as I possibly could, who would support me
through that journey of pain.
00:11:41:06 - 00:11:45:20
Ellie
What's next for Rubber Cheese, then? What's coming up and where do
you see the agency going
00:11:45:20 - 00:12:05:13
Kelly
There's been lots of change already. Obviously, the pandemic made
big changes for everybody. It's interesting because in 2019 we had
one team member who moved back home up north, so we were already
running a semi remote working model. So we had experience of how
that might work for us. And at the moment that's what we've gone to.
Everyone was really happy our office lease came up.
00:12:05:17 - 00:12:23:06
Kelly
Nobody really wanted to go back there five days a week. So at the
moment we're just running a remote office. So that's been a new way
of working and a new way of patterns to understand how to lead an
agency like that. The niche is doing brillianty. So we've got some
fabulous client partners that we're working with within that, so I
can only see that going from strength to strength.
00:12:23:10 - 00:12:39:11
Kelly
And there's some exciting things happening with the podcast and an
event that will be happening hopefully at the beginning of next
year. And that's something that we see developing more and more of -
us doing live events again, which would be amazing to get people
back in the room.
00:12:39:11 - 00:12:49:18
Kelly
Lots of change, lots of exciting things happening moving forward,
and I think maybe a slightly different role for myself as well
because we've just had our lovely little girl, she's eight months
now.
00:12:50:01 - 00:13:03:02
Kelly
Life is very different for me personally now, and I think that has
to be reflected in what I do with the agency as well. So I think
there might be a few changes coming up there that will help me
manage my work/life balance a little bit better than it currently
is.
00:13:04:00 - 00:13:12:10
Ellie
Well, I wish you all of the luck for the future, and hope you get
that work/life balance. It's so important. And you as an agency
founder, you've got to lead the way for the team as well, right?
00:13:12:18 - 00:13:16:08
Kelly
Absolutely. Yeah. If it doesn't come from the top down, then it's
not going to happen, is it?
00:13:17:03 - 00:13:19:02
Ellie
Brilliant. Thanks so much, Kelly. It's been great.
00:13:19:11 - 00:13:22:01
Kelly
Thank you. So lovely to be on. Really appreciate it.
00:13:22:19 - 00:13:33:08
Intro
Thanks so much for listening. Please don't forget to subscribe. Stay
in touch. And if you like what you hear. Find out more at
theagencycollective. co.uk.
Tomasz Dyl @ GottaBe!
00:00:01:17 - 00:00:08:20
Ellie
Today on the Agency Collective Tales. I am joined by Tomasz Dyl from
Gottabe! Marketing. Thanks so much for being on the podcast.
00:00:09:07 - 00:00:10:22
Tomasz
Hello! And thanks for having me.
00:00:11:09 - 00:00:20:24
Ellie
You're very, very welcome. So, Tomasz, like we always do at the
Agency Collective Tales, let's start at the beginning. Tell me a bit
about how your agency started.
00:00:21:07 - 00:00:43:05
Tomasz
A few days ago we've turned 14, so it's been a quite a long journey
over the 14 years. I started the business when I was just finishing
at college. I was 17 at the time, so hence I give away how old I am.
The idea was to create an agency that would help bridge the gap and
allow companies to better connect with some of the ethnic minorities
that were coming into the country at the time.
00:00:43:06 - 00:01:10:19
Tomasz
Obviously, 8 countries joined the European Union in 2004, including
Poland, where I'm originally from, and the idea was to build the
gap, build a bridge and allow companies to better communicate. And
there's this massive group of people, massive opportunity. Yet
again, no one is taking advantage of it. So for me, it was about
being able to say to brands saying:
"Hello, I can help you, I can get you in front of these guys and I
can do it in a very different way to how you probably go about it."
00:01:10:19 - 00:01:29:00
Tomasz
Because at the time I did it in Polish, we did it in Hungarian, we
did it in Czech and now we serve our clients in 45 different
languages, doing exactly what we did 14 years ago, but now even in
much more through different channels, through different options. And
that's the little journey. And we've grown quite a bit, obviously
back in the day
00:01:29:00 - 00:01:38:21
Tomasz
it was just myself. Now we've a strong team of 12 and we've also got
two offices in the UK and one in Ireland. So we're working across
the pond as well, as well as having two offers in the UK
00:01:38:21 - 00:01:39:23
Ellie
That's amazing.
00:01:40:03 - 00:01:49:08
Ellie
So did your 17 year old self have any idea about the scale that you
were going to grow to or did you just see a gap and think:
"I'm going to do some good things here?"
00:01:49:16 - 00:02:15:19
Tomasz
Yes, certainly it was spotting the gap and the whole plan was to do
it for three years , whilst I was at uni, get that experience and
then to be able to go to a nine to five job, hopefully being bit
more experienced and saying:
"Hey guys, I've actually got some experience now."
Well, that plan didn't really materialise, asyou can tell because
I'm still here, still running the business.
But I'm glad I didn't, because I think I would have been so lost
working in a different agency and not being able to build my own
little baby.
00:02:16:01 - 00:02:35:00
Tomasz
So yes, certainly it's about finding a gap and taking that gap and
really evolving it. And the last two years have really been crazy
because whilst the pandemic was actually out there and I know a lot
of agencies struggled, we've actually pivoted very well and we've
had more signings in the last two years than we have probably in the
last five years.
00:02:35:08 - 00:02:54:24
Tomasz
But that's because we saw things like what impact of BAME on COVID
and COVID impacting the lower class. And that's opened eyes to a lot
of brands who've never considered multicultural marketing before to
all of a sudden think:
" We need to actually go out and speak to our customers. We need to
target them in a different way. to how we are targeted."
00:02:55:09 - 00:03:00:05
Tomasz
And people keep on telling us we under-represented so we need to act
on our representation somehow.
00:03:00:18 - 00:03:12:17
Ellie
Brilliant. So how do you tackle that with brands that perhaps don't
think diversity, equity and inclusion is important?
Do you gently do it, or are you just upfront and say:
"Come on guys, what are you doing here?"
00:03:13:10 - 00:03:37:02
Tomasz
Oh, we're very upfront. We spent the last two years educating
brands, so from our research and from what we understand is only one
in five brands at the moment are doing anything in this space. It's
changing. It's slightly moving to probably one in three but it's
still a huge gap. I mean, we've got brands out that have never
considered it and don't see a reason why they should do.
They bluntly told us to our faces:
"We don't need to do it, we're quite happy."
00:03:37:02 - 00:03:59:09
Tomasz
"Customers are coming in and we don't need to do anything else."
And on the other hand, you've got companies who are thinking:
"We really need to be able to change this. We really need to be
able to make a difference and ensure that we're talking to
everybody."
We're continuously educating brands and agencies as well, because I
think the problem is between the two: Agencies are not doing enough
to be able to say to them:
"We're needing you to push you. We need you to do something more."
00:03:59:09 - 00:04:22:23
Tomasz
And equally brands need to do more and they need to start realising
that the world has changed - the society has really gone beyond what
the traditional family of two plus one is and so on. And we need to
start thinking how do we represent ourselves? And is the marketing
that we're putting out there really representative of today's
society and today's audience?
00:04:22:23 - 00:04:26:00
Tomasz
And for most companies, unfortunately it isn't
00:04:26:00 - 00:04:51:01
Ellie
Absolutely not. I think as well, it's just the:
"It's going all right, so why should I change anything?", rather
than the bigger picture.
I think if agencies and brands don't step up and start taking
action and making changes to make themselves more diverse in their
way of thinking, more diverse in their creative projects, that
they're putting out there, they're going to be so far behind the
times that brands will just be turned off by them completely.
00:04:51:08 - 00:05:18:02
Tomasz
Absolutely. And as I said, that's why I think the responsibility we
put into two parts. It's not just the brands, it's the agencies that
have to do more as well. And we're seeing a shift in one way where
the agencies are bringing in more diverse teams, they're looking at
other options, but I don't think they're still utilising the options
that we have when it comes to targeting, because putting an ad with
a South Asian family on ITV is not necessarily where that audience
is going to be.
00:05:18:02 - 00:05:42:19
Tomasz
They're watching Zee TV, they're reading Eastern Eye, they're
listening to Sunrise Radio and not Kiss! So we've got to be mindful
that there is over 250 different publications that are printed in
other languages than English and are consumed collectively by a
group of 6 million people. So we need to be able to utilise that. So
there is a whole brand new world out there that for a lot hasn't
been discovered and that's what we're trying to do.
00:05:42:20 - 00:05:51:14
Tomasz
We're saying: "Let us take you on this little journey that you
haven't been on and let's see how we can get you in front of people
that you think you are in the front, but actually, you're not.
00:05:52:14 - 00:06:03:06
Ellie
That's really admirable. As an agency founder, what do you think
agency founders can be doing to make their teams more diverse? Is
there anything you've particularly done with your team?
00:06:04:01 - 00:06:30:11
Tomasz
So we do things like learning to learn, where we take on the
culture, we take on a country, and we do a deep dive into them to be
able to educate our staff. But equally educate ourselves on what
else could we be knowing about this audience and what could we do
with them?
In terms of diversifying the staff, I think one of the things we've
done and that works quite well for us is anonymous interviews and
from the perspective that when we get applications, we don't get to
see people's names.
00:06:30:11 - 00:06:53:08
Tomasz
So straight away, if someone's name is Muhammad it doesn't go into
the bin because we don't think that person is going to do. Where I
know in some agencies, unfortunately people have experienced it.
We've a colleague internally who, because of her background being
Romanian, applied for jobs and because of her name, she just
straightaway got declined. Then she change her name but didn't
change her CV to Kelly and all of a sudden, started to get
interviews.
00:06:53:08 - 00:07:08:01
Tomasz
So we're judging people by the name. We haven't even got to what
their experience and everything else is. We've just seen the name
and we think: "Oh, they're foreign, we don't want them." We should
be giving everybody equal opportunity no matter what background they
are from what that name they are.
00:07:08:08 - 00:07:12:05
Ellie
Yeah. Have you faced any prejudice then with your name as an agency
founder?
00:07:12:17 - 00:07:36:14
Tomasz
Yes. We have been told we're very foreign and ten years ago I took
quite big offence to it. But right now I think if you not
diversifying, you're not inclusive, I think you're not in the right
space. I think my name is relatively similar to a English spelling
of Tomasz. I say relatively, it's still got a few letter difference
and my surname being Dyl could be anywhere in the world.
00:07:36:22 - 00:07:51:05
Tomasz
I don't necessarily get as much probably as people who might have
other names but we have experienced this where we pitched for a big
brand and the feedback to us is that they would prefer to work with
a brand or an agency that is more British than foreign.
00:07:51:05 - 00:07:52:21
Ellie
God. That's so mad!
00:07:52:21 - 00:08:12:19
Ellie
That's society. We've got to get used to it. It's not always going
to be all lovely and useful. Sometimes you will experience that, but
it's not just based on someone's nationality. You can experience the
same thing based on your sexuality, based on your colour hair and
all that. So there's always going to be someone who's not happy with
how you look, how you come across, and they will pick on you.
00:08:13:01 - 00:08:32:02
Tomasz
That could happen to a Polish person, that can happen to a Romanian
person or that can happen to a Chinese person. Look what we've seen
two years ago, Chinese people being beat up in the streets because
they brought Covid into the UK. I don't necessarily think it was
them personally that brought it, but we have seen people being
abused, thrown at, beaten up in the streets because they brought
Covid.
00:08:32:03 - 00:08:40:06
Tomasz
It is a global pandemic. Wake up. Come on, let's look at the news.
Let's see what's going on now. And if you're not shortsighted, I
think you need to have a real good self-check.
00:08:40:12 - 00:08:50:07
Ellie
Absolutely. Yeah. Can you talk me through any real success stories
that you've had with clients where you have really transformed their
reach?
00:08:51:06 - 00:08:58:17
Tomasz
Yeah, I would use example of a recent campaign, which earlier this
week we have actually won an award for campaign of the Year of the
GG2 Diversity & Inclusivity Awards.
00:08:58:24 - 00:08:59:16
Ellie
That's amazing.
00:09:00:05 - 00:09:26:18
Tomasz
Thank you. It's our work with the NHS, working with the Southampton
and Hampshire and the Isle of Wight, CCG, the clinical commissioning
group, as well as the Hampshire County Council. And the campaign was
very challenging. It was to try and get more uptake from the Eastern
European Community on the vaccination.
The campaign we faced nationwide, not just in Hampshire. Eastern
Europeans, for very odd reasons, have been very reluctant to it.
00:09:26:23 - 00:09:57:00
Tomasz
They didn't necessarily believe in Covid, and they didn't
necessarily think that they had to get vaccinated. So we ran a
campaign where we tried to get rid of the myths. Equally, we tried
to deliver educational content to people so it wasn't necessarily
hand holding them and walking them to the nearest vaccination
centre. We said to them:
"We want to give you a choice, but we want to give you the right
information."
And when we did the initial research, when we did the focus groups,
we found that people were reluctant because there wasn't enough
information and they couldn't find any information.
00:09:57:00 - 00:10:16:20
Tomasz
They found the gov website being extremely boring, not easy to
understand. The language over there was very difficult for them, and
they were simply looking for information such as what is a side
effects, what are the ingredients? Because some people have got
allergies, etc. And what are the options in terms of what are the
different vaccines and how do they differ?
00:10:16:22 - 00:10:39:09
Tomasz
So we put all this together into a bilingual leaflet and we work
with local employers, we work with the local ethnic media, but also
done a lot of work on the ground in terms of speaking to people at
various places, whether that's that ethnic Polish shop or that's a
Polish church or Romanian Saturday school and utilise the
opportunity to talk to people, answer any questions and educate
them.
00:10:39:16 - 00:10:55:00
Tomasz
And again, of course the direction was that once you're ready, come
and get vaccinated, but it wasn't necessarily saying to people:
"We've now got you, I'm gonna take your hands, I'm going to put on
a handcuff and I'm going to take you to the nearest vaccination
centre."
That wasn't the case. The idea was to increase the awareness and
drive.
00:10:55:01 - 00:11:00:11
Tomasz
In Hampshire, the "White, other" as it's being referred to, became
in the top three of the most vaccinated.
00:11:00:17 - 00:11:01:21
Ellie
Amazing.
00:11:02:11 - 00:11:24:14
Tomasz
For us, this particular project was even more important from the
perspective that it had a real purpose. We change people's life by
explaining to them and giving them the information they weren't
getting in first place. And being able to deliver it in a language
that they understood meant that their information was getting
through to them much quicker, than trying to tell them:
"Go on the gov website and find out information there, cause Is it
all there."
00:11:24:21 - 00:11:32:21
Tomasz
So very often we presume things, but unfortunately we can't do that.
We've got to listen to the people that are around us and find out
what can we do to help them.
00:11:33:19 - 00:11:45:06
Ellie
That's wonderful Tomasz What is it that's been your key lesson over
the past 14 years. Is there anything that you wish you had known in
the first couple of years of running your agency?
00:11:45:20 - 00:11:59:16
Tomasz
Starting a business when you're 17, you're very lost. I didn't know
much about pricing structure. I didn't do much about how to pitch. I
didn't know how to sell. I had to learn it all by myself. And it was
a very lonely place back then. There was not as much support as
there is around now.
00:11:59:16 - 00:12:26:10
Tomasz
With growth, for me, I had to get my feet on the ground and try to
work it out test the waters, etc. If anything, would have been nice
to have a mentor who runs an agency and is able to see and take me
as somebody that I can mould and get better. So I think I would have
really appreciated that. But 14 years on and now I'm on the Goldman
Sachs 10,000 Small Businesses programme, looking to improve the
profitability and grow our business.
00:12:26:10 - 00:12:30:16
Tomasz
So I think I haven't missed out on anything. I'm just 14 years a
little bit late!
00:12:31:17 - 00:12:52:07
Ellie
Not at all. The thing that I learned, running The Agency Collective
is that everybody's on their own journey. You can't mark your
success by looking at another agency because the number of staff
that you have, you might be comfortable with. The lifestyle that
you've got, the work life balance that you've got, the aspirations
that you've got. What it is that feeds your soul is so completely
different agency to agency.
00:12:52:11 - 00:13:04:20
Ellie
I definitely think I'm seeing more of a move for profit with
purpose. It's not enough to just be doing good work. What's behind
it? What change are you looking to make? Are you really seeing that
with clients that you're working with?
00:13:05:09 - 00:13:26:07
Tomasz
Absolutely. I think the reason the clients come to us is that they
really want to make a purpose and they want to make a change and not
necessarily getting the expertise from the mainstream agencies that
they work with, and they have to look for specialised ones and this
is why they come to us. But at the same time, we work with a lot of
other agencies who simply put their hand up to the client and say:
00:13:26:07 - 00:13:49:09
Tomasz
"Look, this is outside of our comfort zone. We could probably do
it, but we're probably not going to deliver it in the best form. And
the best possible option. However, we have a partner agency that can
do that. And let me introduce you to Tomasz and we will work
alongside Tomasz and delivering this campaign. So we will look after
this aspect of the campaign and they will look after the ethnic and
multicultural aspects. We will create one campaign, but it will be
seen by everybody."
00:13:49:09 - 00:14:11:07
Tomasz
So it's great that some agencies have already identified us and are
very keen to work with agencies like us who are just simply an
extension to their team because we're not looking to steal any work
from anybody. We have our own niche and that's where we want to
focus and that's what we want to continue doing as much as we can go
after brands ourselves and do it, I think agencies also need to be
able to say to the clients:
00:14:11:07 - 00:14:18:08
Tomasz
"Let's change how we position ourselves, how we market to your
customers, and let's look at how we can collaborate with others."
00:14:18:08 - 00:14:27:10
Tomasz
It can open new doors and it's not just for the ethnic minorities.
There is a fantastic agency called the Purple Goat that is focussing
on disabled influencers.
00:14:27:10 - 00:14:53:11
Tomasz
I can't think of a single campaign that's actually showed a disabled
influencer, but these guys have got their own niche and they work
with some of the world's biggest brands right now because they found
a niche and they're going for it. So I think that there is room for
everybody. And I think this is what for us, the big focus for 2022
is to make more friends with other agency owners and say to them:
"Let's work together.
00:14:54:08 - 00:15:12:22
Ellie
That's brilliant. Just to finish up Tomasz, what would be the
biggest piece of advice you could offer agencies that are perhaps
overwhelmed by the diversity, equity and inclusion piece? They don't
know where to start. They don't know what to do. What would be some
top tips if maybe you could offer them?
00:15:13:07 - 00:15:32:24
Tomasz
I would say you can do two things. You can it to try and find the
solution yourself and try and learn this. But I've been in this
industry for 14 years and I'm still learning every day something
different about the different groups of people that surround me. And
there isn't a day where don't I go:
"Wow, I didn't notice this. I could have really benefited from this
five years ago",
00:15:32:24 - 00:15:44:24
Tomasz
But by simply having this conversation with different people,
whether that's a Muslim person, whether that is somebody who is
Sikh, or whether that's somebody who is Bulgarian or even a Polish
person, you get to know these things.
00:15:45:06 - 00:15:58:14
Tomasz
Start with doing your own research and try to get as much
information as possible. There are various books. There is so much
content online, whether that's webinars, whether that's interviews,
podcasts, you can really listen to and get to know this.
00:15:58:14 - 00:16:09:02
Tomasz
And secondly, don't be afraid to reach out to people who are in the
agency space, who specialise in that area, and you find that they're
actually very welcoming and they'll happily give a lot of advice.
00:16:09:05 - 00:16:18:02
Tomasz
I think the biggest advice I can say is go out there and speak to
people. There are amazing community groups. You can really get real
insight.
00:16:18:02 - 00:16:33:18
Tomasz
There's so many different reports out there that you can get your
hands on on data and everything else. And even the latest
information - that new settlement scheme. Again, we're shocked as to
how little awareness there is and how agencies are not utilising the
information.
00:16:33:18 - 00:16:47:20
Tomasz
But it gives you a breakdown into everything into every European
nationality and tells you where they're located, how many of them
are in the country. And that's a mind blowing exercise because if
we're running a campaign to Ealing for a client we can think:
00:16:47:20 - 00:16:54:23
Tomasz
"Oh, right, okay, we can really get into these groups because that's
what the new settlement scheme information has given us and is the
most up to date information."
00:16:54:23 - 00:17:07:19
Tomasz
We don't have censuses yet. That's not going to come out for another
three or four months. We've already got other information they can
be utilising. So I would definitely say go out there and find their
information and you'd be amazed as to how much is out there.
00:17:08:22 - 00:17:28:12
Ellie
That's brilliant advice. Thank you. And what about internally, what
advice have you got for agencies whose team are all the same race
are all the same nationality? Are all around the same age? Because
lots of agencies say they just hire the best people for the job. And
what that means is it tends to be lots of carbon copies of the same
employee that they're hiring.
00:17:29:09 - 00:17:59:01
Tomasz
Yeah, I would definitely say try and minimise and strip down your
recruitment process, where you do blind interviews and everything
else. So you don't necessarily get to see the name, don't get to see
their age and just look at that. I think broaden your horizons in
terms of where you might be recruiting. You can advertise on Indeed,
LinkedIn, whatever it might be, or maybe you want to actually look
at some of the publications at the portals that are out there, even
The Voice, for example, which is one of the leading Afro-Caribbean
publications, they've got their own portal where you can advertise.
00:17:59:01 - 00:18:25:12
Tomasz
So if you're looking for somebody of Afro-Caribbean origins, equally
advertise on there, broaden your horizons where you can go out and
recruit. I think the other thing is look at the universities, where
there is a lot of talent and you can actually pick very nice
students who are of international background as well. They're able
to come in because you tend to find that people who are from a
different background tend to bring a lot of different expertise,
point of view, and they're very, very desired
00:18:25:12 - 00:18:33:08
Ellie
That's brilliant. Thank you so much. That's been really, really
great advice. Really looking forward to seeing what GottaBe! does
next!
00:18:33:14 - 00:18:34:03
Tomasz
Thank you.
Serdar Paktin @ pakt
00:00:00:02 - 00:00:07:10
Ellie
I am talking today on the podcast to Serdar Paktin in from Pakt. Thank you so
much for being on our podcast.
00:00:07:17 - 00:00:08:19
Serdar Paktin
Thank you for inviting me.
00:00:09:00 - 00:00:16:07
Ellie
So I'm really excited to learn where your agency came from. So a bit about your
background and a bit about how you started your agency.
00:00:16:21 - 00:00:44:16
Serdar Paktin
I was working as a strategist and I was getting on the side projects from UK and
overseas agencies when I lived in Istanbul. I was working as a cultural inside
semiotics consultant for global agencies that are focussing on Turkey, and then I
extended doing that to Middle East and North Africa. And when I started doing my
own business, I had one thing - the international on the sides, and I had one local
brands on the other side.
00:00:44:21 - 00:00:55:03
Serdar Paktin
And the international side of the business grew by itself. Me, without investing any
time in it. I was investing all the time to my Turkish clients, and it didn't really pick
up.
00:00:55:03 - 00:00:55:14
Ellie
Right.
00:00:55:14 - 00:01:08:14
Serdar Paktin
It was like a clear decision which direction to go. And I moved the agency to
London in 2018. And since then I'm working with international clients and other
agencies that we helped to discover.
00:01:08:14 - 00:01:32:07
Serdar Paktin
Turkey, Middle East and North Africa region. And we were extending beyond that
to more often non-Western markets. Pakt is a holistic sense making agency. We
focus on cross-cultural understanding and cultural insights to help our clients make
better decisions across cultures and understanding their audiences, discovering
opportunity areas in different cultural spaces, so to speak.
00:01:32:18 - 00:01:37:01
Ellie
Have you managed to stop your clients from making any major faux pas?
00:01:37:08 - 00:02:12:10
Serdar Paktin
I believe that we made a few things with Netflix, for instance, in 2019 made their
first Turkish Netflix original, which was a super hero saving Istanbul from immortal
evil people. And that didn't really pick up. In its first season, I think they were
wondering what they did wrong, and we worked on a bigger semiotics project. We
watched more than 50 titles: Netflix and non-Netflix; International and local; TV
series and movies, and we came up with a map of storyline and characters and
production, and we came up saying:
"These are the insights.
00:02:12:10 - 00:02:37:05
Serdar Paktin
These are what you should focus on and is what you're doing wrong." One of the
major things is that Turkey and most Middle East and Eastern markets are
collectivist cultures. So it's based on the community rather than the individual. And
most of the Western countries are based on individuals. Therefore, in a Western
market, a superhero story might be interesting because it's based on an individual
accomplishing something.
00:02:37:05 - 00:02:46:03
Serdar Paktin
But in the Eastern market, it is more focussing on the community about
neighbourhoods, about families. So there is more of a community in there and00:02:46:09 - 00:02:47:19
Ellie
It just wasn't resonating at all.
00:02:47:19 - 00:03:05:22
Serdar Paktin
Exactly. So, a super superhero saving Istanbul is not resonating and they also
prefer realistic characters, somebody they could really sit down at a dinner table
and have a conversation with. By the time when we were doing the research, I
visited Istanbul and I was talking to this cab driver and I said: "Look, what do you
think about the superhero on Netflix?"
00:03:06:05 - 00:03:31:01
Serdar Paktin
He said: "We are all superheroes making home at night. You don't need somebody
saving the whole city, making home safe, feeding your family is good enough to be
a superhero. For your community." Since then, Netflix is creating really successful
series in Turkey, Netflix originals, and they also recently published a report how
much they contribute to the Turkish economy in the last three years.
00:03:31:02 - 00:03:36:04
Serdar Paktin
And I think we have part in that, but I can't really claim that part of it.
00:03:36:04 - 00:03:42:01
Ellie
Damn it! You can't claim it was solely you, but you were part of it. That's amazing -
how exciting!
00:03:42:01 - 00:04:02:24
Serdar Paktin
It is, as you said, we help them understand the culture, the cultural codes in that
market, and we helped them make better decisions or design new products or
develop new services for that cultural opportunity in that region, in that subculture.
It doesn't have to be different cultures. It could be a subculture within a country as
well, because cyclists, it is a culture.
00:04:03:01 - 00:04:11:03
Serdar Paktin
You have to understand cyclists to be able to provide them value. Vegans,
vegetarians, they all have their own culture underneath that.
00:04:11:03 - 00:04:23:00
Ellie
That's brilliant. What's it like starting an agency in a new country? Had you lived in
London before, or did you just come over completely fresh, thinking: "New country,
new agency? Here I go!"
00:04:23:06 - 00:04:48:02
Serdar Paktin
Well, I'd never been to the UK before. I came here first time in 2016 or 17. By the
time I was contemplating about moving abroad and I had two options be it's either
New York or London, and I lived in New York before and that's why that was my
first choice. But I had a project in New York and I spent a month there and I
decided: "No, New York is no longer where I want to live."
00:04:48:12 - 00:05:10:24
Serdar Paktin
And then I came to London and the first step out of this tube, looking around,
seeing the people, I said: "I could live here!" But also UK had a visa deal with
Turkey. So it was easier to get a visa. I already have clients here, so it was also
another advantage to choose here. And there's also little time difference between
Turkey and London and also it's quicker to fly in between.
00:05:11:03 - 00:05:29:22
Serdar Paktin
These are the four main points why I chose London, and that was my first time
moving here. So it was difficult because my background is in cultural studies that
have focus on American studies. So I already knew American culture, American
type of business, and American way of doing things. But the British way of doing
things and British business culture was a novelty to me.
00:05:30:00 - 00:05:39:11
Ellie
That's really interesting. So as a cultural insight specialist, what are the business
cultural differences then between the US and the UK?
00:05:39:22 - 00:06:02:12
Serdar Paktin
The polite indirectness in the culture is the major thing. I'm good at understanding
it, but implementing it, I'm still having difficulties. Americans are very direct and
Turks are quite direct as well. The UK is not as easy as the US to penetrate as an
outsider. Once you come in, it would need some time for the community to accept
you.
00:06:02:13 - 00:06:21:16
Serdar Paktin
My first years were trying to prove myself again to ex-clients, long standing
relationship. Well, when you're in the country, I think that relationship changes a bit
to them, until once again, we are able to get to that point. US is more open to
people who want to do things, and once you start creating it, they just let you in.
00:06:21:16 - 00:06:27:06
Serdar Paktin
As long as you're producing value. This is more of community that's letting you in
slowly in the UK.
00:06:27:09 - 00:06:28:16
Ellie
A bit more sceptical.
00:06:28:19 - 00:06:46:07
Serdar Paktin
I would say so, yeah, but that's also probably related to that long standing culture
of business. US in comparison to UK is just the last few hundred years and there's
this almost a thousand years of business tradition here and it's quite
understandable to have that checkpoint, so to speak.
00:06:46:19 - 00:07:02:23
Ellie
So how do you find your clients for Pakt? Is it a case of you going in, and trying to
source and trying to suss out who might have a need for your services or when
you have the need for cultural insights? Is it really clear and is it really apparent?
00:07:03:03 - 00:07:27:18
Serdar Paktin
My background is in strategy. So I have always been a strategist and then I moved
into a niche part of strategy, into cultural insights, into semiotics. And most of my
clients have come to me through existing clients and through referrals. And as I
said, I'm a strategist, so I'm not really good at new business. So I am not
really creating new business myself by reaching out to people and creating
connections -
00:07:27:18 - 00:07:30:20
Serdar Paktin
Most of my business still comes from referrals and networks.
00:07:30:24 - 00:07:32:12
Ellie
A brilliant way to get your new business.
00:07:32:18 - 00:07:57:13
Serdar Paktin
Yeah, it means that you're doing a good job, so that they're referring to other
people, which is great. I think you need to be able to get good at creating new
business through new relationships. Out of blue or reaching out to your potential
clients. And one of my methods is to build hypothesis on opportunity areas
because our skill set is to find opportunities within a cultural space and presenting
it to potential clients.
00:07:57:13 - 00:08:05:13
Serdar Paktin
But as long as they're not aware of that opportunity, that's not really resonating
with them. So it was a good experiment, but it's not the way forward, apparently!
00:08:05:13 - 00:08:13:21
Ellie
You were talking to yourself, I imagine. You were like: "There's this space where
you could do this!" And they're like: "What is that? I don't want to do that. We're not
doing that." So you're like, "Oh, I see."
00:08:13:21 - 00:08:19:04
Ellie
What have been your key challenges and learnings the past four years?
00:08:19:08 - 00:08:41:06
Serdar Paktin
It's a difficult question. There's so many things that's rushing to my mind
immediately. First thing, we have a saying: "A tailor cannot mend his own clothes
or a doctor cannot cure themselves." Even though we consult with our clients. You
need to listen to your target audience. You need to know who they are and shape
your value proposition and your benefits towards their understanding.
00:08:41:06 - 00:08:59:13
Serdar Paktin
When I first came in, I wasn't doing that really. I was doing what I believed would
be the meaningful thing and then just implementing it, not even testing it, not even
thinking through it. Just going straight ahead. Like any other entrepreneur - When
we talk to them,
we say: "That's not the way forward." And then doing it yourself is quite ironic.
00:08:59:17 - 00:09:13:14
Ellie
Agency founders do that all the time, though. You can do the do for your clients,
but actually when it comes to yourself or your self-promotion or web development
agencies that never work on their own website, because you don't fix yourself. It's
interesting, isn't it?
00:09:13:19 - 00:09:19:05
Serdar Paktin
That's interesting. We know how to do it and we don't really do it for ourselves, and
it's very ironic.
00:09:19:05 - 00:09:31:16
Serdar Paktin
Second thing I would say, most of the agencies in our space, like working with
cultural insights and semiotics, when I first moved in, I was doing this research and
I realised that we were all trying to sell the methodology.
00:09:31:16 - 00:09:50:07
Serdar Paktin
It is like a car company trying to sell VDU machine engineering. But a car company
sells mobility. We get you from point A to point B and people who buy the car does
not really care if it's machine engineering or AI technology: "Whatever you do, you
do it. Just give me the product and I'm here for the benefit that the product
provides me."
00:09:50:07 - 00:10:13:16
Serdar Paktin
And the agencies, we're more focussing on the methodology rather than the
outcome or the benefits that they are providing for their clients. So I try to focus on
that and I think I didn't really do it a good way because I was also focussing on
something missing the point rather than the benefits. After doing it for two years,
the pandemic gave you quite an extensive time to think about these kind of things
that are00:10:13:17 - 00:10:16:04
Ellie
Two years of some solid thinking time.
[LAUGHS]
00:10:16:16 - 00:10:40:01
Serdar Paktin
I realised: "I'm doing everything wrong!" And I'm still not doing everything right, but
I'm working on it to realise how to simplify things, turn it into a storytelling approach
and then make it very clear and simple for clients to understand what benefit
you're providing them. And as you can see, I'm still not really good at it.
00:10:40:12 - 00:10:50:21
Ellie
I think you're doing fine. Agency founders are going to be listening to this podcast.
In terms of cultural analysis, what would you say the key benefits are for them
doing a real deep dive?
00:10:51:11 - 00:11:16:13
Serdar Paktin
I can say two major things. One, to avoid any major mistakes that they wouldn't
realise in their branding strategy, product development, that's going to take them a
long time. Investing in a cultural analysis beforehand saves a lot of time and
money. For instance, this is from a very early project. We were working on a soup
product and the soup product was going to be liquid form and we were focussing
on the Turkish market again.
00:11:16:13 - 00:11:43:20
Serdar Paktin
And then at the end of the project we came up with soup means nutrition in Turkey
- could be a full meal by itself, but in a Western culture, soup is more liquid
because it's regarded as an appetiser mostly and then if they have the assumption
of a soup in a Western sense and they implemented a liquid form soup into a bottle
or a box and put it on the shelf and then it didn't work, it was going to be first: "Did
we do something wrong with the shelf choice that we made in there?"
00:11:43:20 - 00:11:57:05
Serdar Paktin
And then it was going to be the branding and the packaging. And then when you
come to the content itself as it's meaningful or not, what's going to be the last thing
that they want to think? When it becomes the first thing that you think it avoids all
that big layering of mistakes.
00:11:57:11 - 00:12:01:01
Ellie
Yeah! All of that old hoo-ha! You want your products to be the most impactful,
right?
00:12:01:10 - 00:12:26:10
Serdar Paktin
Focussing on the content and the semiotics and the cultural codes of your market
gives you all the clues. What your product should be, how it should speak, what it
should present as a benefit. As cultural codes define our preferences and beliefs
collectively. They speak about consumer psychology. But before psychology,
comes culture and our decisions and behaviours are automatically defined in our
culture.
00:12:26:10 - 00:12:41:06
Serdar Paktin
And if you understand the cultural codes, you know what moves people or what
people think is meaningful or not. And by that you avoid
doing a lot of mistakes in designing and implementing and executing and market
entry. But it saves a lot of time and money.
00:12:41:06 - 00:12:53:17
Serdar Paktin
Second thing - it could help them discover new opportunity areas: Developing new
products, new services for that cultural space, or pivoting their products to the
needs of those spaces.
00:12:53:17 - 00:13:24:06
Serdar Paktin
For instance, we had this talk with a major music streaming platform before they
were going to penetrate into Middle East, but the music listening habits and what
people expect from music and when they listen to music, why they listen to music
is different than the Western audience. So if you are going to enter the Middle
Eastern market, you need to pivot your product a bit to reflect the needs and the
culture of that thing, because music is a cultural product and you can't just
implement a global product into the whole world the way it is.
00:13:24:11 - 00:13:46:12
Serdar Paktin
And Facebook and Netflix understand this a lot, and they do a lot of research in
understanding different cultural spaces, and they implement that. So you can see
the success of Netflix originals in regional spaces because they do these
overarching cultures. They do one for the Turkish Netflix audience and sell it to the
whole region. Taking an Israeli or Lebanese Netflix original, selling to the whole
region.
00:13:46:12 - 00:13:59:08
Serdar Paktin
And then they go to global scale. It's like Casa de Papel or Squid Game. They are
supposed to be regional products, but they got something right in a global sense
and they exceeded beyond expectation.
00:13:59:08 - 00:14:19:07
Serdar Paktin
To summarise: By doing this cultural analysis, agencies and brands could avoid
doing major mistakes in different markets, in different cultural spaces, or discover
new opportunity areas in those cultural spaces to build new products and services
or pivoting their brands and positioning into those cultural spaces.
00:14:19:20 - 00:14:31:04
Ellie
That's brilliant. Is the majority of your work in other countries or like you said, is it
becoming more about the sub communities, like the way you speak to cyclists and
their interests or vegans like you said?
00:14:31:06 - 00:14:58:15
Serdar Paktin
I mean, I can see that there is work being done towards subcultures but they're not
still doing with a cultural emphasis on it. Still, the creative agencies do it in their
own way. I don't think they do it with a cultural emphasis on it, but also I don't know
the whole space. So it's my assumption, but it's still - more of a regional, local and
national cultures are the main essence of this kind of work, but I think it's already
moving to that space.
00:14:58:15 - 00:15:23:04
Serdar Paktin
But it is still done by not cultural experts - like mostly creators and other kinds of
researchers, I guess. So we should move the subcultures into the cultural domain
in terms of understanding their semiotics, understanding their cultural codes, with
cyclists, with vegan, with weekend campers - they all have a certain code of
conduct and cultural codes, and there's certain things that they aspire to.
00:15:23:04 - 00:15:29:16
Serdar Paktin
And I'm giving cyclists and vegans as an example because those are the most
obvious ones that we can relate to.
00:15:29:23 - 00:15:35:11
Ellie
Absolutely. So what is next for Pakt - what's coming up? What do you see
happening in the next couple of years?
00:15:36:02 - 00:15:57:12
Serdar Paktin
Great question. We had two years hold, so we want to continue where we left off in
2020 because it was like first two years in the UK. We just established and got into
a steady cash flow and growth and that stopped where it was. And there was
literally no work in 2020, because what we do is new opportunities, new spaces
and everybody retreated back to00:15:57:12 - 00:15:59:19
Ellie
No one was going anywhere!
00:16:00:01 - 00:16:10:17
Serdar Paktin
Exactly. Everybody was in their safe space and that's why we didn't have any
work. But now with the pandemic reasonably under control, apparently, and the
economy is going somewhere.
[LAUGHS]
00:16:11:23 - 00:16:14:16
Ellie
The economy is doing something, who knows?
00:16:16:13 - 00:16:17:10
Serdar Paktin
Definitely!
00:16:17:10 - 00:16:17:18
Ellie
[LAUGHS]
00:16:17:18 - 00:16:45:14
Serdar Paktin
Our next two years will be getting back on track and growing in the UK and
hopefully growing our team here and doing more cultural work on a broader
regional and cultural framework. We are still mostly doing the Islamic markets but
we want to extend beyond that and that's one of our main goals to get projects
going beyond regional cultures and also going into different subcultures.
00:16:45:14 - 00:17:04:16
Serdar Paktin
And not only discovering the culture but also imagining a future in those cultures.
How are things going to be meaningful towards the future? And discovering those
cultural spaces, that's going to be more meaningful in the following five to ten
years. More into connecting futures with cultural analysis and mashing up a
methodology out of that?
00:17:05:01 - 00:17:07:08
Ellie
What? Almost predicting trends that there may be?
00:17:07:24 - 00:17:22:07
Serdar Paktin
It's not really predicting trends, but it's more like a personalised meaningful area
discoveries towards the future. It's more than what's going to be meaningful, what's
going to be meaningful for you as a client or as an actor in that space.
00:17:22:19 - 00:17:33:02
Ellie
Exciting times coming up. Serdar, thank-you so much for being on the podcast. It's
been really eye opening in a part of agency life that I really haven't given much
thought to. So thank you so much for sharing that with us.
00:17:33:14 - 00:17:39:14
Serdar Paktin
Thank you for inviting me and all these great questions, because I wouldn't be able
to explain them otherwise without your questions.
00:17:39:17 - 00:17:40:09
Ellie
My pleasure.
Mel Berry @ Social Firefly
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
Alfie Payne @ Ape Group
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
Ape Technology Solutions are a digital solutions agency based in Lasham, Alton, providing digital marketing, IT architecture, and web design and development services to organisations.
Olly Fawcett @ 303
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
303 is a creative-focussed digital marketing agency that helps premium direct to consumer businesses to create and amplify their brand.
Sue Keogh @ Sookio
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
Sookio, is an award-winning Cambridge digital marketing agency founded in 2008 by Sue Keogh, who spent the early part of her career creating web content for the BBC, ITV.com, Magic FM, Yahoo, and AOL.
Laura Hannan @ Pitch 121
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
Pitch121 is a social selling service. They nurture your future clients, like you, at scale, growing your network and starting conversations that convert. Through thorough targeting, they make sure every single conversation is with your potential ideal client.
Stokely Howard @ Trendy Grandad
Meet The Agency Collective:
The Agency Collective is a peer support community for agency owners. It's a safe place to talk about your challenges openly – when you need the help most. It provides an opportunity for you to build new long-lasting relationships with people who can provide support and leads for future work.
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Trendy Grandad are a creative agency that creates content for corporate business that want to be trendy,