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    From the Ground Up

    From the Ground Up is here to ask the questions about this often generative method. Who’s doing it? How is it practiced? Are they paid? Are they able to thrive? We’re also examining that word: Ensemble. What does it mean? There is no roadmap, format, prescription, description, or rubber stamp to the way ensemble-based work is made from place to place and process to process. This podcast interviews companies from around the country on how they make and pay for the art. If you have questions about where to begin or what to do next with your own company, stay tuned.
    en35 Episodes

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    Episodes (35)

    Opening the National Theatre’s Doors to Devised Work

    Opening the National Theatre’s Doors to Devised Work
    Stewart Pringle, senior dramaturg at the National Theatre, sheds light on the theatre’s Generate program and discusses with Jeffrey Mosser the problem with the term “literary department,” when to take a risk, and why it’s important that the big fish in the big pond makes the investment in smaller-scale ensemble-based companies.

    Philanthropies, Foundations, and Boards (Oh, Wow)

    Philanthropies, Foundations, and Boards (Oh, Wow)
    Since the “great pause,” funders have shifted their giving models. Ben Cameron has seen it from every side—and he talks all about it. Through anecdotes about his experiences at organizations from Theatre Communications Group to the Jerome Foundation, Ben offers many insights into how ensemble fits in a thriving theatre ecosystem.
    From the Ground Up
    enApril 26, 2023

    Introducing Season 3 of From the Ground Up

    Introducing Season 3 of From the Ground Up

    Summary of Season 3:

    S03E01: What Ensemble Touring can Learn from Dance

    Jawole Willa Jo Zollar, Founder, Chief Visioning Partner, and MacArthur Genius at Urban Bush Women and I connect to talk about touring, the festival circuit, and strategy necessary to sustain a company for 30 years.

     

    S03E02: Maintaining Connections from the Hyperlocal to the International

    Carlos Uriona and Jennifer Johnson, Co-Artistic Directors at Double Edge Theatre connect with me to discuss how working in rural Massachusetts for over 30 years has enabled them to share content on the world stage.

     

    S03E03: A Living History of Ensemble Theater (or Bob Leonard’s Ensemble Encyclopedia)

    Bob Leonard chronicles his work from the People’s Bicentenial Commission and The Road Company through the founding of the Network of Ensemble Theatres and Alternate ROOTS. Together we connect the dots through the middle-wave of ensemble-based theater in the United States.

     

    S03E04: Ensemble as Contemporary Commentary

    Producer and Executive Director at Los Angeles Performance Practice, Miranda Wright and I discuss how she’s developed a presenting organization for sharing ambitious collaboratively created work over the last ten years, as well as what she’s learned from some major arts funding research.

     

    S03E05: Philanthropies, Foundations, & Boards (Oh, wow.)

    Since the great pause, funders have shifted their giving models. Ben Cameron has seen it from every side – and he tells us all about it. From TED Talks to TCG, we have a lot to learn from his insights into how ensemble fits in a thriving theatre ecosystem.

     

    S03E06: Looking for Another Way

    Playwright and Director Karen Malpede joins us to talk about her career and connections from The Open Theatre to Theatre Three Collaborative, as well as her partner George Bartenieff – actor and champion for the avant-garde.

     

    S0307: The City We Make Together: City Council Meeting’s Primer for Participation

    Creatives and book authors Mallory Catlett and Aaron Landsman dig into their new book based on their piece City Council Meeting. An exciting piece rooted in a commonplace bureaucratic event which develops dynamic participatory relationships with audiences and local government.

     

    S03E08: SoulWork and Soul Searching

    Culture Worker and theatre practitioner Dr. Cristal Chanelle Truscott provides a primer on her SoulWork process, applies it to her present processes, and expands our horizons as artists.

     

    S03E09: Ontroerend Goed’s Participatory Metaphors

    Artistic Director of Belgian theatre company, Ontroerend Goed, Alexander Devrient takes us through their process for imagining and developing participatory content. We also dig into financing art in Europe, the cost of touring internationally and how COVID has affected it, and sustaining family and art simultaneously.

     

    S03E10: Generating Ensemble-Based Work at the National Theatre of London

    Stewart Pringle, Senior Dramaturg sheds light on the National Theatre’s Generate program. We discuss the problem with the term “Literary Department”, when to take a risk, and why it’s important that the big fish in the big pond makes the investment in smaller-scale ensemble-based companies.

    Process Performances and the Completion Commission

    Process Performances and the Completion Commission
    Rachel Dickstein, Artistic Director of Ripe Time, takes us through her experience with Center Theatre Group’s completion commission for their adaptation of SLEEP. She also spotlights some necessary and helpful relationships with tour presenting partners, the Association of Performing Arts Professionals, as well as champion and friend Diane Rodriguez.

    Funding the Regional-Ensemble Producing Model

    Funding the Regional-Ensemble Producing Model
    Founding Program Director for the Arts at Doris Duke Charitable Foundation, Olga Garay-English and Jeffrey Mosser discuss the revolutionary process of getting ensemble work in regional theatre spaces including her unprecedented partnership with Andrew W. Mellon Foundation. Other topics include touring models, festival culture, and her experience as an international arts consultant.

    A Roadmap for the Ensemble-Regional Producing Model

    A Roadmap for the Ensemble-Regional Producing Model
    From the Ground Up returns to the airwaves with Patricia Garza who shares their experience producing hyper-collaborative and ensemble-based theatre at the regional theatre level. Their work at the Network of Ensemble Theaters, Los Angeles Performance Practice, Center Theatre Group, and artEquity provides significant insights into contemporary theatre-making practices and next steps for the industry.
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