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    1940s

    Explore " 1940s" with insightful episodes like "Cat People (1942)", "Cat People (1942) Featuring Willow Catelyn Maclay", "Kara Brown on 'The Philadelphia Story'", "Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like" and "Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like" from podcasts like ""Ruined with Alison Leiby and Halle Kiefer", "It Slays Podcast", "Feeling Seen", "The Next Reel Presents: Movies We Like" and "The Next Reel Film Podcast"" and more!

    Episodes (90)

    Cat People (1942) Featuring Willow Catelyn Maclay

    Cat People (1942) Featuring Willow Catelyn Maclay

    With Colton MIA, the squad invites Willow Catelyn Maclay to dust off an oldie with Mike's pick, CAT PEOPLE (1942). What is the cultural significance of this film? Will Willow’s knowledge show everyone up? Or, will Gill’s rating break everyone's heart? Tune in to find out if we gave this film a NAY, OKAY, YAY, or SLAY!

    CHAPTERS:

    • Theme/Intro (00:00:00)
    • What We Been Consuming? (00:02:51)
    • Trailer (00:14:53)
    • Synopsis/First Experiences (00:15:56)
    • Review (00:22:14)
    • Rating/What Did You Think? (01:02:01)
    • Horrific Hotline (01:08:52)
    • Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist) (01:12:58)
    • Upcoming Episode/Outro (01:16:23)


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    Links to Willow Catelyn Maclay's reviews on Sleepaway Camp:
    Curtsies and Hand Grenades
    Want to join Willow's Patreon?
    Pre-order Corpses, Fools and Monsters 

    *Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)* 

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    Kara Brown on 'The Philadelphia Story'

    Kara Brown on 'The Philadelphia Story'

    Kara Brown's confidence and self-assuredness have taken her far in her career as a writer, and those are qualities she shares with Katharine Hepburn's Tracy in THE PHILADELPHIA STORY. Of course, with that self-possession comes a set of assumptions others make about you, and getting held to a special standard. Jordan and Kara get into all of this,  bond over their shared memories of the heyday of blog culture,  and compare notes on not having impostor syndrome.

    Then, one quick thing Karen Gillan’s Nebula.  

    Fancy Pasta Bitch in Vogue

    ***

    With Jordan Crucchiola and Kara Brown

    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    “Your mother can’t be with you anymore.”

    Talking About Bambi with our Guest Todd Alcott, Screenwriter

    When released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well?


    Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? 


    The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. 


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

    Film Sundries

    Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.


    Visit our ORIGINALS PAGE to find source material that movies we've talked about on the shows that are part of The Next Reel’s family of podcasts were based on. Books, plays, video games, even other movies and TV series! By doing so, you can find a great read or something to watch, and help us out in the process as a portion comes back our way. Enjoy!


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    Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel!

    Here’s where you can find us around the internet:

    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    Become a Member here: $5 monthly or $55 annually

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or sign up for AUDIBLE.

    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    “Your mother can’t be with you anymore.”

    Talking About Bambi with our Guest Todd Alcott, Screenwriter

    When released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well?


    Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? 


    The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. 


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

    Film Sundries

    Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.


    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    Bambi • A Conversation with Screenwriter Todd Alcott • Movies We Like

    “Your mother can’t be with you anymore.”

    Talking About Bambi with our Guest Todd Alcott, Screenwriter

    When released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well?


    Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? 


    The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. 


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

    Film Sundries

    Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.


    Chap 6 Tx Politics - Epis 6 - Coke vs. LBJ Election

    Chap 6 Tx Politics - Epis 6 - Coke vs. LBJ Election

    Path to Power by Robert Caro told of LBJs 1948 race against Coke Stevens. Emmett, and the Shelton law firm, represented the "South Texas Machine" which played a Big Role in the election. Emmett tell a first-hand account of the details during this notorious election challenge. Caro interviewed Emmett Shelton Sr. in completing his book -- But Emmett tells the rest of the inside story.
    #texaspolitics
    #texashistory
    #lbj

    For maps and other info check out our Facebook page: Our Westlake

    Stories told by Emmett Shelton / compiled and submitted by Cynthia Shelton.

    Chap 6 Tx Politics - Epis 5 - South Texas Machine

    Chap 6 Tx Politics - Epis 5 - South Texas Machine

    Emmett tells first-hand experiences in the 1940s of the Shelton Law Firm in representing the South Texas border county officials, including County Judges George Parr in Duval County and Judge Raymond in Zapata County. Due to the high number of illiterate and non-english speaking voters, these county officials had flexibility and they used it. LBJ learned how to use the machine and tried. His election win against Coke Stevens showed his emerging skill.

    Music by: Willie Nelson

    For maps and other info check out our Facebook page: Our Westlake

    Stories told by Emmett Shelton / compiled and submitted by Cynthia Shelton.

    Double Indemnity (1944)

    Double Indemnity (1944)

    Happy Ja-noir-y Old Soul Family! We are kicking off the New Year by visiting an Old Hollywood favorite...Double Indemnity (1944)! This sordid tale was unlike any other in its day. Between themes of murderous schemes (from the murderer's perspective), sexual temptation, and manipulation, this film set the gold standard of noir entertainment...all while pushing the production code guidelines. We revisit an old favorite topic of the PCA and how Double Indemnity (1944) marked a turning point in classic movies. The prolific Billy Wilder's first thriller is one you can never forget. So create an alibi and come conspire with us as we spy into the lives of Walter Neff, Keyes, and the Dietrichsons...

    Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!

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    Our website: https://the-old-soul-movie-podcast.simplecast.com/

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    Instagram: @oldsoulmoviepodcast

    Song of the Thin Man • The Next Reel

    Song of the Thin Man • The Next Reel

    “Oh boy! Another murder!”

    Closing Out Our Time With Nick and Nora
    In 1947, Edward Buzzell directed the last of the ‘Thin Man’ films, written by a new pair – Steve Fisher and Nat Perrin. Despite the fact that the creative team’s largely new, William Powell and Myrna Loy remain the constants, and bring their same charm as Nick and Nora Charles to the screen. And the creative team here does a wonderful job of blending the comedy and the crime elements. At times, it feels downright film noir. The cast works well in this one, with Keenan Wynn as a jazz musician helping Nick out and Gloria Grahame as a singer caught in the web. Plus, young Dean Stockwell turns up as Nick Jr. The mystery holds up well, and it takes place in a setting that fits the story and tone. 


    We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!


    Film Sundries

    Learn more about supporting The Next Reel Film Podcast through your own membership.


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.

    Song of the Thin Man • The Next Reel

    Song of the Thin Man • The Next Reel

    “Oh boy! Another murder!”

    Closing Out Our Time With Nick and Nora
    In 1947, Edward Buzzell directed the last of the ‘Thin Man’ films, written by a new pair – Steve Fisher and Nat Perrin. Despite the fact that the creative team’s largely new, William Powell and Myrna Loy remain the constants, and bring their same charm as Nick and Nora Charles to the screen. And the creative team here does a wonderful job of blending the comedy and the crime elements. At times, it feels downright film noir. The cast works well in this one, with Keenan Wynn as a jazz musician helping Nick out and Gloria Grahame as a singer caught in the web. Plus, young Dean Stockwell turns up as Nick Jr. The mystery holds up well, and it takes place in a setting that fits the story and tone. 


    We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!


    Film Sundries

    Learn more about supporting The Next Reel Film Podcast through your own membership.


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.

    The Thin Man Goes Home • The Next Reel

    The Thin Man Goes Home • The Next Reel

    “There’s nothing in the world Nick wants more than a pat on the back from his father. If he got that, I think he’d pop a vest button.”

    Nick and Nora head to small town America to visit Nick’s parents and find mystery...
    It took some doing, but Myrna Loy was finally convinced to make just one film during the War, taking time out of her volunteer efforts she was committing to the Red Cross. That one film was a return to the Thin Man series with her co-star William Powell. It had first been delayed due to Loy’s new marriage, then to the director’s death, then to the war. But the studio wanted to move forward and audiences refused to accept anyone but Loy in the part. So she took a small break to make this one film then went right back to the Red Cross. Join us – Pete Wright and Andy Nelson – as we continue our look at the Thin Man films – with Richard Thorpe’s 1945 film “The Thin Man Goes Home.”


    Here’s a hint at what we talk about.

    This takes some time to get set up, but does it work? The comedy feels different. Is that the writing team? The new director? All of the above? How do Loy and Powell do this go-around? Does it bother us that Junior’s nowhere to be seen? How about the mystery? Is it effective? We have a great time talking about it so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!


    Film Sundries

    Learn more about supporting The Next Reel Film Podcast through your own membership.


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.

    The Thin Man Goes Home • The Next Reel

    The Thin Man Goes Home • The Next Reel

    “There’s nothing in the world Nick wants more than a pat on the back from his father. If he got that, I think he’d pop a vest button.”

    Nick and Nora head to small town America to visit Nick’s parents and find mystery...
    It took some doing, but Myrna Loy was finally convinced to make just one film during the War, taking time out of her volunteer efforts she was committing to the Red Cross. That one film was a return to the Thin Man series with her co-star William Powell. It had first been delayed due to Loy’s new marriage, then to the director’s death, then to the war. But the studio wanted to move forward and audiences refused to accept anyone but Loy in the part. So she took a small break to make this one film then went right back to the Red Cross. Join us – Pete Wright and Andy Nelson – as we continue our look at the Thin Man films – with Richard Thorpe’s 1945 film “The Thin Man Goes Home.”


    Here’s a hint at what we talk about.

    This takes some time to get set up, but does it work? The comedy feels different. Is that the writing team? The new director? All of the above? How do Loy and Powell do this go-around? Does it bother us that Junior’s nowhere to be seen? How about the mystery? Is it effective? We have a great time talking about it so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!


    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!


    Film Sundries

    Learn more about supporting The Next Reel Film Podcast through your own membership.


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.

    Vocal Harmonies & Legends of Classic Pop with Bruce Belland and John H. Mills II

    Vocal Harmonies & Legends of Classic Pop with Bruce Belland and John H. Mills II

    In 1951, 15-year-old Bruce Belland sneaked into a backstage door at Ciro’s Nightclub to get a glimpse of his idols, The Mills Brothers. That fateful night inspired Bruce to form The Four Preps and forge a vocal harmony career that brought us the hits, “26 Miles” and “Big Man.” 


    Bruce has spent 70 years loaded with questions for his musical heroes and, at long last, he gets to pose them to John H. Mills II, the son of original Mills Brother Donald Mills. John toured with his father for 17 years and he’s got answers!


    We hand our fanboy the reins and these two harmony kings go deep into shop talk, discussing style, phrasing, timing, technique and arrangements. They share road stories, talk about John’s childhood with his trailblazing father and uncles and explore how each of them related to their larger-than-life fathers.


    Plus, Fritz and Weezy are recommending My Next Guest Needs No Introduction with David Letterman and Avatar: The Way of Water.

    Path Points of Interest:

    The Mills Brothers


    The Mills Brothers on Wikipedia


    Mills Brothers Documentary Part 1


    Part 2


    Part 3

    John Mills in a Tribute to Glenn Miller and the Vocal Groups - Feb. 19th


    Bruce Belland


    The Four Preps


    Avatar: The Way of the Water - In Theaters


    My Next Guest Needs No Introduction with David Letterman

    The Bishop's Wife (1947) & The Preacher's Wife (1996)

    The Bishop's Wife (1947) & The Preacher's Wife (1996)

    Merry Christmas! We have a DOUBLE FEATURE this holiday season! We are covering The Bishop's Wife (1947) featuring Cary Grant, Loretta Young, and David Niven and its remakeThe Preacher's Wife (1996) featuring Denzel Washington, Whitney Houston, and Courtney B. Vance. In both of these holiday classics, a suave angel named Dudley comes to earth to help a religious leader save his church and community...but starts to develop feelings for the leader's wife in the midst of the Christmas season! We open up our favorite scenes and themes in these yuletide stories (and we decide which rendition we like better ;) ).

    We can't wait to see you at our party!

     

    Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!

     

    Be sure to check us out on

    Our website: https://the-old-soul-movie-podcast.simplecast.com/

    Facebook

    Twitter: @oldsoulpod

    Instagram: @oldsoulmoviepodcast

    Laura (1944)

    Laura (1944)

    Obsession, mystery, and MURDER - all of these themes and more are covered in our latest episode: Laura (1944)! In Otto Preminger's classic noir, we uncover the drama behind-the-scenes and analyze how the story's onscreen tangled webs of truths and mistruths unfold. We are so excited to celebrate this Noirvember winner with you before the holidays!

    And for those of you curious as to the origin of the Gene Tierney quote about her beauty, this reference was taken from a trivia note on IMDB :  

    "According to his daughter Victoria, Vincent Price felt that Gene Tierney had as much to do with this movie's success as Producer and Director Otto Preminger's direction: 'In his opinion, it was Gene Tierney's 'odd beauty' and underrated acting ability that made 'Laura' so popular', she said. 'He felt her beauty was both timeless and imperfect.'"

    ...so it was Vincent Price who made that reference-mystery solved!

    Episode 8: Ultra Vires

    Episode 8: Ultra Vires

    In the wake of the sedition trial's collapse, Justice Department prosecutor John Rogge travels overseas and uncovers a bombshell. He finds evidence of a coordinated effort to subvert American democracy… as well as the names of high-profile Americans involved. Rogge then returns to America... and goes rogue. Risking his career as a prosecutor, he makes public what he's discovered about the fascist threat and the Americans who supported it. And he offers a prescient warning about an American criminal justice system that is ill-equipped to defend democracy from those who seek to destroy it.

     

    Episode 7: Rinse, Repeat

    Episode 7: Rinse, Repeat

    The largest mass sedition trial in American history churns on. And continues descending into chaos. But the dozens of sedition defendants attempting to wreak havoc on the proceedings would soon get a high-profile assist. From serving members of Congress injecting themselves into the trial and coming to the defense of the accused seditionists standing trial. Before a verdict can be reached, one final twist calls into question whether the Justice Department will see the case to the end, or cut bait entirely.

    164. Emergency

    164. Emergency

    When is a war not a war? When the British Empire called it an 'emergency' so they didn't have to abide by wartime rules or lose their insurance payouts. Artist and researcher Sim Chi Yin reflects on the Malayan Emergency, a 12-year conflict that doesn't get talked about much now by either side; and historian Charlotte Lydia Riley considers the various reasons why the British opted for the term 'emergency', and why they don't celebrate even when they supposedly won them.

    Find out more about this episode and get extra information about the topics therein at theallusionist.org/emergency, where there's also a transcript.

    The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

    The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

    Support the show: http://patreon.com/allusionist

    See omnystudio.com/listener for privacy information.

    Episode 6: Bedlam

    Episode 6: Bedlam

    The most high-profile sedition trial in American history kicks off inside a Washington, DC federal courtroom. The members of Congress who attempted to quash the investigation are now faced with a super-charged indictment and a brand new Justice Department prosecutor who is battle tested and up for the challenge. What he finds as the curtain rises on the trial, though, is something that he is wholly unprepared for: pre-planned, unmitigated chaos.

     

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