artdirector

Joe Celli is a six time Emmy Award-winning Production Designer and Art Director, who has been recognized for his work on The Academy Awards, "So You Think You Can Dance," "American Idol," and TV Musicals including "Hairspray Live," "Grease Live," and "A Christmas Story." 

In this episode, Joe talks about the unlikely call that shifted his focus from actor to art director, how he became the go-to musical theater guy in Los Angeles, and reveals how sharing his art is like sharing hidden parts of himself.

Joe Celli

Joseph Urban

In And Of Itself

Support the show: http://www.stagespodcast.net

Margo is an Art Director, Graphic Designer, and entrepreneur.  She’s THE graphic design consultant who created what I needed for my business, starting with a logo.  I love her work!  She’s a very passionate designer who loves anything creative. Her experience, love for design, and solid foundation in minimalist design allows her to provide her clients (like me!) with simple, consistent, compelling, and engaging designs.  She has been easy to work with from the start, and I feel lucky to have found her.  Her process is easy to follow; her artwork fits my needs; and, I would recommend Margo Puffenberger to anyone looking for artwork for their company logo, podcast, social media banners, online course, book cover, audiobook cover, or other projects.

During our conversation, you’ll hear how Margo uses her voice to help others with their graphic design needs.  For more information about Margo and examples of her work, please visit her website:  https://www.designbymep.com. 

Links and info mentioned in this episode

Margo’s Website https://www.designbymep.com 

Margo’s LinkedIn https://www.linkedin.com/company/designbymep

Margo’s Instagram https://www.instagram.com/designbymep/

Margo’s Twitter https://twitter.com/designbymep/

Impact Pharmacist by Dr. Asha Pai Bohannon and Eric Bohannon

Maumee Chamber of Commerce Business to Business Expo (Maumee, OH)

Toledo-Lucas County Library (Toledo, OH) https://www.toledolibrary.org 

Linda Fayerweather, Business Specialist Librarian

🖥Check out Kim’s websites, and connect with her on social media:

✅Kim’s Business website https://www.thepharmacistsvoice.com

✅The Pharmacist’s Voice ® Podcast https://www.thepharmacistsvoice.com/podcast

✅Pronounce Drug Names Like a Pro © Online Course https://www.kimnewlove.com 

✅Kim’s LinkedIn https://www.linkedin.com/in/kimnewlove

✅Kim's Facebook https://www.facebook.com/kim.newlove.96

✅Kim's Twitter https://twitter.com/KimNewloveVO

✅Kim's Instagram https://www.instagram.com/kimnewlovevo/

✅ACX (Audiobook Narrator Profile) for Kim https://www.acx.com/narrator?p=A10FSORRTANJ4Z

Highlights from the Interview

Margo and I met in-person at a business expo in Northwest Ohio, which is where we both live.  Thank you Linda Fayerweather from the Toledo-Lucas County Public Library for sending me Margo’s way!  

Margo and I have been working well together for about 4 years, and our first project was the logo for The Pharmacist’s Voice ®.  She also created my business cards, stationery, envelopes, podcast artwork, social media banners, and the artwork for my online course.

Examples of Margo’s work include print designs, logos, signage, and more.  Visit https://www.designbymep.com to learn more.

At my request, Margo to included a copyright release in the contract for the artwork she created for me.  That way, the designs belong to The Pharmacist’s Voice ®.  However, she has permission to use my designs as examples in her portfolio.  

What are some tips for finding the right graphic designer?

1. Do a Google search for graphic designers in your area.  Get a feel for them.  Does their portfolio have artwork you like the look of?  Are you drawn to their artwork and style?  
2. When styles between client and graphic designer are very different, it can take longer to get to the final goal due to frustration, miscommunications, omitted follow-up questions, and assumptions about the process.  Choose the right designer for you.
3. Go with someone who meets your budget needs.
4. A clear process is important.  Example: initial conversation, first concepts, rounds of revisions, final files, billing, etc.  
5. Research helps.  A good graphic designer will research who the client is without their logo.  Note:  Creating a logo is different from creating a brand.

There are advantages to going with an individual designer like Margo vs. online companies.  For example, Margo is available for personal and thoughtful conversations about what will work and what will not work.  Personal relationships are important! 

Margo likes functional design: artwork that says more and there’s a story behind it. Margo likes doing research for her designs.  She also likes doing illustrations, which she considers REAL art.  

Some of the things Margo likes best about her job is being available for her family, doing work she loves, and having some location independence.  Having a flexible schedule has allowed her to do more activism.  She likes having a flexible schedule.  In July, when everyone is on vacation, and business is slow, she has the opportunity to fill the time with learning.  

Even though Margo is busy, she is an excellent communicator and meets my deadlines. I have had great experiences with her and would recommend her.  Margo likes to keep in touch with clients.  She feels like she’s part of their story.  I know she’s part of MY story!  

Thank you for listening to episode 113 of The Pharmacist’s Voice ® Podcast.

This is the second episode in this NEW 3-part magazine mini-series. These episodes feature conversations with amazing people doing amazing work in the world of magazine production and publishing. In this episode, Nicola Hamilton (Art Director of Best Health Magazine, design educator and President of The Association of Registered Graphic Designers) shares her vast experience designing magazines. In this conversation, she discusses digital versus printed magazine strategy, the importance of storytelling and her process as an Art Director. She also reveals her favourite magazine on the planet.

I'm all about interesting projects with interesting people!
Let's Connect on the web or via Instagram. :)

EPISODE 130 - NIALL MORONEY & ELAINE KUSMISHKO - Art Directors

Team Deakins talks to Art Directors, Niall Moroney and Elaine Kusmishko (1917, MARY POPPINS RETURNS, BEAUTY & THE BEAST). We start with what an art director does and the difference between a supervising art director and an art director and learn how the art department interacts with all departments on a film. We also break down the challenges of the film 1917 and how they met them. They share how much they had to learn about trenches, how they created them, and reconstruct the original land when the film ended. We also talk about using models on 1917 and why they were so helpful. They also share the way the night town set was envisioned and built. It’s a wonderful examination of the role of the art department in filmmaking as they give specific examples of the issues they face and then solve.

RECOMMENDED EPISODE VIEWING: 1917

Morten Bonde is a motivational speaker, author and senior art director at the LEGO Group – but he wasn't always that way. When he started losing the majority of his vision in his early 40's, Morten thought his world was falling apart. But rather than quit his job and give up, he started researching, a lot. Over the years, Morten has cobbled together his own blend of philosophy, psychology and spirituality that has helped him write a book, keep his job and have all sorts of new adventures.

Associate Creative Director Julia Nicholas has risen up the agency ladder quickly, working on everything from beauty to weight loss to cars and more. An Art Director by trade, she craves variety in assignments, diving into each project with passion. We talk about her journey, the many mentors she's had and the great spots we've made together. 

Catch Julia in the behind-the-scenes I've posted for our "Treeyota" spot and hear just how she came up with the concept. Honored to collab with her and help bring these spots to life. I've posted a few at www.jordanbrady.com for ya'll.

My online Commercial Directing Masterclass celebrated one year of helping filmmakers globally and has received 100% 5 star reviews. Did I mention the free filmmaker consultation call upon completion?

Join show editor Jake Brady on his new Patreon! A mere $2/month gets you BONUS content not heard in the show!! Get a $75 discount on Masterclass, free T-shirt and consultation calls w me, go to  https://www.patreon.com/respecttheprocess and show your love for the show. Join and be a part of our monthly Private Q&A via Zoom. Patreon patrons only. Next one is May 11th at 4pm Pacific.

Commercial Directing Bootcamp is SOLD OUT for May 22, 2021 in LA. Next is August 28th, in LA and seats are now open. Check out the new Commercial Filmmaker Mega Bundle for serious mentoring and career growth.

Thanks,

Jordan

This episode is 62 minutes and sponsored by Oso Delicious Hot Sauce, the hot sauce made by bears. Flavorseeker Fun Pak's ship Friday's at 3pm.

My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital.

Associate Creative Director Julia Nicholas has risen up the agency ladder quickly, working on everything from beauty to weight loss to cars and more. An Art Director by trade, she craves variety in assignments, diving into each project with passion. We talk about her journey, the many mentors she's had and the great spots we've made together. 

Catch Julia in the behind-the-scenes I've posted for our "Treeyota" spot and hear just how she came up with the concept. Honored to collab with her and help bring these spots to life. I've posted a few at www.jordanbrady.com for ya'll.

My online Commercial Directing Masterclass celebrated one year of helping filmmakers globally and has received 100% 5 star reviews. Did I mention the free filmmaker consultation call upon completion?

Join show editor Jake Brady on his new Patreon! A mere $2/month gets you BONUS content not heard in the show!! Get a $75 discount on Masterclass, free T-shirt and consultation calls w me, go to  https://www.patreon.com/respecttheprocess and show your love for the show. Join and be a part of our monthly Private Q&A via Zoom. Patreon patrons only. Next one is May 11th at 4pm Pacific.

Commercial Directing Bootcamp is SOLD OUT for May 22, 2021 in LA. Next is August 28th, in LA and seats are now open. Check out the new Commercial Filmmaker Mega Bundle for serious mentoring and career growth.

Thanks,

Jordan

This episode is 62 minutes and sponsored by Oso Delicious Hot Sauce, the hot sauce made by bears. Flavorseeker Fun Pak's ship Friday's at 3pm.

My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital.

Nidia Dias is a freelance Designer and Art Director whose work focuses on styleframes and look development for motion design. Her signature style has seen her work with top London studios where she has produced work for Apple, Nike and Adobe - she also created the amazing motion piece for this podcast! 

Having studied in Portugal and Sweden Nidia began her career interning with Mainframe in London, which led on to a full-time job where she made some brilliant contacts and friends whose recommendations over the years aided her progress to become an Art Director and to later taking the plunge into freelance work.

Freelancing can be daunting so in this episode, Nidia shares her experience and advice for taking on projects and working in new studios, especially if you’re naturally more introverted.

We also chat about how her network has helped her build self-confidence, what it’s been like to become a Mum working remotely amidst the pandemic, and the career benefits she has found from working on personal projects. 

You can see more of Nidia’s work at:

• Website: https://nidiadias.com/
• Instagram: @nidiadias
• Twitter: @ImNidiaDias 

You can follow me and get updates on the podcast at: 

• Website: http://narratestudio.co.uk
• Instagram: @narratestudio

My top takeaways from this episode were:

• Spark up conversations with studios or people whose work you like to make connections - even if there isn’t a job available. 
• Working on personal projects can help to develop your own style and showcase the work that you enjoy working on. 
• Be humble, reach out and ask for help. 

Claire Cheung is an art director at Studio PI, a new photography and illustration agency that promotes equality and celebrates diversity. In our conversation Claire is brilliant and openly shares her story, working in design and art direction for 18 years as a woman of colour, coming from a working-class background. She also tells us about her role at Studio PI and the agency's mission and offers handy tips for anybody taking their first creative steps.

Presented by Justyna Green
Produced by James Green

In this episode we have Peter Stark, Executive Creative Director of A/V PRINT, the new print division at A/V SQUAD. Beneath the laid back exterior of one of my favorite spiritual gurus and a great mentor lies the heart of a creative powerhouse. Peter’s vision has driven print campaigns for movies and shows such as Game of Thrones, Joker, Wonder Woman, 13th, Spiderman, Jumanji and SAW to name a few. He’s worked with the biggest stars in the biz like Denzel Washington and Will Smith but always finds the time to return all the emails, offer a bit of advice, attend blind portfolio reviews hoping to discover new talent and do it all in a kind and humble manner. He’s one of my favorite people to run into in LA and today I’m happy to introduce him to our viewers. His keen insight and distinct tips help reveal the path to a successful and fulfilling career path within the entertainment industry.

Alyssa Hill is an Art Director who has worked on some of our favorite series. From "It's Always Sunny in Philadelphia" to "I'm Dying Up Here" to the upcoming "Penny Dreadful: City of Angels," she's worked on a wide variety of shows. She walked us through the hierarchy of the art department on sets, her path working her way up from the bottom, and how the Art Director fits in and keeps everything moving. She also answered one of our most burning questions -- what's a Lead Man??