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    blue note records

    Explore " blue note records" with insightful episodes like "Don Was, Blue Note’s Renaissance Music Man Goes Deep On The Brilliant Musical Legacy Of Wayne Shorter", "They're Still Racing Down at the Trestles", "Jazz Bastard Podcast 258 - Youngsters, Phoenixes, Mingi", "Jazz Bastard Podcast 251 - Summer Tree Ain't No Summer Breeze" and "Jazz Bastard Podcast 236 - Definite-Article-Lee" from podcasts like ""Profiles With Maggie LePique", "Debts No Honest Man Can Pay", "Jazz Bastard Podcast", "Jazz Bastard Podcast" and "Jazz Bastard Podcast"" and more!

    Episodes (11)

    Don Was, Blue Note’s Renaissance Music Man Goes Deep On The Brilliant Musical Legacy Of Wayne Shorter

    Don Was, Blue Note’s Renaissance Music Man Goes Deep On The Brilliant Musical Legacy Of Wayne Shorter

    Don Was is one of music’s most significant artists and executives, exceling in multiple roles and serving as one of the industry’s beacons for integrity and forward-thinking. During this period of disruption and rapid evolution in the worldwide music business, Was remains committed to music as an art form and its importance to contemporary culture.  As the President of Blue Note Records since 2011, Was is both the company’s leader and an ambassador for its music, charged with bringing the label’s 21st Century jazz artists and its expanding pallet of contemporary musicians to larger audiences.  Was is also caretaker for Blue Note’s singular and historic catalogue of music, and is burnishing the label’s 80-year legacy by overseeing ongoing and extensive reissue campaigns that serve audiences in both the analogue and digital realms.

    Born in Detroit, Michigan, Don Was grew up listening to Detroit blues, jazz music, and the Rolling Stones. He went on to form the group Was (Not Was) with school friend David Weiss (David Was), noted for their success in the 1980s. Now widely recognized as a record producer, Don Was has worked with artists including Bob Dylan, The Rolling Stones, Bonnie Raitt, Iggy Pop, Ziggy Marley, the B-52s, Elton John, Garth Brooks, Lucinda Williams, Old Crow Medicine Show, John Mayer, Ringo Starr, Willie Nelson, Brian Wilson, Kris Kristofferson, and Aaron Neville. He has earned multiple Grammy Awards including Producer of the Year in 1995. Don Was has served as musical director or consultant on several motion pictures including Thelma and Louise, The Rainmaker, Hope Floats, Phenomenon, Tin Cup, Honeymoon in Vegas, 8 Seconds, Switch, The Freshman, Days of Thunder, Boys on the Side, and Toy Story. He earned a British Academy Award (BAFTA) for Best Original Score in recognition of his compositions for the film Backbeat.
    He regularly tours throughout the United States as bassist in the acclaimed trio, Bob Weir and Wolf Bros, and has served as musical director and bassist for a host of major tribute concerts, including those for:  Johnny Cash, Jerry Garcia, Emmylou Harris, Merle Haggard, Dr. John, Gregg Allman, Gregg Allman and Mavis Staples. Was recently curated and hosted a weekend-long series of shows at Boston’s Wang Theatre and Schubert Theatre under the WasFest banner.  The shows, which featured Meshell Ndegeocello, Robert Glasper, Dark Star Orchestra, Lettuce with special guest Judith Hill and Steel Pulse, received rapturous reception from audiences and critics alike.

    Don Was is featured in the Dorsay Alavi's Zero Gravity, the recently released documentary film streaming on Amazon Prime on the life of Wayne Shorter—released on the 90th anniversary of his birth—takes an in-depth look at the life of one of our most outstanding players, composers and visionaries in the jazz canon. From his childhood in Newark to his work with Art Blakey’s Jazz Messengers, as an integral part of The Miles Davis Quintet of the mid ‘60s, his contributions to the groundbreaking group Weather Report, his own groups, and writing for large ensembles, the message is clear: the openness he embraced throughout his life allowed for the genius to flourish. 


    Source: https://www.udiscovermusic.com/stories/birthday-greetings-don/
    Source: https://www.kennedy-center.org/artists/w/wa-wn/don-was/
    Source: https://wayneshorterofficial.com/

    Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.

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    They're Still Racing Down at the Trestles

    They're Still Racing Down at the Trestles

    On this week's show, we... 

    • spend quality time with new records from Jenny Lewis, Foo Fighters & Jason Isbell and the 400 Unit 
    • bid adieu to the iconic Astrud Gilberto & the legendary Tina Turner 
    • celebrate 45 years of my all-time favorite record - Bruce Springsteen's Darkness on the Edge of Town 

    All this & much, much less!

    Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

    Jazz Bastard Podcast 258 - Youngsters, Phoenixes, Mingi

    Jazz Bastard Podcast 258 - Youngsters, Phoenixes, Mingi

    We look at three 2022 releases this time (albeit one recorded way back in 1972) along with the first harbinger of the new year.  There's an electronic sounding long-playing debut by a pair of youtube wunderkinder (all played in real-time we promise), a straight-ahead tenor sax trio, another star-studded portfolio album from a rising sax star, and a sprawling live opus from the music's greatest bassist/composer.  For a chase, a sprawl of pop matters that ranges from gospel tunes to stereo demonstration discs to poor lonely Art Garfunkel.  Lakecia Benjamin – PHOENIX; Domi & JD Beck – NOT TIGHT; Adam Larson – WITH LOVE, FROM CHICAGO; Charles Mingus – THE LOST ALBUM FROM RONNIE SCOTT’S.

    Jazz Bastard Podcast 251 - Summer Tree Ain't No Summer Breeze

    Jazz Bastard Podcast 251 - Summer Tree Ain't No Summer Breeze

    It's the shock of the new as the boys take on three 2022 releases that stretch our heads in various directions, including a solo guitar outing, a visit to a mythical cave, and a trumpet excursions that goes even stranger places.  After that, a chill-out album from Blue Note is a welcome change of pace if nothing else.  Pop matters delves into this year's edition of the Chicago Jazz Fest, so stay tuned.  And watch out for those falling trees.  Gordon Grdina – ODDLY ENOUGH THE MUSIC OF TIM BERNE; Tony Malaby – CAVE OF WINDS ; Natsuki Tamura – SUMMER TREE; Gerald Clayton – BELLS ON SAND.

    Jazz Bastard Podcast 236 - Definite-Article-Lee

    Jazz Bastard Podcast 236 - Definite-Article-Lee

    Many moons ago on episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan.  But not to discuss Live at the Lighthouse because that's the way we roll.  (Look me up on facebook if you have questions about that release).  We survey the trumpet master's brutally truncated career and ponder what might have been while enjoying one of Blue Note's all time all stars.  Lee Morgan:  THE COOKER, THE SIDEWINDER, THE PROCRASTINATOR, FINAL SESSION.

    Episode 1: DJ FLOW "Top 5" Jazz Vinyl Essentials

    Episode 1: DJ FLOW "Top 5" Jazz Vinyl Essentials

    Introduction episode featuring host DJ FLOW going through his "Top 5" Jazz Vinyl Essentials that sparked the creation of this podcast.

    Tracklist:

    1) Miles Davis - Blue In Green (1959) Columbia

    2) Horace Silver - Lonely Woman (1965) Blue Note

    3) John Coltrane - Acknowledgment (1965) Impulse

    4) Yusef Lateef - Love Theme from Spartacus (1960) Prestige

    5) Bill Evans - Nardis

    Follow: @inventions.dimensions @adjnamedflow on all platforms

    Life After the Big Man

    Life After the Big Man

    On this week's show, we...

    • remember the late, great Clarence Clemons on the 10th anniversary of his passing
    • nerd out over our first post-COVID rock show, featuring singer/songwriters Cory Branan & Ross Adams
    • spend quality time with the new Sleater-Kinney record 

    All this & much, much less!   

    Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

    José James: Meet the Musician

    José James: Meet the Musician
    Singer-songwriter José James has established himself as a trailblazer with his intoxicating blend of jazz, R&B, hip-hop, and electronica. Join us for a moderated discussion as he talks about his Blue Note Records debut, "No Beginning No End," an album that marks a new chapter in his artistic journey. José will answer a few questions and wrap up the session with a short performance of cuts from the new release.

    José James: Meet the Musician

    José James: Meet the Musician
    Singer-songwriter José James has established himself as a trailblazer with his intoxicating blend of jazz, R&B, hip-hop, and electronica. Join us for a moderated discussion as he talks about his Blue Note Records debut, "No Beginning No End," an album that marks a new chapter in his artistic journey. José will answer a few questions and wrap up the session with a short performance of cuts from the new release.
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