bill evans

Summertime, and the livin' is sweaty - at least for us in the Midwest right now.  Along with being the most perspiration-friendly season, Summer is also consecrated to travel, which can make it difficult to align two bastard's schedules.  Hence this solo podcast looking at jazz box sets.  Yes, the vinyl revival is all grown up enough to get its own self-indulgent shelf-benders and Pat is hear to talk about several of them.  Various Artists – THE BIRTH OF BEBOP; Bill Evans – TREASURES:  SOLO, TRIO, AND ORCHESTRA RECORDINGS FROM DENMARK; Eddie Lockjaw Davis – COOKIN’ WITH JAWS AND THE QUEEN; John Coltrane – ’58: THE PRESTIGE SESSIONS; Stan Getz – STAN GETZ (BOOK OF THE MONTH CLUB).

Simona Škrabec (Liubliana, 1968) és escriptora, professora i traductora. Amb ella parlem de llengua, esclar, i també del PEN Català, viatges, literatura, curiositat, traducció, diàleg i de què és pertànyer o no a un lloc.

October’s key themes include:

• The RBA outlook: implications for the Australian economy and markets (Chief Economist Bill Evans)
• Gauging the sensitivity of Australian households to inflation and rates 8:18min (Senior Economist Matthew Hassan)
• Global oil supply and demand 16:18min (Senior Economist Justin Smirk)
• The US interest rate cycle: beyond the peak 23:07 min (Senior Economist Elliot Clarke)

• The RBA’s June decision and the outlook for rates (Chief Economist Bill Evans)
• Australia’s consumer: re-opening and cost of living pressures collide 8:40min (Senior Economist Matthew Hassan)
• The outlook for business investment 15:15min (Senior Economist Andrew Hanlan)
• Commodity markets in flux 21:30min (Senior Economist Justin Smirk)
• US inflation, the key risks 30:15min (Senior Economist Elliot Clarke) 

Any information provided in this podcast is general in nature and has been prepared without taking into account any personal circumstances.

Key themes discussed this month include:

• The year ahead for the RBA (Chief Economist Bill Evans)
• Westpac’s 2022 outlook for the Australian economy 11:58min (Senior Economist Andrew Hanlan)
• Assessing the sustainability of the 2021/22 commodity price rally 17:15min (Senior Economist Justin Smirk)
• Australian housing in 2022, lessons from history 21:40min (Senior Economist Matthew Hassan)
• The US FOMC: inflation, uncertainty and policy normalisation 26:55min (Senior Economist Elliot Clarke).

Any information provided in this podcast is general in nature and has been prepared without taking into account any personal circumstances.

Jens Kuross spent his teenage years thrashing his way through Rage Against The Machine and Beastie Boys covers in the dive bars of his native Idaho. By the time he’d reached his mid-twenties, however, he was a Berklee College of Music trained jazz drummer who’d studied under the likes of Victor Mendoza and Ralph Peterson. (And along the way becoming the only artist you’re ever likely to meet who can cite Tom Waits and Bill Evans, Brad Wilk and Art Blakey as equal influences without missing a beat).

Kuross found himself touring the world as the drummer for alternative artist RY X, club-smashing electronic duo Howling, and The Acid, a supergroup comprised of DJ/Producer Adam Freeland, Californian polymath Steve Nalepa, and RY X.

Over the course of the next two years, Kuross received radio support from BBC Radio 1, BBC 6 Music, BBC Radio 2, Absolute Radio, and Radio X. He was invited to support GRAMMY-nominated electronic producer Bonobo, Polaris-nominated R&B artist Rhye, and Mercury-nominated alt-classical trio GoGo Penguin on their respective European tours. His songs, recorded in the garage of his Los Angeles home, were synced to Fox’s Lucifer, NBC’s Sharp Objects and most recently Netflix’s 13 Reasons Why. He recorded a Mahogany session, signed with United Talent Agency, and his music amassed millions of streams.

His long-awaited debut album, The Man Nobody Can Touch, is a body of work that’s equal parts introspective and grandiose; a record that’s unexpectedly maximalist and yet innately melancholy; and yet an album that manages to avoid all the traps of self-indulgent mellow- drama and tired, Americana sentimentality.

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Jens Kuross on Spotify

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Jornada sosegada y de fricciones escondidas para oyentes distraidos encabezada por el pianista Vijay Iyer y su trío.  Además, otros pianistas como el  siempre eterno  Bill Evans y el emergente hondureño Oscar Rossignoli.   El baterista Thomas Strønen se suma a la velada.  Programa del 18 de julio del 2021. Transmitido por  www.radiogramola.com, Granollers, Cataluña,  PIntura: Claude Monet.  Segunda hora.  

Thanks for listening. Follow us on Instagram under mar. afuera and contact us at rmieses@yahoo.com. Mar Afuera is also available at www.mixcloud.com/rafael-mieses/

Introduction episode featuring host DJ FLOW going through his "Top 5" Jazz Vinyl Essentials that sparked the creation of this podcast.

Tracklist:

1) Miles Davis - Blue In Green (1959) Columbia

2) Horace Silver - Lonely Woman (1965) Blue Note

3) John Coltrane - Acknowledgment (1965) Impulse

4) Yusef Lateef - Love Theme from Spartacus (1960) Prestige

5) Bill Evans - Nardis

Follow: @inventions.dimensions @adjnamedflow on all platforms

A meditation on the role of art in envisioning and enacting peace in our communities, featuring music that traces the struggle for peace throughout our country's history, including a stirring arrangement of a spiritual, a new work written during the pandemic, and a pair of peace-themed jazz arrangements. Our guests are three extraordinary creative thinkers who tell stories through their art: composer Jessie Montgomery and poets Keno Evol and Lester Batiste, who introduce their Minneapolis-based organization BlackTableArts.

Musical selections in order of performance [timestamp]:

• Jessie Montgomery – "Peace" (2020) [4:25]
• "Nobody Knows the Trouble I See" arr. J. Rosamond Johnson and Maud Powell [26:26]
• Bill Evans – "Peace Piece" arr. American Stories [43:19]
• Horace Silver – "Peace" arr. American Stories [1:00:55]

Learn more about BlackTableArts at https://www.blacktablearts.com/.

About us:

Sophia Stoyanovich is a violinist originally from Bainbridge Island, Washington. Born into a family of artists, Sophia seeks to develop projects that cultivate empathy through exploring identities. A graduate of The Juilliard School, she has performed internationally, including soloing with the Seattle Symphony. In 2014 she traveled throughout Vietnam with the About Face Foundation, teaching at schools and orphanages. She is also communications director and violinist of The Versoi Ensemble, an international chamber ensemble dedicated to cultural diplomacy through chamber music. Derek Wang is a New York-based pianist and communicator who is guided by the value of committed listening in musical and social spaces. He is a graduate student at The Juilliard School and member of the Aspen Contemporary Ensemble at the Aspen Music Festival and School. He appeared on an NPR Tiny Desk episode in 2018 as emcee for From the Top. He has played family concerts alongside the animated short film collection Magic Piano and the Chopin Shorts in the U.S., Mexico, and on tour in China.

Visit www.american-stories.org, where this episode is available for download in an MP3 format.

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Write to us at americanstories2020@gmail.com - we'd love to hear from you!

William, oh William, it was really nothing - but an all-Bill all the time podcast!  At Mike's suggestion, this round's musicians are all named Bill.  Heck, half of them are white guys named Bill Evans who gigged with Miles Davis.  How's that for homogeneity?  Don't fret - the other Bills at this party bring heavy-gauge avant credentials to balance things out.  Bill Evans – YOU MUST BELIEVE IN SPRING; Bill Evans – STARFISH AND THE MOON; Bill Dixon – INTENTS AND PURPOSES; Bill McHenry – ROSES.