john coltrane

• Michael Occhipinti - I Remember This
• Michael Occhipinti - Mistress Of Storms / Rumours Of Glory / If I Had A Rocket Launcher
• Michael Occhipinti - In Orbit / All The Diamonds In The World
• Michael Occhipinti - The Sulphur Miner / The Ribbon Dancers
• Michael Occhipinti - In Memoria

• John Cage - Winter Music / Atlas Eclipticalis

• Joe McPhee, Paul Plimley, Lisle Ellis - Mendacity / Driva-Man / Roost 2 / Self Portrait / Singing With A Sword / Roost 1 / Garvery's Ghost / Approaching / Tritych /

• Franz Koglmann - Canto I
• Joelle Leandre - L'Histoire de Mme. Tasco
• Urs Leimgruber - Shifted
• Anthony Braxton - Scrapple From The Apple

• Anthony Braxton - Charlie's Wig / I'm Getting Sentimental Over You / Just Friends
• Jimmy Lyons, Sunny Murray - Jump Up
• Steve Lacy - Monk's Mood / Ba-Lue Bolivar Ba-Lues-Are

• Ornette Coleman - Street Woman
• The Bad Plus - Street Woman
• Paul Plimley, Lisle Ellis - Street Woman
• Old And New Dreams - Street Woman
• Pierre Dorge - Lonely Woman
• Stephen Scott - Lonely Woamn
• Michael Jefry Stevens - Lonely Woman
• Herb Geller - The Fruit
• Jim McNeely Tentet - The Fruit

• Johnny Carisi - Israel / Lestorian Mode / Barry's Tune / Hips /Springville
• Al Cohn - Breakfast With Joe
• Tony Scott - Walkin' On Air
• Urbie Green - Little John / Springville / Plain Bill From Bluesville
• Gerry Mulligan - Israel
• Johnny Carisi - Angkor Wat / Barry's Tune / Moon Taj
• Miles Davis Nonet - Israel

Interview conducted  44 years ago in SF---00:00 Despite playing with DexterGordon, John Coltrane, Roland Kirk and Sonny Simmons still unknown.00:48 Interview begins--why more women don't pick the instrument up and obstacles when they do. 01:59 Playing an instrument is a gift it has nothing to do with who or what you are 02:53  "Everything is separating. That's why I call my group unity.  We could all learn from each other." Things have changed now but at the time she was breaking new ground for others to follow.  Unfortunately around 20 years later in 1998 her career was cut short by a series of strokes.  Unable to play live, she spent her last years in an assisted living facility in Olympia Washington.

youtube site https://www.youtube.com/playlist?list=PLtsIZ_bMcIgEpWwNil1gYd5_UghWYxHmS

website https://caljazzphoto.com/

It's been a crazy few weeks with an extra order of cray cray on the side coming up, so we're running our first "classic" episode, this one a throw-back to 2013!  Come for the insights you missed, stay to appreciate the slightly more sophisticated editing you've been enjoying the last few years.  Covers are the order of the day as the bastards look at three albums that hew closely to earlier inspirations, with a special focus on Coltrane. John Coltrane – INTERSTELLAR SPACE; Greg Bendian – INTERSTELLAR SPACE REVISITED; Don Cherry – COMPLETE COMMUNION; Tom Varner – SECOND COMMUNION; John Coltrane – A LOVE SUPREME; Wynton Marsalis and the Lincoln Center Jazz Orchestra – A LOVE SUPREME.

The boys love chasing after the esoteric, the brand new, the little known.  But sometime, we also like to talk about the, well, big label bangers.  That is, big labels in jazz terms, which really means small subsidiary branches of huge media conglomerates, but let's not get into that now.  Some famous names are back this episode and we talk about their latest releases - sometimes a great deal later than their date of death.  Artemis – IN REAL TIME; Brad Mehldau – YOUR MOTHER SHOULD KNOW;  Brandee Younger – BRAND NEW LIFE; John Coltrane / Eric Dolphy – EVENINGS AT THE VILLAGE GATE.

Maggie speaks with Grammy-winning music historian, journalist, producer, and educator Ashley Kahn about Evenings At The Village Gate: John Coltrane With Eric Dolphy, McCoy Tyner, Jimmy Garrison and Elvin Jones.
In 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York.  Coltrane’s Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane’s group those nights— visionary multi-instrumentalist Eric Dolphy. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library for the Performing Arts, offering a glimpse into a powerful musical partnership that ended much too soon. In addition to some well-known Coltrane material (“My Favorite Things”, “Impressions”, “Greensleeves”), there is a breathtaking feature for Dolphy’s bass clarinet on “When Lights Are Low” and the only known non-studio recording of Coltrane’s composition “Africa”, from the Africa/Brass album. This recording represents a very special moment in John Coltrane's journey—the summer of 1961—when his signature, ecstatic live sound, commonly associated his Classic Quartet of '62 to '65, was first maturing and when he was drawing inspiration from deep, African sources— and experimenting with the two-bass idea both in the studio (Olé) and on stage. This truly rare recording of "Africa" captures his expansive vision at the time.

Ashley Kahn is a Grammy-winning American music historian, journalist, producer, and professor. He teaches at New York University’s Clive Davis Institute for Recorded Music, and has written books on two legendary recordings—Kind of Blue by Miles Davis and A Love Supreme by John Coltrane—as well as one book on a legendary record label: The House That Trane Built: The Story of Impulse Records. He also co-authored the Carlos Santana autobiography The Universal Tone, and edited Rolling Stone: The Seventies, a 70-essay overview of that pivotal decade. His latest book is entitled George Harrison on George Harrison: Interviews and Encounters.

Source: https://www.allaboutjazz.com/evenings-at-the-village-gate-john-coltrane-impulse-records__14009

Source: https://www.impulserecords.com/#/

Source: https://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318


Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.

Summertime, and the livin' is sweaty - at least for us in the Midwest right now.  Along with being the most perspiration-friendly season, Summer is also consecrated to travel, which can make it difficult to align two bastard's schedules.  Hence this solo podcast looking at jazz box sets.  Yes, the vinyl revival is all grown up enough to get its own self-indulgent shelf-benders and Pat is hear to talk about several of them.  Various Artists – THE BIRTH OF BEBOP; Bill Evans – TREASURES:  SOLO, TRIO, AND ORCHESTRA RECORDINGS FROM DENMARK; Eddie Lockjaw Davis – COOKIN’ WITH JAWS AND THE QUEEN; John Coltrane – ’58: THE PRESTIGE SESSIONS; Stan Getz – STAN GETZ (BOOK OF THE MONTH CLUB).

Very inviting thumbs, vanilla apologists, Monk's comeback. The Toronto-based experimental musician discusses three important albums.

Mira's picks:

Thelonious Monk Quartet With John Coltrane – At Carnegie Hall
Owen Pallett (released as Final Fantasy) – Has A Good Home
Koboku Senjû – Selektiv Hogst

Mira's new album, Hen's Teeth, is out now on Rat-drifting. It's also on Mira's bandcamp. Her website is here.

Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Drummer Jeff Lipstein has been around the New York music scene for years and has developed some theories about why Jeff Buckley is so enduring. Listen in as we discuss Buckley's covers, his unique vocalizing style and emotional intensity of lyrics, which perhaps took a toll on him. Additionally, Jeff Lipstein goes into detail about Matt Johnson's undeniable greatness and the special musical connection the he and Buckley had. 
Theme music "Eternal Life" from Mystery White Boy
"Grace"

Jeff Lipstein is a drummer, music producer, mixer and composer currently living in the Hudson Valley of New York State. 
He spent 20 years cutting his teeth in NYC and touring the world performing and/or recording with acts such as David Johansen, Clem Snide, Martha Wainwright, The Mercury Rev, Sandy Bell, Spring Awakening, The Blue Man Group, The East Village Opera Company, David Garrett and others. Since 2020 Jeff has been recording and mixing albums as well as composing music for advertisements from his studio in Woodstock NY. 

http://www.jefflipstein.com

http://www.twitter.com/jefflipstein

http://www.instagram.com/jefflipstein

https://www.linkedin.com/in/jeff-lipstein-962b29236/

“Everyone Has A Jeff Buckley Story” is created, recorded, edited and produced by Jeff Haley. Co-Produced by Konrad
Shine Light Podcasts is Executive-Produced by Chris via biointegrity.net

The BioIntegrity community has helped fund protection of more than 320,000 acres of old growth tropical forests since 2014. Those efforts are helping to save thousands of species from extinction, keep more than 85 million tons of greenhouse gasses out of the atmosphere (enough to offset Austin, TX's community carbon footprint for 5+ years), institute land occupation rights for more than 400 Indigenous communities around the world, keep the planet cool, and more. Chris is also co-founder, creator and executive editor of AllCreation.org, a living archive of faith and spiritual practice views on human relationships with Earth's other species and environment. AllCreation has more than 400 posts exploring sacred texts and contemporary views, and is currently read in +150 countries. Visit biointegrity.net and allcreation.org for more info. 

https://allcreation.transistor.fm/
https://biointegrity.transistor.fm/

Media and Music Producer Spencer Proffer joins us to talk about his Paramount + doc, The Day The Music Died which beautifully tells the story of the song that lives on, Don McLean’s American Pie. 

Plus, Audio Content Creators Georgia Wright and Kenia Hale are using storytelling to share the important narrative of how climate change is impacting the lives of young people throughout the world. Their New York Times recommended podcast, Inherited creatively embraces the youth climate movement.

And Fritz and Weezy are recommending Chasing Trane on Hulu and Severance on Apple +.

Path Points of Interest:

Spencer Proffer and Meteor 17

The Day The Music Died on Paramount + 

Spencer Proffer - Bio

Spencer Proffer on Wikipedia

More on The Way The Music Died

American Pie interpretations

Inherited Podcast

Georgia Wright

Kenia Hale

Chasing Trane - Hulu 

Severance 

Gift of Democracy

Two fifty is as good an artificial milestone as any, so the boys decide it's time for a GOAT episode.  First they wrestle a top-twenty artist list into shape, arguing that there's so much consensus out there little work remains to be done and still taking an hour doing it.  Then it's on to the tricky bit - picking out 21 through 40.   Totems will get tumbled, weird choices will get made, and hearts will get broken.  Mostly Mike's.  No pop matters this time as two hours of rampant opinion slinging should be enough for any listener.  

On this week's show, we... 

• celebrate celebrate 40 years of Bruce Springsteen's Nebraska
• spend quality time with the new Horsegirl record 
• present our wrap-up of the 2022 Hopscotch Music Festival

All this & much, much less!

Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

PART ONE:
We pay tribute to Songcraft friend and legendary songwriter Lamont Dozier, who passed away recently at the age of 81. In happier news, we discuss Paul's recent nomination for a GMA Dove Award for Songwriter of the year before diving into the Ringo Starr Instagram foot controversy. 

PART TWO (14:39):
We make an important announcement about the future of Songcraft, reveal the winner of our Dave Alvin book giveaway, and share all the details on the brand new Byrds coffee table book. 

PART THREE (22:13):
Our in-depth interview with Roger McGuinn

ABOUT ROGER McGUINN:

Our guest on this episode of Songcraft is Rock & Roll Hall of Famer Roger McGuinn. Best known for his work with The Byrds, Roger’s distinctive 12-string electric guitar style helped propel the singles “Mr. Tambourine Man” and “Turn! Turn! Turn!” to the top of the charts. As a songwriter, Roger wrote or co-wrote many of the band’s classics, including “Eight Miles High,” “5D,” “Mr. Spaceman,” “So You Want to Be a Rock ‘n’ Roll Star,” “Drug Store Truck Drivin’ Man,” “Ballad of Easy Rider,” “Chestnut Mare,” and others. He launched a solo career in the 1970s, releasing albums that explored new musical territory, and touring as part of Bob Dylan’s Rolling Thunder Revue. 

By the end of the decade, Roger had reunited with former Byrds bandmates Chris Hillman and Gene Clark as a trio known as McGuinn, Clark & Hillman, which yielded the McGuinn-penned Top 40 single “Don’t You Write Her Off.” His 1991 comeback album, Back from Rio, included the Billboard Mainstream Rock hits “King of the Hill” and “Someone to Love,” and featured songs co-written with Tom Petty, Dave Stewart, Jeff Lynne, Mike Campbell, and McGuinn’s wife Camilla, who has since become his primary songwriting partner. 

A lifelong folk music enthusiast, McGuinn has recorded hundreds of songs as part of his online Folk Den project. A compilation album, Treasures from the Folk Den, earned Roger his third Grammy nomination. Most recently, the three surviving founding members of The Byrds—McGuinn, Hillman, and David Crosby—have put together an oversized 400-page coffee table book of photographs and oral history called The Byrds: 1964-1967, which is available for order in both standard and limited-edition autographed versions at www.byrdsbook.com.