broadwayworld

Called, “a true force of nature,” and "in a league of her own," by Clive Davis of The Times (UK) in his TWO five-star reviews of two different London appearances, Natalie Douglas is a Nightlife, two-time Backstage Bistro, twelve-time MAC (Manhattan Association of Cabarets and Clubs) & BroadwayWorld Best Cabaret Vocalist Award Winner and recipient of the Donald F. Smith & Margaret Whiting Awards from the Mabel Mercer Foundation. Natalie’s portrait also hangs on the legendary Birdland Jazz Club Wall of Fame. In addition to her work as a singer/actor, Natalie is a popular & much sought after educator, working worldwide with singers of all ages in her capacity as the master teacher for the Mabel Mercer Foundation. Natalie specializes in diversity workshops & masterclasses for public and private schools, as well as devoting attention to individual study. Natalie is a Phi Beta Kappa graduate of USC with a Magna Cum Laude Bachelor of Arts Degree in Psychology with certificates in Theatre and Women's Studies and holds a Master's Degree in Psychology from UCLA. AWARDS The Mabel Mercer Foundation Donald F. Smith Award The Mabel Mercer Foundation Margaret Whiting Award Twelve MAC Awards for Outstanding Vocalist, Major Artist (4x), Jazz Vocalist, Show of the Year, Celebrity Artist & Major Recording - "Human Heart" with sixteen nominations Nightlife Award Winner: Outstanding Piano Bar Entertainer BroadwayWorld Cabaret Award: Best Vocalist Back Stage Bistro Award Winner: Outstanding Female Vocalist Back Stage Bistro Award Winner: Outstanding Recording "Human Heart"

In this episode, we explore the latest edition of "Forbidden Broadway" with the Picardian name "The Next Generation." While we discuss it here as an installment in our 'Did You Make The Right Call' series, we certainly know that there aren't any shows right now on which to make a call. Our thoughts (and dollars as much as they can be) are with the theater industry right now.

Hopefully this Google Doc will be able to be updated soon (althought it will still be terrible): https://bit.ly/2YAKIEY

In this episode, we explore the New York Theatre Workshop's production of "Sing Street". In it, The Critic successfully hides her age, Easy successfully works in "The Full Monty" again, and we successfully nail a GOT reference (Brenock is Olly). Note well, with the current situation, this show is not starting their performances in March.


This Google Doc showing opening and closing dates is definitely out of date with the crisis: https://bit.ly/2YAKIEY