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claude debussy
Explore " claude debussy" with insightful episodes like "TNT #41 - Floating Points - Reflections: Mojave Desert", "Ryuichi Sakamoto (坂本龍一) & Japanese Contemporary Music", "Vater des Impressionismus - Faurés Klavierquartett Nr. 1", "Wunderkammern III" and "George Antheil: Violin Sonata No. 2" from podcasts like ""TNT Radio NYC", "The Classical Music Minute", "WDR 3 Meisterstücke", "Kultur Spenden" and "WDR 3 Meisterstücke"" and more!
Episodes (15)
Ryuichi Sakamoto (坂本龍一) & Japanese Contemporary Music
Description
Ryuichi Sakamoto passed away on March 28, 2023. He was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). Take a minute to get the scoop!
Fun Fact
Ryuichi Sakamoto was born on January 17, 1952, in Tokyo. His father, Kazuki Sakamoto, was a well-known literary editor, and his mother, Keiko (Shimomura) Sakamoto, designed women’s hats. He began piano lessons at age 6, and started to compose soon after. His early influences included Johann Sebastian Bach and Claude Debussy — whom he once called “the door to all 20th century music”.
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About Steven, Host
Steven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.
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Vater des Impressionismus - Faurés Klavierquartett Nr. 1
Wunderkammern III
Trame Sonore in Mantua ist kein Festival im herkömmlichen Sinn, sondern ein Kulturprojekt – ein Ereignis zwischen Neuentdeckungen und Wiederbegegnungen, dieses Jahr mit dem überaus spannenden Projekt „FOR SEASONS“.
FOR seasons : FÜR die Jahreszeiten – macht Klimaschutz akustisch hörbar.
Luca Ciammarughi: „Non tocchiamo questo tasto. Musica classica e mondo queer“ – ein Buch, das Musik auch als Ort des Andersseins aufzeigt.
Luca Ciammarughi: „Non tocchiamo questo tasto. Musica classica e mondo queer“ – berühren wir die Taste nicht, oder : schlagen wir diese Taste nicht an – Klassische Musik und die queere Welt : ein Buch, das Musik auch als Ort des Andersseins aufzeigt.
Mantova Chamber Music Festival, “Trame Sonore 2022“:
https://www.youtube.com/watch?v=4kndjsoG9cM
Projekt „For Seasons“
https://www.forseasonsbydata.com/dasprojekt
Stephen Waarts:
Jonian Ilias Kadesha:
https://www.jonianiliaskadesha.net/
Jonian Ilias Kadesha: Jonian-Ilias Kadesha – Hommage a J. S. B. Label: Linn, 2022
Luca Ciammarughi: „Non tocchiamo questo tasto. Musica classica e mondo queer“. Edizioni Cruci, 2022
Enzo Restagno: „Claude Debussy. Ovunque lontano dal mondo“. il Saggiatore, 2022
George Antheil: Violin Sonata No. 2
Golliwogg's Cakewalk by Claude Debussy
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César Franck: Symphonie d-Moll
Clair de Lune (Moonlight)
It's finally here! I've had a request for the popular "Clair de lune" more times than any other work. I finally committed to recording this a couple of weeks ago and here it is! I hope that my interpretation and recording will not be a disappointment to those who have patiently waited.
Clair de Lune, translated as "moonlight" is one of Debussy's most popular pieces. It is a beatiful work that has much room for interpretation. In fact, the debates about how this work should be played can become quite heated. Although it was composed in 1882, it was not published until 1926.
Apparently, this piece has had a resurgence of popularity due to the release of the movie Twilight - as it appears as a bonus track on the movie's soundtrack. I've never seen the movie, but if you have, and you liked it, then maybe this recording will mean even more to you.
This recording was completed in my home on my Steinway A III piano. I hope that you enjoy it!
Debussy: (Moonlight) Clair de Lune
It's finally here! I've had a request for the popular "Clair de lune" more times than any other work. I finally committed to recording this a couple of weeks ago and here it is! I hope that my interpretation and recording will not be a disappointment to those who have patiently waited.
Clair de Lune, translated as "moonlight" is one of Debussy's most popular pieces. It is a beatiful work that has much room for interpretation. In fact, the debates about how this work should be played can become quite heated. Although it was composed in 1882, it was not published until 1926.
Apparently, this piece has had a resurgence of popularity due to the release of the movie Twilight - as it appears as a bonus track on the movie's soundtrack. I've never seen the movie, but if you have, and you liked it, then maybe this recording will mean even more to you.
This recording was completed in my home on my Steinway A III piano. I hope that you enjoy it!
Clair de Lune (Moonlight)
It's finally here! I've had a request for the popular "Clair de lune" more times than any other work. I finally committed to recording this a couple of weeks ago and here it is! I hope that my interpretation and recording will not be a disappointment to those who have patiently waited.
Clair de Lune, translated as "moonlight" is one of Debussy's most popular pieces. It is a beatiful work that has much room for interpretation. In fact, the debates about how this work should be played can become quite heated. Although it was composed in 1882, it was not published until 1926.
Apparently, this piece has had a resurgence of popularity due to the release of the movie Twilight - as it appears as a bonus track on the movie's soundtrack. I've never seen the movie, but if you have, and you liked it, then maybe this recording will mean even more to you.
This recording was completed in my home on my Steinway A III piano. I hope that you enjoy it!
Debussy: (The Sunken Cathedral) Preludes Book 1 No. 10: La cathédrale engloutie (The Engulfed Cathedral): Profondément calme
I have had several people request that I record some Debussy preludes so here is the first! This prelude is one of Debussy's best-known works. It was composed just over 100 years ago and appeared in Debussy's first book of preludes. This piece is composed after the legend of the city of Ys (pronounced "ees") - which was engulfed in the sea but was allowed to rise out of the sea once each day to serve as a reminder of the great city that was lost. Part of the legend, which is so critical to this work, is the sound of the church bells that you first begin to hear as the city rises from the sea. The piece starts off with the sound of these bells, and after some fantastic imagery, evolves into the resounding and powerful sound of the church's organ. The city then begins to slowly sink again into the sea. The imagery in this work is astounding and Debussy's ingenius interpretation of this legend is deserving of the highest praise.
Deux Arabesques: I (Two Arabesques for Piano)
This arabaseque is the first of two arabesques that are associated together (although they were composed several years apart). It was written while Debussy was still rather young (26 years old) and is not considered to be representative of his impressionist style that is generally associated with his name. However, there are certain aspects of his style that are apparent even in this early work.
For study, I used Alfred's Masterwork Edition edited by Lynn Freeman Olson.
This recording is dedicated to the Robertsons who acted as my parents-away-from-home while I lived in Japan for two years doing volunteer missionary service for my church. Thank you for your compassion, patience, love, and sincere friendship.
This recording was completed at home on my studio upright. This piece was particularly difficult to record on my upright due to the sensitive dynamics present throughout the work. Much of the interpretation and have attempted to convey is lost in the limitations of the piano. If you have enjoyed my recordings, please consider being apart of improving future recordings by signing my piano! If not, I hope you will still continue to enjoy the free music :)
Debussy: (Two Arabesques for Piano) Deux Arabesques: I
This arabaseque is the first of two arabesques that are associated together (although they were composed several years apart). It was written while Debussy was still rather young (26 years old) and is not considered to be representative of his impressionist style that is generally associated with his name. However, there are certain aspects of his style that are apparent even in this early work.
For study, I used Alfred's Masterwork Edition edited by Lynn Freeman Olson.
This recording is dedicated to the Robertsons who acted as my parents-away-from-home while I lived in Japan for two years doing volunteer missionary service for my church. Thank you for your compassion, patience, love, and sincere friendship.
This recording was completed at home on my studio upright. This piece was particularly difficult to record on my upright due to the sensitive dynamics present throughout the work. Much of the interpretation and have attempted to convey is lost in the limitations of the piano. If you have enjoyed my recordings, please consider being apart of improving future recordings by signing my piano! If not, I hope you will still continue to enjoy the free music :)
Deux Arabesques: I (Two Arabesques for Piano)
This arabaseque is the first of two arabesques that are associated together (although they were composed several years apart). It was written while Debussy was still rather young (26 years old) and is not considered to be representative of his impressionist style that is generally associated with his name. However, there are certain aspects of his style that are apparent even in this early work.
For study, I used Alfred's Masterwork Edition edited by Lynn Freeman Olson.
This recording is dedicated to the Robertsons who acted as my parents-away-from-home while I lived in Japan for two years doing volunteer missionary service for my church. Thank you for your compassion, patience, love, and sincere friendship.
This recording was completed at home on my studio upright. This piece was particularly difficult to record on my upright due to the sensitive dynamics present throughout the work. Much of the interpretation and have attempted to convey is lost in the limitations of the piano. If you have enjoyed my recordings, please consider being apart of improving future recordings by signing my piano! If not, I hope you will still continue to enjoy the free music :)