igor stravinsky

One of the headline events at this year's Adelaide Festival is an enchanting production of Stravinsky's opera The Nightingale. It comes from the playful imagination of Robert Lepage. Lepage is an acclaimed French-Canadian writer, director and performer who, during his decades-long career, has reshaped our ideas of what theatre can be.

Also, we hear a scene from Monument by Emily Sheehan, a new Australian play at Red Stitch about a tense encounter between a woman prime minister and her makeup artist, and we learn about the family history that has inspired former ABC journalist Jane Hutcheon to tell her own story on stage in the show Lost in Shanghai.

Hvem er den klassiske musikkens hooligans? I denne episoden snakker vi om urfremføringer. Både om noen som gikk bra, en som ble en katastrofe og en som ikke ble noe av.

Description
Here’s another one of my favourite pieces, L'Histoire du soldat (The Soldier's Tale) by Igor Stravinsky. Take a minute to get the scoop!

L`Histoire du Soldat/ Suite de Concert, Pierre Boulez ℅ YouTube

Fun Fact
L'Histoire du soldat (The Soldier's Tale) was premiered in Lausanne on 28 September 1918, conducted by Ernest Ansermet. The British conductor Edward Clark was a friend and champion of Stravinsky and a former assistant conductor to Ansermet at the Ballets Russes. He conducted the British premiere of L'Histoire du soldat in 1926 in Newcastle upon Tyne, and gave three further fully staged performances in London in July 1927.

About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
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Got a topic? Pop me an email at: TCMMPodcast@Gmail.com

A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.

Hey y'all - hope everyone is having a very happy holiday season! Welcome to our last episode of the year - we're closing out 2021 with an episode on two music men of the 20th century. Kat tells us the kinda crazy story of Igor Stravinsky and Kaleigh closes out the year with a biography on the man in black himself, Johnny Cash.

Thank y'all so much for a great year, here's to 2022!

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Email: Thisisnotahistorylecture@gmail.com

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Episode 10: The Aliases

This week, the Fletchcast takes a deep dive into the all the aliases that are used in Fletch & Fletch Lives. Often times, the identities that Fletch gives people are not just funny names... Most of the time, they are REAL PEOPLE  behind the goofy pseudonyms. This episode guarantees more background information per minute - on people you never knew existed - than any other podcast out there. Jake, Bob, and Laker Jim spin the Wheel of Fletch and educate each other -one by one - on every single Irwin M. Fletcher alias. Join in the fun! Guess who is REAL and who is NOT...How many can you get right?

OUR "WHEEL OF FLETCH ALIASES" INCLUDE:

Ted Nugent, Arnold Babar, Dr. Rosenpenis/Dr. Rosenrosen/ Dr. Rosen, John Cocktolston, Mr. Poon, Igor Stravinsky, Gordon Liddy, Don Corlione, Harry S. Truman, Mattress Police, Geometry Fletch, Mary Poppins, Nostradamus, Baba au Rum, Jane Doe, Peggy Lee Zorba, Victor Hugo, Henry Himler (Hank Himler), Billy Jean King, Eldridge Cleaver, Claud Henry Smoot, Peter Lemongello, Ed Harley, Elmer Fudd Gantry, and Bobby Lee Swartz

FLETCHCAST VOICEMAIL HOTLINE
Leave us a voicemail with a comment or question: (267) 714-6799 - the voicemail is open & available 24/7

FletchCast is Your Ultimate source for everything Fletch: the books, the movies, & the latest news about our favorite journalistic reporter, Irwin M. Fletcher.... Making sure Fletch lives forever.
 

Host: James "Laker Jim" Kanowitz (@webguy911)
Co-Host: Jake Parrish (@jakelparrish)
Co-Host: Bob West


Follow Us on Social Media:
Instagram: https://www.instagram.com/imfletchcast/
Facebook: https://www.facebook.com/imfletchcast
Twitter: https://twitter.com/imfletchcast


P.S. Have a nice day. 

Fletch  & Fletch Lives are Copyright 1985, 1989 Universal Studios and distributed by MCA/Universal Pictures.  The Fletch Soundtrack is Copyright MCA Records. 
All images and sounds are the intellectual property of Universal Studios. They are used only with the intent of public appreciation of a great film and possible 
publicity for its place

FLETCHCAST VOICEMAIL HOTLINE
Leave us a voicemail with a comment or question: (267) 714-6799 - the voicemail is open & available 24/7

FletchCast is Your Ultimate source for everything Fletch: the books, the movies, & the latest news about our favorite journalistic reporter, Irwin M. Fletcher.

... making sure Fletch Lives forever!

Host: James "Laker Jim" Kanowitz (@webguy911)
Co-Host: Jake Parrish (@jakelparrish)
Co-Host: Robert "Big Bob" West


Follow Us on Social Media:
Instagram: https://www.instagram.com/imfletchcast/
Facebook: https://www.facebook.com/imfletchcast
Twitter: https://twitter.com/imfletchcast


P.S. Have a nice day.

Fletch & Fletch Lives are Copyright 1985, 1989 Universal Studios and distributed by MCA/Universal Pictures. The Fletch Soundtrack is Copyright MCA Records. Confess, Fletch is Copyright of Miramax with Paramount distribution. All images and sounds are the intellectual property of Universal Studios. They are used only with the intent of public appreciation of a great film and possible publicity for its place among the great comedies of our time. We imply no rights to the characters or intellectual propert...

Description
Ever wondered what is Neoclassicism in music? And how did Igor Stravinsky play his part? Join me, as we take a minute to get the scoop!

Fun Fact
From 1948 to 1951, Stravinsky worked on his only full-length opera, The Rake’s Progress, a Neoclassical work based on a series of moralistic engravings by the 18th-century English artist William Hogarth. The Rake’s Progress flirts with the late 18th-century grand opera but with the hard edges and twists of the Stravinsky wit and refinement.

About Steven
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.

A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.

Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com 

Maria Tallchief  was  born Elizabeth Marie Tall Chief  in 1925 in Fairfax, Oklahoma, where her grandfather had served as chief in the Osage Nation. Seventeen years later, she found her way to New York and became one of the most famous American ballerinas of the 20th century.

She rejected suggestions that she change her name to Tallchieva, at the time when many American dancers adopted Russian stage names,

Tallchief would become forever linked to some of George Balanchine's most transformational ballets. (Not only was she his prinicipal muse, but she was married to him  for six years). In 1949, when she danced the title role of Igor Stravinsky's  Firebird to Balanchine's incredibly complex choreography, she caused a sensation. No one had seen anything like it. At the height of her career, Tallchief was considered  the most technically brilliant ballerina the U.S. had ever produced.

I spoke with Maria Tallchief's daughter, the renowned poet Elise Paschen,  about her mother's childhood, her devotion to Balanchine, her hard work and self discipline, her marriages, and the ways in which she expressed her love for her daughter. Elise read two poems she wrote about her mother.

And in the Department of Odd Coincidences, there's this: For years, every time I've moved (and I've moved a lot), I've taken with me a much loved  book I own, titled Poetry Speaks. I bought it for the written poems, but also for the  three CD's it came with, filled with spoken poetry. For years I kept the discs in my car and listened to those CD's while driving, soothed by verse read by the poets themselves:  Walt Whitman, T.S. Eliot; Dorothy Parker;  Langston Hughes, Allen Ginsberg,  Sylvia Plath. At some point after Spotify had taken the steering wheel of  my listening  habits, I lost the poetry CD's.

But the book remains in my possession. And I keep it close at hand on the bookshelf next to my desk. Occasionally, I take it down, open it, and read whatever poem I happen upon.

Then, a few weeks ago, just  before Elise and I were set to talk, I glanced at the shelf, and my eyes lingered  just long enough on Poetry Speaks to take in the names of the volume's editors: Elise Paschen. How strange that I'd never bothered to read the name. Yet now, how fitting. And thirty minutes later, there she was, reading poetry -- her own -- aloud.

Artwork by Paula Mangin (@PaulaBallah)
Music composed and performed by Andrea Perry
Producer: Alice Hudson
Social Media: Sophie McNulty

Mother Word Cloud: Please contribute the one word that best describes your mother to the Mother Word Cloud at www.ourmothersourselves.com

We're trying a little something different today: what happens when Disney scares the pants off you as a kid, and then, in mining the roots of your existential dread, you realize that Henri Matisse and Igor Stravinsky both had their pants scared off too, and that explains a whole heck of a lot about early 20th century modernism? Let's find out together.

See the images:
www.thelonelypalette.com/episodes/201…e-revolution

Music used:
Django Reinhardt, “Django’s Tiger”
The Andrews Sisters, "Bei Mir Bist Du Schoen"
Igor Stravinsky, “The Rite of Spring”
The Blue Dot Sessions, “Monder”, “House of Grendel”, “Thread Caramb”, Emmit Sprak”, “Lubber”, Ervira”
Joe Dassin, “Les Champs-Elysees"

Be a part of history! The 2nd Annual Year-End Patreon Listener Challenge is officially ON:
www.thelonelypalette.com/2018listenerchallenge

Sponsors:
www.inboundbos.com/
www.bumblejax.com/

Der Vortrag der Autorin fand im Rahmen des Moduls ‚Emerging Fields in Architecture‘ im Jänner 2016 an der TU Wien statt und war einer von fünf Vorträgen in der Reihe: Logic of Discovery –  Wie entsteht NEUES ? Vea Kaiser, geb. 1988 in Österreich, veröffentlichte 2012 ihren Debütroman Blasmusikpop oder Wie die Wissenschaft in die Berge kam, der Platz 1 der ORF-Bestenliste erreichte und Leser wie Presse gleichermassen begeisterte. Nach ihrer Lesereise in über 100 Städte und 10 Länder studiert sie nun in Wien Altgriechisch. Vea Kaisers zweiter Roman Makarionissi oder Die Insel der Seligen ist im Mai 2015 erschienen. Derzeit arbeitet sie an ihrem dritten Roman.

Der Vortrag der Autorin fand im Rahmen des Moduls ‚Emerging Fields in Architecture‘ im Jänner 2016 an der TU Wien statt und war einer von fünf Vorträgen in der Reihe: Logic of Discovery -“ Wie entsteht NEUES ? Vea Kaiser, geb. 1988 in Österreich, veröffentlichte 2012 ihren Debütroman Blasmusikpop oder Wie die Wissenschaft in die Berge kam, der Platz 1 der ORF-Bestenliste erreichte und Leser wie Presse gleichermassen begeisterte. Nach ihrer Lesereise in über 100 Städte und 10 Länder studiert sie nun in Wien Altgriechisch. Vea Kaisers zweiter Roman Makarionissi oder Die Insel der Seligen ist im Mai 2015 erschienen. Derzeit arbeitet sie an ihrem dritten Roman.

In den 25 Minuten spricht die Autorin über die Arbeitsrituale von kreativen Menschen, wie Le Corbusier, Igor Stravinsky, Simone de Beauvoir,  und was diese gemeinsam haben. Um dann zu verraten, welche Routine sie selber zum schreiben braucht. https://www.facebook.com/autorinveakaiser/ http://www.hb2.tuwien.ac.at/de/lehre/modul/emerging-fields-in-architecture-m20.html

Eine Sendung von Sandra Häuplik-Meusburger und Verena Holzgethan
http://o94.at/radio/sendereihe/spaceuriosity/

Live Streams http://o94.at/live/
Radio Spaceuriosity Archiv: https://cba.media/series/spaceuriosity