new music and contemporary composers

What does it mean to have no earlids? According to Steven Schick, conductor and music professor at UC San Diego, it means we have no way of removing ourselves from the sounds that are all around us. The world-renown percussionist talks about the nature of sound and how to listen as he creates music through common clay flower pots. Series: "Triton Talks" [Arts and Music] [Show ID: 38074]

What does it mean to have no earlids? According to Steven Schick, conductor and music professor at UC San Diego, it means we have no way of removing ourselves from the sounds that are all around us. The world-renown percussionist talks about the nature of sound and how to listen as he creates music through common clay flower pots. Series: "Triton Talks" [Arts and Music] [Show ID: 38074]

Victor Minces teaches the science of music. He seeks to transform our perception of everyday experiences by revealing the physics behind them. Through his program, Listening to Waves, he works to make science accessible to all and imbue creativity in the scientific process. Hear his perspectives on teaching, arts education and more in this engaging conversation. Series: "Education Channel" [Science] [Arts and Music] [Education] [Show ID: 37090]

Victor Minces teaches the science of music. He seeks to transform our perception of everyday experiences by revealing the physics behind them. Through his program, Listening to Waves, he works to make science accessible to all and imbue creativity in the scientific process. Hear his perspectives on teaching, arts education and more in this engaging conversation. Series: "Education Channel" [Science] [Arts and Music] [Education] [Show ID: 37090]

Victor Minces teaches the science of music. He seeks to transform our perception of everyday experiences by revealing the physics behind them. Through his program, Listening to Waves, he works to make science accessible to all and imbue creativity in the scientific process. Hear his perspectives on teaching, arts education and more in this engaging conversation. Series: "Education Channel" [Science] [Arts and Music] [Education] [Show ID: 37090]

As a highlight of their 2020-2021 Season, Camarada presents the world premiere of a newly-commissioned work by Tijuana-based bassist and composer Andrés Martin. Unstoppable is a work in four movements for flute, violin, and double bass that reflects its creator's multiculturalism. In conversation with Rafael Fernández de Castro, Director of UC San Diego's Center for US-Mexican Studies, and Beth Ross Buckley, Co-Artistic Director of Camarada, Martin discusses Unstoppable's genesis and structure, and reflects upon his cross border projects and his work with Camarada. Series: "Contemporary Composers (1900-Present)" [Arts and Music] [Show ID: 36890]

As a highlight of their 2020-2021 Season, Camarada presents the world premiere of a newly-commissioned work by Tijuana-based bassist and composer Andrés Martin. Unstoppable is a work in four movements for flute, violin, and double bass that reflects its creator's multiculturalism. In conversation with Rafael Fernández de Castro, Director of UC San Diego's Center for US-Mexican Studies, and Beth Ross Buckley, Co-Artistic Director of Camarada, Martin discusses Unstoppable's genesis and structure, and reflects upon his cross border projects and his work with Camarada. Series: "Contemporary Composers (1900-Present)" [Arts and Music] [Show ID: 36890]

Visual artist, songwriter, musician, and raconteur extraordinaire Terry Allen joins Stuart Collection's Mary Beebe and Mathieu Gregoire for a wide-ranging exploration of the history and methods of creating "Trees," his installation for the Collection. Other topics for conversation include comments about Allen's public artworks that followed that initial commission and his latest album, "Just Like Moby-Dick." Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36054]

Visual artist, songwriter, musician, and raconteur extraordinaire Terry Allen joins Stuart Collection's Mary Beebe and Mathieu Gregoire for a wide-ranging exploration of the history and methods of creating "Trees," his installation for the Collection. Other topics for conversation include comments about Allen's public artworks that followed that initial commission and his latest album, "Just Like Moby-Dick." Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36054]

Opera News has called UC San Diego Music Professor Anthony Davis A National Treasure, for his pioneering work in opera. His six operas include works centered on recent historical figures & events, including Malcolm X and Patty Hearst. Davis' latest opera The Central Park Five, an exploration of the wrongful conviction of five teenagers of color in NYC in the 1980s, premiered at Long Beach Opera in 2019 to international acclaim. In this conversation with UC San Diego Music Professor Emeritus Cecil Lytle, Davis explains the genesis of The Central Park Five, and the challenges that ensue when art collides with current events. Series: "Contemporary Composers (1900-Present)" [Arts and Music] [Show ID: 35078]

Opera News has called UC San Diego Music Professor Anthony Davis A National Treasure, for his pioneering work in opera. His six operas include works centered on recent historical figures & events, including Malcolm X and Patty Hearst. Davis' latest opera The Central Park Five, an exploration of the wrongful conviction of five teenagers of color in NYC in the 1980s, premiered at Long Beach Opera in 2019 to international acclaim. In this conversation with UC San Diego Music Professor Emeritus Cecil Lytle, Davis explains the genesis of The Central Park Five, and the challenges that ensue when art collides with current events. Series: "Contemporary Composers (1900-Present)" [Arts and Music] [Show ID: 35078]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

Co-concertmaster David Buckley is soloist in the dynamic Second Violin Concerto of Florence Price, a prolific African-American composer that made her long career in Chicago, where her music was championed by the Chicago Symphony in the 1930s. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34404]

Chinese-American composer Qingqing Wang celebrates this nation of immigrants in her stunning composition, the 2018 Thomas Nee Commission. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34405]

Co-concertmaster David Buckley is soloist in the dynamic Second Violin Concerto of Florence Price, a prolific African-American composer that made her long career in Chicago, where her music was championed by the Chicago Symphony in the 1930s. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34404]