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    Explore " endeavor" with insightful episodes like "EPISODE 143: M of Rekless Artz", "#204. Cory Crespo - Creatividad, Innovación Disruptiva y Trabajar con Lenny Kravitz", "Las Pymes, cómo financiarlas e invertir en ellas", "Jean Wright - From the Day I Looked at the Moon" and "Mining the Golden Age of Data with Tableau’s CEO & President Mark Nelson" from podcasts like ""Spoiler Force Podcast", "Cracks Podcast con Oso Trava", "Consejo Capital", "Sew & So..." and "IT Visionaries"" and more!

    Episodes (51)

    EPISODE 143: M of Rekless Artz

    EPISODE 143: M of Rekless Artz

    On this Episode, I have Artist, M, as a new guest on the show!!

    M and I discuss how she got started in painting Manga Panel Canvases, going to conventions, My Hero Academia and finding out that M is related to a prominent Voice Actor!!

    FOLLOW M at:
    Instagram - https://www.instagram.com/rekless.artz/


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    #204. Cory Crespo - Creatividad, Innovación Disruptiva y Trabajar con Lenny Kravitz

    #204. Cory Crespo - Creatividad, Innovación Disruptiva y Trabajar con Lenny Kravitz

    Cory Crespo @corycrespo es fundador de COLOüRS, una de las agencias de creatividad y ejecución de campañas, eventos y plataformas más importantes de México.

    Por favor ayúdame y sigue Cracks Podcast en YouTube aquí.

    "El que falla en planear lo que planea es fallar." - Cory Crespo

    Comparte esta frase en Twitter

    Este episodio es presentado por Julius Baer, el grupo suizo líder en Wealth Management y por BEEK, la aplicación de audiolibros que te regala 14 días y 40% de descuento en tus primeros 3 meses aquí.

    Ha creado nuevos canales de comunicación disruptiva para audiencias en el mundo de la moda, el arte, la música, el entretenimiento y los deportes, entre las que destacan las propias Mercedes-Benz Fashion Week México, Winter Beach, Mexology y las plataformas asociadas VidCon y Advertising Week LatAm.


    En 2012, en conjunto con su socio Jorge Mondragón, fundó CMX, la primera agencia integral de representación de talento y generación de contenido en América Latina.


    En asociación con Casa Lumbre y talentos que participan de manera activa en la construcción de marcas de bebidas alcohólicas ha logrado lanzamientos como Mezcal Ojo de Tigre con Luis Gerardo Mendez, el licor de Tequila Gran Malo con Luisito Comunica, Mezcal Contraluz con Maluma, Tequila Defrente con Diego Boneta y Sotol Noche Luna con Lenny Kravitz.


    Hoy Cory y yo hablamos de innovación disruptiva, de aprendizajes de Nick Bolettieri, asociarse con Lenny Kravitz y de la importancia del día 1 en cualquier proceso creativo.


    Qué puedes aprender hoy

    • Lecciones de Nick Bollettieri
    • El proceso creativo
    • Trabajar con Lenny Kravitz

    *

    Este episodio es presentado por
    BEEK

    Con
    BEEK ya no hay pretextos para no leer. Tienen más de 250,000 títulos, incluyendo el mío y puedes escuchar resúmenes de "best-sellers" en menos de 15 minutos o escuchar el libro completo para nunca dejar de aprender.

    BEEK te regala 14 días de prueba más tus 3 primeros meses por solo $149 pesos al mes cuando te suscribes al contenido ilimitado de BEEK en
    cracks.la/beek.

    *
    Este episodio es presentado por por
    Julius Baer, el grupo suizo líder en Wealth Management con presencia en América Latina.

    En Julius Baer entienden las complejidades de la sucesión y apoyan a sus clientes y sus familias en el desarrollo de una solución que ayude a garantizar que la empresa siga teniendo éxito por muchas generaciones.

    Para conectar con los expertos de Julius Baer y discutir cómo pueden ayudarte a navegar el proceso de sucesión en tu empresa, visita el sitio www.juliusbaer.com 

    *

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    cracks.la/viernes.

    Conferencias y cursos: osotrava.com

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    Ve el episodio en Youtube

    Las Pymes, cómo financiarlas e invertir en ellas

    Las Pymes, cómo financiarlas e invertir en ellas

    De acuerdo con datos del INEGI, en México existen 4.9 millones de Micro, Pequeñas y Medianas Empresas, MiPymes, que son fundamentales para el desarrollo económico de nuestro país, en gran parte porque tienen un potencial de crecimiento muy importante y porque generan la mayoría de los empleos. En este episodio de Consejo Capital, Susana Sáenz platicó con Vincent Speranza, Director General de Endeavor en México sobre el estado actual del ecosistema emprendedor, el crecimiento acelerado de algunas startups en el país, así como el papel y características del financiamiento a lo largo de la vida de una empresa. Vincent también explica cómo hoy existen opciones para todos los perfiles de inversionistas para poder hacer crecer su dinero en estos negocios de reciente creación y por qué es una forma de diversificar nuestro portafolio. 

    Jean Wright - From the Day I Looked at the Moon

    Jean Wright - From the Day I Looked at the Moon

    As a young girl, Jean would look at the moon at night and dream of working for NASA. That dream came true when she became one of 18 seamstresses that built (sewed), created, and repaired thermal protection, flight hardware, and parachutes. This dedicated team of women dubbed themselves the Sew Sisters.

    Jean felt that getting her initial interview with NASA was a miracle. “The second time Kennedy Space Center came on the caller ID, I thought somebody was playing a cruel joke.”  It was no joke. Jean got accepted into the team.  She remembers telling her daughter, “Oh gosh, this is a call Mom's been waiting for her whole life.”  She shares the fascinating story of how her dream came true—from her initial meetings with the panel to her training to receiving her official stamp number that showed she was officially certified.  This number appears on every part she’s ever built.  (5:54-11:19)

    Everything from the giant industrial sewing machines to the precision of the work to the materials used, pose a unique challenge to sewists. There’s Teflon-coated fiberglass used for the spacesuits. Silver Polyamide film that’s layered with Dacron mesh to create blankets. Threads made from quartz stones are liquified, then spun and twisted into thread.  Whatever the material, each one has special properties designed to perform a specific function while protecting the equipment and the astronauts. Jean goes into fascinating detail about how these unique fabrics, threads, and materials are created and combined to provide the ultimate protection against even the most extreme conditions. (11:20-27:00)

    Because of her work at NASA and her interest in the Wright Brothers, Jean received a call from Neil Armstrong’s son, Mark, about a special project. The project involved precisely cutting and preparing nearly 200 pieces from historical fabric for auction. This fabric had flown in the Wright Flyer in 1903 and had also accompanied Neil Armstrong to the moon. Pieces that were three-quarters by three-quarters of an inch sold for $95,000 each, the ones that were an inch and a quarter by an inch and a quarter went for $175,000 each. 

    Whenever Jean gives a talk, she stresses the need for creative people at NASA because, as she says, “those are the dreamers of the world.” It was through channeling her own creativity that she came up with Sew Sisters Space Creations, which is an homage to her fellow Sew Sisters at NASA. She creates shirts, lanyards, and ties; everything she makes has a piece of flown payload bay fabric from Columbia, Discovery, or the Endeavor space shuttle.  ( 34:06-40:00)

    Although retired, Jean is still involved in many NASA-related activities. As you listen to her story, you can’t help but be inspired by how a little girl from Michigan had the chance to live her dream. If you’d like to connect with Jean, you can reach out to her at her Sew Sisters Space Creations on Facebook or by emailing her at candylady187@msn.com

    If you know someone who has an outstanding story that should be shared on this podcast, drop Meg a note to info@sewandsopodcast.com or complete the form on our website.

    Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today’s and all of our Guests. 

    Mining the Golden Age of Data with Tableau’s CEO & President Mark Nelson

    Mining the Golden Age of Data with Tableau’s CEO & President Mark Nelson

    Mark Nelson is the President and CEO of Tableau, a company dedicated to democratizing analytics and putting data back in the hands of consumers. But while this digital pioneer may be excited about the technical side of things, he’s more excited about how accessing data (and asking the right questions) can evolve the human endeavor. 

    Tune in to learn:

    • What was the Golden Age of Data? (8:00)
    • What are data specialists thinking about A.I.? (10:00)
    • What is The ‘Big Three’ approach to expansion and why should you use it? (15:40)
    • How is data a force for good? (23:03)

    Mentions:

     

    As always, IT Visionaries is brought to you by The Salesforce Platform, and the folks at Salesforce Platform are excited about Tableau's Data Leadership Collaborative. You can get involved in data leadership conversations at DataLeadershipCollaborative.com and connect with like-minded leaders to help each other progress on the journey to build data-driven organizations.

    Mission.org is a media studio producing content for world-class clients. Learn more at mission.org.

    Sarah Penna — Creator Launch Exec at Patreon on Her $15 Million Exit, Marrying a YouTuber, and Betting on Creators

    Sarah Penna — Creator Launch Exec at Patreon on Her $15 Million Exit, Marrying a YouTuber, and Betting on Creators

    This interview features Sarah Penna, Senior Manager of Creator Launch at Patreon. We discuss how a trip to India inspired her media career, being one of the youngest YouTube MCN founders,  her $15 million exit to DreamWorks Animation, how she picks co-founders,  marrying a YouTuber-turned Hollywood filmmaker, founding a female-forward entertainment brand, and what’s up next for Patreon. 

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.

     

    Sarah Penna:

    We had outgrown the office. We were in the National Lampoon office. It was so janky and eventually we moved the talent team to my dining room table. I would cook dinner for the talent team. We would take talent meetings in my living room, which was just so bizarre and unprofessional but worked. My house was kind of a YouTuber hotel. It was very wholesome and very duct tape and bubble gum feeling. We were just kind of figuring it out.

     

    Chris Erwin:

    This week's episode features Sarah Penna, senior manager of Creator Launch at Patreon. So, Sarah was born in Salt Lake City, Utah. Her father was a serial entrepreneur and her mother ran the family construction business. Sarah's first foray into media began while studying abroad in India, when she became the translator for a documentary film crew. So after college, she moved to California and immersed herself in LA's up-and-coming digital media scene, which included working with OG YouTuber Phil DeFranco. Sarah rapidly became a digital expert and started her own digital talent management company in 2010, which eventually became Big Frame and was sold to AwesomenessTV and its parent, DreamWorks Animation.

     

    Chris Erwin:

    Today, Sarah runs a team that helps Patreon develop and launch premium talent partnerships, and also advises Frolic Media, a female-forward entertainment brand she co-founded in 2018. Some highlights of our chat include how we first met during an awkward interview moment with a guitar, when having 10,000 subs made you a Top 100 YouTuber, how she picks co-founders, what it's like to marry a YouTuber turned Hollywood filmmaker, and what's up next for Patreon. Now, I've known Sarah for nearly 10 years. She was actually my gateway drug into all things digital entertainment and where it not for her founding Big Frame, I would not be where I am today, and I am forever grateful to her, which makes me super pumped to share her story. All right, let's get to it. Sarah, thank you for being on The Come Up podcast.

     

    Sarah Penna:

    Thanks for having me.

     

    Chris Erwin:

    We got a little bit of history here. So, we'll see how much of that we can get through in 90 minutes before your next thing.

     

    Sarah Penna:

    Yeah, it's a lot. It's a lot to pack in.

     

    Chris Erwin:

    As always, let's rewind a bit and let's talk about where you grew up. So, my understanding is that you grew up in Salt Lake City, Utah. Your family had some land in Wyoming. I think your dad was a bit of an entrepreneur, but tell us about your upbringing.

     

    Sarah Penna:

    Yeah. I had a pretty cool childhood. I grew up in Utah. My parents were total hippies, just big personalities, did not grow up in the predominant faith of Utah. So, it was a little bit of an outlier, and my parents own a construction company together. So, a little bit of foreshadowing into how I worked with my husband at one point, but I grew up with an older sister and a younger brother. We had a menagerie of animals all the time, like goats, and my dad kept bees at one point. We always had two or three dogs and a bunch of cats and an iguana and chinchillas. We just had this kind of crazy Bohemian, bizarre, Jewish, hippie not Mormon family.

     

    Sarah Penna:

    So, my parents owned this construction company and became relatively successful with that but my dad has curse, as I do, which is, always coming up with new ideas and deciding to act upon them. He had a Japanese restaurant and he had a furniture company and he had an emergency preparedness kit company, and I-

     

    Chris Erwin:

    Would he do all of these at the same time as the construction business or would it be like stops and starts and all of that?

     

    Sarah Penna:

    No. My mom held it down. She really was the mastermind behind the construction company. She did all of the office work and made sure ... she really ran the company and then my dad was kind of the face of it. He was out at the job sites and in the early days, was actually doing the building. So, I got to see my mom be in this, talk about a male-dominated industry. She would come home so mad because she would get a piece of mail that ... her name's Paula and they would always address Paul, because they couldn't believe that a woman was running a construction company. So, I got to see this powerful woman running this super successful business in basically a hundred percent male-dominated industry.

     

    Chris Erwin:

    Sarah, I've known you for over 10 years and we worked together intimately for at least three or four of them. I had no idea about your background. I just learned more about you in two minutes. It took a podcast and a 10-year relationship to get here.

     

    Sarah Penna:

    That's totally my bad.

     

    Chris Erwin:

    All good. So, okay. As a kid, when your father dabbled in all these new business adventures, was that really exciting for you guys? Maybe frustrating for your mother, but as kids you're like, "Oh, dad's up to some cool stuff again."

     

    Sarah Penna:

    Yeah, it was fun. I was 15 when he did the Japanese restaurant and I got to work in the restaurant and just, it was cool, and I didn't realize the stress and the financial burden that it was putting on my mom and kind of how frustrating it was for her but I see that now, looking back, and she handled it amazingly. She's an incredible woman. But I'm a very early riser, and as a kid, I would ... my dad is, too. He would get up at four or five in the morning and I would, too. He would just load me up in his construction truck and we'd go get pancakes and go milk the goats and go check on his construction sites. So, I got to see the inner workings of that. Then, I love going to the office and rifling through my mom's office supplies.

     

    Chris Erwin:

    Well, I got some important Post-it notes here, got a yellow legal pad, all the things.

     

    Sarah Penna:

    It was so fun as a kid. You're like, pens and Post-it notes, and the office supply closet was just like this heaven.

     

    Chris Erwin:

    My dad, he ran a psychology business and still does for 40 years and had his own office, and then every year he hosted a conference. One of my favorite things is that he would hire his children, me and my twin brother, and we'd have to lick 500 envelopes and put stamps on them. But we got to use all of these office gear, we thought it was the coolest thing ever. Then, after a few years, we're like, "I think we're getting sick from all of this stamp-licking."

     

    Sarah Penna:

    Yeah, probably.

     

    Chris Erwin:

    But separate story.

     

    Sarah Penna:

    That's really funny.

     

    Chris Erwin:

    So, a question, watching your father's entrepreneurial endeavors and also your mother, too, running the business, did you feel like, "Hey, when I grew up, I'm going to have my own business too."

     

    Sarah Penna:

    Honestly, no. So, I was an incredibly shy child. I was very quiet. My family likes to joke that they thought I was just going to buy a cabin in the woods and just frolic in daisy fields and that would basically be all I could handle. So, to the shock of everybody, of what I wound up doing with my career, so no, I was very directionless. I went to a very intense high school that was a college prep school. There was a lot of pressure to kind of figure out what you wanted to do. Frankly, I just didn't have any passions. I wasn't thinking, "Oh, I want to take over the family business or I want to be an entrepreneur." I didn't even have that language.

     

    Sarah Penna:

    So, in a way, that was great because what I wound up doing didn't exist when I was little. If I had said, "Oh, I want to be a lawyer or an actress or what ... " something that did exist, I don't know that I would've found the path that I did find. My parents never called themselves entrepreneurs. They were just, this is what we do and this is how we do it.

     

    Chris Erwin:

    Very interesting, Sarah. So, I'm going to put the puzzle pieces together here. Let's talk about another formative event growing up. You had also mentioned that you studied abroad in India, where you actually learned to speak fluent Nepalese. So, tell us about this transformative moment for you.

     

    Sarah Penna:

    Like I said, I was a very shy child. In college, I kind of blossomed, but maybe in the wrong ways. I partied a lot and just, again, was quite directionless. I was a literature major, which is just like the lazy ... No, I love being a literature major, but it is a non-major. It doesn't really set you up for business success. Originally, actually, I was going to travel. I was going to study abroad in Italy and I had this moment where I just looked at myself and said, "You need to push yourself right now. This is a moment." My college had an incredible study abroad program in Nepal.

     

    Sarah Penna:

    Long story short, they couldn't do it in Nepal. There were some civil unrest, so they moved it to India. I went to India and I lived in a place that didn't have running water, and I did my laundry for six months in a river. I got perspective that I never would've had. During that time I met up with a documentary film, I will say, crew in quotes, because it was just two white dudes traveling around not knowing what they were doing. They were in this tiny little village that I was staying. I was living in a monastery and because I spoke the language I could just hang out with the locals. It was very funny to them that this tiny, little white girl spoke fluent Nepalese.

     

    Chris Erwin:

    Did you take Nepalese in advance of going to India at all?

     

    Sarah Penna:

    No.

     

    Chris Erwin:

    So, you just picked it up in country.

     

    Sarah Penna:

    Yeah.

     

    Chris Erwin:

    Wow.

     

    Sarah Penna:

    Writing is very hard, but the language itself is very intuitive once you fit the pieces together. So, I would help them. Tourists would come. I lived in this monastery for a couple of weeks. Tourists would come and I would help them translate and negotiate and all this stuff. So, these guys came, they were filming. I was like, "I'll join up with you guys and translate for you and help you get interviews and that kind of stuff." Because if you speak the language, it just opens more doors. So, I wound up traveling with them, and one of them I wound up dating, but that's for another story. He was going to UCLA. I was graduating. He was going to UCLA grad school.

     

    Sarah Penna:

    I was graduating college and I wound up learning about documentary film and originally thought I wanted to go into documentary filmmaking. So, 2006 is when I was in India.

     

    Chris Erwin:

    Got it. Did you have an interest in media and the arts before you met this documentary film crew/attractive young man that you wanted to date?

     

    Sarah Penna:

    No, and I didn't have any connections and I didn't have any ... but, again, I was kind of, not in a disparaging way, but I was kind of an empty vessel, right? I had no idea what I was going to do and this thing really sparked me. I loved holding the camera. I loved seeing the story come together. I moved to Venice with him, and this is way too long of a story, so I'll just make it really short through a series of very wonderful coincidences, which involved me randomly picking a documentary film at the LA Film Festival and contacting the filmmaker. I got an internship at World of Wonder and that kind of started my trajectory in media.

     

    Chris Erwin:

    This was the first time you dated a documentary filmmaker. I look at this as a warm up for Joe. We'll get into that later.

     

    Sarah Penna:

    I only dated creative people, [inaudible 00:11:39].

     

    Chris Erwin:

    Another podcast for your wild party days at Pitzer College. All right, so that led to your first work experience at World of Wonder. So, tell us about what that company was doing and what your role was there.

     

    Sarah Penna:

    World of Wonder in 2008 was probably the most amazing place to work, I have to say. It was constantly drag queens coming in the office, and parties. It was just a wild time. They were filming the first season of Million Dollar Listing, which I was an intern on. They were filming the first season of Tori and Dean: Inn Love, the Tori Spelling Show, which I was an assistant on. They were filming Porno Valley. They were filming ... I mean, it was just like a wild, wild time, incredible company. I loved it. I also recognized that reality TV wasn't really for me. While I was working there, I also was making short films and uploading them to these two new websites. One of them was called YouTube and one of them was called Current TV.

     

    Sarah Penna:

    Current TV was Al Gore's network based in San Francisco, where you would upload short documentaries and then the ones that got the most votes, they would ultimately put them onto their TV network. So, I had a couple documentaries get bought and put onto the TV network and ...

     

    Chris Erwin:

    Were you doing this independently or as part of World of Wonder?

     

    Sarah Penna:

    No, no, totally separately.

     

    Chris Erwin:

    Got it. Again, I had no idea that you did this.

     

    Sarah Penna:

    Yeah. Now, we're in 2007, the first documentary that got picked up was about me getting my medical marijuana license.

     

    Chris Erwin:

    Okay.

     

    Sarah Penna:

    It was a very new thing at that time, and so I documented the whole journey of what it was like to get a medical marijuana license and I smoked a joint on-screen. When I got hired there, it would play in the rotation, and one time Al Gore came to visit the office and they had the TVs up in the office playing Current, and my documentary came on with me smoking a joint and meeting Al Gore at the same time. It was very embarrassing.

     

    Chris Erwin:

    I'm famous/I'm super embarrassed. What a mix of emotions.

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    So, Sarah, I have to ask, you're working at World of Wonder, you're working on these incredible programs that are probably being sold to network TV, right? Not digital outlets and streamers. What was the catalyst that you're like, "I want to put my content on YouTube and Current TV." How'd that come to be?

     

    Sarah Penna:

    I just felt something more compelling about it. It felt more free. It felt like, somebody like me coming from Utah with literally zero connections could make something and have it be put on TV within a couple of weeks. Then, on YouTube, you couldn't monetize at the time. It was very rudimentary. I don't know, I just fell in love with it.

     

    Chris Erwin:

    YouTube was founded in 2004 and then, was it bought by Google in 2006, if I remember correctly?

     

    Sarah Penna:

    I think that's right. Then, 2007 Time magazine made you, the cover and the Person of the Year was you, and it was a mirror. I was like, that to me was a moment where I said, "Okay, this is really a thing and I want to be involved in it."

     

    Chris Erwin:

    I think you start meeting some pretty important early personalities and movers and shakers within digital video. I think you met one of the founders of what eventually became Maker Studios, I think. Was it Danny Diamond or Danny Zappin? Is that the same person?

     

    Sarah Penna:

    That's the same person. His YouTube name was Danny Diamond.

     

    Chris Erwin:

    Got it. So, how'd you meet Danny?

     

    Sarah Penna:

    So, I was working at this very small web series production company which, yes, that was a thing in 2008. So, I got laid off right from Current because the financial crisis hit. They laid everyone off. They sold the network to Al Jazeera. I moved back to LA. I had been up in San Francisco, moved back to LA, started working at this web series production company, got introduced to Danny through some mutual friends. He said, "Look, I just got some money from YouTube and I'm filming this thing for this new channel that we're starting called The Station. Why don't you just come up and see what it's like?" So, I go up there and unbeknownst to me, it was every big YouTuber at the time. It was ShayCarl, and KassemG, and Shane Dawson, and Danny, and Lisa Nova, and everybody-

     

    Chris Erwin:

    OG names.

     

    Sarah Penna:

    Funnily enough, my future husband was supposed to be there, but I don't remember exactly what happened, but he wasn't there.

     

    Chris Erwin:

    Okay. So, you're doing this. Are you thinking to yourself, "Oh my God, I'm having so much fun. This is a crazy world." You're embarking on a very exciting career adventure. You're seeing this change in the media industry. Did you feel that at the time or was it more of, "This is fun. I'm meeting some cool people. Let's see where it goes."

     

    Sarah Penna:

    It was more the former. I really thought to myself, I want to be involved in this in some way, shape or form. I really don't know what this is.

     

    Chris Erwin:

    Yeah.

     

    Sarah Penna:

    Not to say that I'm a genius, but I just had something in my gut that said, you've got to be involved in this somehow. You have to make this happen.

     

    Chris Erwin:

    That instinct proved to be pretty powerful for you in starting Big Frame, which we'll get to in a little bit. So, you meet Phil DeFranco, a prominent OG YouTuber, and I think you become a producer for him and his team, right?

     

    Sarah Penna:

    Yeah. So, he hires me in November of 2009 and I worked for him. We launched a new channel, which was like a gaming channel for him. I did PR for him. I handled brand deals for him. I edited because I still knew how to edit at the time. A skill I'm very sad that I lost. That was just an amazing experience. He had split from Maker TV at that time and so, we were kind of running our own thing. I think Phil, to this day, is one of the most brilliant, genius content creators that's come out of the YouTube space. He's just continually reinvented himself and not, just kept doing what he did and stayed successful. So, that was a masterclass in how to run a successful YouTube channel.

     

    Chris Erwin:

    Got it. Also, through Phil DeFranco, you actually end up meeting your future husband, Joe. So, he actually showed up on time for production or maybe a first day that you guys had. How'd you first connect with him?

     

    Sarah Penna:

    Before Phil hired me, I got invited to a Halloween party at his house and Joe was there, and I had actually very embarrassingly seen Joe's videos before meeting him. I was producing a short film with a prominent YouTuber at that time named Olga Kay and we were just doing some fun. We actually crowdfunded it. We raised a couple thousand dollars and made this thing called Olga Kay's Circus. We wanted Joe in it because he had a lot of subscribers at the time. He had 10,000 subscribers, so he was in the Top 100 YouTubers.

     

    Chris Erwin:

    Oh, my God.

     

    Sarah Penna:

    Can you believe that 10,000 subscribers would get you there at that time? So, we wanted Joe in it and we wound up meeting at this Halloween party and then Phil connected us and match made us a little bit, and we went on our first date in January of 2010.

     

    Chris Erwin:

    Then, how soon were you married or engaged after that?

     

    Sarah Penna:

    So, we went on our first date in January 2010 and then we got engaged in September of the same year, and then we were married the next year.

     

    Chris Erwin:

    First date with Joe, January 2010. Engaged, September 2010. Married, 2011. Interesting timing because you launched your first company, Cloud Media, I think in 2010, and you're sharing production space with Joe. So, you're tripling down on the digital media space. You're literally married to a creator. You're sharing space together and you're founding your own media company. But tell us about what was the origins of Cloud Media.

     

    Sarah Penna:

    Yeah, so I basically, again, I didn't say, "Oh, I'm going to be an entrepreneur. I'm going to raise money." I didn't have a blueprint for that. I didn't know what I was doing, which I think you'll hear a lot of entrepreneurs say, that's kind of a blessing in a lot of ways. So, I did a very big brand deal for Joe. I was able to negotiate a high six-figure deal for him, and using the percentage that I took as his manager from that, I started what I called the Cloud Media. I bootstrapped that company for a year and a half and just operated it based off of the percentages that I was taking from brand deals that I was doing for influencers and YouTubers, whatever we called them at the time.

     

    Sarah Penna:

    My difference was I would start out by not doing contracts with them. We would just have a understanding, which is very common with management companies. Most managers don't have contracts, right? That's more for agents and Maker and Fullscreen at the time were insisting on contract, and Machinima. I was like, "Hey, you don't have to sign a contract with me. Let me just show you what I can do. This is my fee, and if you like it, then you can officially sign onboard and we can go from there." So, that worked really well for me. So, I started signing. I think by the time that we re-founded the company as Big Frame, I had about 30 clients.

     

    Chris Erwin:

    I remember, that was one of the things that attracted me to Big Frame. This is definitely the reputation in the space, is that you had built, Sarah, one of the most premium networks of YouTube creators that existed. Really high quality YouTubers that worked together, that worked with you, and there was really good camaraderie and trust and rapport amongst everybody, and it felt very special and different. So, it's clear that was based on these initial values of, I'm going to do good work and prove myself to you, and that's how we're going to develop a business relationship. Until I came in and then I was like, "Sarah, we need contracts."

     

    Sarah Penna:

    A big influence on those ... those are, me as a person, my core values. But DeStorm, who was my second client outside of Joe, who I just cold called and was living in New York, he really sort of guided me in how he wanted to be treated, how he felt business should be done. He really helped collaborate with me on some of those foundational core values that we carried throughout the duration of Big Frame really.

     

    Chris Erwin:

    So, speaking of that, you're literally learning from one of your clients. Were there any other mentors in the space as you're figuring ... this is the early days. We still say we're in the Wild West of the creator economy, that was the real Wild West of YouTube. So, probably, very few people to learn from. Did you have anyone that you would call on a regular basis and say, "Hey, let's just share notes."

     

    Sarah Penna:

    No, I didn't. Unfortunately, I think the space became quickly competitive. I would say at the beginning there was a little more collaboration between, let's say, like Danny and George Strompolos and myself. We would go up to YouTube and talk to them together as a group and what our needs were and share creator feedback. I think once money started pouring into the space we got a little more siloed, which is understandable, but no, I didn't. I was really out there in the woods like, "Okay, this is what we're doing now." Not really knowing what that was. Just saying, "Okay, this is how we're doing it. This is how our contracts are going to look."

     

    Chris Erwin:

    How old were you at this point?

     

    Sarah Penna:

    I was 26.

     

    Chris Erwin:

    So young. So, then, I think, well, as part of that dynamic, as the space got more competitive, George is launching Fullscreen, Danny is launching Maker, more venture capitals moving to the space. The Google Original Channels program launches, $200 million dedicated fund to help creators produce higher quality content for YouTube, which will then attract more advertisers and more revenue. So, I think at this point is when you eventually connect with Steve Raymond, the co-founder of Big Frame, which got its origins from Cloud Media, right?

     

    Sarah Penna:

    Exactly, through a mutual friend. I was on the hunt for a CEO. I recognized my limitations. I did want to raise money. I didn't know what that entailed. Frankly, I needed more of a grownup. I think my skillsets were really great on the creator side and the brand deal side but as the industry started growing up, I very quickly recognized I need someone who has a skillset that I just don't have. So, I met Steve and we hit it off, and we had a couple meetings, and he just jumped right on in. We decided to re-found the company. None of us liked the name because people thought it was like cloud computing and, which is fair, and it just made sense to start fresh. It also gave us an opportunity to have contracts with people and just structure it in a way that would allow us to raise money. So, yeah.

     

    Chris Erwin:

    Hey, listeners, this is Chris Erwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right, that's it, everybody. Let's get back to the interview. I have to ask, I started the advisory firm five years ago that I have now. I started that with a co-founder and then quickly realized, "Hey, I have a certain vision and I'm going to build this in my unique way." So, restarted the advisory firm with me as the solo owner.

     

    Chris Erwin:

    I've realized bringing someone else into the mix that really gets the vision that I feel comfortable sharing this with is difficult for me. I just know my personality, and founder issues are always like the hardest things in any startup. How did you feel in terms of bringing Steve on? Did you feel comfortable? When you met him, you're like, "Hey, this guy gets it. We have shared values and sensibility." Were you able to develop a sense of trust with him pretty quickly or did that take a decent amount of time?

     

    Sarah Penna:

    I trusted him very quickly. Although, I sometimes felt like that scene in The Little Mermaid where she's like, closes her eyes and signs her voice away, I was like, "Am I doing that?" I definitely had that moment where I was like, "Am I letting somebody in I don't ... ?" We had three meetings before. I was like, "Here's a third of my company." We had another co-founder, that's it. We don't need to [inaudible 00:25:56] but basically, here's half of my company. I definitely had people who were like, "Don't think you should have done that." But to me, the value of Steve and the ability ... I did trust him. The main thing for him was, he was very clear that he didn't want to disrupt what I was doing. He was very impressed with the business that I had built on my own and he didn't want me to feel like he was coming in to change that.

     

    Sarah Penna:

    He invested some of his own money and valued the contracts that ... I was like, I don't have that money to invest, but he was like, we should value the money that's in the bank for Cloud Media and the value of the contracts or the agreements that you have with the talent. So, I was like, "Okay, that's really fair." He made it easy. That, for me, was important. I don't like complicated things. I don't like long dragged out negotiations, and I was ready to just get to work. So, he was someone who was like, "I know how to do this. I have the connections. I don't want to disrupt your work." He's a good guy, I could just tell, and we made it work.

     

    Chris Erwin:

    I love that. I know Steve very well. He was my boss for three or four years and learned an incredible amount from him. But I think you're right, Sarah, the thing that stands out about Steve was just a good guy, good moral compass, and he doesn't let great get in the way of good enough. He'll just say, "This is good. This is thoughtful. We've talked this through. Let's move forward." But like you said, he's very fair in how he wanted to value the company. I didn't know that, but it's totally on brand for him. So, curious, I joined in the summer of 2012, I was ...

     

    Sarah Penna:

    Oh, boy, what a summer that was.

     

    Chris Erwin:

    So, I went to business school after being a Wall Street banker for a few years. Then, I was in school in Chicago and I worked while I was there for Pritzker Capital, which was an early investor in the YouTube MCN ecosystem. They had invested in Big Frame. They invested in Awesomeness. We eventually joined forces, and that is how I met Steve first. I was talking to Rishi, Rishi or Matt McCall and they're like, "Yeah, when you fly out to LA for these meetings, we invested in this company called Big Frame. You should check them out." I was like, "I don't even understand this company's business model, but digital video that feels like the future. I'll take a meeting."

     

    Chris Erwin:

    I remember meeting Steve and we had lunch on the Promenade, and then I came in for my first interview. I walked into the office, this is on Sunset Boulevard in the old National Lampoon building. I walked in and I walked into a ... it feels like we were just working out of someone's semi-living/work space. I was like, is this a company? Is this like what West Coast work is like? Because I had grown up working on the East Coast. I walked into the back room and in the back room there's this little circular table. Steve's there. Grant Gibson's there. Jason [Szymanski 00:28:39] is there. Then, you're at your back desk.

     

    Chris Erwin:

    So, you're supposed to be part of this interview, your head's down on your computer. They're like, "Oh, that's Sarah over there." I looked over and I'm like, "Oh, I guess this is what founders do in digital media. They're just heads down in their computers. Maybe I'll eventually talk to her over time." That was my first introduction to Big Frame. So, I just say all of this as I was like, this is like a precursor to just wildness that ensued thereafter. We had just gotten the Google Original Channels funding, raised some venture funding on top of that, and then it was like, build these five different content verticals. I'm curious to hear from you, there are so many memories from back in the day, but as you think about some of the war stories from the trenches, what are some things that stand out?

     

    Sarah Penna:

    Oh, my God. Well, your interview definitely. Also, you failed to mention that we had two absolutely crazy wiener dogs running around the office as well. Yeah. I think we had outgrown the office. We were in the National Lampoon office. It was so janky and we ... eventually, we're on three different floors. We moved sales to an office down Sunset. We were sandwiched between a strip club and a Trader Joe's. Then, Joe and I were renting a house off of Sunset, like walking distance, and eventually, we moved the talent team to my dining room table. Joe at that time was putting two YouTube videos a week out on his MysteryGuitarMan channel, and he would stay up all night and then he would sleep until 2:00 PM and he'd come downstairs.

     

    Sarah Penna:

    It was like, Lisa, Byron, Megan, Rachel were at our dining room table, and Joe was rolling out of bed as one of our talent but also my husband. I would cook dinner for the talent team at my house. We would take talent meetings in my living room, which was just so bizarre and unprofessional, but worked. We would also throw these wild game nights, board game nights, so Settlers of Catan was very popular at that time. We would have 40 YouTubers in our house playing Settlers of Catan with multiple games going on. My house was like a YouTuber hotel. We had a guest bedroom. Jenna Marbles came and stayed. Lena came and stayed with us. DeStorm. It was very wholesome and very duct tape and bubble gum feeling. We were just kind of figuring it out.

     

    Chris Erwin:

    I remember that. I remember Steve explaining, "Oh, we're having a reorg." The reorg was like, "Okay, we're moving the talent team to Sarah's house across the street." Then, production goes upstairs into a semi-new office that we got. For us, at that size, that was like a big deal.

     

    Sarah Penna:

    It was. Yeah. Oh, man, when we moved to our Lindblade offices, was that like heaven on earth to have an actual office, but that was later. Another funny memory I had was when Max first started. He had come from a place where he was doing really, really big deals. I handed him off a brand deal opportunity for $1,500 and he went in the bathroom, which by the way was right next to everybody's desk and splashed cold water on his face. We had moved him from New York to LA and he was just like, "What am I doing?" Ultimately, Max, obviously, was an absolute rockstar and built out that sales team to just be very profitable and doing really well.

     

    Sarah Penna:

    But that first deal was $1,500, and that was just par for the course at that time. It was shocking to people coming from the outside and then once it clicked, it really clicked and you're like, "Okay, I get what we're doing here." But there was just a lot of duct tape and bubble gum.

     

    Chris Erwin:

    I think Max is going to be an interview on this podcast coming up. I have interviewed Dan Levitt. When I think of Dan, we talk about when I first interviewed him and I think he showed up in some shiny suit and Jason Szymanski in the back office is pointing. He's like, "Chris, we're launching a music vertical and we have a new interview candidate coming in." I would just look out the window and I would be like, "These characters." I was like, "I've never worked with any characters like this before." I come from Wall Street, so it's was like everyone's in a suit and tie. I see people coming in shiny suits and I'm just like, "I think this is the new world I'm in. I'm just going to roll with it."

     

    Chris Erwin:

    So, it was such a rollercoaster of fun. So, then exciting things are happening and eventually, we move into this big new office, I think on Lindblade in Culver City. We're closer to Maker. We're closer to Fullscreen. Then, we run a process to sell the company. I'm just curious to hear from you, Sarah. Bringing Steve on was probably like, that was a big decision for you, but then hiring an investment bank that's going to run a sales process, we're going to have new ownership and potential leadership. What was it like for you to make that decision?

     

    Sarah Penna:

    That was really hard. I just wanted to keep the party going. Like many young entrepreneurs, I think I tied my identity completely to this company. And my husband was in the next office, he was a client. We went home, we would talk about brand deals over dinner. My entire identity was Big Frame. All of my friends were in some way, shape or form involved in this company. My family would tease me when I'd go home for Christmas. They're like, "Are all of your friends under contract?" I was like, "Yeah, kind of."

     

    Chris Erwin:

    Maybe a nice way to go through life.

     

    Sarah Penna:

    Yeah. I mean, we know where we stand with each other. No, but I just, I was so immersed that the idea of losing control was hard. I think I also felt my limitations as a founder and that's hard to come up against when you're kind of, I don't want to say that I was arrogant, but I was really confident and I felt really good about how I was running things and running the company. Then, we got to a point where my limitations and our limitations became evident and that's hard. It was hard and it was also exciting because it is, under most circumstances, it's a great thing. I also just had never been through anything like that, so I let a lot of anxiety get to me.

     

    Sarah Penna:

    I let it completely consume me. I'll be totally transparent. I would cry on the bathroom floor, like, what am I doing? There was a lot of doubt. I think that was probably the biggest strain on Steve and I's relationship, is how to go about this and how to present in the room. That was a big source of stress for us. Who's going to present? Is it me? I've been out there kind of the face of the company. I've been doing all the panels, and the VidCons, and the press, and the creator. Or is it Steve, who is the CEO who, frankly, should be doing it?

     

    Chris Erwin:

    That was unclear. We brought in an executive coach to help us figure that out.

     

    Sarah Penna:

    We did. Ultimately, like many of these things, it just came about through relationships and less about going and pitching, and the relationship that I had kind of built and cultivated, and changing landscape. There were a lot of factors, but that was very stressful. Then, in New Year's Eve of 2013, while we were in the middle of this process, I found out I was pregnant.

     

    Chris Erwin:

    Just to pile it on.

     

    Sarah Penna:

    Just for fun. Thought that would be a great thing to add on to the plate at the time. It's so funny because I think back a lot to the moment where I told Steve that I was pregnant, I was hysterical. I couldn't even tell him. I was crying so hard. He was like, in a very nice way, "I don't understand why you're so upset. This is a good thing." I was like, "What?" I thought he was going to be so mad and that this was going to ruin everything. I tell that story only to say, I think that our culture makes young women feel like ... and I had a lot of people tell me, then opened up to me over the years, that they felt like they can't have kids because of ... that moment of, "Oh, my gosh, I have to now disclose this thing."

     

    Sarah Penna:

    Even if it's illegal to not move forward with something because someone's pregnant, you can still find other ways. So, I thought I had completely ruined everything and that was ... I'm very sad about that looking back, but Steve really was like, "This is awesome. I'm so happy for you. Don't even think about it. Nobody's going to bat an eye." That was true. I wound up giving a keynote at VidCon eight months pregnant and we sold the company, but that was very stressful. Also, I couldn't drink. It was a lot. We were celebrating and I was like, "You know what? I'm having a glass of champagne because I'm ... You all have been drinking through this very stressful process and I haven't."

     

    Chris Erwin:

    More like being pregnant was also a launching pad for you to launch the mom's vertical at Awesomeness-

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    ... which came thereafter but, yeah, just to add some context on some of the notes here. I remember in the MCN days, there was the early Awesomeness launch in 2011 and then it was sold to DreamWorks, I think, in 2012, and everyone got really excited. But then, the YouTube MCN winter hit and there was a lack of capital flowing into the space. People were saying like, "Are these businesses real? Are they viable? Are they just going to get consolidated into traditional media?" It was harder to raise capital, and there was a lot of doubt in the ecosystem. Then, in 2013, I think in the second half of the year, Disney bought Maker for $500 million. Then, we made a decision, we're like, "There's a moment in time here, let's hire an investment banker." Shout out to Brian Stengel.

     

    Sarah Penna:

    Yay, Brian.

     

    Chris Erwin:

    We kicked off a process in the second half of 2013 and sold in April of 2014 to AwesomenessTV. Look, I was very intimately involved in that process with you and Steve. I saw how hard it was on you guys. You guys were just carrying an incredible burden. I think something, too, like a theme of your career, Sarah, where you have this passion for overlooked communities. I think you getting into the digital fears, there's a way to service these new creator voices in an exciting way with new business models and new distribution models. I bet there was some fear of ... A lot of this business was your friends and your friends actually had equity in the company.

     

    Chris Erwin:

    You had given equity out to a lot of creators when you launched Cloud Media and Big Frame. What if all that was going to change with this new ownership? I think that was probably a moment that you were concerned about. I don't know if we'll ever make all these details public, but the sales process, I just remember like one week it would be super exciting. We're flying to New York for this big meeting with a traditional publisher. Conversations are going really well and then they completely flat lined and go nowhere. Then, the next week, it's like really exciting, but eventually got to a great result.

     

    Sarah Penna:

    At three in the morning, while we were all still at the Big Frame offices collapsed on the floor. Yes.

     

    Chris Erwin:

    We end up selling to AwesomenessTV. I think that was a very exciting experience for all of us. I think Awesomeness was, in a way, they were the Goldman Sachs of the YouTuber economy back then. They built an incredible team and network, and I think we all really learned a lot from Brian Robbins and Joe Davola. Just amazing creative visionaries. You also launched a mom's vertical while you're there with Snooki and JWoww, you do the corporate thing for, I think, two to three years then it's okay, what are you going to do next? I think that you start seeing another underserved community, which is the romance community, and you think about launching a company there. So, what's that quick story?

     

    Sarah Penna:

    While I was running the mom's vertical, which as you said, I think my big passion in life is finding underserved communities and overlooked communities and creating content around them. I felt at that time that the content that was out there for moms was just not great and it was a huge market. So, Brian had brought on a woman named Lisa Berger who comes from E! and has had a very long traditional media career. He brought her on to do the Go90 programming and the YouTube programming for the Awestruck, which is the mom's vertical. We hit it off and we have a great time together running this crazy thing, and we wind up optioning a romance novel and turning it into a series for Go90.

     

    Sarah Penna:

    Very, very, very long story short, we crashed Go90 because of how popular it was, despite everyone telling us it wasn't going to work. I'm a huge reader and I love romance. I was looking out at the landscape and saying, "You know what? I think romance is going to have a moment, like what Marvel did for geek culture, where now it's cool to be a geek." I think we're at this point, this is 2017. Trump is in office. Women are pissed off. We're sick of all of the stuff that we're like being disparaged. We're sick of all of the female characters in popular shows being killed off or assaulted or whatever. We just want happily ever afters. Everyone's disparaging this romance community as just sad cat ladies, single cat ladies eating bonbons.

     

    Sarah Penna:

    I was like, "We're going to go prove them wrong. Fuck this." Similar to the early days of YouTube, where I saw these influencers have a chip on their shoulder where, "Oh, you just think I am a single dude making videos in my mom's basement." There was a similar misconception about the romance novel fandom. The romance novel fandom is actually incredibly educated, diverse, not just in who they are, but where they live and their socioeconomic status. They're incredibly feminist and they know that it's fun and cheesy. They know that there's a wink and a nod. We set out to create a space to celebrate that, not make fun of it, not disparage it.

     

    Sarah Penna:

    It's a fascinating culture, a fascinating community. I was not part of it in the sense of participating in the fandom, but I've been a long time romance novel reader and I was in the closet about it because I was embarrassed. So, we banished the term guilty pleasure because we don't want anyone to feel guilty about reading romance. So, we set out and we created a digital platform and a newsletter, and then started optioning novels to turn into movies and TV shows. We got a first look deal with CBS. We have a deal with Audible and we have a deal with iHeartRadio. Our daily podcast is going to launch in February. So, really set out to just create a space where people who actually know and love romance are creating the content.

     

    Chris Erwin:

    I love that, Sarah. It's also very interesting, when you came to me and I was like, "Sarah, what are you thinking about? What's up next?" You told me about the romance community. I did a double take and I paused because I'm like, "Wait, this is such a huge community." I think in traditional media, think of all the rom-com movies, but nothing in digital. I'm like, "Yeah, this is totally overlooked. Why is no one else talking about this? This is huge." I think it's very interesting how you characterize it as ... yeah, often when I say, even to this day, "I'm going to watch a rom-com." I'm embarrassed as just an older male saying that, but why? Why do we say it's a guilty pleasure?

     

    Chris Erwin:

    Why is there any guilt about a really fun love story? When love is one of the number one drivers of happiness and a common theme that all of us talk about around the dinner table and with our friends.

     

    Sarah Penna:

    Why is being a horror fan, seeing people get murdered, why is that not looked down upon, but seeing people be happy is? Very interesting.

     

    Chris Erwin:

    Very interesting points about the romance community. So, you are at Patreon now. Are you still co-running Frolic? What is happening with Frolic Media?

     

    Sarah Penna:

    Yeah. So, Lisa has taken over and is helming Frolic. I continue to be a strategic advisor and obviously, care very deeply about the future of where that company goes, and cheerleading and championing them from the position that I am in now.

     

    Chris Erwin:

    I think it's a very exciting space. We interviewed Naomi Shah, the founder of Meet Cute on this podcast as well, which does these, call it like rom-com microcast. I started listening to those over the past six months and I absolutely love them. Bite-sized nuggets of just rom-com joy in audio form. So, I believe in it. Pay attention to RockWater's 2021 predictions about underserved communities because I think this could be ... potentially, we will publish this likely in the end of January. It could be a good cover note that you're sending to any potential investors or partners for you.

     

    Sarah Penna:

    Absolutely. Thank you.

     

    Chris Erwin:

    Believe in the thesis. Okay. So, before talking about Patreon, I just want to talk about another concurrent journey within your family in the media space, which is your husband, Joe. He's been a creator for over a decade. I think in the past few years, he was digital native on YouTube doing incredible stop motion biography, but always wanted to cross over. I think he's realized some incredible success recently. Why don't you tell us about that?

     

    Sarah Penna:

    Joe is just, I obviously am biased, but he has an incredible creative mind. He's good at everything he does, which is so annoying, but I love him for it. He is good at languages, and art, and music, and math, and all of that really combined and you can see that reflected in the fun, playful nature of MysteryGuitarMan. But like you said, ultimately, he really wanted to direct movies. When he first started down the journey, there was a trend of these influencer-helmed, one to two million dollar movies that would be VOD and make back their money. You'd put the how many subscribers that YouTuber had and how much we were going to sell it for, and set download on iTunes, and that was where his agency and his management team was kind of pushing him to.

     

    Sarah Penna:

    He said, "You know what? That's not really the path that I'm going to take," and wrote a movie called Arctic, which is a mostly silent movie helmed by a 50-something-year old Danish actor named Mads Mikkelsen. So, quite the opposite of an influencer-helmed comedy. Joe willed that movie into existence. There was every hurdle against him. He had to start from the bottom. His YouTube channel didn't help him because he wasn't doing an extension of MysteryGuitarMan. He didn't want to be in front of the camera and he did it, and that movie got into Cannes. We went to Cannes, and it premiered and got a 10-minute standing ovation.

     

    Chris Erwin:

    Whoa, I did not know that. A 10-minute standing ovation at Cannes?

     

    Sarah Penna:

    Yeah.

     

    Chris Erwin:

    Good for you guys.

     

    Sarah Penna:

    So, that was just ... walking that famous red carpet, and for me, it was wonderful because I ... He had finally gotten traditional management. I was no longer managing him. So, I actually got to go to Cannes just as his wife, as his plus one. I was not worrying about logistics and getting him to his interviews on time. I still was but I wasn't [crosstalk 00:47:45].

     

    Chris Erwin:

    It takes a village to get Joe to an interview on time.

     

    Sarah Penna:

    Truly, especially in a foreign country. That's a whole other story. So, that was just a really incredible moment to see and he, off the heels of that, they announced at Cannes his next movie, which was called Stowaway, which had Anna Kendrick and Toni Collette, and Daniel Dae Kim, and Shamier Anderson in it. It premiered on Netflix last year. Now, he is working on so many new projects and so, hopefully we'll be shooting another one this year. He's loving it. He's very good at it. He has the personality to be a director. Very in control of his set, he's very calm, creative, collaborative and it's just very, very cool to see. You know what? He went through the grieving process of letting go of that YouTube channel and he's out on the other side and making things happen.

     

    Chris Erwin:

    That's awesome. I remember when we heard that news, there was a lot of text threads amongst the Big Frame community. I remember texting with Byron and with Max, and with Steve about, "Look, how awesome is this about Joe? Have you heard?" We know that he'd been working so hard and he was just such an incredible creator from day one. So, we're pumped for him and it feels like this is just the beginning for what he's going to do. Right?

     

    Sarah Penna:

    It really feels like he's on the trajectory, for sure.

     

    Chris Erwin:

    Yeah. So, look, you and Joe, as this media power couple continue to evolve. Speaking of the most recent step in your evolution, as we work to the final segment of this interview, Sarah, you guys moved to Santa Barbara, I think during the COVID pandemic. Then, you recently, someone that we've known mutually for a while, Avi Gandhi, you started talking to him at Patreon and saw an opportunity to join the creator team over there, which is your latest creator adventure. So, tell us about what excited you about moving to Santa Barbara and your new role at Patreon, and what you're doing over there.

     

    Sarah Penna:

    Yeah. So, I wanted to move to Santa Barbara for 10 years and it never was feasible or realistic, and I, like many people during the pandemic, had a very hard year. Living in LA just became very challenging. Jonah, my son, our son is, when the pandemic started was five, and now he's seven. We just felt if we were going to do it, it was now or never because he started having his best friends and it just becomes harder as they get older. So, we just pulled the ripcord and we did it with no plan, no idea if it was going to work out and it has been just an absolute dream come true. We love it up here and was fortunate enough to be able to join this incredible company, Patreon.

     

    Sarah Penna:

    I joined in November and like many things in my career, it just felt so right that I couldn't pass it up. A big driving factor was, obviously, it's very hard to leave my start-up and to leave Frolic. I did it in the best way I could, but for me, going to a place that really shares my values in that creator space, I started seeing the creator economy and the interest in it heating up in a way that I haven't seen in a long time. Similar to when I met Danny all those years ago, and I was like, "I need to be a part of this." I felt that the train was leaving the station without me and I wanted to get back into the creator space.

     

    Sarah Penna:

    I took a lot of time looking at what is the right company for me, for my values, and for what I want to do. Patreon is kind of a unicorn, a unicorn in the sense that it's valued at a unicorn status, but also a unicorn, for me, because it hit this very narrow target of what I was looking for.

     

    Chris Erwin:

    Just remind me, how long has Patreon been around for? Because I remember Patreon, early days of when I started Big Frame in 2012. Is that right?

     

    Sarah Penna:

    Yeah, eight years.

     

    Chris Erwin:

    So, now at Patreon, what team are you running there and what are you focused on for 2022?

     

    Sarah Penna:

    I live on the creator partnerships team and I run a team called Launch. We are responsible for giving creators white glove experience for launching their Patreon pages. We have teams that are going out and sourcing those creators. Once they come to us, they are pretty excited about the platform and we help them figure out what tiers are best for them, what banner image is going to look good, and really help them drive towards their launch date. These are creators that range in all kinds of sizes and all kinds of ... I'm talking to someone who makes leather, like leather wallets and leather goods, and we're talking to big YouTube creators and celebrities, and we're talking to everybody in between.

     

    Sarah Penna:

    It's just a really exciting time to be at a company like Patreon that's been in the creator space for so long, is helmed by a creator, and is going to continue to be a real player in the creator economy as it goes forward.

     

    Chris Erwin:

    It seems that there's incredible traction for your business where I think there was a recent announcement. The team is currently 400, but you're doubling the company to 800 people this year. Is that right?

     

    Sarah Penna:

    Yes, that's what they say.

     

    Chris Erwin:

    Well, look, I think the market tailwinds are definitely behind them. I think, yeah, it's a really exciting evolution. We've written about this extensively at RockWater. YouTube created these new business models for creators, where they can publish content online and then participate in ad revenue through YouTube's AdSense program. Then, the chance to distribute content to other social platforms and participate in ad revenue there and then doing talent deals, brand integrations, and getting paid off platform. Then now, I think there's this incredible movement with all these creators, the audiences that they bring, the fandoms that they generate, the engagement that they generate on these platforms, they're the real moneymakers.

     

    Chris Erwin:

    So, how do you give them more tools though, to also not only build these platform businesses, but their own businesses? So, Patreon doing that, allowing them to have direct relationships with their fans, get access to contact information, monetize in different ways behind a paywall, different types of subscription content, whether it's video or audio, whatever else. I think what you guys are doing is a beautiful thing. We need more companies thinking like you. So, I think that you guys are really well set up for success, and I'm excited, Sarah, for the different communities of creators that you guys can represent, that have a need, that don't have the tools from other platforms that are overlooked right now yet, again, going back to what you do best.

     

    Sarah Penna:

    Thank you. I absolutely agree with all of that. I have said for years, as some people, not many, but a lot of people in the creator space, you need to own your audience. Renting your audience is not sustainable. You need to build community. You need to not just be on a conveyor belt of content, You really need, as a creator in this space, the tools are there for you to build a sustainable business and to not be tied to the whims of platforms and algorithms. There's a big conversation about creator burnout. Patreon is positioned to help creators solve some of these big issues, big and, by the way, nuanced issues. It's not just, oh, these platforms are bad and we are good at all.

     

    Sarah Penna:

    These platforms are great and you need to build up audiences on your podcast and on your social. If you are able to have ... I'm a really big a fan of Seth Godin's 1,000 true fans idea. If you can build out 1,000 true fans who are on your Patreon, you might be covering your rent. You might be covering your rent plus plus, and you might be making a really good living. That's what we want. We want to empower creators and we're really set up to do that. It's just an exciting time to join the company.

     

    Chris Erwin:

    Before we wrap this up with the closing rapid fire round, Sarah, I just got to give you some big kudos here. You legitimately changed my life. I'm trying not to become emotional here. I look back on my past career over the past 10 years and everything that I've done, being able to found RockWater is a function of you, starting Cloud Media and Big Frame, and then taking a chance on me. I had a very different background than someone that you had ever typically hired before. I'm sure that you needed some convincing from the rest of your leadership team.

     

    Chris Erwin:

    But what I have learned with you, the pedigree that I've gained and the experience has not only been so personally transformational, all these new relationships that I've built, women that I've dated and just incredible friendships and all of the above, it's really set up an exciting career for me. Something that I wake up to, excited to do every day. I see a lot of incredible potential going forward. It's a function of you taking a chance on me and getting early into the digital video MCN days. So, I am very, very thankful. I think there's many people that have very similar sentiments to what I just shared.

     

    Chris Erwin:

    So, I'm probably speaking on behalf of many. So, big kudos to you, and particularly to call out, I don't come from a creative background. When I came in and was very systematic and operational, I wanted to scale the business, it took me a while. But seeing how you ran the creative team, how you nurtured the culture, when you brought in Rachel and Megan Corbett, and Lisa Filipelli, and Byron, and people that I spent a lot of time with and really learned an incredible amount from, it really all stems from you. So, Sarah, you have been an incredible person in my life. You did incredible things for all the talent at Big Frame.

     

    Chris Erwin:

    You are now doing the game again, with Frolic and with Patreon, and I wish you the best. As you know, anytime that you need anything, sometimes we don't talk for six months or a year, but when we do, we pick up very, very quickly. I am a massive supporter of everything that you do. So, call me whenever you have a need.

     

    Sarah Penna:

    Thank you. Now I'm crying. Thank you so much, Chris. That means a lot to me.

     

    Chris Erwin:

    Very well-deserved. Okay. So, now, let's move into closing rapid fire. Six questions. The rules are, you can answer in one sentence or in one to two words. Do you understand the rules?

     

    Sarah Penna:

    Yes.

     

    Chris Erwin:

    Okay. Here we go. Proudest life moment?

     

    Sarah Penna:

    Having my son Jonah.

     

    Chris Erwin:

    What do you want to do less of in 2022?

     

    Sarah Penna:

    Less complicated.

     

    Chris Erwin:

    What do you want to do more of?

     

    Sarah Penna:

    More space in my schedule.

     

    Chris Erwin:

    I like that. Advice for media execs going into 2022?

     

    Sarah Penna:

    Don't believe all of the hype and just keep your eye on the ball.

     

    Chris Erwin:

    Any future start-up ambitions, Miss Entrepreneur?

     

    Sarah Penna:

    God, I hope not. No, not as of right now. I am very happy not running a company right now.

     

    Chris Erwin:

    Not necessarily off the table. That's basically what you're saying.

     

    Sarah Penna:

    It's never off the table with me.

     

    Chris Erwin:

    Last one. This is an easy one. How can people get in contact with you?

     

    Sarah Penna:

    Sarah@patreon.com.

     

    Chris Erwin:

    Very easy. All right, Sarah, this was a true delight. Thanks for being on the podcast.

     

    Sarah Penna:

    Thank you so much, Chris. This was so much fun for me, too.

     

    Chris Erwin:

    Wow. That interview with Sarah just flew by. I felt like there were so many more things that we could have discussed. We'll have to do another podcast together. Yeah, I admit I got a little teary-eyed at the end there just going down memory lane with her. She was really formative in my career and, yeah, that really hit me at the end. I was not expecting that. All right. So, a few quick things. Our Livestream Commerce executive dinner is coming up. The date is now March 10th. We are 98% close to confirming that with our sponsor. But if you're interested in attending, shoot us a note. You can reach us at hello@wearerockwater.com.

     

    Chris Erwin:

    Also, we are hiring. We're looking for interns, undergrad and MBA level, and also a full-time analyst. We are growing all things creator economy and we need help. If you're interested, you can apply at jobs@wearerockwater.com. Lastly, we love to hear from our listeners. If you have any feedback on the show, any ideas for guests, just reach out to us. We're at tcupod@wearerockwater.com. All right, that's it, everybody. Thanks for listening. The Come Up is written and hosted by me, Chris Erwin, and is a production of Rockwater Industries.

     

    Chris Erwin:

    Please rate and review this show on Apple podcast and remember to subscribe wherever you listen to our show. If you really dig us, feel free to forward The Come Up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter and you could follow us on Twitter @TCUpod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zazzali. Special thanks to Alex Zirin and Eric Kenigsberg from the RockWater team.

     

    Dev Sethi — Head of Sports at Instagram on Launching a Sports MCN, Athlete Creators and NIL, and Metaverse Fandoms

    Dev Sethi — Head of Sports at Instagram on Launching a Sports MCN, Athlete Creators and NIL, and Metaverse Fandoms

    This interview features Dev Sethi, Head of Sports at Instagram. We discuss being separated from his twin in highschool, his side door into sports at YouTube, launching the first sports MCN at Whistle, why NIL is this century’s most important breakthrough for athletes, why he left the incredible team at Complex for Instagram, and the metaverse’s impact on the personalization of sports.

    Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up link

    Learn more about our market research and executive advisory: RockWater website

    Follow The Come Up on Twitter: @TCUpod

    Email us: tcupod@wearerockwater.com

    ---

    EPISODE TRANSCRIPT:

     

    Chris Erwin:

    Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders.

     

    Dev Sethi:

    One of the things that I love sharing with the teams that I've managed, and the individuals I've managed and that's important to me is how do you empower those team members' voices, whether you're to 23 and out of college with no work experience, or 35 and have been in social, and digital, or in sports for decades plus, we all see what we do, our industry, what's happening differently than anybody else, and almost by sheer virtue of who you are and the life experiences that we all bring to these jobs. So if I'm, as a manager, as a team leader, able to create an environment or a safe space for people to share, that's how we're going to get better.

     

    Chris Erwin:

    This week's episode features Dev Sethi, Head of Sports at Instagram. So Dev was born in the DC metro area, the first generation immigrants from India. Then in high school, Dev's life journey took a big turn after a traumatic family event and some wise words from a teacher which inspired him to become school president and captain of both the baseball and basketball teams. Dev then went on to Notre Dame, and soon after found a side door into sports media at YouTube's new partnership. He then left to help build digital communities at publishers like Whistle and Complex. But after a heart-to-heart with his mom, Dev reverted course, and returned to big tech as Head of Sports at Instagram.

     

    Chris Erwin:

    Today, Dev is shaping the future of sports fandom. Some highlights of our chat include being separated from his twin in high school, launching the first sports MCN, why NIL is this century's most important breakthrough for athletes, and the metaverse's impact on the personalization of sports. I've known Dev for over five years. He's one of the sharpest and kindest minds in the digital verse, I'm grateful to help share his story. All right, let's get to it. Dev, thanks for being on the podcast.

     

    Dev Sethi:

    Thank you for having me, nice way to spend my Wednesday afternoon.

     

    Chris Erwin:

    Yes. And appreciate it because I think you had some last minute dental work that was just done this morning, is that right? Can you still talk?

     

    Dev Sethi:

    Yeah. I don't know if folks are going to consume this entirely audio or even visual, but got last minute dental work done this morning so part of my mouth is still numb, Chris might see me drool out one of the sides of my mouth. But hopefully, I'm not slurring my speech too badly, and I promise you, if I am, it's because it's because of the Novocaine, it's not because of any other reasons. Oh, here we go.

     

    Chris Erwin:

    Well, Dev, what I can say is I think you sound great, and I don't think many of our listeners will be able to see the video, but you look great as well, as always. So you're good to go for my book.

     

    Dev Sethi:

    Making me blush already. Okay, let's do this thing.

     

    Chris Erwin:

    All right. So with that, Dev, let's rewind a bit and let's talk about where you grew up, your childhood interests and if there may any glimpses into what you were going to do in your sports media career from an early age, in some of our prep chats, you're telling me about growing up in the DC metro area, is that right?

     

    Dev Sethi:

    That is correct. And it's actually where I'm currently based as well, but grew up in Nolan, Virginia, literally adjacent to Washington DC. My parents are immigrants from India and that's where they ultimately ended up settling. So I'm certain that folks that are listening to your podcast can sympathize with me being a long suffering Washington area sports fan, that's basically epitomized my experience being a sports fan in this area, but grew up here and had a great time. It's actually quite a diverse area, and for those who have been to Nolan, Virginia and the DMV overall, it's changed quite a bit since I was a kid, it's virtually night and day how much this area has evolved over time.

     

    Chris Erwin:

    Your early household, growing up, were your parents into sports, immigrating from India? Did they have ties to the US leagues, and sports programs, or international? What was that like?

     

    Dev Sethi:

    Yeah, nothing prior to them arriving on these shores. My father was a sports fan and played sports growing up, but very different sports obviously in his own country than the US. But for certain listeners who I'm certain have had the same experience as I've had, but sports was and is an incredibly powerful way to assimilate into a new place, whether it's a new community, a new state, or let alone a new country. And so my father quickly adopted American sports as an interest, a hobby, an enthusiasm. And again, for those who are familiar with this area as much, there is a thriving Indian community or South Asian community in the DMV. And one of sort of its rallying cries was and is sports.

     

    Dev Sethi:

    And so, I have a lot of great fond childhood memories of going to Washington watch parties, and when you're showing up for Thanksgiving, the guys show up early, because they want to watch all three games on Thanksgiving before anyone starts feasting. And it just really was a big part of my growing up. And I think a great way for my parents to get comfortable in what was then an unknown environment for them, So it's a really big part of, I think, my personal history as well as my parents history.

     

    Chris Erwin:

    And did you have siblings that were also consumers of sports as well?

     

    Dev Sethi:

    I have an older brother who is four years older. He's not in this industry, so he will likely never listen to it so I can trash his athletic gifts. I think he played soccer and basketball but sort of gave it up early-ish in his life to focus on being more of an academic, which is why he's a lot smarter than I am. But I also have a twin brother who is equally a sports junkie, a passionate fan of pretty much all things sports. And he and I played basketball and baseball growing up together, and we were watching sports ourselves. So a very big sports house so I like to joke that I missed out on all the Disney movies like Cinderella and all those kinds of movies Beauty and the Beast, I have watched virtually none of them because on Friday, Saturday and Sundays, we normally have a sporting game on TV.

     

    Chris Erwin:

    I've known you for a few years now. And I don't think I knew that you were a twin. I'm also a twin as well. Did you know that about me?

     

    Dev Sethi:

    I did not know that about you, wow. Identical over fraternal?

     

    Chris Erwin:

    We are fraternal, but we look a lot alike. He took a very different career path than me, he's in the military, 82nd Airborne at Fort Bragg, ranger qualified, so he's just at a physical level that is well beyond where I'm at. But it's funny, thinking of growing up with him, I grew up in my family, we didn't watch a lot of sports, but we played a lot of sports. My brother and I were very athletic and active growing up. So when you said on Friday, Saturdays and Sundays, you weren't watching Disney movies because you are consuming, my brother and I, we would get up at 6:00 AM and go hit the basketball courts at like 6:30 or 7:00 on a Saturday. As soon as it was like my parents were up and we were allowed to get out of the house. That was what was fun, was having a twin, you always had someone to play with.

     

    Dev Sethi:

    Yeah. I don't know if I saw those early hours on the weekends very often as a kid, but to your point, having a partner in crime in more ways than one, and someone who literally is an activity partner. It's actually interesting for he and I, and he would attest to this, so growing up, I hated basketball and I loved baseball and he hated baseball and loved basketball. And you'll appreciate this as a twin and with your parents, my dad said, "Well, tough shit. I'm not driving you all to a million different activities, you're going to do these things together."

     

    Dev Sethi:

    And so, we ended up participating in these sports together. And again, the irony of it all is that I love basketball now and played it through high school and then intramurals in college, and he played baseball through high school as well. And so just one of these deals where sort of the forcing function of, "Hey, this is sort of you're a package deal." And parents aren't only chauffeurs, let alone when they've got two the same age that have various interests. But no, we played a ton of sports growing up, and to your point, hit the park and go play pickup together because you already got two out of the five people you need for a team, right?

     

    Chris Erwin:

    It's funny you say that, Dev, because I still give my parents, to this day, flack for not letting me do travel soccer. I was really good. And they were like, "No, Sundays are for going to church and other family activities." And I was like, "I don't need you guys to drive me. I have other other friends' parents that'll drive me." And I could have been this great star, but that's a... I'll leave the rest of that story for my therapist. A question that I have for you is you go to Notre Dame, and did you have an intent of getting into sports media when you were going to school and thinking about when you wanted to graduate or were you thinking about something else?

     

    Dev Sethi:

    I had, and I'm assuming I am like many former and current college students, where I really had no idea what I wanted to do for a living. And sports as a profession, as it were, was nowhere near my radar. The internships that I had in college, I think the closest experience I had to working in sports during college was an internship in SAP's marketing department. And SAP was a sponsor of Ernie Els and Chad Campbell, who were two then prominent golfers me. Ernie Els' just awesome and probably a hall of fame golfer, and that was the closest I got to sort of a sports experience in an internship in college.

     

    Dev Sethi:

    So yeah, to answer your question, I had no aspirations, I had no foresight or vision into how to even break into that. I knew I necessarily wasn't going to go the path of wanting to be an agent or something like that, which would've sort of required a much different kind of education. I really just had the fandom of sports in college and really didn't know what I wanted to do when I graduated. No better illustration than the fact that I was a marketing major but I was also an education minor, because I have a sort of a side, if not hobby, passion around the profession of education and the industry behind education, and it sort of uses a different part of your brain than taking business classes. So I had a number of interests, but really, no direction, I guess, when it came to career stuff at that age.

     

    Chris Erwin:

    So what you just said about your interest in the educational field and that you also, I think, did a minor there at while at Notre Dame, where do you think that stems from?

     

    Dev Sethi:

    I had some very influential grade school teachers growing up who I thought really shaped who I am today, and also, where I am today in terms of just how I've been able to sort of to grow and have somewhat of a tenure in this industry now. But I do think having had such a positive impact from those educators at the high school level.

     

    Dev Sethi:

    It's funny, but the education minor, I needed to take some electives. And I took a course from a relatively new professor at Notre Dame and the course was actually called creativity in the classroom. Whereas you're at business classes that have 50, 60, 150 people in them, and you're using again, on one side of your brain, this class experience was incredibly intimate, it was maybe 12 people, it was focusing on a sort of a unique aspect of education in the classroom. I loved every second of it. And the professor, I thought, crafted the course in a way that wasn't rigid, it actually had a lot of flexibility to who was taking the class. And she was a great listener herself, which I think is, I don't want to say a rare trait for a professor, but I haven't experienced many professors who are nimble in that regard in terms of how they shape their coursework in a semester.

     

    Dev Sethi:

    And so anyways, I fell in love with the experience of taking a class that was so different than what I was normally used to taking. And that basically became, "Hey, well, I took that in the fall. Let me take another education-related course in the spring." And before I knew it, I was getting eligible for a minor, so.

     

    Chris Erwin:

    It's amazing how intersecting with great people in your life, it could be a professor within the educational department that makes you then want to specialize, it could be someone, a founder, CEO at a company that then recruits you to their vision, or someone in the industry that gets you excited about transforming your career. I hear that, that's an important to note is that these little human touches can be so transformational. Are you still in touch with this professor?

     

    Dev Sethi:

    I am. She's actually, really, the only college professor that I remain in touch with, and she still lives around Notre Dame. And so, when I have the occasion to come back and visit, we'll always grab dinner, or drinks, or lunch, or something like that. And I'm very quick to reiterate to her how important and influential she was to my experience, say in the same way an English teacher, who had never actually taught me, was instrumental in how I grew as a person and as a student in high school. And she's actually, now that I'm back in the DC area after a long time away, her and I are actually grabbing lunch next Friday.

     

    Chris Erwin:

    Dev, speaking of this high school teacher which had a big impact on you, there's a bigger story behind this that relates to the expulsion of your twin brother. Why don't you tell us about that?

     

    Dev Sethi:

    Yeah. I think I'm more comfortable telling this story because fortunately, my twin brother's life wasn't totally derailed by this expulsion and he actually works at meta now, which is kind of funny, so we're technically colleagues even though I've no idea what he does for a living. But no, we were juniors in high school and he got kicked out of our high school 10 days into our junior year. And it was under somewhat controversial circumstances. My mother was pretty furious about the circumstances and she wanted me to leave that high school too.

     

    Dev Sethi:

    And it was this teacher, who actually had never taught me before, I had not taken one of her classes. She pulled me aside one day while all this was going down, she said, "Hey, can you come by my class after school for 10 minutes?" I was like, "Sure, why not?" I barely knew her. And she sat me down and she said, "I know this is a tough time for you and your family," yada, yada, yada, "you don't realize this yet, but this could actually end up being one of your biggest blessings in disguise." and what she meant by that.

     

    Dev Sethi:

    And what I discovered and learned after I ended up deciding to stay at that school was, my experience in high school, my personality, just my being at that high school had always been inextricably linked to me and my twin brother. It was always Dev and Raj, it wasn't just Dev or Raj. And she sort of was reiterating, you have a chance to essentially be your own person, and to carve your own path and pursue the things that you may want to do, and not necessarily always have that association.

     

    Dev Sethi:

    And she was dead on. I ended up doing things my junior and senior year that I never would've thought I would've done. I ended up running for and winning high school president, which, if you know my personality at all, that's definitely not me. But sort of threw my hat in the ring, was captain of our baseball and basketball teams, did a number of extracurriculars. And it's funny because by the time I graduated, there were hundreds of students who had no idea I even had a twin brother, which I think, again, reiterates my then teacher's point.

     

    Dev Sethi:

    And so, just one of these sort of inflection points in my life where I don't know if I would've made that decision had it not been for her, and someone who had literally no relationship with me but at least thought enough about my wellbeing and my circumstance to share with me her perspective, and it ended up changing my... I mean, I cannot overstate that, it literally changed my life. So I don't think I would've gotten into Notre Dame had it not been because of that conversation, and all that stuff, and the things that happened, I don't think I would've been on that same path at all. And I would argue my twin brother would acknowledge that too.

     

    Chris Erwin:

    Wow. That is an incredible story. We spend so much money on our college and graduate school educations, access to all these world class professors and teachers yet some of my most prominent memories in the classroom, date back to when I was in middle school. And I really remember very prominently, a US history teacher that we had, Mr. Galante, everyone who has gone through his classroom has stories about him. There was no one that was as passionate and cared so much about his students learning. The way he would describe the American Revolution or the civil war, it made every learning experience incredible and fun. In contrast to you, I'm really not in touch with many of my professors, maybe just one or two from business school that I kind of see on LinkedIn every now and then, but it's pretty awesome that you're able to maintain that.

     

    Dev Sethi:

    Yeah. To your point, the fact that we're talking about these educators, we're dating ourselves, as I'm dating myself decades after they spoke, they last connected with us in the classroom, I think says everything and also I think it almost reiterates that education is a bit of a lifelong process. And I know that I'll actually never stop learning from both of those people in any of the interactions that I have, but obviously, a bit of a different relationship now that I'm a full-fledged adult at least in some parts of my life, and you have different types of conversations. But I'm very lucky to have had those people in my life.

     

    Chris Erwin:

    Yeah. Look, and I think what you just touched on is a broader theme of this particular podcast, Dev. You had mentioned the intersection of social and sport and just how fast this world changes on a weekly and monthly basis. So in talking about learning, it's you have to keep your learning curve steep. You've been in this industry for many years now, Dev, and you're in a senior role. And I think that people can say, "Oh, well, Dev knows everything that there is to know." And it's like, that's not true. Things are literally changing on a daily basis. So I like that when we were prepping for this conversation, you're like, "I acknowledge this, I'm the aware of what's happening, and for me to be effective, and to guide a team, and serve as my talent and business partners best it's like, I got to be learning every day and come in with a beginner's mind, so we'll talk more about that. I am curious, so what was your first role right after undergrad?

     

    Dev Sethi:

    Yeah, it was this interesting experience where... and I actually already had a job offer fortunately lined up, going to my last semester of college at a very different company, doing a very different job. It was at the Aon corporation and it was actually doing human resources and communications. And so, that's where I was ultimately going to spend my first years out of college, and this little company called Google decided they were going to show up on Notre Dame campus to meet with prospective candidates for an array of jobs they were hiring for, and this was back in 2006. And they came on campus, I was lucky enough to get an interview with them and it actually ended up being the worst interview I've ever given and I-

     

    Chris Erwin:

    Okay. We got to pause there. Wait, why was it the worst interview you've ever given?

     

    Dev Sethi:

    I'm not gaslighting anybody or anything, this is objectively the worst interview I've ever given my life. So they came on campus and I thought I was really smart having taken all of one psychology class during my college career. And I was like, "Oh, I'll pick the last session of the day on their interview schedule because a recency effect, I'll be the most memorable candidate," yada, yada, yada. And I got a call maybe three hours before the interview from the interviewer saying, "Hey, we actually mistakenly booked our flights to leave out of Chicago, not South Bend. And for those who don't know South Bend's about, I think, 90 miles or 90 minutes from Chicago, TODR, we have to leave early to catch our flight so we have to miss your interview slot, how can we make it up to you?

     

    Dev Sethi:

    And I said, I actually wasn't even feeling well that day. And I said, "Hey, no worries happens. Why don't we just do a phone interview whenever you get back to Mountain View." And we set up a phone interview, I had my twin brother and one of my best friends in high school visiting me in town that following weekend for a football game. And so, on a Friday, I get my car and I drive to some abandoned parking lot so I can take this hour long, two phone interviews, 30 minutes of piece. Well, Chris, I imagine you know this feeling because of what you do, who you are, and how expert you are, but the feeling that I had that maybe some people can relate to is when you're talking for that long and you're basically bullshitting on the questions they give you, but you know that they know that you're bullshitting, that's what the entire hour of this interview felt like.

     

    Dev Sethi:

    And I remember, and I kid you not, I hung up the phone. I drove back to my apartment with my brother and my friend were waiting. And I legitimately said that was the worst interview of my entire life, good thing I've got another job lined up. Let's party and have a great time this weekend going to the football game. And I got a call back a week later from Google saying, "Hey, we've enjoyed our time together. We'd love to fly out to Mountain View for in person interviews." And those, fortunately, went a little bit better and I got offered a job, but I still maintained to this day, to anybody who asks, that the only reason they gave me the opportunity to interview in person was because they felt so bad about canceling my first interview and so they gave me a second shot at it that went much better. But it was brutal. I mean, and that is exactly how it went down. And sorry, this is a very long-winded answer.

     

    Chris Erwin:

    No, it's interesting.

     

    Dev Sethi:

    But yeah, no, so true story. And even to answer your original question, we essentially were interviewing for general roles within two parts of the org. One was AdWords, which is essentially Google suite of sales products and ad products, and one was AdSense, which was Google's sort of publishing network and publishing tools. And so, I didn't know until, I want to say, maybe a couple months or weeks before I started, what role I was even going to fulfill and hearing my mom's voice in here saying," Hey, it's Google. You should probably try." Okay. I'll fly in a little bit blind and sort of see what these roles are about, see what that industry's about because this is 2007 when, again, our world, an industry looked a lot different.

     

    Chris Erwin:

    Something I deal with daily and something that just talking to different founders and executives, they also deal with all the time is imposter syndrome. So when you say like, "Oh, Chris, because of your role, RockWater, you're supposed to be an expert advisory firm. We're talking like we advise a lot of the smartest clients in this space. And so then we're supposed to show up and be smarter than them, that can put a lot of pressure on you.

     

    Chris Erwin:

    And so I actually flip that around in saying we're smart, we're thoughtful, but we believe there's so much to learn from everyone that we do business with. And I think if everyone goes through life and goes through business with that mindset, that's going to force you to be honest, and self aware, and give the best advice, and also learn the most to really understand where your clients and your business partners are at. And I think that's what sets us apart. But Dev, I'm bad at interviews. I mean, I remember really, various bad had interviews from college, but in contrast to you, I actually didn't get the job offer. There was no flying me out, so you clearly did something [crosstalk 00:22:56]-

     

    Dev Sethi:

    I still don't know how off the skin in my teeth, I got offered a position at that company. But I hear you on imposter syndrome too, and to your point, there's too much of where, I'm guessing is the case for you as would be the case for me, you could spend eight hours of your day just on Twitter reading about the industry, let alone participating in the industry. And so, you almost got to trust that information's going to come to you and that hopefully, you've surrounded yourself with a network of colleagues, friends, individuals who can help share their perspective and thus cultivate your own perspective to a degree, because yeah, it's too hard to keep up with it all. I mean, there's so many things happening on a literally hourly basis, let alone a daily basis.

     

    Chris Erwin:

    So Dev, you are a strategist at Google for around four years, but then you made a transition to be a senior strategist and overseeing new partnerships and development at YouTube between 2011, 2013. So I think this is where you first began to focus in sports, entertainment, and lifestyle verticals, targeting new creators, and doing a few other things there. Was that kind of like, as you would call it, your side entrance or backdoor into sports media?

     

    Dev Sethi:

    Absolutely was. And now, as I've described it previously, a side door into the industry of sports so to speak, because I was at Google, I'd spent a number of years in their sales and consulting arm, which, unbeknownst to me at the time, actually has provided me a lot of great perspective about the industry I'm in just through a very, again, different aspect of the ecosystem and literally, the advertisers who were helping money into our ecosystem.

     

    Dev Sethi:

    But it's about a little over half, I think, my tenure at Google there, one of my dearest friends who I've had the great fortune of working with a couple of times now, she mentioned that she had gone over to YouTube to focus on a different role actually within sports, and she said that the vibe just felt different, it felt a little more start-upy, interest points, verticals that I was sort of more keenly attuned to, whether it was sports specifically, or to your point, lifestyle relative to some of the clients I was working with on the sales side that, my last experience was in the finance vertical, prior to that, it was on an agency for portfolio business.

     

    Dev Sethi:

    So represented this opportunity, something different, and maybe even align a little bit with some of my passions. And that's where I was introduced, again, to at the time and continues to be one of the leading social media/video platforms in the world, and starting to learn more about that part of the industry. And also, again, focusing on sports and working with individuals, organizations who were producing content that was applicable, if not a good fit, for our platform.

     

    Dev Sethi:

    But as you shared dates earlier, that was 2011 were our industry was in its infancy, I guess you could call it, even though it was only a decade ago. I joke that YouTube hadn't even introduced monetization program when I first got there, a fully fledged one, Instagram was photo only, Snapchat didn't exist, Verizon hadn't spent a billion dollars on their own platform and their own content. All this stuff has come and gone in a relatively short period of time, and YouTube was in a much different place back then too, as was the industry, and thus, the conversations that I was having about that platform.

     

    Chris Erwin:

    I do remember because in 2012 is when I joined Big Frame. And that was, I think, recently, after Google and YouTube, I launched their Original Channel program, a 200 million dedicated fund to help fund better quality content on the platform to attract more advertisers. You were there during that period, so that must have been exciting. And I think that you were to see the different digital media brands and publishers that were being built from this funding and the complimentary seed capital that was being raised. And so I think, after Google, you decided, you're like, okay, I've been at one of the largest video platforms, but now I'm going to transition over to work for these publisher brands. And so you left, I believe to go to Whistle Sports in 2013, what was the impetus for that?

     

    Dev Sethi:

    Yeah, the impetus for me leaving the cozy confines, as I'll put it, at Google and YouTube because there's one thing that a company like that does, it really puts you in a comfort zone and really makes you feel like you're enjoying the employee experience to a large degree. So the same colleague who shared the opportunity around YouTube because her and I actually started together at Google together. She had made the move to YouTube. She said, "Hey, you should check things out on the side of the aisle. I did, took a job there. She actually left to join this then small sports media startup called Whistle Sports. And she basically asked me if I wanted to come over and be her partner in crime and build this thing together. And at the time, what we were focusing on was being the world's first sports-focused collective and multiplatform network, that was one part of the business.

     

    Dev Sethi:

    Another part of the business was sort of an analytics consultancy given you could gain a lot of meaningful data and insights about sports on digital and social through working with a collective and all the data they have on their audiences through social media, and then one part content brand, which I'm quick to say I had very little to do with, given the remit was really around partnerships and operations.

     

    Dev Sethi:

    But it was this interesting moment in time. And again, I know you'll attest from your time at Big Frame where you have a ton of creators and organizations who are still trying to understand the value they can gain and extract from being on social and digital, what their content strategy should be, what their audience engagement strategy should be, how does that marry with other parts of their business, what are those best practices, what are the things that an individual content creator doesn't have a muscle memory for, whether it's sales, production, et cetera, how do you create value? And that's what we focused on when I was at Whistle and doing partnerships and operations is big a real partner in their businesses. And hopefully, with a little bit of expertise having come from the walls of YouTube, but knowing that the industry was growing quite rapidly, YouTube was quickly becoming one of a number of platforms where people could build and monetize an audience.

     

    Chris Erwin:

    When you went there, was Michael Cohen working there, when you first started.

     

    Dev Sethi:

    Michael Cohen was a consultant at the time. And he and I got closely acquainted in the work that we were doing together.

     

    Chris Erwin:

    Yeah. Speaking of shared history. So Michael Cohen and I, I met him, I think in 2007, when I was interviewing at a boutique investment bank in New York City, and he was one of the guys that interviewed me. We got to know one another. Yeah, this is well before the MCN days. He left the firm, I left the firm, I went to business school. When I graduated, I ended up going to Big Frame. And I remember Michael reached out and was asking me like, "What's this whole like YouTube, MCN, digital video thing that you've got into." And he was picking my brain for a couple years. And then I remember when he made the move to Whistle and I was really pumped for him. Early on in his tenure there, as you guys were thinking about some different VOD strategies, he engaged our firm. I think that's how I first met you, if I remember correctly,

     

    Dev Sethi:

    I think it was, we now have so many shared threads together, but I think that was the first introduction, was when either you had informally known him or even, he had formally brought you on to help consult for the business. But it's wild how the scene's coming full circle and now I'm on your podcast.

     

    Chris Erwin:

    To think back, all the shared history, how we've worked together and now you're on the show. But I think that's one of the beautiful things, if you were an early mover in digital video, just camaraderie of the people in this space and the shared war stories, it's really fun. And it's incredible how much history people have in such a very short amount of time because the space moves so quickly, but it's also like it's action packed and very intense, so the days, and the relationships just really fill up.

     

    Dev Sethi:

    I think you and I both get reminded probably on a daily, if not nearly daily basis, just how intimate the industry can feel. And because of these shared connections, these shared histories, I mean, folks who are member of VidCon when it wasn't at the Anaheim Convention Center and it was the basement of a hotel, that, again, wasn't very long ago, and just, again, a lot of that shared past.

     

    Dev Sethi:

    And actually, it makes me think ways in which I can pay some of that forward to some of my team members and other other colleagues, because for lack of a better term, you and I have been working with creators probably exponentially longer than most people today who are trying to tap into or engage the creator economy as it were. And you and I were working with these folks early days when that term barely even existed, and if not, was specific to a platform like a YouTuber as an example. And so, I think it just goes to show how far things have come, but also again, how shared that history can be and again, how intimate the industry can be. I don't want to say we're OGs because I don't feel that way, but-

     

    Chris Erwin:

    I think it's okay to say we're OGs and I think this is not like patting ourselves on the back, but if you got into space in like the early 2010s, right around the Google Original Channels program, that's pretty early on.

     

    Dev Sethi:

    Definitely. And like I said, when I was there, they hadn't even created the full underpinnings of a monetization program, which the irony being fast forward to 2021, and they're a leader in terms of social video and monetization. So to me, 10 years, it's a long time, maybe the gray in my beard would indicate otherwise. One of the reasons I left those cozy confines was actually to force myself to experience this industry through a different perspective. And I don't want to say you get a narrow lens working at a platform, but it's very easy to view the world in one very specific way.

     

    Dev Sethi:

    And I remember talking to my boss at the time, great guy who I still have a close relationship with, and I was letting him know that I was going to make this jump to go from behemoth to small startup across the country because I also entailed to move from SF in New York, and one of the reasons I cited was I want to gain enough experience, ideally expertise, but enough perspective so that if I ever decide to come back, I'll be able to deliver even more value to a YouTube having had the empathy of sitting across the aisle, across the counter, so to speak, and having really had my hands on this industry in a much different way than just the platform. I'm the provider, so to speak. Everyone's coming to work for me or coming to work with me, they wanted to gain that kind of perspective.

     

    Chris Erwin:

    I think that experience at Whistle and then at Complex, which we'll talk about in a moment, has really made you much better equipped for the job that you now have at Instagram. I think that's very well said. Hey listeners, this is Chris Erwin, your host of the Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guest, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right, that's it, everybody, let's get back to the interview.

     

    Chris Erwin:

    You're at Whistle for, call it, nearly three years and then you make the jump to become chief of staff at Complex working under Rich Antoniello, who is incredible, and then also with the rest of their leadership team, including Christian Basler, who was also interviewed on this podcast. Again, what was the impetus for going over to Complex, and what was some of the work that you were doing there?

     

    Dev Sethi:

    Yeah, and Rich and Christian are two of my favorite people. I'm very lucky to have crossed paths with them and had a chance to work with them. For I'm certain many of your listeners I've met them before, but if they haven't, it's worth trying to get some time with them because they're just amazing people and brilliant minds in our space. The impetus wasn't as straightforward as it might appear on my LinkedIn profile, but I actually left Whistle in the late fall of 201, and a big reason why I left was because I actually felt like I had given everything I had physically, mentally, emotionally to the job and to the team. And it was my mother who actually sort of called it out on a phone call. And she was like, "You seem like you're always tired, you seem like you don't have much energy for anything else and maybe you don't seem as happy as you normally."

     

    Dev Sethi:

    And I don't think the happiness comment was a direct correlate to the work I was doing but first time in New York City, first time in a startup, I describe them both the same way. They are fun, they are exciting, they are intense, and they are exhausting all at the same time. And so, it was probably burning of the candle on both ends for a couple of years. And towards the end of '15, I remember having a conversation with Michael and basically coming to the conclusion that if I didn't want to be the guy who led my part of the company into 2016, then I need to do the right thing and hand this off and transition it and take care of the business and take care of myself. And so, I gave them, I think, three months' notice. I transitioned my role, leading that part of the team to one of my very dear friends, close friends in my first hire at Whistle, his name's Josh Grunberg.

     

    Chris Erwin:

    Oh, Josh is great.

     

    Dev Sethi:

    Yeah, and I know you got the chance to meet him. Anyways, transitioned the role and then left New York and headed back down to the DC where I'm originally from and just really enjoyed my life for a year. My mother had been sick at the time, she's fortunately much better now, but it sort of put things in perspective. And I wasn't saddled with adult responsibilities like a mortgage or kids at the time, so felt like as good a time as I need to take a break, which had you asked me prior to that, would I ever leave something for nothing? I would've said, "No effing way." But it felt like the right decision. I took that year off, did that for, it was almost a year and I was thinking towards just the fall of 2016, that I was ready to jump headfirst into work again.

     

    Dev Sethi:

    And it was actually a buddy of mine who shared that Complex was hiring, its chief of staff role. And I wasn't married too whether I wanted to run a team or be an IC, and I didn't really care about if I came back to New York or not, to be honest. But what I stated that were really important to me were one, working for somebody who could teach me something and who I could partner with and learn from, and the other sort of must-have was whether it was on a leadership team or in the front office, whatever the case would be, working with people with whom I could collaborate strongly, be influential, but also learn something from.

     

    Dev Sethi:

    And the reason I even used the word learning a couple of times is because, at times at Whistle, especially towards the end there, you really had to seek out learning opportunities because you could spend your entire day focused on your part of the business and there were some amazing, amazingly intelligent and talented people there who I was fortunately and sort of like through osmosis, able to learn from, but I knew in a new role, I wanted those things. And so, this guy said, "Hey, Complex is hiring their first chief of staff, you should put your hat in the ring." I did, got a chance to meet Rich, we had two conversations and he offered me the job. Before I knew it, I was packing up my things heading back to New York City, so it all happened pretty quickly, to be honest.

     

    Chris Erwin:

    That really strongly parallels what Christian told me, which I think... He's like a young media savant and I think he had been working at a European-based media company for like eight to 10 years. And then he was like, "I need to take at least a year off, I'm tired, I'm burned out." Similar to kind of what you were feeling after Whistle where it's like, "Hey, you're going to take a year off." But Rich reached out to him, I think called him, set up a coffee meeting and because Rich is so magnetic, he essentially, very quickly convinced Christian, like, "You're going to come over to Complex and we're going to build something awesome together." And he didn't end up really taking any time off, I don't even think he took two or three months off.

     

    Chris Erwin:

    But I thought it was really thoughtful of you and I think this is a theme that keeps coming up more and more is maintaining your mental health and sanity, not only in your overall career but particularly in the industry which we operate in, which is digital media and entertainment, where it moves so quickly and things are changing so fast that, there's concern that if you take time off, you're going to miss the boat, you're not going to learn, you're not going to have an opportunity to step back into the ring. I don't think that's the case. I think that you actually need to refresh and energize because of how demanding it is, what we do, and I think it makes you better, better for it.

     

    Dev Sethi:

    Christian and Rich, again, they're such good people, but Chris, this better than anybody, they are completely different. They could not be any different in terms of personality, which I think was amazing to actually see them for just partnership, where they recognized the strength in differing perspectives, different personalities, and how to operate the business. And I just thought it's really cool, it takes kind of its own sort of self-awareness.

     

    Chris Erwin:

    No, I like what you've said. I think great leaders have to find where do they fill the gaps in their team and where do they find complementary skills and energies and personalities. Because if you're just trying to replicate yourself, that's not how you build towards a bigger vision and a bigger opportunity. Clearly, Rich has done that with Christian in building out the rest of the team. And I think about that often, we always tell our clients and my own team at RockWater, we're not necessarily looking for well-rounded people, we're looking for a well-rounded team. Now, in the beginning, you kind of have to have some basic functions that are covered by everybody when you're lean and we definitely are, but as you grow, it's a very different mantra. And I heard that when I was... I think literally my first day of business school and they described the types of candidates that they were looking for and why everyone in that room, sitting in this large hundreds of person assembly, they're like, "You are a very well-rounded class because individually, all of you guys are incredible." And that has always stuck with me.

     

    Dev Sethi:

    You're reminding me of one of the things that I love sharing with the teams that I've managed, and the individuals I've managed, and that's important to me, is how do you empower those team members' voices? I've said whether you're 23 and out of college with no work experience or 35 and have been in social and digital sports for decades plus, we all see what we do, our industry, what's happening differently than anybody else and almost by sheer virtue of who you are and the life experiences that we all bring to these jobs. So if I'm as a manager, as a team leader, able to create an environment or a safe space for people to share, that's how we're going to get better, to your point. Well, maybe not well-rounded people, but well-rounded teams because you have diverse perspectives. And so, whether you're that 23-year-old or you're that 50-year-old, your participation, isn't just appreciated, it's really required in order for us to get better as teams, as organizations, et cetera.

     

    Chris Erwin:

    Very well said. All right, so Dev, so after Complex, I think you leave in around 2018 and you head over to Instagram, where you go over to become the Head of Sports. So tell us about, again, what caused that transition? What was your initial mandate when you went over there?

     

    Dev Sethi:

    There's a theme about if you want to call this a career, so to speak, I don't know if I call it that, but if there is a theme or a through-line, it's one I've been the recipient of a lot of great sort of fortune and also the recipient of just great relationships that I've had because that job, as I told you with my colleague and friend who sort of helped recognize and identify opportunities for me, that happened twice, I was actually reached out to, by a friend of mine in the industry who had worked at an agency, Octagon, who I had kept in touch with over the years. He had been in Instagram and my predecessor, the former Head of Sports was departing for a different role at the company and this role was going to be vacant. And for whatever reason, weren't going to consider my friend, so he basically said, "Hey, we've talked about working in the industry together, we like and respect each other, we could probably work well together, do you want to throw your hat in the ring?"

     

    Dev Sethi:

    And I did, and months later got a job offer to take on this role with very ambiguous title and perhaps even a more ambiguous remit, but one that was sort of mine to carve out to a degree. But even taking it back to my decision to leave YouTube, it's funny because everything I told my then boss about the reasons I was leaving, came true in the sense that, I gained this, I would call somewhat unique perspective. Having worked at Whistle, having worked at Complex while having the tech background and then having it come full circle and join Instagram and perform this role. Those things did come true, just the only thing I changed was the employer. I didn't go back to Google and YouTube, I went to Facebook and Instagram. And so, just kind of funny how that works out as far as the remit, the objectives of things I work on, I sort of like to describe it as really acting as a connective tissue between my company, its objectives, and priorities, and then the sports industry and its priorities and objectives. And how am I that connective tissue? How might that bridge be able to make those things work cohesively?

     

    Dev Sethi:

    And so, for Instagram as all well know, they're focused on things like just being relevant to young people, to having people use their service, both as consumers, but also as creators, they care about products like reels and more broadly speaking commerce, even AR, VR to a degree, and they care about being meaningful to that creator economy, which I know we touched on earlier as well.

     

    Dev Sethi:

    And so, understanding those priorities and also understanding the unique priorities that live within the sports vertical, how am I able to marry those. And for sports, as you well know, the needs, the opportunities, et cetera, they're different depending on who you are in that industry. What the NBA needs out of social media or is looking to do on social media is very different than what LeBron James wants to do or is very different than what Bryce Young at Alabama wants to leverage these platforms for. And so, how do I represent and advocate for those needs and interests, while also driving the objectives of my company? I view that as broadly speaking my remit. And on a day-to-day basis, it presents very, very differently on any given day.

     

    Dev Sethi:

    Talking yesterday with colleagues about how can we... for folks who don't know there is another Olympics coming up in a few short months here, how do we work to empower athletes participating at the Winter Olympics, to be able to express themselves and engage their fans on social, in a very unique circumstance where the games are in China. So focusing on that to today, obviously, doing this podcast, but also working on an incubator to work with the next generation of athletes and creators at HBCUs, a very storied and proud and critically important part of our ecosystem within sports and college athletics. How do we work with those athletes at those universities, who, again, a community that's largely been underrepresented, how do we work to equip, and empower, and educate them on the value our platforms can bring those athletes, especially in the era of NIL name image likeness, which happened on July 1st. So again, I guess my point is a gamut, focused on, it's very broad at times, but largely speaking it's, again, that sort of bridge between priorities and how can I be an advocate for what sports needs in order to thrive and flourish on social.

     

    Chris Erwin:

    It sounds like a very exciting, and as you described, a very broad mandate. There's much more than you could do in a simple day's time, so I think a question that would be helpful is, looking at the modern creator economy and thinking about the different partners that are out there. As you described, the NBA has a different need than say, LeBron James or different talent personalities, and then with also different events around the corner, like the Olympics being hosted in China and what does that mean for the Instagram experience here, for US-based creators and US-based sports fans? What are some of the things that you're seeing that Instagram is actually building for, where like, "Hey, this is what creators want, or this is what consumers are demanding and we need to better support this need." Can you give a few highlights of some examples of that work?

     

    Dev Sethi:

    I was just having a conversation with some folks at Endeavor, not even an hour and a half ago, and this term of creator economy, which I'm guessing, Chris, you'll agree is sort of the buzziest term in our industry of 2021, in terms of how we're thinking about it from an Instagram perspective... I'll give you the sports example and then I'll give you sort of the product example. The sports example is, the investments that my team has made in trying to empower the ecosystem around college athletes in the era of NIL. And for those who probably don't know, NIL as an acronym stands for name image and likeness, as sort of a moment in time, as a value. It basically means that college athletes, as of July 1st, for the first time, by and large, could monetize their name, image, and likeness, which also extended to social media and the ability for you to monetize your audience, be able to work with brands, et cetera.

     

    Dev Sethi:

    And the true first in the history of college athletics, July 1st will go down as one of the most important days in the history of college athletics in my opinion. So from a sports perspective, how do we empower the ecosystem around college athletes, to ready themselves for this moment, by providing education, by providing resources, by providing incubators like the one I referenced earlier, to support this ecosystem in a world where athletes, especially youth athletes, can really be full-on content creators and embrace the totality of our platforms for the first time. And so, again, that didn't exist seven months ago, and now, you've got to bite at the apple to illustrate the value an Instagram, or Facebook, or YouTube can provide to these athletes in an environment where they're actually probably more interested and inclined to listen and learn than may ever have been before, because there's a real economic opportunity available to them that wasn't there before.

     

    Dev Sethi:

    So that's sort of the sports perspective, and how I'm thinking about some of my objectives and things that are happening around us that we want to have some vision and strategy against. The other side of it, at least in terms of what Instagram's focused on in the creator economy, a primary focus on safety and wellbeing, making sure that you as a creator, a user have a positive and safe experience on our platforms. And this year, Instagram has released a number of safety tools to help preserve that safe experience on our platform. Going towards new product development like the ability for audiences to tip their favorite creators during a livestream, which I know is probably more catching up the parody on some other platforms, but we know is an important part of a creator-user experience, in ways in which creators can monetize.

     

    Dev Sethi:

    We recently announced last month that we're building essentially a branded content marketplace, where brands have the opportunity to discover creators on our platform and potentially do business with them right then and there. To have that occur on a platform, we know brands are spending their time looking for individuals to partner with, and creators are constantly looking for ways to gain opportunity and to stand out, us building a marketplace to do just that, something we've invested in recently.

     

    Chris Erwin:

    No, I really like that and thinking about, yes, Meta definitely has relationships with probably all of the largest brands, marketers on the planet, but something that Facebook has done really well is, enable really targeted marketing for these small and mid-size businesses that can't necessarily afford the 32nd TV spot. So it's like, "All right, you don't have $500,000 to spend, but you got $10,000 to spend, you can run a campaign on Facebook, targeting the clients that make the most sense and are most relevant for your business." And I like the idea that this marketplace would also enable the same, not just for running these paid media spots, but also for influencer marketing campaigns, but also something that you guys are really leaning into a lot, which is social commerce. Really enabling creators to sell product directly through the Facebook and Instagram shop product flows.

     

    Chris Erwin:

    And I think to do that, I think the brands and the creators need to come together and need a bit more support there. That's something that we've written extensively about at RockWater is like, "What is this product gap?" It's something that's really holding back the launch of the livestream commerce market in the US relative to that of China. So I think that this marketplace idea that you guys have is a step definitely in the right direction. And particularly as Instagram has so many different social commerce and also these programming products, it needs to be fueled by more collaborations. A couple of quick questions before we get to the rapid-fire and close this out, Dev, so one, some big announcements around Meta recently. Massive reorganization, $10 billion commitment to building out the Facebook Metaverse or this new virtual experience for the Facebook users and community, what does that mean for sports media? What does that mean for the partners that you work with? Is that something that you guys have an idea on? Are you helping to formulate the vision? Tell us about that.

     

    Dev Sethi:

    To me, it's exciting because, well, one, so much of this hasn't been written yet, but the potential for what the sports experience could look like at Meta, on our own platforms in the ways that I just described, but also in the Metaverse, the world is everyone's proverbial oyster in that regard, whether it's evolving the co-watching experience from how we experience it on social media today, to a more virtual environment, where we're able to co-watch a football game together, or we're rather able to play a game together, or if we just want to express ourselves in a unique way, let alone the monetization possibilities. And again, I don't want to speculate, but you can imagine the variety of ways in which monetization can come to bear in this new environment and participating in a Metaverse.

     

    Dev Sethi:

    I mean, again, I defer to the experts like yourself, who literally write newsletters on these sorts of things, but to me, it all means we can get really creative, our company, but the industry is going to get incredibly creative on that as it all comes to bear and who's going to be positively impacted. And in terms of my job, I guess specifically, I get to ideally represent them more opportunities for how organizations and individuals can work with our company, because you have the inherent value of it, you work with Instagram, then you work with Facebook, and maybe there's an interesting WhatsApp partnership, but it's this tremendous again, sort of holistic opportunity for individuals and orgs to partner with sports partnerships or other verticals and other teams in ways that may have felt fragmented in the past but I think just generally speaking allows us to delve into different areas, and hopefully do some really cool things together.

     

    Dev Sethi:

    Yeah, I've given you an example, the conversations even before I got here, with the NBC and the Olympics on Facebook and Instagram were very different in 2016 than they were in 2020. And now, imagine what those conversations look like in 2022 or 2024, and it's because of the evolution of the technology, the evolution of the platforms themselves, and the ways in which the brands and individuals want to engage their fans, which is probably the most important through-line of the entire thing.

     

    Chris Erwin:

    It's really interesting, I mean, that can be a whole separate show of just brainstorming, what does the virtual experience mean for sports fandoms of tomorrow? What younger generations want is the personalization of everything, personalization of watching sports, when, and how they want to consume it with the personalities that they care about. So you think about the in-person experience of being in the arena, being at game day, but how do you get that same excitement and energy level, but then also add to the experience of why people also like to watch sports from home, where they have their personalized social feed, and newsfeed, and maybe they have different camera angles that they're watching from their TV and from their phone. How can you put all those exciting dynamics together in this virtual environment and then, in addition, give the fans tools to express their fandom in new and exciting ways?

     

    Chris Erwin:

    So the same way of like, you're wearing the Jersey of your favorite sports team. What are some of the digital goods and digital fashion that you can express on game day and then maybe your outfit's rotating between every play or every quarter? The ideas are just really endless and really exciting.

     

    Dev Sethi:

    Absolutely, I feel like we're limited, I'm personally not being a very creative person, only limited by my creativity in the sense of everyone wants to point to a reference point, "Oh, this feels like it's the sims or this feels like something that I've seen before." Well, most of what's going to get created, no one's going to have necessarily seen before, the opportunities are essentially endless. And at the core of the metaverse and whoever participates in it, it's still fundamental that it's about communities that can connect with each other in virtual environments when they cannot be with each other in person. And that represents boundless opportunity, whether you're the NFL, whether you're trying to connect with your brothers in Savannah, whether I'm trying to connect with my twin brother who's down the road, that's still at the heart of it. And I think we're just going to see that be expressed and developed again, in a number of ways, hopefully much sooner than later.

     

    Chris Erwin:

    Well said. All right, so before we move on to the rapid-fire, I just want to give a closing notice, some kudos to you, Dev. As the listeners have heard, I have known you dating back, I think at least four or five years now. We've stayed in touch. And something that I just really appreciate is how gracious you are with your time and how gracious you are with helping people understand and get excited about all of the work in sports media and digital. And I think I follow some of the feedback that you've given us on our newsletters, the feedback that whenever we have a chance to talk on the phone or on a Zoom chat and just tracking your LinkedIn feed, you really evangelize your work and the spirit of digital media in a very positive some way and it's really appreciated. We've definitely noticed it, you have a demeanor that really points this whole industry towards a really great place and I'm really thankful for that, and I wanted to acknowledge that.

     

    Dev Sethi:

    No, thank you, I'd say you're being way too kind and I'm certain that you deliver a lot more value to this industry than I do in the seat that you sit in and then what you've put together and run but I appreciate it. I think there's many of us who have to rely on each other to continue to grow, educate ourselves, and collaborate because that's just sort of how big and gnarly this industry is. And so, you're obviously the center of the value that we all derive. And once you put together this podcast, and newsletter, the consultancy that you've built up, yeah, I just have a lot of gratitude for things that, frankly have broken my way, the core of it's just been, hopefully trying to be a decent person, but also maintain great relationships like you and I, I think we've probably spent at least 75% of that first lunch, just shooting the shit on getting to know each other, 25% on the business stuff. I'd rather take that proportion, frankly. We get to things like today because we have, I think, a great base to build off of, so I'm deeply appreciative of getting to befriend you over all these years too.

     

    Chris Erwin:

    Very welcome, such from a guy who has such a powerful position in sports media. So, all right, with that, moving on to rapid-fire, here are the rules. Six questions, answers are to be short and to the point, so it could be just a single sentence or just a single word. Do you understand the rules, Dev?

     

    Dev Sethi:

    I understand them, I don't know if I'll adhere to them, but yeah, I understand them.

     

    Chris Erwin:

    Everyone says the same thing, but I'm going to hold you to it. All right, first one, proudest life moment.

     

    Dev Sethi:

    I've been offered the opportunity to speak a couple of times in front of students at my alma mater, Notre Dame and I never thought in a million years, I would ever do anything in my life or deliver that kind of value that my alma mater would ask me to support them and be of service to them. So that was a crowning achievement in my mind at least.

     

    Chris Erwin:

    Okay, cool, what do you want to do less of in 2022?

     

    Dev Sethi:

    More sporting events, with hopefully a lot less disruptions and just more grace for, I think our fellow citizens who are all going through tough time but who all have such diverse perspectives. So hopefully more of that too. I'd say hopefully a lot less bad weather, but I don't know if the weather's even been that bad. So I don't have a great answer for that.

     

    Chris Erwin:

    Okay. Less bad weather and disruptions in 2022?

     

    Dev Sethi:

    There you go.

     

    Chris Erwin:

    But I like what you said about more sporting events and the things that matter. What are one or two things that drive your success?

     

    Dev Sethi:

    I think having a great, talented bought-in team or teams that I've managed that make me look good. And also just having a personal passion in investing in my team, their career, their goals, and the enablement of them doing great work, that's what gives me joint energy about this role and any other role and I think that's equated to personal success as well.

     

    Chris Erwin:

    Advice for media execs going into 2022.

     

    Dev Sethi:

    Just continue to embrace innovation, whether it's on platform innovation, some of the things I referenced earlier, but also the innovation in the sports industry. I mentioned NIL a number of times, but try to skate to where the puck is going. And also do it authentically, don't sort of follow the leader all the time in this industry, make that set align with how you want to serve your audiences and what your core competencies are because no one media company should aspire to be just like another media company in my opinion.

     

    Chris Erwin:

    Very well said, I love that answer. All right, last couple, so you've gone from the big platforms, to the digital media publishers, back to the big platforms, I have to ask, any future startup ambitions?

     

    Dev Sethi:

    I have few entrepreneurial bones in my body. I've thought about starting my own consultancy. Honestly, I should probably just join yours, but-

     

    Chris Erwin:

    It would be an honor, it'd be an honor to have you join our rank.

     

    Dev Sethi:

    Yeah, I'd be able to listen in to stuff in general, but I think at the core, I just want to continue to be in roles that allow me to focus on strategy and also building great operations as well.

     

    Chris Erwin:

    Last one, pretty easy, how can people get in contact with you?

     

    Dev Sethi:

    I'd say LinkedIn, although my response times can vary dramatically, but LinkedIn's a good way to hit me up. It's spelled D-E-V, last name S-E-T-H-I. You can hit me up on Instagram, I'll be remiss if I didn't mention that, last name, first name S-E-T-H-I-D-E-V. Feel free to shoot me a DM. And yeah, those are probably the two best ways to get at me.

     

    Chris Erwin:

    All right, Dev, so that's the show. Thank you so much for taking the time to do this.

     

    Dev Sethi:

    Oh Chris, thanks for having me, man, this is the best part of my week. Glad to spend my Wednesday with you and looking forward to rapping more offline, but above all, I also hope you and your family are feeling safe and healthy and getting to enjoy the holiday season.

     

    Chris Erwin:

    Thank you, Dev, same to you. I really enjoyed that conversation with Dev. He's such a good guy and I just walk away feeling really proud that there's people like that in our digital community. All right, so to close it out, a reminder that we love to hear from our listeners, so if you have any feedback on the show, any ideas for guests, you can always shoot us a note at tcupod@wearerockwater.com. And a reminder that wherever you listen to our show, please leave us a review and share the show on whatever social media accounts you have. It just helps other people find our work and really supports what we do. Last quick note, we are all so hosting a livestream commerce event, it's an executive dinner, it's going to happen in LA, probably on March 3rd. If you'd like to know more or are interested in sponsoring it, you can reach out at hello@wearerockwater.com. All right, that's it, everybody, thanks for listening.

    The Come Up is written and hosted by me, Chris Erwin, and is a production of RockWater Industries. Please rate and review this show on Apple Podcasts and remember to subscribe wherever you listen to our show. And if you really dig us, feel free to forward The Come up to a friend. You can sign up for our company newsletter at wearerockwater.com/newsletter. And you could follow us on Twitter, @tcupod. The Come Up is engineered by Daniel Tureck. Music is by Devon Bryant. Logo and branding is by Kevin Zazzali. And special thanks to Andrew Cohen and Mike Booth from the RockWater team.

     

    Amanda Bouchet | Authors at a Glance

    Amanda Bouchet | Authors at a Glance

    The author of A Promise of Fire calls in from France! She gave us the ins and outs of her writing process as well as publishing, book cover photo shoots, French translations, and audio books. Amanda shared the struggles of reading slumps and gave us some books we will definitely be adding to our lists: Navigating the Stars by Maria V. Snyder,  Capture the Crown by Jennifer Estep, and White Out by Adriana Anders. We also commiserated about our shared Tiktok addictions and listening to our kids reading slowly as all hell.

    You can check out Amanda's series The Kingmaker Chronicles here.

    Checkout Nightchaser here. Sci-fi action romance! 

    ***

    Get 30 days free on Kindle Unlimited just for our listeners! 

    Or listen on Audible like Shani and get up to two free ebooks when you try Audible Premium Plus

    ***

    Leave us a rating and review on Itunes

    ***

    A lot of additional listening on Patreon!

    Welcome to Romance at a Glance, a podcast that uses romance novels to dive into candid conversations about life, relationship dynamics, and sexual desires. 

    As hosts Bridget and Shani review books and interview some of romance's biggest authors, they explore the breadth of the genre, openly embracing the sex, diverse couplings, and taboo to create a safe space for listeners to be exposed to different lifestyles, fantasies, and to pique their naughty curiosity.

    Expect 100% honest reviews, spontaneous singing, life lessons, indecent anecdotes, and bawdy humor.

    Check out www.romanceataglance.com

    Chat with us on Instagram at instagram.com/romanceataglance

    Support us on Patreon at patreon.com/romanceataglance

    #133. Xavier Briseño - Restaurantes, Cómo Vender tu Empresa y por qué Comprarla de Vuelta

    #133. Xavier Briseño - Restaurantes, Cómo Vender tu Empresa y por qué Comprarla de Vuelta

    "El cliente no es tonto, no se le puede engañar. " - Xavier Briseño

    Este episodio es presentado por InstaFit Vegan Protein, la proteína vegetal más deliciosa del mundo, que te regala 10% de descuento en tu compra.

    Desde 1999 Javier es fundador de la cadena de gelaterías Neve Gelato. En 2011, con 23 ubicaciones, Xavier vendió su empresa al fondo de capital privado Nexxus Capital para años después re-comprarla junto con otras cadenas de restaurantes pertenecientes al mismo fondo.

    Durante el tiempo que no operó Neve Gelato, Xavier creció su fábrica de helados a ser uno de los principales fabricantes en el país y que sirve a empresas como Alsea, Walmart y las mayores cadenas hoteleras.

    Hoy Xavier y yo hablamos de franquicias, sobre cuándo y cómo vender tu empresa y cómo tener éxito en el negocio de los restaurantes… ah y también de helado.

    Este es un episodio que grabamos en vivo como parte de una sesión con el grupo de miembros de Cracks Mastermind quienes al final tuvieron una sesión de preguntas y respuestas con Xavier.

    Qué puedes aprender hoy:

    • La forma correcta de vender tu empresa 
    • Cómo ser exitoso en la industria restaurantera 
    • Funciones y formas de operar de un CEO
    • Optimización en el reclutamiento 
    • Cómo es sobrevivir en tiempos de crisis

    Ve el video de esta entrevista en Youtube

    https://www.youtube.com/crackspodcast

    Notas del episodio en:

    https://cracks.la/133

    Ve el episodio en Youtube

    My Hero Academia Season 5: Endeavor - Bad Father. Good Teacher?

    My Hero Academia Season 5: Endeavor - Bad Father. Good Teacher?

    Deku, Todoroki, and Bakugo get straight to hero business during their work study with Endeavor. Japan's #1 Hero does his best to teach the up-and-comers what they need to get to the next level, and he might even be half-decent at it? Also, Jacki, Lynzee, and AJ chat about some of the best premieres from the summer season and debate how to properly say "Vanitas."

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    My Hero Academia Season 5: Is Hawk's a Hero or a Villain?

    My Hero Academia Season 5: Is Hawk's a Hero or a Villain?

    All eyes are on Hawks this week as the double (or triple?!) agent moves about city. Where's Best Jeanist? Who is the Meta-Liberation Army and what are their end goals? How did Shigaraki level a whole city? The new arc leaves us with even more questions and not a lot of answers. ALSO: The hosts share their most anticipated anime for summer 2020!

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    Pete Benedetto on how Endeavor hacked market expansion to build the world’s leading community of high impact entrepreneurs

    Pete Benedetto on how Endeavor hacked market expansion to build the world’s leading community of high impact entrepreneurs

    Patrick sat down with fellow Endeavor colleague Pete Benedetto, who co-leads Endeavor's expansion efforts globally. Pete talks in detail about Endeavor’s unique growth formula, how Endeavor identifies ecosystems with scale-up potential and determines whether they are ripe for Endeavor to go in and what makes the Romanian ecosystem (one of our newest markets) a perfect use case.

    About Endeavor:
    Established in 1997, Endeavor is the leading community of  high-impact entrepreneurs to drive economic growth, innovation and job creation by selecting, mentoring, and accelerating the best high-impact entrepreneurs around the world. To date, Endeavor has screened more than 60,000 individuals and selected more than 2,100 founders leading over 1,300 scale-up companies. With support from Endeavor’s worldwide mentor network, Endeavor Entrepreneurs have created over 4.1 million jobs, generate more than $26 billion in revenue each year, and inspire future generations to innovate and take risks, building strong entrepreneurship ecosystems in growth markets. Headquartered in New York City, Endeavor currently operates in 35+ growth markets throughout Africa, Asia, Europe, Latin America, the Middle East, and North America.

    On this episode you will learn: 

    • How does Endeavor leverage a global network combined strong local roots for each of their markets
    • How to build trusting relationships and the importance of referrals 
    • Aligning different personality profiles to structure a board of directors and account for board dynamics 
    • Why Romania as a start-up ecosystem exemplifies perfectly the kind of ecosystems Endeavor searches for to go in any support 

    If you enjoy the show, it would be fantastic if you could give us a rating on Apple Podcasts or Spotify.

    If you are interested in more shows and content on emerging markets investing and company building follow me on twitter @pat_travels or LinkedIn.

    Support the show

    Colby Cold Cuts

    Colby Cold Cuts

    News:

    Q1 power rankings coming soon
    A bunch of new fighters are coming to the database:
    Fight announcements:

    • Leon Edwards vs Nate Diaz (UFC 262 co-main)
    • Alexander Swolkov vs Cyril Gane 
    • Dan Ige vs Chan Sung Jung

    Endeavor upping UFC ownership to 100% with plans to take the company public
    Jon Jones vs Francis Ngannou pay controversy

     215 Takeaways

    UFC Fight Night: Vettori vs Holland Preview

    Bullshit & Whatever ft. Godzilla vs Kong

    Twitter:
    Scraptitude (@Scraptitude)
    Geoffrey Aikens (@OhArd215)
    Tim Lewis (@TimothyELewis)


    Intro: Ameen Rahman (IG: @arobsmusic)
    Outro: No One Forgets Music (IG: @_NoFM)




    Joe Rehmann, CEO and Founder of Victory Farms in Kenya, shares how technology-enabled fish farming is eradicating hunger

    Joe Rehmann, CEO and Founder of Victory Farms in Kenya, shares how technology-enabled fish farming is eradicating hunger

    Joe Rehmann went from investment banking to fish farming. His passion for solving the protein problem in Eastern Africa led to one of the most successful aquaculture farms in the world. 

    Joe's story should inspire entrepreneurs everywhere. No problem is too big to solve. Technology we take for granted can be used in ways we can't imagine... until leaders like Joe redefine what's possible.

    Listen and learn...

    • What inspired Joe to start Victory Farms
    • How Victory Farms used mobile phones to solve the tilapia cold chain problem
    • What the western world doesn't understand about building a business in Kenya
    • How fish guts and market ladies may be part of the next great technology success story

    Companies and organizations mentioned on the show:

    Bonus: Guibert Englebienne - Cofounder & CTO Globant - La Transición Tecnológica del Hacer al Ser

    Bonus: Guibert Englebienne - Cofounder & CTO Globant - La Transición Tecnológica del Hacer al Ser
    “Creemos que la transformación digital no tiene que ver con el hacer digital sino tiene que ver con el ser digital.”  – Guibert Englebienne ( 👈🏽 link a persona, mis pensamientos del audio, libros, el podcast, y más)


    Guibert Englebienne es cofundador de Globant, uno de los “unicornios” de Argentina. Como CTO (Chief Technology Officer), está al frente de la innovación en una empresa tech de alcance global cuyo foco es desarrollar software para “poner en línea a los clientes para enfrentar un mundo muy desafiante”, como él mismo define.

    Además, Guibert Englebienne es presidente de red de emprendedores Endeavor Argentina

    Ray Kurzweil, autor de The Singularity Is Near: When Humans Transcend Biology, divide la evolución en seis etapas. El ADN evoluciona, el cerebro evoluciona, la tecnología evoluciona, la tecnología y la inteligencia humana se fusionan, y finalmente, el universo despierta. Actualmente estamos en la etapa cinco.

    Esta fusión de tecnología y biología es aterradora una vez que empiezas a reflexionar, aunque sea por un minuto. Para muchas empresas, esto suena como una marcha de la muerte. Para muchos podría ser. Por lo tanto, es increíble que Globant exista, y con Guibert como CTO.

    Si quieres escuchar más o aprender más sobre Guibert, puedes escuchar nuestro primer podcast aquí LINK

    En este podcast, hablamos sobre todo la tecnología.

    Hay una cita que me encanta de Arthur Schopenhauer: “Todo el mundo considera los límites de su propia visión son los límites del mundo”. Como mencionó Guibert en nuestro primer podcast, la gente no está preparada para el tsunami cognitivo que viene en camino. Con suerte, esta conversación con Guibert te ayudará a comprender que ya no más estamos en Kansas, Toto.


    ***

    Si te gusta el podcast, ¿podrías considerar dejar una breve reseña en Apple Podcasts | iTunes? Es rápido, no duele y hace una gran diferencia para convencer a los futuros invitados y promocionar el podcast.

    Enlaces importantes:
    The Frye Show.com con más información, libros, artículos y más...
    Boletín creativo - 747
    The Corvus Show - Corvus
    The Frye Show LIVE - LIVE
    LinkedIn - robbiejfrye
    Twitter - robbiejfrye
    Instagram - robbiejfrye
    Facebook - robbiejfrye


    ★ Support this podcast ★

    #145: Ricardo Weder - Founder & CEO Jüsto - De un Cohete a Otro

    #145: Ricardo Weder - Founder & CEO Jüsto - De un Cohete a Otro
    “Es mejor contratar para una contribución cultural que para un fit cultural. Si contratas por fit solo encuentras gente similar a ti.” - Ricardo Weder (  👈🏽 link a persona, mis pensamientos del audio, libros, el podcast, y más)

    Ricardo Weder es el Founder & CEO de Jüsto. “Jüsto es un supermercado totalmente en línea, sin tiendas físicas, que buscaba ganar espacio en aquello que los autoservicios tradicionales no habían logrado: tener una oferta robusta y confiable de entrega a domicilio 100% digital."

    Jüsto también logró una ronda de inversión en serie A más grande en Latinoamérica, $65M. Boom!

    Antes de estos $65 millones, debemos pintar la pista. Ricardo comienza en 3M y luego a PwC, JP Morgan y HSBC. Ricardo se da cuenta de que la velocidad marca la diferencia. Deja el mundo de la burocracia y egos y comienza a trabajar para Rocket Internet como gerente de país en Easy Taxi.

    Afortunadamente, una conversación con Juan de Antonio sobre propósito lo lleva a Cabify. Donde desde su ingreso a la compañía fue pieza clave en el crecimiento y expansión de Cabify, pasando por las posiciones de Country Manager de Mexico, Head of Growth, General Manager LATAM, COO, CEO, y finalmente en presidente global.

    Luego de volar en este cohete que no es el tuyo, entiendes que solo puede ser pasajero durante un tiempo. Eventualmente, tendrás que construir tu propio cohete.

    Algunos de los aspectos más destacados de este podcast incluyen decisiones precisas sobre la cultura, pasar de la creatividad a los datos, estar desorganizado y tener una visión 20/20, y mucho más.

    Espero que mientras escuchas el podcast puedas conectar los puntos. Ricardo y Jüsto están construyendo una serie de qué pasaría si. ¿Qué pasaría si usamos material reciclado? Si todos tienen acceso a nuestro producto? ¿Si podemos crear miles de trabajos para quienes los necesitan? Sí, Jüsto es un supermercado 100% digital, pero también es un cohete hacia el futuro para LATAM.

    Este episodio es presentado por Platzi.. Es un honor compartir lo que creo que es la mejor plataforma de aprendizaje en línea en LATAM. Aquí hay una pequeña conversación que tuve con Lead Creative Strategist en Platzi, el increíble Daniel Granatta


    ***

    Si te gusta el podcast, ¿podrías considerar dejar una breve reseña en Apple Podcasts | iTunes? Es rápido, no duele y hace una gran diferencia para convencer a los futuros invitados y promocionar el podcast.

    Enlaces importantes:
    The Frye Show.com con más información, libros, artículos y más...
    Boletín creativo - 747
    The Corvus Show - Corvus
    The Frye Show LIVE - LIVE
    LinkedIn - robbiejfrye
    Twitter - robbiejfrye
    Instagram - robbiejfrye
    Facebook - robbiejfrye

    ★ Support this podcast ★

    Bonus: Juana Ramírez - Founder & CEO Grupo SOHIN - La Normalidad es la Antítesis de la Evolución

    Bonus: Juana Ramírez - Founder & CEO Grupo SOHIN - La Normalidad es la Antítesis de la Evolución
    “Los seres humanos somos tan complejos y tan contradictorios que valoramos la salud cuando enfrentamos una enfermedad.” – Juan Ramírez (👆🏽 link a persona, mis pensamientos del audio, libros, el podcast, y más)


    Juana Ramírez es fundadora y CEO de SOHIN, (Soluciones Hospitalarias Integrales), el cual está enfocado en la gestión de medicina personalizada para pacientes con enfermedades crónico degenerativas complejas como el cáncer, esclerosis múltiple, artritis reumatoide, entre otras.

    Steve Jobs tenía lo que la gente llama un campo de distorsión de la realidad, un término utilizado por primera vez por Bud Tribble en Apple Computer en 1988. Andy Hertzfeld lo describió como la capacidad de Steve Jobs de convencerse a sí mismo y a los que lo rodean, de creer casi cualquier cosa con una mezcla de encanto, carisma, hipérbole, marketing, apaciguamiento y perseverancia.

    Yo diría que Juana Ramírez tiene un campo de distorsión armónica. La capacidad de convencerse a sí misma y a los demás de evolucionar, mostrando que el amor, el sufrimiento, la felicidad, la ira, el propósito y la lucha son parte de la misma danza.

    Si quieres escuchar más o aprender más sobre Juana, puedes escuchar nuestro primer podcast aquí LINK

    En este podcast, hablamos sobre la negación, intrusión, desorden, reestructuración, rabia, el significado y mucho más.

    Juan Ramírez es un imán de propósitos. Ella te atraerá y te regalará una vista que no sabías que necesitabas. Personas de todo el mundo la contactan después de escuchar su historia. Ella es una persona única.

    ***

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