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    falstaff

    Explore " falstaff" with insightful episodes like "Exploring St. Louis German Heritage and 1960s Entertainment", "The Art of Singing and Living Full-Tilt with Opera Baritone Gabriel Manro", "Episode 3 - New Allies", "Jonathan Veira" and "Henry IV, Part II (Series II, Podcast S)" from podcasts like ""Total Information AM Weekend", "The Mindset Forge", "The Green Lama", "Back Story" and "Appreciating Shakespeare with Doctor Rap"" and more!

    Episodes (17)

    Exploring St. Louis German Heritage and 1960s Entertainment

    Exploring St. Louis German Heritage and 1960s Entertainment

    Tune in as Johnny Rabbit takes us on a journey through St. Louis' German heritage and the vibrant entertainment scene of the 1960s. Learn about the rich history of German breweries in the city, including the iconic Anheuser Busch and the now-extinct Falstaff. Discover the rise and fall of local beer brands and the enduring legacy of Schlafly. Delve into the entertainment district of the 1960s known as the "Gaslight Square," where legendary performers like Barbra Streisand, Woody Allen, and Lenny Bruce graced the stages of nightspots like Jay Fran and Fred Landis' Crystal Palace. Explore the stories of Dixieland jazz, progressive jazz, and other musical genres that flourished during that era. Journey back to the Playboy Club and the Chase Club, iconic venues that hosted memorable performances and brought glamour to the city. Don't miss this insightful look at St. Louis' past and its vibrant entertainment history.

    The Art of Singing and Living Full-Tilt with Opera Baritone Gabriel Manro

    The Art of Singing and Living Full-Tilt with Opera Baritone Gabriel Manro

    Barton and Gabriel sit down to discuss the world of Opera, performance and Gabe's mindset of performing Internationally at the highest level.  Highlights from this podcast include:
    - Life lessons from his Voice Teacher Elizabeth Parham stating "that little voice in your head telling us we're not enough... that is the devil"
    - How Gabe thinks about performing for thousands of people
    - what type of things Gabe does to prepare himself for a big performance.
    - how the voice works and how he's able to create such powerful sound and sing professionally. 

    Gabriel's Bio:
    Multiple Grammy Award winning baritone Gabriel Manro has been called “a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he’s a knock-down baritone.” --San Francisco Classical Voice. Indeed, Manro regularly sings dramatic baritone roles such as Don Carlo di Vargas (La forza del destino), Andrei Shchelkalov (Boris Godunov), and Tonio (I Pagliacci)

    Opera News describes Manro as “Gifted with a striking, sinister baritone that remains strong, even and sonorous throughout the range, he tears into Verdi's music with a vengeance.” -- Opera News.
    Mr. Manro made his professional operatic debut as Third Inmate in Jake Heggie's ground-breaking opera Dead Man Walking for Opera Pacific with Frederica von Stade. He went on to perform the role of Inquisitor in Opera Pacific's Candide. Mr. Manro has appeared in numerous contemporary and world-premiere operas and musicals:
    As Muscovite Trader in John Corigliano’s The Ghosts of Versailles (Pentatone Music: Grammy--Best Opera Recording), as the Mousling in the Los Angeles Philharmonic’s Alice in Wonderland by Unsuk Chin, the Computer in Los Angeles Opera’s The Fly by film composer Howard Shore (Lord of the Rings Trilogy); as The Chauffeur in Opera Santa Barbara’s Séance on a Wet Afternoon by Stephen Schwartz (Wicked, Godspell); and as Angry Voter in Los Angeles Opera’s Il Postino (Sony Classical DVD). Manro created the role of President Lincoln in Golden Gate Opera's world-premiere Civil War Epic: Lincoln and Booth. Off-Broadway, Mr. Manro led the original cast of Center for Contemporary Opera’s production of Oration by Line Tjørnhøj. On television, Manro appeared as Joel Lynch and Father Jackson in the European premiere live telecast of William Mayer’s: A Death in the Family at the Hungarian National Theater and Opéra Grand D’Avignon which was voted “audience favorite” opera.  Gabriel also played Jafar in Walt Disney Company’s original stage production of Aladdin.

    Gabe's European operatic debut was as Doctor Bartolo (Il barbiere di Siviglia) with Corfu Opera in Greece. His extensive repertoire and engagements have also included the roles of Bluebeard (Bluebeard’s Castle), Count Almaviva, Bartolo, Antonio (Le nozze di Figaro), Guglielmo, Don Alfonso (Cosí fan tutte), Don Giovanni (Don Giovanni).
    See Mr. Manro next as Osmund in the world-premiere stage production of Siegfried Wagner’s Rainulf and Adelasia  during this summer’s Bayreuth Festival in Germany.

    Email: Barton@bartonguybryan.com

    Website: http://bartonguybryan.com

    Use this link to get a 30 minute discovery call scheduled with Barton regarding the Team Bryan Wellness Concierge Fitness Program
    https://calendly.com/bartbryan/conciergecoachingcall

    My 3 Top Episodes of the first 100:

    7 Essentials to Building Muscle after 40
    3x Olympic Gold Medalist Brendan Hansen
    MMA Strength and Conditioning Coach Phil Daru


    Episode 3 - New Allies

    Episode 3 - New Allies

    New York's gang war is about to reach a fever pitch, but the Green Lama has a bigger foe in the meantime: the newfound, youthful defender of the city known (to the papers, at least) as the Riveter! Both heroes are after a cypher that may uncover the identity of the unknown instigator of the citywide conflict, but their methods may push them apart just as the citizenry needs them to pull together!

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    Jonathan Veira

    Jonathan Veira

    Jonathan Veira is an internationally acclaimed bass baritone opera singer, who’s performed across the globe with various companies including Glyndebourne, The Royal Opera House, Covent Garden and The Royal Danish Opera Company. His performances in operatic comedy roles have thrilled audiences at home and abroad but JV sings much more than opera alone. This multi-skilled entertainer with a range as big as his heart and character has performed across the globe to great reviews both in opera and in his own one-man show. 

    He's also well known in the Christian community for his Christian and gospel albums. There’s no doubt about it, he’s a very funny and supremely talented guy and in this double length podcast the guys chat about JV meeting his wife, Sue, winning a competition which launched his operatic career, debilitating illness in 1989, recovery and playing Falstaff in Copenhagen through to his recent kidney transplant. You won't want to miss a second.

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    Henry IV, Part II (Series II, Podcast S)

    Henry IV, Part II (Series II, Podcast S)

    Series II, Podcast S: Henry IV, Part II

    Promise Fulfilled: Prince Hal becomes King Henry V
    Defense of Prince John
    Falstaff's Banishment

    Note: The Thompson quotation is from Notes on Shakespeare in Philip Thompson, Dusk and Dawn: Poems and Prose of Philip Thompson, ed. Gideon Rappaport (San Diego: One Mind Good Press, 2005), p. 221, 227. 

    Questions? Email DoctorRap@zohomail.com

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Shakespeare on Film: Chimes At Midnight Orson Welles

    Shakespeare on Film: Chimes At Midnight Orson Welles
    Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

    Double Verdi - San Diego OperaTalk

    Double Verdi - San Diego OperaTalk
    The two Verdi operas presented during San Diego Opera's 2016/17 season, La Traviata and Falstaff, represent the composer at two distinct stages in his life and career. Nicolas Reveles examines the evolution of Verdi's style over the forty years that separated the premieres of these masterpieces, from midlife to old age. Singers Cherylyn Larsen, soprano, and Bernardo Bermudez, baritone, join Dr. Nic to perform excerpts from the two operas. Series: "San Diego OperaTalk! with Nic Reveles" [Arts and Music] [Show ID: 30717]

    Double Verdi - San Diego OperaTalk

    Double Verdi - San Diego OperaTalk
    The two Verdi operas presented during San Diego Opera's 2016/17 season, La Traviata and Falstaff, represent the composer at two distinct stages in his life and career. Nicolas Reveles examines the evolution of Verdi's style over the forty years that separated the premieres of these masterpieces, from midlife to old age. Singers Cherylyn Larsen, soprano, and Bernardo Bermudez, baritone, join Dr. Nic to perform excerpts from the two operas. Series: "San Diego OperaTalk! with Nic Reveles" [Arts and Music] [Show ID: 30717]

    Double Verdi - San Diego OperaTalk

    Double Verdi - San Diego OperaTalk
    The two Verdi operas presented during San Diego Opera's 2016/17 season, La Traviata and Falstaff, represent the composer at two distinct stages in his life and career. Nicolas Reveles examines the evolution of Verdi's style over the forty years that separated the premieres of these masterpieces, from midlife to old age. Singers Cherylyn Larsen, soprano, and Bernardo Bermudez, baritone, join Dr. Nic to perform excerpts from the two operas. Series: "San Diego OperaTalk! with Nic Reveles" [Arts and Music] [Show ID: 30717]

    Double Verdi - San Diego OperaTalk

    Double Verdi - San Diego OperaTalk
    The two Verdi operas presented during San Diego Opera's 2016/17 season, La Traviata and Falstaff, represent the composer at two distinct stages in his life and career. Nicolas Reveles examines the evolution of Verdi's style over the forty years that separated the premieres of these masterpieces, from midlife to old age. Singers Cherylyn Larsen, soprano, and Bernardo Bermudez, baritone, join Dr. Nic to perform excerpts from the two operas. Series: "San Diego OperaTalk! with Nic Reveles" [Arts and Music] [Show ID: 30717]