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    filmscore

    Explore "filmscore" with insightful episodes like "Interview with Jon Coco", "RECAP - Roman Takeaways, RIP Stephen Sondheim, Sundance 2022, and What's Next", "Roman Molino Dunn on Film/TV Composition, Snakehead, Huracán, & and Music Producing The Card Counter", "S2 EP6 Pleasure - skapandet av filmmusiken med Karl Frid (feat Pär Frid)" and "Insights In Sound 43 - Patrick Gleeson" from podcasts like ""Bringin' it Backwards", "DreamPath Podcast", "DreamPath Podcast", "Moviezine + Dark Label Productions - Vägen till filmen och serien Podcast" and "Insights In Sound"" and more!

    Episodes (53)

    Interview with Jon Coco

    Interview with Jon Coco
    We had the pleasure of interviewing Jon Coco over Zoom video!

    Music that leaves a lasting impression requires a wandering soul to tame it. That’s an apt description of the moments film composer JON COCO elicits with his melodic and lyrical craftsmanship. Enduring hopefulness tempered by the unavoidable obstacles that life brings is at the core of Coco’s emotive perspective. His songs remind us that heartache and love are not to be mastered, but to be lived in and learned through. Perhaps Coco’s music resonates with those of so many walks of life because his own path has taken so many turns.

    As a boy growing up in Boston, Coco immersed himself in the music of timeless bands like The Beatles, The Rolling Stones, The Who, and Pink Floyd. Tapping into the music of the ‘70s with an impressive vinyl record collection, he started writing original music and dove into performances in the late ‘80s Boston music scene.

    Invited by an A&M recording studio head engineer to record songs for A&M, Coco gave in to the eventual lure of Los Angeles and the larger opportunities it promised. An early lesson would come when A&M Records closed their doors while his band was still recording their debut record. After two years as a staple on the Hollywood live club scene, Coco seized the opportunity to try his hand at creating music for a film trailer.

    This pivot provided many years of work and included his compositions in the marketing campaigns for Oscar-nominated and award-winning films such as The Departed, Batman Begins, No Country for Old Men, Room, and numerous others.

    Endlessly pursuing his own true north and identity, Coco relocated to Nashville in 2016 to trade the companionship of traffic and airplanes for a mini ranch with horses, donkeys, and chickens. This slower and more relaxed pace, exacerbated by the Covid lockdown, has cultivated an even more intense maturation of Coco’s signature style. “I came across a video of an Elliot Smith performance at Largo in Hollywood as a guest of Jon Brion’s show. It inspired me so much that two hours later I had ‘Living In LA’ written and completed! The floodgates were open. The next day, ‘Boxley Valley,’ which is a song about my home in Tennessee, came out of me just as quickly. Five days later, I had five songs done.”

    There is a common element to his music that is as relatable for listeners of a major metropolitan area as for those in rural surroundings because their source is a man who finds the essential humanity in both. Those with an affinity for Tom Petty, Jackson Browne, and the Eagles rebuke a “regional” definition to their taste and relate to Jon Coco’s music similarly. In an America that seems so often divided, his music is a reminder to focus on the day-to-day of our own immediate experiences. Recorded with a group of talented friends hailing from Nashville and Los Angeles, Jon Coco is exhibiting with each song that music literally brings us all together.

    We want to hear from you! Please email Tera@BringinitBackwards.com.

    www.BringinitBackwards.com

    #podcast #interview #bringinbackpod #JonCoco #NewMusic #zoom

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    RECAP - Roman Takeaways, RIP Stephen Sondheim, Sundance 2022, and What's Next

    RECAP - Roman Takeaways, RIP Stephen Sondheim, Sundance 2022, and What's Next

    Bryan and Jason discuss takeaways from Bryan's interview with film composer Roman Molino Dunn, reminisce about Stephen Sondheim, who passed away last week, talk about Bryan's return to the upcoming 2022 Sundance Film Festival as a member of the press, and preview Bryan's upcoming interview with film director Tim Sutton, whose western starring Sam Worthington, Heather Graham, and Machine Gun Kelly, premiers on December 10. 

    Roman Molino Dunn on Film/TV Composition, Snakehead, Huracán, & and Music Producing The Card Counter

    Roman Molino Dunn on Film/TV Composition, Snakehead, Huracán, & and Music Producing The Card Counter

    Roman Molino Dunn is a Billboard-charting music producer and an award-winning film and television composer. His film and television work includes scoring HBO Max’s Huracán, Ru Paul’s Drag Race, Snakehead, and music producing The Card Counter, starring Oscar Isaac, directed by Paul Schrader, and executive produced by Martin Scorsese. Roman has also worked with popular brands such as Burger King, Michael Kors, NBC, and Clinique, among many others, and is the co-founder of Mirrortone Studios in NYC.

    What you will learn:

    • ​​Roman reflects on his long journey to working on acclaimed films and television shows, starting with a classical music education as a child, learning the "language of music," and ultimately studying music theory at university. [0:00-8:02]
    • How formal music education has benefited him as a film composer and music producer. Roman also breaks down the distinction between film composers, music editors, music producers, and music engineers. [8:02-17:33]
    • Getting technical, Roman reveals the computer programs he uses for scoring and what that process is like, from making musical “sketches” based on an early read of a script to the nitty gritty of payment for his services, including payment on “the backend” of a film or recording. [17:33-28:56]
    • The benefits of collaboration when co-running his recording studio Mirrortone. How Roman got the opportunity to work with Paul Schrader on The Card Counter and what working with such acclaimed directors is like. [28:56-36:12]
    • How film directors and music supervisors work together, and the research that goes into choosing musical instruments, sounds, and tones for each project. Roman also shares his go-to harmonies and instruments for particular types of scenes, depending on the emotions the director wants to evoke in those moments. Roman further elaborates on his trajectory in becoming a film composer. [36:12-47:28]
    • Finally, Roman touches on the difference between the work performed by film composers vs. sound designers on films like Mad Max: Fury Road. [47:28-52:23]

    Resources:

    S2 EP6 Pleasure - skapandet av filmmusiken med Karl Frid (feat Pär Frid)

    S2 EP6 Pleasure - skapandet av filmmusiken med Karl Frid (feat Pär Frid)

    Välkommen till det två av samtalet med Frid och Frid. Nu går vi djupt in i skapandet av filmmusiken till hypade filmen ”Pleasure” och grabbarna kan inte hålla sig från att prata om andra teorier både inom film och livet. Plus så är "Alains fråga" tillbaka. Pleasure har regisserats av Ninja Thyberg och huvudrollen spelas av Sofia Kappel. Podcasten produceras i samarbete med Qyre och SF Anytime.

    Podcast 363: Jeff Rona

    Podcast 363: Jeff Rona

    Jeff Rona has fascinated me ever since he first appeared in Keyboard Magazine with his “The Reel World” column. It was a time when music-for-film was becoming interesting for tech-savvy musicians, and his writing fueled a lot of people’s interest in that work. With a background that includes working with Mark Isham and Hans Zimmer, Jeff has been in the mix for some of the greatest soundtracks in the last quarter century.

    In our discussion, we review his background in school (with The Dartmouth System!), programming time with Roland, playing with Jon Hassell, working with some amazing producers and then moving into film music. We also get into some of his techniques, how he likes to use particular kinds of hardware, and how he puts together the palette for a film score.

    We also talk about his solo work (as well as an upcoming release), and learn a bit about what he is doing in games and TV. We are also very excited about a third edition of The Reel World (the book) which he is wrapping up for upcoming release. You can learn about all of this, and more, at his website: https://jeffrona.com

    You can also see all of the soundtracks that he’s been credited for on his IMDB page: https://www.imdb.com/name/nm0006258/. Sheesh, what a list!

    Enjoy!

    Transcription available at http://www.darwingrosse.com/AMT/transcript-0363.html

    Exclusive extra content on the Patron page: https://www.patreon.com/darwingrosse

    The Tony & Scott Motion Picture Podcast - Episode 8

    The Tony & Scott Motion Picture Podcast - Episode 8

    On this episode of The Tony & Scott Motion Picture Podcast the guys pay tribute to and often overlooked composer - Mr Barry DeVorzon.

    From his first forays into film music right up to his 'library' cuts.

    SJ’s Barry DeVorzon sampler - https://soundcloud.com/scott-johannsson/devorzon-mix

    The T&S Pod takes a more in depth look at soundtrack pressings, variants reissues and much more!

    Find us on Twitter @tonyscottpod

    Ep. 38 - Vidjay Beerepoot: Composer for Disney

    Ep. 38 - Vidjay Beerepoot: Composer for Disney

    Are your goals big enough? Are you chasing after something that you could consider your life’s work? Or are you like me, still searching for that unique combination of awesomeness?

    Tune in either way, because today’s guest is Vidjay Beerepoot, composer for Disney and TV/Film in Hollywood. We’ll talk about how he set the right goals and chased them down with relentless persistence, setting his targets in spans of 20 years, not 20 days. It’s such excellent stuff for someone who’s as impatient as me. His story is nothing short of remarkable. He packed up and moved to LA with a dream, and now he’s making that very big dream a very big reality. 

    Follow me on Instagram: @therosspalmer

    The Art of Recording for Film: Nathan East

    The Art of Recording for Film: Nathan East
    In this week’s episode of the ArtistWorks Music Series podcast, ArtistWorks CEO Patricia Butler sits down with recording and touring bass guitar icon and ArtistWorks instructor, Nathan East, to discuss the art of recording soundtracks for film. They examine the processes and techniques used to record a film score, and how those processes differ from recording a traditional album. Nathan also recounts his recent experience recording bass for the Oscar-winning soundtrack of the Pixar animated film, “Soul.”

    Lisbeth Scott

    Lisbeth Scott

    Join Louie and Lisbeth Scott for a live musical performance and a discussion about how music has the ability to give us a sense of connection to something bigger. Scott is a singer and composer whose work has been discovered in Louie's own projects and is widely known across television and films including AVATAR, Iron Man 2, Concussion, The Chronicles of Narnia, Spiderman, HBO’s True Blood, and much much more. She has collaborated with John Williams, Hans Zimmer, and James Horner just to name a few.

    Carlson Young & Isom Innis on The Blazing World, Sundance, and Creating in a Pandemic

    Carlson Young & Isom Innis on The Blazing World, Sundance, and Creating in a Pandemic

    Carlson Young is a television and film actor, screenwriter, and director, known for her roles on Scream: The TV Series, True Blood, and Key and Peele, among many others. She made her feature length directorial debut with The Blazing World, starring Dermont Mulroney, Vanessa Shaw, and Udo Kier, which premiered at Sundance this year. Isom Innis, from the multi-platinum selling band Foster The People, scored the film. 

    What you will learn:

    • The genesis of The Blazing World story and script. 
    • How Carlson was able to find inspiration from 17th century prose to create a fantasy world infused with horror elements. 
    • What opportunities opened for Carlson after The Blazing World short film premiered at Sundance 2018, and what challenges remained as she developed the feature length version of that film. 
    • How Carlson’s personal curiosity and research about the effects of childhood trauma manifested in themes throughout The Blazing World. 
    • What casting choices she made in The Blazing World and why. 
    • The logistics of shooting an indie-film in a pandemic. 
    • How the restrictions of shooting in a pandemic affected the shoot.
    • What it was like for Carlson and Isom to work so closely scoring their first feature film together. 
    • What insights Isom gained from his experience as a multi-instrumentalist, producer, engineer, and performer and how that serves him well as a film composer. 
    • How Carlson and Isom found hope and inspiration to keep creating despite the darkness of the pandemic which sometimes made creative endeavors seem futile. 
    • What opportunities opened for Carlson after the premiere of The Blazing World feature at Sundance this year. 
    • What projects Carlson is working on now. 

    Resources:

    1.  

    Encore Interview with Anthony Willis, Film Composer for Promising Young Woman

    Encore Interview with Anthony Willis, Film Composer for Promising Young Woman

    In this “Encore Episode” we are replaying Bryan’s interview with film composer Anthony Willis, who scored the film Promising Young Woman, recorded in February of 2020 at the Sundance Film Festival in Park City, Utah. Promising Young Women recently made its theatrical (streaming) debut. We are pleased to re-release Anthony’s interview so listeners can hear about his creative process and how he used music (and silence) to set the tone and feel of such a important, powerful, compelling, and sometimes dark film. 

    ------------------------------------------------------------------

    Film composer Anthony Willis has worked on Hollywood films such as How to Train your Dragon, Solo: A Star Wars Story, Pirates of the Caribbean, Jason Bourne, Wreck it Ralph, & Despicable Me 2. Anthony’s most recent film is Emerald Fennell’s drama/thriller Promising Young Woman starring Carey Mulligan which premiered at Sundance 2020. He has also scored video games such as Fortnite. Willis grew up in London, and studied composition at Marlborough College, Wilshire and the University of Bristol, before earning a graduate degree from the University of Southern California Film School.

    What you will learn:

    • What early childhood experiences influenced him creatively.
    • How training as a chorister as a young child helped prepare him for broader musical challenges.
    • Why he decided to move to the United States to pursue film school.
    • How he works with film directors at various stages of production.
    • How he made transitioned from film school into the the world of scoring films professionally.
      What mentors helped him learn the craft, trade, and art of film composition.
    • What it was like working on big budget productions like How To Train Your Dragon, Solo: A Star Wars Story, and Despicable Me 2.
    • The challenges involved in scoring a feature film like Promising Young Woman, which crossed genres from comedy to drama to thriller.

    Resources:

    S02E05 初戀:給想做配樂家的你;的一封信 2

    S02E05 初戀:給想做配樂家的你;的一封信 2
    《搞什麼配樂》第二季 《💗初戀:給想做配樂家的你;的一封信✉️》2 夢想,就像是初戀的滋味。 初戀總是最美好, 那些粉紅泡泡,曾經的夢幻,走到現在, 看見的,是更多更廣的視野, 可能混屯,可能迷惘,但重要的始終,都是莫忘初衷。 之前有觀眾寫調查表時, 說很想聽聽主持人們是怎麼成為配樂家的👀, 於是我們這次的企劃, 就是要讓我們帥氣與迷人的主持人👨👩, 娓娓道出他們是如何「長成」配樂家的樣子吧❗️ 這次特別邀請 酸酸老師和 Mitch老師, 寫一封信給過去的自己📮, 當時才16、17歲的他們👩‍🎓👨‍🎓, 就決定要成為配樂家了呢🎵, 這次就讓我們一起來聽聽👂, 在這條路上,兩位老師們的心路歷程吧✨。

    S02E04 初戀:給想做配樂家的你;的一封信 1

    S02E04 初戀:給想做配樂家的你;的一封信 1
    《搞什麼配樂》第二季 《💗初戀:給想做配樂家的你;的一封信✉️》1 夢想,就像是初戀的滋味。 初戀總是最美好, 那些粉紅泡泡,曾經的夢幻,走到現在, 看見的,是更多更廣的視野, 可能混屯,可能迷惘,但重要的始終,都是莫忘初衷。 之前有觀眾寫調查表時, 說很想聽聽主持人們是怎麼成為配樂家的👀, 於是我們這次的企劃, 就是要讓我們帥氣與迷人的主持人👨👩, 娓娓道出他們是如何「長成」配樂家的樣子吧❗️ 這次特別邀請 酸酸老師和 Mitch老師, 寫一封信給過去的自己📮, 當時才16、17歲的他們👩‍🎓👨‍🎓, 就決定要成為配樂家了呢🎵, 這次就讓我們一起來聽聽👂, 在這條路上,兩位老師們的心路歷程吧✨。

    S02E03《樂析樂有味》新天堂樂園 3

    S02E03《樂析樂有味》新天堂樂園 3
    《搞什麼配樂》第二季 《樂析樂有味》新天堂樂園 3 接續上一經典電影:「新天堂樂園 2」, 終於來到了我們這一隻經典老片的最後一Part! 再請繼續收聽由酸酸老師與Mitch老師兩位經典搭配, 用有趣但不失專業的方式, 與您分享新天堂樂園裡面的經典配樂!1-3, 內容分析曲目為:Childhood And Manhood, 一起來聽聽兩位老師如何「開箱」這首曲子吧!

    S02E02《樂析樂有味》新天堂樂園 2

    S02E02《樂析樂有味》新天堂樂園 2
    《搞什麼配樂》第二季 《樂析樂有味》新天堂樂園 2 接續上一經典電影:「新天堂樂園」, 將近快三小時的經典老片怎麼可能一集就講完呢? 請繼續收聽由酸酸老師與Mitch老師兩位經典搭配, 用有趣但不失專業的方式, 與您分享新天堂樂園裡面的經典配樂! 1-2內容分析曲目為:Love Theme, 一起來聽聽兩位老師如何「開箱」這首曲子吧!

    S02E01《樂析樂有味》新天堂樂園 1

    S02E01《樂析樂有味》新天堂樂園 1
    《搞什麼配樂》第二季 《樂析樂有味》新天堂樂園 1 第一集就先選用經典電影老片「新天堂樂園」來帶給大家, 由酸酸老師與Mitch老師兩位經典搭配, 用有趣但不失專業的方式, 與您分享新天堂樂園裡面的經典配樂! 1-1內容分析曲目為:Cinema Paradiso, 一起來聽聽兩位老師如何「開箱」這首曲子吧!

    #143 Jeff Bond talking Bat-movie music? Oh buoy!

    #143 Jeff Bond talking Bat-movie music? Oh buoy!

    The Duo on the Buoy

    Nelson Riddle’s score for Batman, including the 1966 film Batman: The Motion Picture, features energetic, swing-influenced cues that adhere to the action like a Carl Stalling Looney Tunes score, and opera-esque motifs for each villain and each Bat-vehicle. As incidental music tends to be, it’s probably the most underappreciated aspect of the series.

    In this episode, film music commentator Jeff Bond, who wrote the liner notes for Film Score Monthly’s CD release of the Batman film’s music in 2000, joins us to talk about what Nelson Riddle brought to the Bat-table.

    Also, your response to our Julie Newmar/Eartha Kitt comparison in episode 140!

    S01E03 配樂進化論 23.Apr.2020

    S01E03 配樂進化論  23.Apr.2020
    KTOne STUDIO x BONBONMUSIC 最新直播節目【搞什麼配樂】Podcast版 🎼 1930年代座右, 影像和配樂結婚了, 糾纏了近一世紀, 配樂家和導演, 是如何相愛相殺😨 本週我們特別邀請到兩位配樂好朋友👬 其中包含了現任長榮交響樂團小提琴演奏家, 並製作【寶米恰恰】【甜蜜殺機】和【通靈少女】等作品的配樂家——楊琬茜 以及『有序音樂Texture Music』音樂總監, 並製作【初潮】、【氣】等作品的配樂家—— 吳沛綾 作曲/配樂 讓我們在本週節目, 和你一同窺探究竟, 配樂家和導演之間~ 愛的結晶進化史❤️